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How To Make Them Believable (diptych)
By Henri Venne
Located in Montreal, Quebec
My work emerges from research on memory and the remembrance of landscape, where vaporous atmospheres of evanescent recollections are illustrated. My work thus, contains ghostly and e...
Category
21st Century and Contemporary Contemporary Abstract Photography
Materials
Plexiglass, Digital
Nuit blanche à Rio 2
By Michel Piquette
Located in Montreal, Quebec
It is the luminous colours of Michel Piquette’s works that first catch the eye. His chromatic circles that stir up vision take root in an aesthetic tr...
Category
2010s Contemporary Abstract Photography
Materials
Aluminum
Plasma 5
By Laurent Lamarche
Located in Montreal, Quebec
Informed by microbiology, Laurent Lamarche’s sculptural installations and photographic production look like living unidentified microorganisms. Its narrative is ambiguous, constantly...
Category
21st Century and Contemporary Abstract Photography
Materials
Plexiglass, Digital Pigment
Longing #28
By Sonny Assu
Located in Montreal, Quebec
Four years ago, I stumbled upon the site of a log-home developer on the traditional territory of the We Wai Kai Nation, my reserve on northeastern Vancouver Island. I found it comica...
Category
2010s Contemporary Figurative Photography
Materials
Archival Pigment
Longing #2
By Sonny Assu
Located in Montreal, Quebec
Four years ago, I stumbled upon the site of a log-home developer on the traditional territory of the We Wai Kai Nation, my reserve on northeastern Vancouver Island. I found it comica...
Category
2010s Contemporary Figurative Photography
Materials
Archival Pigment
for intérieur – sang 1
By Patrick Beaulieu
Located in Montreal, Quebec
Patrick Beaulieu’s multi-disciplined practice creates finely tuned and subtle gestures that aim to re-focus our attention on the physical world that we see and experience. In convers...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Photographic Paper
for intérieur – braise 4
By Patrick Beaulieu
Located in Montreal, Quebec
Patrick Beaulieu’s multi-disciplined practice creates finely tuned and subtle gestures that aim to re-focus our attention on the physical world that we see and experience. In convers...
Category
21st Century and Contemporary Contemporary Abstract Photography
Materials
Photographic Paper
for intérieur – braise 3
By Patrick Beaulieu
Located in Montreal, Quebec
Patrick Beaulieu’s multi-disciplined practice creates finely tuned and subtle gestures that aim to re-focus our attention on the physical world that we see and experience. In convers...
Category
21st Century and Contemporary Contemporary Abstract Photography
Materials
Photographic Paper
for intérieur – braise 2
By Patrick Beaulieu
Located in Montreal, Quebec
Patrick Beaulieu’s multi-disciplined practice creates finely tuned and subtle gestures that aim to re-focus our attention on the physical world that we see and experience. In convers...
Category
21st Century and Contemporary Contemporary Abstract Photography
Materials
Photographic Paper
for intérieur – braise 1
By Patrick Beaulieu
Located in Montreal, Quebec
Patrick Beaulieu’s multi-disciplined practice creates finely tuned and subtle gestures that aim to re-focus our attention on the physical world that we see and experience. In convers...
Category
21st Century and Contemporary Contemporary Abstract Photography
Materials
Photographic Paper
for intérieur – sang 2
By Patrick Beaulieu
Located in Montreal, Quebec
Patrick Beaulieu’s multi-disciplined practice creates finely tuned and subtle gestures that aim to re-focus our attention on the physical world that we see and experience. In convers...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Photographic Paper
for intérieur – sang 3
By Patrick Beaulieu
Located in Montreal, Quebec
Patrick Beaulieu’s multi-disciplined practice creates finely tuned and subtle gestures that aim to re-focus our attention on the physical world that we see and experience. In convers...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Photographic Paper
for intérieur – sang 4
By Patrick Beaulieu
Located in Montreal, Quebec
Patrick Beaulieu’s multi-disciplined practice creates finely tuned and subtle gestures that aim to re-focus our attention on the physical world that we see and experience. In convers...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Photographic Paper
Pastiche
By Henri Venne
Located in Montreal, Quebec
My work emerges from research on memory and the remembrance of landscape, where vaporous atmospheres of evanescent recollections are illustrated. My work thus, contains ghostly and e...
Category
21st Century and Contemporary Post-Modern Abstract Photography
Materials
Plexiglass, Photographic Paper
Clouded View
By Henri Venne
Located in Montreal, Quebec
My work emerges from research on memory and the remembrance of landscape, where vaporous atmospheres of evanescent recollections are illustrated. My work thus, contains ghostly and e...
Category
21st Century and Contemporary Post-Modern Abstract Photography
Materials
Plexiglass, Photographic Paper
Another Time Undone
By Henri Venne
Located in Montreal, Quebec
My work emerges from research on memory and the remembrance of landscape, where vaporous atmospheres of evanescent recollections are illustrated. My work thus, contains ghostly and e...
Category
21st Century and Contemporary Contemporary Abstract Photography
Materials
Plexiglass, Digital
Slips Away Quietly
By Henri Venne
Located in Montreal, Quebec
My work emerges from research on memory and the remembrance of landscape, where vaporous atmospheres of evanescent recollections are illustrated. My work thus, contains ghostly and e...
Category
21st Century and Contemporary Contemporary Abstract Photography
Materials
Acrylic Polymer, Photographic Paper
The Sun Shines Cold
By Henri Venne
Located in Montreal, Quebec
My work emerges from research on memory and the remembrance of landscape, where vaporous atmospheres of evanescent recollections are illustrated. My work thus, contains ghostly and e...
Category
21st Century and Contemporary Contemporary Abstract Photography
Materials
Plexiglass, Digital
Ingrained
By Henri Venne
Located in Montreal, Quebec
My work emerges from research on memory and the remembrance of landscape, where vaporous atmospheres of evanescent recollections are illustrated. My work thus, contains ghostly and e...
Category
21st Century and Contemporary Contemporary Abstract Photography
Materials
Plexiglass, Digital
I’ve Run Right Out Of World
By Henri Venne
Located in Montreal, Quebec
My work emerges from research on memory and the remembrance of landscape, where vaporous atmospheres of evanescent recollections are illustrated. My work thus, contains ghostly and e...
Category
21st Century and Contemporary Contemporary Abstract Photography
Materials
Plexiglass, Digital
You Should Have Seen What I’ve Seen
By Henri Venne
Located in Montreal, Quebec
My work emerges from research on memory and the remembrance of landscape, where vaporous atmospheres of evanescent recollections are illustrated. My work thus, contains ghostly and e...
Category
2010s Contemporary Abstract Photography
Materials
Plexiglass, Photographic Paper
Entre nous V
By Karine Payette
Located in Montreal, Quebec
Text by Nancy Webb
It’s Saturday night and Karine Payette is in her studio. We meander into a conversation about the dog she used to have and her soft spot for German shepherds, an intensely obedient and loyal breed in a deceivingly wolf-like package. Payette’s most recent series of photographs, sculptures and video work seem to speak directly to this preoccupation with the multifaceted nature of human-animal relationships—the dialogues of control, intimacy, violence and domestication that subtly take place on an interspecies level.
Her workspace is part laboratory, part prop closet—a bowl of fur sits not far from her computer. Somehow in this bright, open, chemical-clean scented room, Payette conjures wildness. We are taken to a strange place, the borderlands of interspecies mingling. At one extreme of the animal-human dynamics scale is the stalwart compliance of a professionally trained German shepherd who responds to commands with robotic precision. Here, power is comfortably held by an off-screen voice, animality pacified by a set of linguistic prompts. At the other end of the scale is a sculpture of a human figure clad in red, sharing a languorous kiss with a wolf. The story of Little Red Riding Hood is immediately called to mind, except that here our hooded protagonist seems to have bailed on grandmother’s orders, instead opting for a forest floor make-out with her canine stalker. This taboo mise-en-scène is a brazen inquiry into the boundaries we maintain with our animal counterparts. Its scale and three-dimensionality contribute to a feeling of immersion that the artist has been courting with her work for the past several years. It feels as though you’ve just walked in on something: you are implicated and your discomfort is like an invisible mist that coats these inanimate beings.
Elsewhere in Payette’s suite of anthropomorphic works, the demarcation between species grows even fainter. A photographic series depicts the slow encroachment of fur, scales and feathers on human skin—a striking process of contamination facilitated by touch. The fusion of flesh, charcoal cat fur and a pale silky dress...
Category
21st Century and Contemporary Contemporary Figurative Photography
Materials
Photographic Paper
Entre nous IV
By Karine Payette
Located in Montreal, Quebec
Text by Nancy Webb
It’s Saturday night and Karine Payette is in her studio. We meander into a conversation about the dog she used to have and her soft spot for German shepherds, an intensely obedient and loyal breed in a deceivingly wolf-like package. Payette’s most recent series of photographs, sculptures and video work seem to speak directly to this preoccupation with the multifaceted nature of human-animal relationships—the dialogues of control, intimacy, violence and domestication that subtly take place on an interspecies level.
Her workspace is part laboratory, part prop closet—a bowl of fur sits not far from her computer. Somehow in this bright, open, chemical-clean scented room, Payette conjures wildness. We are taken to a strange place, the borderlands of interspecies mingling. At one extreme of the animal-human dynamics scale is the stalwart compliance of a professionally trained German shepherd who responds to commands with robotic precision. Here, power is comfortably held by an off-screen voice, animality pacified by a set of linguistic prompts. At the other end of the scale is a sculpture of a human figure clad in red, sharing a languorous kiss with a wolf. The story of Little Red Riding Hood is immediately called to mind, except that here our hooded protagonist seems to have bailed on grandmother’s orders, instead opting for a forest floor make-out with her canine stalker. This taboo mise-en-scène is a brazen inquiry into the boundaries we maintain with our animal counterparts. Its scale and three-dimensionality contribute to a feeling of immersion that the artist has been courting with her work for the past several years. It feels as though you’ve just walked in on something: you are implicated and your discomfort is like an invisible mist that coats these inanimate beings.
Elsewhere in Payette’s suite of anthropomorphic works, the demarcation between species grows even fainter. A photographic series depicts the slow encroachment of fur, scales and feathers on human skin—a striking process of contamination facilitated by touch. The fusion of flesh, charcoal cat fur and a pale silky dress...
Category
21st Century and Contemporary Contemporary Figurative Photography
Materials
Photographic Paper
Entre nous II
By Karine Payette
Located in Montreal, Quebec
Text by Nancy Webb
It’s Saturday night and Karine Payette is in her studio. We meander into a conversation about the dog she used to have and her soft spot for German shepherds, an intensely obedient and loyal breed in a deceivingly wolf-like package. Payette’s most recent series of photographs, sculptures and video work seem to speak directly to this preoccupation with the multifaceted nature of human-animal relationships—the dialogues of control, intimacy, violence and domestication that subtly take place on an interspecies level.
Her workspace is part laboratory, part prop closet—a bowl of fur sits not far from her computer. Somehow in this bright, open, chemical-clean scented room, Payette conjures wildness. We are taken to a strange place, the borderlands of interspecies mingling. At one extreme of the animal-human dynamics scale is the stalwart compliance of a professionally trained German shepherd who responds to commands with robotic precision. Here, power is comfortably held by an off-screen voice, animality pacified by a set of linguistic prompts. At the other end of the scale is a sculpture of a human figure clad in red, sharing a languorous kiss with a wolf. The story of Little Red Riding Hood is immediately called to mind, except that here our hooded protagonist seems to have bailed on grandmother’s orders, instead opting for a forest floor make-out with her canine stalker. This taboo mise-en-scène is a brazen inquiry into the boundaries we maintain with our animal counterparts. Its scale and three-dimensionality contribute to a feeling of immersion that the artist has been courting with her work for the past several years. It feels as though you’ve just walked in on something: you are implicated and your discomfort is like an invisible mist that coats these inanimate beings.
Elsewhere in Payette’s suite of anthropomorphic works, the demarcation between species grows even fainter. A photographic series depicts the slow encroachment of fur, scales and feathers on human skin—a striking process of contamination facilitated by touch. The fusion of flesh, charcoal cat fur and a pale silky dress...
Category
21st Century and Contemporary Contemporary Figurative Photography
Materials
Photographic Paper
Entre nous I
By Karine Payette
Located in Montreal, Quebec
Text by Nancy Webb
It’s Saturday night and Karine Payette is in her studio. We meander into a conversation about the dog she used to have and her soft spot for German shepherds, an intensely obedient and loyal breed in a deceivingly wolf-like package. Payette’s most recent series of photographs, sculptures and video work seem to speak directly to this preoccupation with the multifaceted nature of human-animal relationships—the dialogues of control, intimacy, violence and domestication that subtly take place on an interspecies level.
Her workspace is part laboratory, part prop closet—a bowl of fur sits not far from her computer. Somehow in this bright, open, chemical-clean scented room, Payette conjures wildness. We are taken to a strange place, the borderlands of interspecies mingling. At one extreme of the animal-human dynamics scale is the stalwart compliance of a professionally trained German shepherd who responds to commands with robotic precision. Here, power is comfortably held by an off-screen voice, animality pacified by a set of linguistic prompts. At the other end of the scale is a sculpture of a human figure clad in red, sharing a languorous kiss with a wolf. The story of Little Red Riding Hood is immediately called to mind, except that here our hooded protagonist seems to have bailed on grandmother’s orders, instead opting for a forest floor make-out with her canine stalker. This taboo mise-en-scène is a brazen inquiry into the boundaries we maintain with our animal counterparts. Its scale and three-dimensionality contribute to a feeling of immersion that the artist has been courting with her work for the past several years. It feels as though you’ve just walked in on something: you are implicated and your discomfort is like an invisible mist that coats these inanimate beings.
Elsewhere in Payette’s suite of anthropomorphic works, the demarcation between species grows even fainter. A photographic series depicts the slow encroachment of fur, scales and feathers on human skin—a striking process of contamination facilitated by touch. The fusion of flesh, charcoal cat fur and a pale silky dress...
Category
21st Century and Contemporary Contemporary Figurative Photography
Materials
Photographic Paper
Pain Killer
By Karine Giboulo
Located in Montreal, Quebec
Karine Giboulo creates colourful miniature worlds in which depictions of reality and flights of fantasy mingle. Her intricate sculpted scenes use pathos and humour to comment on the ...
Category
21st Century and Contemporary Contemporary Figurative Photography
Materials
Photographic Paper
Nothing of This Remains
By Henri Venne
Located in Montreal, Quebec
It is within the locality of the dream where we are at once sentient of ourselves within a multitude of reflections. The momentary awareness of self reveals transitions between those...
Category
21st Century and Contemporary Abstract Abstract Photography
Materials
Metal
Alter / Altered
By Henri Venne
Located in Montreal, Quebec
It is within the locality of the dream where we are at once sentient of ourselves within a multitude of reflections. The momentary awareness of self reveals transitions between those...
Category
21st Century and Contemporary Abstract Abstract Photography
Materials
Metal
Seems the Sun Has Gone too Soon
By Henri Venne
Located in Montreal, Quebec
It is within the locality of the dream where we are at once sentient of ourselves within a multitude of reflections. The momentary awareness of self reveals transitions between those...
Category
21st Century and Contemporary Abstract Abstract Photography
Materials
Plexiglass, Digital
Étendue: Hommage à Charles Gagnon
By Henri Venne
Located in Montreal, Quebec
It is within the locality of the dream where we are at once sentient of ourselves within a multitude of reflections. The momentary awareness of self reveals transitions between those...
Category
21st Century and Contemporary Abstract Abstract Photography
Materials
Enamel
(Depth of) field 2
By Henri Venne
Located in Montreal, Quebec
It is within the locality of the dream where we are at once sentient of ourselves within a multitude of reflections. The momentary awareness of self reveals transitions between those...
Category
21st Century and Contemporary Abstract Abstract Photography
Materials
Enamel
Waiting for the Colour of Spring
By Henri Venne
Located in Montreal, Quebec
A viewer standing in front of the work of Henri Venne might feel simultaneously at home and confused. A seamless merging of photographic and painterly elements, Venne's images at onc...
Category
21st Century and Contemporary Abstract Abstract Photography
Materials
Plexiglass, Digital
Somewhere in Between (View from the Window)
By Henri Venne
Located in Montreal, Quebec
A viewer standing in front of the work of Henri Venne might feel simultaneously at home and confused. A seamless merging of photographic and painterly elements, Venne's images at onc...
Category
21st Century and Contemporary Abstract Abstract Photography
Materials
Plexiglass, Digital
Paysages approximatifs (diptych)
By Henri Venne
Located in Montreal, Quebec
A viewer standing in front of the work of Henri Venne might feel simultaneously at home and confused. A seamless merging of photographic and painterly elements, Venne's images at onc...
Category
21st Century and Contemporary Abstract Abstract Photography
Materials
Plexiglass, Digital
Golden Haze
By Henri Venne
Located in Montreal, Quebec
A viewer standing in front of the work of Henri Venne might feel simultaneously at home and confused. A seamless merging of photographic and painterly elements, Venne's images at onc...
Category
21st Century and Contemporary Abstract Abstract Photography
Materials
Plexiglass, Digital
Almost Paradise
By Holly King
Located in Montreal, Quebec
Holly King’s photographs draw from memories of landscapes, and reference film, art and literature. Her images are cinematic and striking, seemingly rea...
Category
21st Century and Contemporary Contemporary Landscape Photography
Materials
Photographic Paper
Reflections Tantalize
By Holly King
Located in Montreal, Quebec
Holly King’s photographs draw from memories of landscapes, and reference film, art and literature. Her images are cinematic and striking, seemingly rea...
Category
21st Century and Contemporary Contemporary Landscape Photography
Materials
Photographic Paper
Ascent to the Edge
By Holly King
Located in Montreal, Quebec
Holly King’s photographs draw from memories of landscapes, and reference film, art and literature. Her images are cinematic and striking, seemingly rea...
Category
21st Century and Contemporary Contemporary Landscape Photography
Materials
Photographic Paper
Pathway to an Illusion
By Holly King
Located in Montreal, Quebec
Holly King’s photographs draw from memories of landscapes, and reference film, art and literature. Her images are cinematic and striking, seemingly rea...
Category
21st Century and Contemporary Contemporary Landscape Photography
Materials
Photographic Paper
Quiet Monument
By Holly King
Located in Montreal, Quebec
Holly King’s photographs draw from memories of landscapes, and reference film, art and literature. Her images are cinematic and striking, seemingly rea...
Category
21st Century and Contemporary Contemporary Photography
Materials
Photographic Paper
Scenic Delirium
By Holly King
Located in Montreal, Quebec
Holly King’s photographs draw from memories of landscapes, and reference film, art and literature. Her images are cinematic and striking, seemingly rea...
Category
21st Century and Contemporary Contemporary Landscape Photography
Materials
Photographic Paper
Nuit blanche à Chicago
By Michel Piquette
Located in Montreal, Quebec
It is the luminous colours of Michel Piquette’s works that first catch the eye. His chromatic circles that stir up vision take root in an aesthetic tradition a few decades old alread...
Category
2010s Contemporary Abstract Photography
Materials
Aluminum
Berlin
By Michel Piquette
Located in Montreal, Quebec
Michel Piquette: chromatic cities
By Anaïs Castro
It is the luminous colours of Michel Piquette’s works that first catch the eye. His chromatic circles that stir up vision take ...
Category
21st Century and Contemporary Abstract Abstract Photography
Materials
Aluminum
Now look at Barack Obama and Bill Cosby
By Bevan Ramsay
Located in Montreal, Quebec
Beyond Sociology: The Act of Seeing a Person
Text by Edwin Janzen
It is hardly surprising that in our society perceptions of homeless persons remain two-dimensional, stereotypical, inadequate. Even for the rare administration tackling the problems of homelessness in an effective, meaningful way, the homeless person’s humanity is buried beneath a mountain of endless statistical markers: mental illness, substance abuse, soup-kitchen attendance, etc. The enormous negativity lingering about the resultant profile permits scant room for other, arguably important accoutrements of the human experience—character, emotion, intellect, beauty, relationship to divinity—and leaves homeless persons basically where they already are: on the street, the objects of middle-class loathing or pity.
Struck by this depressing determinism, artist Bevan Ramsay set out to cast portrait busts of homeless persons (one woman, the others men), producing an edition in fine, white statuary Hydrocal plaster mounted on mahogany bases. These portraits, titled Lesser Gods...
Category
21st Century and Contemporary Contemporary Figurative Photography
Materials
Plaster
World Beyond the Water
By Holly King
Located in Montreal, Quebec
Text by Amber Berson
Canadian photographer Holly King’s Mangrove series is an investigation into the artist’s own subconscious. The photographs border on the uncanny, although never uncomfortably so. Instead, her preternatural compositions engage the viewer’s curiosity – the viewer is not sure how to approach, and yet is drawn to do so. At times the images are reflective, occasionally disquieting and always thought provoking. The twisted roots of the mangrove forests that form the base of this series provide an entry point for an investigation into the shadowy parts of the artist’s imagination.
The differences between what we know to be real and what we perceive as real are often slight. The work of Holly King stems from an attempt to prevail over the uncharted territory of both her imagination and that which is perceived as true. In her creations, King endeavours to understand her subconscious mindscape as manifested through photographs recalling actual landscapes.
This new series, stemming from earlier pieces also focused on roots, reflects King’s interest in drawing, in the linear subject and in geometric abstraction. It is a move away from previous series – despite the photographic medium in which King works, her oeuvre has contained a certain painterly quality. These new photographs tend to melt into themselves, drawing the viewer in and letting the imagination drift. The Mangrove series causes the viewer to approach with at a slower pace, to investigate deeply into the darker nooks and crannies and to attempt to find reason within a work that so clearly plays with our understanding of real and imaginary.
Nothing is incidental in King’s photographs...
Category
21st Century and Contemporary Contemporary Landscape Photography
Materials
Photographic Paper
Heavenly Invitation
By Holly King
Located in Montreal, Quebec
Text by Amber Berson
Canadian photographer Holly King’s Mangrove series is an investigation into the artist’s own subconscious. The photographs border on the uncanny, although never uncomfortably so. Instead, her preternatural compositions engage the viewer’s curiosity – the viewer is not sure how to approach, and yet is drawn to do so. At times the images are reflective, occasionally disquieting and always thought provoking. The twisted roots of the mangrove forests that form the base of this series provide an entry point for an investigation into the shadowy parts of the artist’s imagination.
The differences between what we know to be real and what we perceive as real are often slight. The work of Holly King stems from an attempt to prevail over the uncharted territory of both her imagination and that which is perceived as true. In her creations, King endeavours to understand her subconscious mindscape as manifested through photographs recalling actual landscapes.
This new series, stemming from earlier pieces also focused on roots, reflects King’s interest in drawing, in the linear subject and in geometric abstraction. It is a move away from previous series – despite the photographic medium in which King works, her oeuvre has contained a certain painterly quality. These new photographs tend to melt into themselves, drawing the viewer in and letting the imagination drift. The Mangrove series causes the viewer to approach with at a slower pace, to investigate deeply into the darker nooks and crannies and to attempt to find reason within a work that so clearly plays with our understanding of real and imaginary.
Nothing is incidental in King’s photographs, yet it is not always manipulated. King’s process often involves the use of maquettes – not digital manipulation of the images – creating an eerily surreal image that seem both familiar and strange. Her photos go beyond setting up the angle and vantage point of the shot; they force us to try to see things as the artist does by their very nature. In her own way, King follows in the footsteps of other notable Canadian landscape artists...
Category
21st Century and Contemporary Contemporary Landscape Photography
Materials
Photographic Paper
Luminous
By Holly King
Located in Montreal, Quebec
Text by Amber Berson
Canadian photographer Holly King’s Mangrove series is an investigation into the artist’s own subconscious. The photographs border on the uncanny, although never uncomfortably so. Instead, her preternatural compositions engage the viewer’s curiosity – the viewer is not sure how to approach, and yet is drawn to do so. At times the images are reflective, occasionally disquieting and always thought provoking. The twisted roots of the mangrove forests that form the base of this series provide an entry point for an investigation into the shadowy parts of the artist’s imagination.
The differences between what we know to be real and what we perceive as real are often slight. The work of Holly King stems from an attempt to prevail over the uncharted territory of both her imagination and that which is perceived as true. In her creations, King endeavours to understand her subconscious mindscape as manifested through photographs recalling actual landscapes.
This new series, stemming from earlier pieces also focused on roots, reflects King’s interest in drawing, in the linear subject and in geometric abstraction. It is a move away from previous series – despite the photographic medium in which King works, her oeuvre has contained a certain painterly quality. These new photographs tend to melt into themselves, drawing the viewer in and letting the imagination drift. The Mangrove series causes the viewer to approach with at a slower pace, to investigate deeply into the darker nooks and crannies and to attempt to find reason within a work that so clearly plays with our understanding of real and imaginary.
Nothing is incidental in King’s photographs, yet it is not always manipulated. King’s process often involves the use of maquettes – not digital manipulation of the images – creating an eerily surreal image that seem both familiar and strange. Her photos go beyond setting up the angle and vantage point of the shot; they force us to try to see things as the artist does by their very nature. In her own way, King follows in the footsteps of other notable Canadian landscape artists...
Category
Early 2000s Contemporary Landscape Photography
Materials
Photographic Paper
$2,400
Lighthouse
By Holly King
Located in Montreal, Quebec
King creates large format photographic landscapes in her studio with sculptural props and painted backdrops. She is interested in the tension between artifice and constructed realiti...
Category
21st Century and Contemporary Contemporary Landscape Photography
Materials
Photographic Paper
Shipwreck
By Holly King
Located in Montreal, Quebec
King creates large format photographic landscapes in her studio with sculptural props and painted backdrops. She is interested in the tension between artifice and constructed realiti...
Category
21st Century and Contemporary Contemporary Landscape Photography
Materials
Photographic Paper
Into the Mist
By Holly King
Located in Montreal, Quebec
Text by Marsha Taichman
Holly King’s photographs draw from memories of landscapes, and reference film, art and literature. Her images are cinematic ...
Category
2010s Contemporary Landscape Photography
Materials
Photographic Paper
Cliff with Vines
By Holly King
Located in Montreal, Quebec
King creates large format photographic landscapes in her studio with sculptural props and painted backdrops. She is interested in the tension between artifice and constructed realiti...
Category
21st Century and Contemporary Contemporary Landscape Photography
Materials
Photographic Paper
Crowned Seascape
By Holly King
Located in Montreal, Quebec
King creates large format photographic landscapes in her studio with sculptural props and painted backdrops. She is interested in the tension between artifice and constructed realiti...
Category
2010s Contemporary Landscape Photography
Materials
Photographic Paper
Chalk Shoreline
By Holly King
Located in Montreal, Quebec
King creates large format photographic landscapes in her studio with sculptural props and painted backdrops. She is interested in the tension between artifice and constructed realiti...
Category
21st Century and Contemporary Contemporary Landscape Photography
Materials
Photographic Paper
Tree and Fields
By Holly King
Located in Montreal, Quebec
King creates large format photographic landscapes in her studio with sculptural props and painted backdrops. She is interested in the tension between artifice and constructed realiti...
Category
21st Century and Contemporary Contemporary Landscape Photography
Materials
Photographic Paper
Spiral Water
By Holly King
Located in Montreal, Quebec
King creates large format photographic landscapes in her studio with sculptural props and painted backdrops. She is interested in the tension between artifice and constructed realiti...
Category
21st Century and Contemporary Contemporary Landscape Photography
Materials
Photographic Paper
Arch and Sea 2
By Holly King
Located in Montreal, Quebec
King creates large format photographic landscapes in her studio with sculptural props and painted backdrops. She is interested in the tension between artifice and constructed realiti...
Category
21st Century and Contemporary Contemporary Landscape Photography
Materials
Photographic Paper
Beach and Cliffside
By Holly King
Located in Montreal, Quebec
King creates large format photographic landscapes in her studio with sculptural props and painted backdrops. She is interested in the tension between artifice and constructed realiti...
Category
21st Century and Contemporary Contemporary Landscape Photography
Materials
Photographic Paper
Basalt Cliff
By Holly King
Located in Montreal, Quebec
King creates large format photographic landscapes in her studio with sculptural props and painted backdrops. She is interested in the tension between artifice and constructed realiti...
Category
21st Century and Contemporary Contemporary Landscape Photography
Materials
Photographic Paper
Still life #8
By Holly King
Located in Montreal, Quebec
Holly King creates large format photographic landscapes in her studio with sculptural props and painted backdrops. She is interested in the tension between artifice and constructed r...
Category
2010s Contemporary Landscape Photography
Materials
C Print
Still life #7
By Holly King
Located in Montreal, Quebec
Holly King creates large format photographic landscapes in her studio with sculptural props and painted backdrops. She is interested in the tension between artifice and constructed r...
Category
2010s Contemporary Landscape Photography
Materials
C Print
