Ashley John Gallery Abstract Drawings and Watercolors
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"Frank Sinatra, Paul Newman, and Eva Marie Saint"
By Albert Al Hirschfeld
Located in Lambertville, NJ
Ashley John is proud to offer this artwork by:
Albert Hirschfeld (1903 - 2003)
Albert Hirschfeld is known for his pen and ink personality caricatures of theatre people. He worked a...
Category
20th Century Abstract Abstract Drawings and Watercolors
Materials
Paper, Ink
"Moonlight on the Brooklyn Bridge"
By Gershon Benjamin
Located in Lambertville, NJ
Ashley John is proud to offer this artwork by:
Gershon Benjamin (1899 - 1985)
Gershon Benjamin is a painter of portraits, landscapes, still lives, and the urban scene. He had a pro...
Category
20th Century Abstract Abstract Paintings
Materials
Paper, Watercolor
"At MOMA, The Turner Exhibit"
By Gershon Benjamin
Located in Lambertville, NJ
Ashley John is proud to offer this artwork by:
Gershon Benjamin (1899 - 1985)
Gershon Benjamin is a painter of portraits, landscapes, still lives, and the urban scene. He had a pro...
Category
20th Century Abstract Abstract Paintings
Materials
Paper, Watercolor
"First Theme"
By Burgoyne Diller
Located in Lambertville, NJ
Ashley John is proud to offer this artwork by:
Burgoyne A Diller (1906 - 1965)
Recognized as the first American painter to embrace the tenets of Neo-Plasticism, Burgoyne Diller mad...
Category
20th Century Abstract Abstract Drawings and Watercolors
Materials
Paper, Crayon, Graphite
"Third Theme"
By Burgoyne Diller
Located in Lambertville, NJ
Signer Lower Right
Category
20th Century Abstract Abstract Drawings and Watercolors
Materials
Paper, Crayon, Ink
Untitled (Study for Sculpture)
By Burgoyne Diller
Located in Lambertville, NJ
Ashley John is proud to offer this artwork by:
Burgoyne A Diller (1906 - 1965)
Recognized as the first American painter to embrace the tenets of Neo-Plasticism, Burgoyne Diller mad...
Category
20th Century Abstract Abstract Drawings and Watercolors
Materials
Paper, Crayon, Graphite
"The Lake Isle of Innisfree"
By William Tillyer
Located in Lambertville, NJ
Signed Lower Right
Tillyer was born in Middlesbrough northern England, studying painting at The Slade. Tillyer has evolved into an astonishingly diverse and talented artist, and t...
Category
1990s Abstract Abstract Drawings and Watercolors
Materials
Paper, Watercolor
"Common British Oak - Quercus Robur"
By Emily Stackhouse
Located in Lambertville, NJ
A Collection of Botanical Watercolours: Drawings of British Plants
Emily Stackhouse (1811-1870) perfectly illustrates the Victorian fascination with the countryside in this remark...
Category
19th Century Naturalistic Abstract Drawings and Watercolors
Materials
Paper, Watercolor
"Common Daffodil - Narcissus Pseudo Narcissus"
By Emily Stackhouse
Located in Lambertville, NJ
A Collection of Botanical Watercolours: Drawings of British Plants
Emily Stackhouse (1811-1870) perfectly illustrates the Victorian fascination with the countryside in this remark...
Category
19th Century Naturalistic Abstract Drawings and Watercolors
Materials
Paper, Watercolor
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Plate Six from Novecento (Mixed media lithograph with chalk pastel), Signed/N
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Located in New York, NY
Nam June Paik
Untitled, Plate Six from Novecento, 1992
Mixed Media: Color offset lithograph with unique chalk pastel drawing
13 3/10 × 18 inches
Hand signed, Edition 104/130
Pencil numbered 104/130, hand signed in pastel chalk on the front
Edizioni Carte Segrete, Rome, Italy
Excellent condition; held in matting which can be easily removed
The matting measures 18" x 21"
This was part of a series of works produced for the Nam June Paik retrospective at the Palazzo delle Esposizioni, Rome, 1992, Nam June Paik: Arti Elletroniche.
This is one of the editions which bears unique hand coloring with pastel chalk.
A comparable work sold at auction in 2015 for US $12,583. (see details below):
Nam June Paik
Title Novecento
Description Nam June PAI K
Novecento 1930-1940, 1992 Pastel sur offset en couleurs, épreuve signée et numérotée 104/130 Edizioni Carte Segrete, Rome 23,5 x 39,5 cm EH Oeuvre réalisée a l'occasion de la rétrospective Paik au Palazzo delle Esposizioni, Rome, 1992, Nam June Paik: Arti Elletroniche, cinema e Media Verso il XXI Secolo
Medium pastel
Year of Work 1992
Size Height 9.3 in.; Width 15.6 in. / Height 23.5 cm.; Width 39.5 cm.
Misc. Signed
Sale of Millon & Associés: Monday, June 22, 2015 [Lot 00090]
Design
Sold For 11,057 EUR Hammer
(12,583 USD)
Nam June Paik Biography
Nam June Paik was born in 1932 in Seoul. He received a BA in aesthetics from the University of Tokyo in 1956 where he also studied music and art history. After graduating, he studied for a year with composer Thrasybulus Georgiades Georgiades at the University of Munich and for two years with composer Woflgang Fortner at the International Music College in Freiburg. He attended the International Summer Courses for New Music in Darmstadt in 1957, when he met Karlheinz Stockhausen, and in 1958, when he met John Cage. Cage, and through him Marcel Duchamp, had a significant influence on Paik as he became a major force in the avant-garde through performances. In Hommage à John Cage (1959), Paik employed audiotape and performance to attack traditional musical instrumentation and compositional practices, splicing together piano playing, screaming, bits of classical music, and sound effects. Realizing that taped sound was not enough, he decided to move into performance, first by introducing performative actions into his audio works. In 1961 Paik performed Simple, Zen for Head and Étude Platonique No. 3, in which he became a volatile figure, thrashing about in unexpected patterns and sudden movements to his signature soundtracks. In 1962 Paik participated in the Fluxus International Festival of the New Music in Weisbaden. Paik's first exhibition, entitled Exposition of Music - Electronic Television, in 1963 at Galerie Parnass at Wuppertal, launched his transition from composer and performance artist to the inventor of a new art form: an engagement with the material site of television as an instrument. In the exhibition, thirteen televisions lay on their backs and sides with their reception altered; for example, Zen for TV (1963) reduced the television picture to a horizontal line and Kuba TV (1963) shrank and expanded the image on the television set according to the changing volume.
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Botanical Experiment #4
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