Yuri Brusovany Art
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Artist: Yuri Brusovany
Post Soviet Avant Garde Judaica Rabbi Playing Violin (the Klezmer Fiddler)
By Yuri Brusovany
Located in Surfside, FL
Genre: Contemporary
Subject: People
Medium: Oil
Surface: Canvas
Dimensions: 24" x 18"
Yuri Yefimovitch Brusovany was born on November, 15th 1949 in Leningrad (St. Petersburg) Russia. His father was a Jew from Gomel. His mother descended from the prominent family of Samoiloff Actors. This family was well-known all over Russia for a long time. Since 1820 names of the actors from the Samoiloffs' Dynasty never left the theatre posters. It was the largest family tree in the history of Russian scenic art. The central figure in the dynasty was V.V. Samoiloff (1834 - 1877) lived at the same time with Feodor Dostoevsky, Karl Brullov and Leo Tolstoy. V.V. Samoiloff, P.V. Samoiloff and V.A. Michurina-Samoilova were buried at the Alexander Nevsky...
Category
1990s Expressionist Yuri Brusovany Art
Materials
Canvas, Oil
Post Soviet Avant Garde RABBI, EXPRESSIONIST BLUE BACKGROUND, Yellow Star
By Yuri Brusovany
Located in Surfside, FL
Genre: Judaica
Subject: Abstract
Medium: Oil
Surface: Canvas
Country: United States
Dimensions: 24" x 16"
Yuri Yefimovitch Brusovany was born on November,15th 1949 in Leningrad (St. Petersburg). His father was a Jew from Gomel. His mother descended from the prominent family of Samoiloff Actors. This family was well-known all over Russia for a long time. Since 1820 names of the actors from the Samoiloffs' Dynasty never left the theatre posters. It was the largest family tree in the history of Russian scenic art. The central figure in the dynasty was V.V. Samoiloff (1834 - 1877) lived at the same time with Feodor Dostoevsky, Karl Brullov and Leo Tolstoy. V.V. Samoiloff, P.V. Samoiloff and V.A. Michurina-Samoilova were buried at the Alexander Nevsky...
Category
1990s Surrealist Yuri Brusovany Art
Materials
Canvas, Oil
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Toujours la Vie Recommence
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Located in Saint Amans des cots, FR
Oil on canvas by Edouard Goerg (1893-1969), France, 1958. Life is always the same. Acquired in 2017 from the personal collection of Edouard Goerg. Measurements : with frame : 62.5x53.4 cm - 24.6x21 inches, without frame : 55x46 cm - 21.7x18.1 inches, format 10F. Signed "E.Goerg" (see photo).
Preserved by the painter, then by his family since his death in 1969, this painting appeared in 2017. Entitled "Always life begins again", it is a crepuscular work. Testamentary one could say, so much the statement which is made there is definitive. The fact that he kept it until his death tends to consolidate this vision. Far from the empty looks and death faces of the rebellious era of sarcastic expressionism, the terrifying and compassionate testimony of the Spanish war, and the post-WWII flower women, we are dealing here with a a form of reasonable abdication, but honest. This idea that although everything changes, nothing changes. Changed times, actors, ideas, the same comedy occupies the society. Having given up the idea of changing the latter, Goerg accepts the fact that the only alternative is to stay there or get lost. But stay afloat with his values, completely independent, whatever the cost is.
This work is similar to La Vie Recommence of 1935, reproduced on page 54 of Gaston Diehl's book devoted to the painter (Éditions de Clermont, 1947). On the latter, the artist depicts his vision of life, from birth to death, made of hope, fear, cruelty, resignation and fatality. 23 years later, Toujours La Vie Recommence shows us the road traveled by the painter. It is no longer a matter of denunciation, but ultimately of acceptance of reality and the difficulty of staying there yourself.
The admirer of Hieronymus Bosch gives us an inspired composition. The hand of God, the only expression of physical beauty in this work, comes down from heaven to give life. Symbolically, it holds an egg that dispenses the element from which the human protagonists find their birth, and in which they move and tangle more than they impose. Beautiful allegory of society. Four characters, two women and two men evolve in this societal marigot. The man in the foreground, ruddy face, evolves with ease. His body is supple, flexible, adaptable. The woman on the left observes him with admiration. Obviously, this man is in his place and causes rapture. The right man with massive shoulders and wrapped, shows a physical maladjustment to the activity he is doing. He struggles to stay afloat, his face expresses effort, even exhaustion. But he assumes. He does with what he has, with what he is. The other woman shows him the greatest indifference. What is not the case of the demonic archangel (recurrent in the works of Bosch) with the stunted body, who leads the dance and holds this character, we understand the painter, under his control as to have fun. As this character cannot change bodies, Goerg cannot change values. He does it with. Had he not said to the critic Roger Brielle: "Independents, sensitive and just men, that's what we must strive to stay in this world in disarray". Goerg will have come to narrative expressionism to give us a balance sheet allegory of his deep self and his condition.
Édouard Goerg is one of the major artists of his generation. Coming from a Champagne family, he was born in Sidney, Australia, in 1893, during a professional stay of his father. After passing through London, he arrives in Paris at the age of seven. At twenty, between 1913 and 1914, he studieds painting at the Académie Ranson with Maurice Denis and Paul Sérusier. He travels to Italy and India. Mobilized in 1914, he is sent to Artois, then to Argonne. From 1920, he exhibits at the Salon des Independants, then at the Salon d'Automne where he joins with Laboureur. At Berthe Weil, in 1924, he participates in the exhibitions of the Gromaire group, a prelude to a series of exhibitions in Paris (Berthe Weill, Bernheim Jeune), as in Brussels (Le Centaure). Goerg illustrates books including Table of the beyond by F.Boutet. In 1928, he meets Paul Guillaume who exhibits his works in Boston and the Art Institute of Chicago. He continues to show his works, satires of the bourgeois manners, at Bernheim Jeune, then at Lucie Krogh. In 1934, he travels to Belgium and Holland where he paints surrealist paintings that will be exhibited at Jeanne Castel. In 1935-1936, he meets Aragon, who opened the doors of the houses of the cultures created by the Association of Writers and Revolutionary Artists. The Spanish war and the Second World War mark it deeply. He must protect his daughter and his Jewish women...
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La lagune à Venise, 1968-69, oil on paper laid on canvas by Jean Jansem
By Jean Jansem
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Jean Jansem (1920-2013)
La lagune à Venise, 1968-1969
Huile sur papier marouflée sur toile
Signée en bas à droite
50 x 65 cm
Bibliographie:
Cette oeuvre est enregistrée dans les archives de l’Association des Amis de Jean Jansem.
Figurera dans le catalogue critique de l’oeuvre de Jean Jansem actuellement en préparation par l’association des amis de Jean Jansem
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L’artiste a longuement séjourné à Venise, notamment à Mazzorbo et la lagune a toujours eu une place bien particulière dans l’oeuvre et le coeur de Jansem.
L’artiste y aura réalisé nombre de dessins et une trentaine de toiles seulement, dont chacune, représentation de l’eau et du ciel, est le témoin de l’imprégnation pérenne de la lumière si spécifique de la lagune dans l’oeuvre de l’artiste.
Cette œuvre est une bien belle démonstration de cette utilisation magistrale de la lumière.
Artiste français d'origine arménienne, né en 1920 en Turquie, Jansem arrive en France...
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Post Soviet Avant Garde Judaica Rabbi Playing Violin (the Klezmer Fiddler)
By Yuri Brusovany
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Yuri Yefimovitch Brusovany was born on November, 15th 1949 in Leningrad (St. Petersburg) Russia. His father was a Jew from Gomel. His mother descended from the prominent family of Samoiloff Actors. This family was well-known all over Russia for a long time. Since 1820 names of the actors from the Samoiloffs' Dynasty never left the theatre posters. It was the largest family tree in the history of Russian scenic art. The central figure in the dynasty was V.V. Samoiloff (1834 - 1877) lived at the same time with Feodor Dostoevsky, Karl Brullov and Leo Tolstoy. V.V. Samoiloff, P.V. Samoiloff and V.A. Michurina-Samoilova were buried at the Alexander Nevsky Monastery in St. Petersburg at the place where the greatest people of Russian Culture lay.
Yuri started painting in his early childhood. In 1962 - 1968 he studied at the Art School for gifted children at the Repin's Academy of Fine Art. In 1970 he became a student of Mukhina's (now, again, - Shtiglits) Academy of Decorative and Apply Art, specializing in monumental art. In 1975 he graduated from the Academy.
Yuri Brusovany had not been granted with official recognition until Perestroika. He was refused the membership in the Artists Union (altogether with the professional rights and privileges). In 1976 he joined the informal society of free artists in Leningrad (TEII). He chose the path of the decedents. Being a fierce antagonist to social realism, which was an official art theme in Soviet Union, he was pursued by the authorities, officially condemned and experienced a pressure from KGB's internal affairs...
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Post Soviet Avant Garde RABBI, EXPRESSIONIST BLUE BACKGROUND, Yellow Star
By Yuri Brusovany
Located in Surfside, FL
Genre: Judaica
Subject: Abstract
Medium: Oil
Surface: Canvas
Country: United States
Dimensions: 24" x 16"
Yuri Yefimovitch Brusovany was born on November,15th 1949 in Leningrad (St. Petersburg). His father was a Jew from Gomel. His mother descended from the prominent family of Samoiloff Actors. This family was well-known all over Russia for a long time. Since 1820 names of the actors from the Samoiloffs' Dynasty never left the theatre posters. It was the largest family tree in the history of Russian scenic art. The central figure in the dynasty was V.V. Samoiloff (1834 - 1877) lived at the same time with Feodor Dostoevsky, Karl Brullov and Leo Tolstoy. V.V. Samoiloff, P.V. Samoiloff and V.A. Michurina-Samoilova were buried at the Alexander Nevsky Monastery in St. Petersburg at the place where the greatest people of Russian Culture lay.
Yuri started painting in his early childhood. In 1962 - 1968 he studied at the Art School for gifted children at the Repin's Academy of Fine Art. In 1970 he became a student of Mukhina's (now, again, - Shtiglits) Academy of Decorative and Apply Art, specializing in monumental art. In 1975 he graduated from the Academy.
Yuri Brusovany had not been granted with official recognition until Perestroika. He was refused the membership in the Artists Union (altogether with the professional rights and privileges). In 1976 he joined the informal society of free artists in Leningrad (TEII). He chose the path of the decedents. Being a fierce antagonist to social realism, which was an official art theme in Soviet Union, he was pursued by the authorities, officially condemned and experienced a pressure from KGB's internal affairs...
Category
1990s Surrealist Yuri Brusovany Art
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Canvas, Oil
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Find a wide variety of authentic Yuri Brusovany art available for sale on 1stDibs. You can also browse by medium to find art by Yuri Brusovany in canvas, fabric, oil paint and more. Much of the original work by this artist or collective was created during the 1990s and is mostly associated with the Surrealist style. Not every interior allows for large Yuri Brusovany art, so small editions measuring 16 inches across are available. Customers who are interested in this artist might also find the work of Michael Baxte, Ernst Neizvestny, and Branko Bahunek. Yuri Brusovany art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $2,950 and tops out at $3,000, while the average work can sell for $2,975.