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Untitled (10 Charm Bracelet, Mixed)
By Colleen Wolstenholme
Located in Montreal, Quebec
I have been taking impressions of pills and creating a pill archive where pills are cast in silver and/or gold since 1995. At that time I was given pills as an answer to something th...
Category
2010s Contemporary Figurative Sculptures
Materials
Silver
Agrafeuse
By Eric Lamontagne
Located in Montreal, Quebec
Lamontagne has an interest for the conflicting relationship that exists between the end of the landscape and its contemplation, as well as for the so-called death of painting. The pa...
Category
2010s Contemporary Figurative Sculptures
Materials
Canvas, Acrylic
Gallon de démesure
By Eric Lamontagne
Located in Montreal, Quebec
Lamontagne has an interest for the conflicting relationship that exists between the end of the landscape and its contemplation, as well as for the so-called death of painting. The pa...
Category
2010s Contemporary Figurative Sculptures
Materials
Canvas, Acrylic
Enfoncer le clou
By Eric Lamontagne
Located in Montreal, Quebec
Lamontagne has an interest for the conflicting relationship that exists between the end of the landscape and its contemplation, as well as for the so-called death of painting. The pa...
Category
2010s Contemporary Figurative Sculptures
Materials
Canvas, Acrylic
Ecofact 3
By Laurent Lamarche
Located in Montreal, Quebec
When Laurent Lamarche reflects on the concept of origin, he thinks in terms of traces. His vision goes at once forward and backward, knitting together yesterday and tomorrow – thus e...
Category
2010s Abstract Abstract Sculptures
Materials
Nylon
Attention au bouchon et au cul de la bouteille
Located in Montreal, Quebec
“Humour is the courtesy of despair .”
Chris Marker
Pierre Laroche’s interest delves into established codes and symbolic constructions associated with t...
Category
2010s Contemporary Abstract Sculptures
Materials
Fabric, Nylon, Glass
Fossile petri 12
By Laurent Lamarche
Located in Montreal, Quebec
When Laurent Lamarche reflects on the concept of origin, he thinks in terms of traces. His vision goes at once forward and backward, knitting together yesterday and tomorrow – thus e...
Category
2010s Abstract Abstract Sculptures
Materials
Metal
Ecofact 2
By Laurent Lamarche
Located in Montreal, Quebec
When Laurent Lamarche reflects on the concept of origin, he thinks in terms of traces. His vision goes at once forward and backward, knitting together yesterday and tomorrow – thus e...
Category
2010s Abstract Abstract Sculptures
Materials
Nylon
Multiply Connected Triangle I
By Colleen Wolstenholme
Located in Montreal, Quebec
In Hyperobjects, Nova Scotia-based artist Colleen Wolstenholme presents works that developed from her earlier drawings of brain cell patterns and her interest in the way consciousnes...
Category
2010s Abstract Abstract Sculptures
Materials
Metal
Multiply Connected Triangle II
By Colleen Wolstenholme
Located in Montreal, Quebec
By Sophie Lynch
In Hyperobjects, Nova Scotia-based artist Colleen Wolstenholme presents works that developed from her earlier drawings of brain cell patterns and her interest in t...
Category
21st Century and Contemporary Abstract Abstract Sculptures
Materials
Metal
Untitled (9 Charm Bracelet)
By Colleen Wolstenholme
Located in Montreal, Quebec
I have been taking impressions of pills and creating a pill archive where pills are cast in silver and/or gold since 1995. At that time I was given pills as an answer to something th...
Category
21st Century and Contemporary Contemporary Sculptures
Materials
Silver
Untitled (8 Prozac bracelet)
By Colleen Wolstenholme
Located in Montreal, Quebec
In the mid-1990s, Wolstenholme began casting anti-depressants and anti-anxiety medications, such as Zoloft, Paxil, Valium and Dexedrine, in sterling silver. These were made into pend...
Category
21st Century and Contemporary Contemporary Sculptures
Materials
Gold
Untitled (11 charm necklace)
By Colleen Wolstenholme
Located in Montreal, Quebec
I have been taking impressions of pills and creating a pill archive where pills are cast in silver and/or gold since 1995. At that time I was given pills as an answer to something th...
Category
21st Century and Contemporary Contemporary Sculptures
Materials
Silver
À géométrie variables
By Karine Payette
Located in Montreal, Quebec
Working primarily in the medium of installation, but also that of photography and video, Karine Payette creates fictional environments that function as freeze frames in which narratives are suspended.
In her work, she uses everyday objects to construct extensive dream-like scenes in a hyperrealist manner. These mises-en-scène serve to hint at a potential narrative which evokes the precariousness of our surrounding world. Through the playful use of everyday objects that are transposed into extraordinary situations, she craftily toys with our vision of things, so as to stimulate reflection about the instability of the materials and forms which are part of our living environments. She questions notions of comfort and displeasure in a perpetually transforming world.
Karine Payette, who holds a MFA from UQAM, lives and works in Montreal. Her works have been displayed in solo exhibitions, notably at the Galerie de l’UQAM (Confort instable, 2012) and at Le lieu, Centre en art actuel in Quebec City (L’autre dimanche matin...
Category
21st Century and Contemporary Abstract Abstract Sculptures
Materials
Metal
Happy Meal
By Zeke Moores
Located in Montreal, Quebec
Text by Michelle Cantin-Reid
The common object reconstructed through skilful assembly and technique; casted, welded, and chased metal forms; almost perfect doppelgangers of the originals, this is how Zeke Moores’ work appears. Upon closer consideration, the materiality of these pieces comes to light. Deceivingly close to the real thing, they greatly diverge from the original.
From chromed steel Trashcans to the reconstructed Port-O-Potty made from cast aluminum and nickel-plated steel, Moores uses metalsmithing techniques to render his sculptures, usurping of the traditional modes of mass production as well as the disposable materiality that we associate with these objects. In his work, mechanised assembly line production and objects made to be thrown out or forgotten become a craftsman’s labour of love. As the disposable dejected everyday object is taken from the street and placed into the gallery, our use and imposition of a hierarchy on objects becomes apparent. However, it also speaks of the amount of work no longer done by people or often done by a series of anonymous workers in a repetitive but carefully choreographed dance with machines. We approach very differently a practical or a mass-produced object and one that is crafted.
These works also celebrate those objects designed for practical but not specifically aesthetic purposes. The imposition of a new materiality gives them durability and in the case of bronze casts or chrome plating a superficial prestige. Sitting in a gallery contemplated and beheld, the cast bronze Barrier is not unlike a monument or a statue. Though, these nobler materials are not wherein the beauty lies. Happy Meal...
Category
21st Century and Contemporary Post-Modern Sculptures
Materials
Steel
Une silhouette emballée (Madame Choui)
By Jean-Robert Drouillard
Located in Montreal, Quebec
Jean-Robert Drouillard’s practice has its genesis in a background of studies in literature and writing. He is a member of the artist collective la Coop Le Bloc5, an artist-run collec...
Category
2010s Contemporary Figurative Sculptures
Materials
Textile, Wood
Une silhouette emballée (Rosalie)
By Jean-Robert Drouillard
Located in Montreal, Quebec
Jean-Robert Drouillard’s practice has its genesis in a background of studies in literature and writing. He is a member of the artist collective la Coop Le Bloc5, an artist-run collec...
Category
2010s Contemporary Figurative Sculptures
Materials
Textile, Wood
Hunter #1
Located in Montreal, Quebec
Nicholas Crombach is currently an artist in residence at The Florence Trust in London, UK. Crombach graduated from OCAD University’s Sculpture and Installation program in 2012. He h...
Category
2010s Contemporary Figurative Sculptures
Materials
Plaster
Hunter #2
Located in Montreal, Quebec
Nicholas Crombach has a BFA from OCAD University with a major in Sculpture and Installation. In 2016-17 he participated in a year-long studio residency at The Florence Trust in Londo...
Category
2010s Contemporary Figurative Sculptures
Materials
Plaster
Bird Watcher
Located in Montreal, Quebec
Nicholas Crombach has a BFA from OCAD University with a major in Sculpture and Installation. In 2016-17 he participated in a year-long studio residency at The Florence Trust in Londo...
Category
2010s Contemporary Figurative Sculptures
Materials
Plaster
Victim
Located in Montreal, Quebec
Nicholas Crombach has a BFA from OCAD University with a major in Sculpture and Installation. In 2016-17 he participated in a year-long studio residency at The Florence Trust in Londo...
Category
2010s Contemporary Figurative Sculptures
Materials
Plaster
Teddy
Located in Montreal, Quebec
Nicholas Crombach has a BFA from OCAD University with a major in Sculpture and Installation. In 2016-17 he participated in a year-long studio residency at The Florence Trust in Londo...
Category
2010s Contemporary Figurative Sculptures
Materials
Plaster
Squirrel Skin
Located in Montreal, Quebec
Nicholas Crombach has a BFA from OCAD University with a major in Sculpture and Installation. In 2016-17 he participated in a year-long studio residency at The Florence Trust in Londo...
Category
2010s Contemporary Figurative Sculptures
Materials
Resin, Paint
Canevas
By Karine Payette
Located in Montreal, Quebec
Text by Nancy Webb
It’s Saturday night and Karine Payette is in her studio. We meander into a conversation about the dog she used to have and her soft spot for German shepherds, an intensely obedient and loyal breed in a deceivingly wolf-like package. Payette’s most recent series of photographs, sculptures and video work seem to speak directly to this preoccupation with the multifaceted nature of human-animal relationships—the dialogues of control, intimacy, violence and domestication that subtly take place on an interspecies level.
Her workspace is part laboratory, part prop closet—a bowl of fur sits not far from her computer. Somehow in this bright, open, chemical-clean scented room, Payette conjures wildness. We are taken to a strange place, the borderlands of interspecies mingling. At one extreme of the animal-human dynamics scale is the stalwart compliance of a professionally trained German shepherd who responds to commands with robotic precision. Here, power is comfortably held by an off-screen voice, animality pacified by a set of linguistic prompts. At the other end of the scale is a sculpture of a human figure clad in red, sharing a languorous kiss with a wolf. The story of Little Red Riding Hood is immediately called to mind, except that here our hooded protagonist seems to have bailed on grandmother’s orders, instead opting for a forest floor make-out with her canine stalker. This taboo mise-en-scène is a brazen inquiry into the boundaries we maintain with our animal counterparts. Its scale and three-dimensionality contribute to a feeling of immersion that the artist has been courting with her work for the past several years. It feels as though you’ve just walked in on something: you are implicated and your discomfort is like an invisible mist that coats these inanimate beings.
Elsewhere in Payette’s suite of anthropomorphic works, the demarcation between species grows even fainter. A photographic series depicts the slow encroachment of fur, scales and feathers on human skin—a striking process of contamination facilitated by touch. The fusion of flesh, charcoal cat fur and a pale silky dress...
Category
21st Century and Contemporary Contemporary Figurative Sculptures
Materials
Silicone, Mixed Media, Acrylic
Pain killer (jaune)
By Karine Giboulo
Located in Montreal, Quebec
In 2015, I made a series of sculptures called "HYPERland" illustrating the utopia promised by the "liberal democracy" and the dystopia that is rather created by the market and financ...
Category
2010s Contemporary Figurative Sculptures
Materials
Clay, Glass, Acrylic, Polymer
Pain killer (bleu)
By Karine Giboulo
Located in Montreal, Quebec
In 2015, I made a series of sculptures called "HYPERland" illustrating the utopia promised by the "liberal democracy" and the dystopia that is rather created by the market and financ...
Category
2010s Contemporary Figurative Sculptures
Materials
Clay, Glass, Acrylic, Polymer
Pain Killer (rouge)
By Karine Giboulo
Located in Montreal, Quebec
In 2015, I made a series of sculptures called "HYPERland" illustrating the utopia promised by the "liberal democracy" and the dystopia that is rather created by the market and financ...
Category
2010s Contemporary Figurative Sculptures
Materials
Glass, Acrylic, Polymer
Predator, Prey & Victim
Located in Montreal, Quebec
Nicholas Crombach is currently an artist in residence at The Florence Trust in London, UK. Crombach graduated from OCAD University’s Sculpture and Installation program in 2012. He h...
Category
2010s Contemporary Figurative Sculptures
Materials
Animal Skin, Resin, Acrylic
Still Life
Located in Montreal, Quebec
Nicholas Crombach graduated from OCAD University’s Sculpture and Installation program in 2012. He has been awarded the Hayden Davies Memorial Award, Samuel Lazar Kagan Award, Abraham and Malka Green Award, and a BMO 1st Art Nomination. His work has been seen at Word On The Street, Katharine Mulherin Contemporary Art Projects, the Al Green...
Category
21st Century and Contemporary Abstract Abstract Sculptures
Materials
Ceramic, Resin, Wood, Acrylic
Unnamed
Located in Montreal, Quebec
Nicholas Crombach graduated from OCAD University’s Sculpture and Installation program in 2012. He has been awarded the Hayden Davies Memorial Award, Samuel Lazar Kagan Award, Abraham...
Category
2010s Contemporary Figurative Sculptures
Materials
Resin, Paint
Three In the Tree
By Clint Neufeld
Located in Montreal, Quebec
Clint Neufeld was born and raised in small town Saskatchewan. Prior to pursuing a career in art, Neufeld spent three years with the Canadian military, which included a deployment to ...
Category
2010s Contemporary Figurative Sculptures
Materials
Porcelain
Rosy Toploader
By Clint Neufeld
Located in Montreal, Quebec
Clint Neufeld was born and raised in small town Saskatchewan. Prior to pursuing a career in art, Neufeld spent three years with the Canadian military, which included a deployment to ...
Category
2010s Contemporary Figurative Sculptures
Materials
Porcelain
Bough Laden with Fluorescent Orange
By Shayne Dark
Located in Montreal, Quebec
In 1914, a group of intrepid young men set forth into the northern wilderness with the ambition to document the uncharted territory of the Canadian collective unconscious. Their medium was that of sketchbooks and paint, and with these they rendered a vast and previously unknowable landscape into a tangible national identity. One could call their distinct style picturesque, as it cohered to many of the attributes prescribed by 18th century thinker William Gilpen – for capturing nature so as to make it both palatable and empowering for the viewer. During the romantic period in Europe, certain visual tropes emphasized the beauty of the natural landscape despite the rapid advancements of industrialism. As such, the picturesque, when applied properly, enabled the viewer to apprehend and revel in the vastness of change and opportunity with which they were presently confronted.
It is at a similar juncture that we contemplate the works of contemporary sculptor and installation artist Shayne Dark, who’s large scale arborescent schemes present a striking encapsulation of both the magnitude as well as the limits of our natural resources. In an age where the re-assessment of our modes of production and consumption has become a main constituent of our identity, his work serves as a potent reminder of this position’s precarity. One piece resembling a cluster of branches, for example, balances in a tenuous fashion, relying on the equal distribution of weight among all its parts to stay upright. In another work, the boughs extend upwards from a base so small it threatens to tip over. As opposed to the romantic and idealized conceptions of a nature as realized in the compositions of the Group of Seven, Dark, by working in the industrial material of hot forged steel, acknowledges the imprint of the human hand on our surroundings.
As art critic and theorist Rosalind Krauss...
Category
21st Century and Contemporary Abstract Abstract Sculptures
Materials
Metal
Sommeil
By Guillaume Lachapelle
Located in Montreal, Quebec
Guillaume Lachapelle’s artistic practice is shaped predominantly by sculpture, expressed in the form of installations and detailed miniature models. Lachapelle presents playful universes which combine objects of undetermined purpose; in this way, he opens the conventions of our reality to fresh disposition. The architecture of his models – which Lachapelle has recently begun to make with the help of the latest 3-D printing technology – shows motifs originating from the everyday, certainly, but seeming strange, alienating or even uncanny when combined as the artist chooses. A kind of transition between two worlds often appears in Lachapelle’s work – for example when the model of a library filled with books curves inwards and reveals a mysterious opening pointing into darkness – these are the artist’s references to spaces and occurrences which may be concealed below the surface of outward semblance.
Guillaume Lachapelle has participated in several solo and group exhibitions including Manèges at Circa – Centre d’Exposition Art Contemporain (Montreal) in 2006; Quebec Gold at the Ancien Collège des Jésuites (Rheims, France) in 2008 and in Abracadabra (Edward Day...
Category
2010s Contemporary Abstract Sculptures
Materials
Nylon
La forêt
By Guillaume Lachapelle
Located in Montreal, Quebec
Guillaume Lachapelle's artistic practice is shaped predominantly by sculpture, expressed in the form of installations and detailed miniature models. Lachapelle presents playful universes which combine objects of undetermined purpose; in this way, he opens the conventions of our reality to fresh disposition. The architecture of his models - which Lachapelle has recently begun to make with the help of the latest 3-D printing technology - shows motifs originating from the everyday, certainly, but seeming strange, alienating or even uncanny when combined as the artist chooses. A kind of transition between two worlds often appears in Lachapelle's work - for example when the model of a library filled with books curves inwards and reveals a mysterious opening pointing into darkness - these are the artist's references to spaces and occurrences which may be concealed below the surface of outward semblance.
Guillaume Lachapelle has participated in several solo and group exhibitions including Manèges at Circa - Centre d'Exposition Art Contemporain (Montreal) in 2006; Quebec Gold at the Ancien Collège des Jésuites (Rheims, France) in 2008 and in Abracadabra (Edward Day...
Category
21st Century and Contemporary Post-Modern Sculptures
Materials
Nylon
Chimère
By Guillaume Lachapelle
Located in Montreal, Quebec
Guillaume Lachapelle's artistic practice is shaped predominantly by sculpture, expressed in the form of installations and detailed miniature models. Lachapelle presents playful universes which combine objects of undetermined purpose; in this way, he opens the conventions of our reality to fresh disposition. The architecture of his models - which Lachapelle has recently begun to make with the help of the latest 3-D printing technology - shows motifs originating from the everyday, certainly, but seeming strange, alienating or even uncanny when combined as the artist chooses. A kind of transition between two worlds often appears in Lachapelle's work - for example when the model of a library filled with books curves inwards and reveals a mysterious opening pointing into darkness - these are the artist's references to spaces and occurrences which may be concealed below the surface of outward semblance.
Guillaume Lachapelle has participated in several solo and group exhibitions including Manèges at Circa - Centre d'Exposition Art Contemporain (Montreal) in 2006; Quebec Gold at the Ancien Collège des Jésuites (Rheims, France) in 2008 and in Abracadabra (Edward Day...
Category
21st Century and Contemporary Post-Modern Sculptures
Materials
Nylon
Carrousel
By Guillaume Lachapelle
Located in Montreal, Quebec
Guillaume Lachapelle's artistic practice is shaped predominantly by sculpture, expressed in the form of installations and detailed miniature models. Lachapelle presents playful universes which combine objects of undetermined purpose; in this way, he opens the conventions of our reality to fresh disposition. The architecture of his models - which Lachapelle has recently begun to make with the help of the latest 3-D printing technology - shows motifs originating from the everyday, certainly, but seeming strange, alienating or even uncanny when combined as the artist chooses. A kind of transition between two worlds often appears in Lachapelle's work - for example when the model of a library filled with books curves inwards and reveals a mysterious opening pointing into darkness - these are the artist's references to spaces and occurrences which may be concealed below the surface of outward semblance.
Guillaume Lachapelle has participated in several solo and group exhibitions including Manèges at Circa - Centre d'Exposition Art Contemporain (Montreal) in 2006; Quebec Gold at the Ancien Collège des Jésuites (Rheims, France) in 2008 and in Abracadabra (Edward Day...
Category
21st Century and Contemporary Post-Modern Sculptures
Materials
Nylon
Le piège
By Guillaume Lachapelle
Located in Montreal, Quebec
Guillaume Lachapelle's artistic practice is shaped predominantly by sculpture, expressed in the form of installations and detailed miniature models. Lachapelle presents playful unive...
Category
21st Century and Contemporary Post-Modern Sculptures
Materials
Plaster
Fissure
By Guillaume Lachapelle
Located in Montreal, Quebec
Guillaume Lachapelle's artistic practice is shaped predominantly by sculpture, expressed in the form of installations and detailed miniature models. Lachapelle presents playful unive...
Category
21st Century and Contemporary Post-Modern Sculptures
Materials
Plaster
Livre
By Guillaume Lachapelle
Located in Montreal, Quebec
Guillaume Lachapelle's artistic practice is shaped predominantly by sculpture, expressed in the form of installations and detailed miniature models. Lachapelle presents playful unive...
Category
21st Century and Contemporary Post-Modern Sculptures
Materials
Plaster
La déconvenue
By Guillaume Lachapelle
Located in Montreal, Quebec
Text by Marsha Taichman
[...] There is art
unless there is so much missing
we cannot build a structure around it..
- Kate Hall, from Water Tower, 1998-2000 (after Rachel Whiteread)
Montreal artist Guillaume Lachapelle presents a new collection of works at Art Mûr that is sure to surprise and delight gallery goers. These works are full of pristine lines and beautiful intrigue. He constructs and presents miniatures and life-size pieces that are subversive and unusual upon close examination. In these pieces, scale can be quite skewed. Even when objects are the size that we expect them to be, say, a 15-foot silver gazebo that one may enter and stand inside, they seem small. Lachapelle’s works can be mounted displays of tiny mechanical-seeming devices, apparatuses of unknown origins with no clear purpose, despite the fact that they offer a distinct air of functionality.
In the works that Lachapelle has selected for this exhibition at Art Mûr, his subject matter has moved away from human and animal scenes and delved deeper into free-standing machinations. This means that we will see a greater starkness and a closer focus on the materiality in his constructions. The collection is full of the unexpected and the unusual. A library with a sunken-in, curved interior of wavy shelves...
Category
21st Century and Contemporary Contemporary Sculptures
Materials
Nylon
My father came over from England
By Bevan Ramsay
Located in Montreal, Quebec
Beyond Sociology: The Act of Seeing a Person
Text by Edwin Janzen
It is hardly surprising that in our society perceptions of homeless persons remain two-dimensional, stereotypical, inadequate. Even for the rare administration tackling the problems of homelessness in an effective, meaningful way, the homeless person’s humanity is buried beneath a mountain of endless statistical markers: mental illness, substance abuse, soup-kitchen attendance, etc. The enormous negativity lingering about the resultant profile permits scant room for other, arguably important accoutrements of the human experience—character, emotion, intellect, beauty, relationship to divinity—and leaves homeless persons basically where they already are: on the street, the objects of middle-class loathing or pity.
Struck by this depressing determinism, artist Bevan Ramsay set out to cast portrait busts of homeless persons (one woman, the others men), producing an edition in fine, white statuary Hydrocal plaster mounted on mahogany bases. These portraits, titled Lesser Gods...
Category
21st Century and Contemporary Contemporary Figurative Sculptures
Materials
Plaster, Wood
