Avant-Garde Gallery by Pierre Bosche More Furniture and Collectibles
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Pierre Bobot (1902-1974), lacquer screen
By Pierre Bobot
Located in Paris, FR
Pierre Bobot (1902-1974) was a French lacquer artist known for his innovative use of synthetic lacquers. After studying at the École Bernard Palissy and the École Nationale Supérieur...
Category
Vintage 1930s French Art Deco Screens and Room Dividers
Materials
Lacquer
Stilobate Column by Alessandro Mendini 2008 Numbered
By Alessandro Mendini
Located in Paris, FR
Stilobate column from the Column Collection created in 2008 by Alessandro Mendini (born in 1931). Superego Edition limited to 50 numbered copies. The column is surmounted by a box wi...
Category
Early 2000s Italian Sculptures
Materials
Porcelain
Rare Pair of Bookends, Art Deco, France
Located in Paris, FR
Elegant and rare pair of modernist French bookends typical from the art deco period and 1930's. The base is made of black marble with nickel plated metal with a glass ball on top.
Category
Vintage 1930s French Art Deco Bookends
Materials
Marble, Metal, Nickel
Modernist Umbrella Stand, circa 1940, Belgium
Located in Paris, FR
This rare umbrella stand was in the entrance hall of a 1940s house, since the building of the house. It is made of chromium-plated metal and black bakelite. Made in Benelux (most pro...
Category
Vintage 1940s Belgian Art Deco Umbrella Stands
Materials
Metal, Chrome
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Why we like it
We like its impressive proportions which make it perfect for a feature wall, and the exquisite quality of decoration. The subtlety of colours lends a 'soft' look to the piece. The central motif depicts a scene set in the gardens of a Han dynasty palace, while the outer borders are decorated with the “one hundred antiques” motif interspersed with floral arrangements. In this regard, the present screen not only conveys auspicious meanings but also demonstrate the owner’s fine scholarly taste.
History
The term 'Coromandel', which is used to describe this particular type of lacquer technique (kuancai), is rather misleading. In the 18th century it was used commercially to indicate the place from which these objects were shipped to England through the East India Companies, and had no reference to China, the place of their origin. Similarly, Chinese painted wallpaper was often called 'India paper' in historic documants.
The kuancai lacquer technique, literally meaning “cut out colour” and found almost exclusively on screens, emerged in the 16th century to serve the domestic market. The iconographic elements were carved through the built-up coats of dark lacquer and filled with pigments and gold. Seventeenth century examples usually consisted of twelve panels, and were often employed in entrance halls or as room dividers or windscreens for gardens and terraces. They were often commissioned as gifts and depicted court scenes, episodes from the world of the immortals, panoramic or landscape views and auspicious symbols. This type of lacquerware was flourishing during the reign of the Kangxi emperor (1662-1722) and saw a revival in the 19th century.
Stylistically the present screen may be compared with the twelve-panel lacquer screen from the Kangxi period in the Victoria and Albert Museum illustrated by W. De Kesel and G. Dhont in Coromandel Lacquer Screens, ill. 23, pps 36-37.
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