AYN Gallery Furniture

The black Skull table is a limited edition of 8, designed and produced in Italy by the artist John Bizas. Its design following some of the rococo style p...

This rare and the most sought after collectibles vintage Piero Fornasetti porcelain lithographically-decorated and hand painted ceramic zodiac plate have a white background with word...

Vintage elegant set of 3 nesting tables in rosewood designed by Kai Kristiansen from 1960 ( 1 ) L 57,5 x P 37,5 x H 45,5 ( 2 ) L 48 x P 34,5 x H 43,5 ( 3 ) L 38,5 x P 31 x H 41.

Pedestal table or side table with fixed brass top and elegant wooden base in a stylized form of gazelle legs. The English table from the 1920s in a golden brass is chiseled and hammered by hand with calligraphy cartridges, stars, leaves and beautiful elements will bring a sophisticated touch in your moorish - Spanish decor or Moroccan style interiors. Pierre Berger...

Very rare and big French metal wall coat rack by Mathieu Matégot with a mirror. Lovely colorful coat rack by Mathieu Matégot in lacquered and perfor...

Sculptural lamp in Carrara marble with a conical shape, illuminated from the inside, it lets a light diffused that reveals the veins of the Carrara marble. Three plexiglass discs at ...

Exceptional series of Louis XVI lyre chairs in lacquered wood, a prized model and symbol of refinement in the 18th century. While these chairs are unstamped, their details are strongly reminiscent of a production by Jacob: finessed sculpture with sophisticated grooves…these proportions are perfect and light, a touch of exquisite taste. These chairs feature ancient lacquer in two tones (white with blue highlights) The fabric of seats have been restored The assembly of these chairs has been checked and remains solid - The original trim on the springs and straps have been preserved and remain in good condition. The laque is in it original statement, we do not like to make up the antic pieces preferring to leave them in their statements. Nevertheless we work with highly qualified restorers and at your request and charge we can care of it. The 7th chair is free and not included on the picture as it has more cracks and fissures. These armchairs are covered with a luxurious silk a blue gray and silver combination that perfectly matches the original lacquer from Maison Tassinari and Chatel...

This rare and the most sought after collectibles vintage Piero Fornasetti porcelain lithographically-decorated and hand painted ceramic zodiac plate have a white background with word...

Sciolari six chromed eyeball sputnik -space age pendant - chandelier from 1960-1970. Measures: Diameter of the balls: 14cm Height of the chandelier: 64c...

Very beautiful French round table glass smoked brass, the base mahogany veneered is made of three brass bases imitating elephant tusks. Glass diameter 1m20, table height 80 and bas...

Vintage small vase green, burgundy and white runoff inlay in a form of amphora, design Carlo Scarpa Fratelli Toso Murano Murrine Millefiori. Murrine...

Very raffinated deep blue saphir colour, vintage Fratelli Toso Murano Millefiori. Murrine is an ancestral technique in Murano glass. Each piece of Murano glass is handmade, not mass-produced or industrialized. It takes a lot of patience and know-how to make Murrine. The placement of the murrine has been done with great care and precision by Murano craftsmen. This work is unique in the world for its combination of color and elegance. Fratelli Toso was founded in 1854 by the brothers Ferdinando, Carlo, Liberato, Angelo, Giovanni and Gregorio. At the beginning the company produced pharmaceutical containers and domestic glassware. A vibrant and intricate decorative piece for any space. Collectible piece in a range of different styles, shapes, and sizes. Hand blown multicolor Murano glass made in Italy in the early 20th century. The glass masters of Fratelli Toso have over 150 years of experience, taking from ancient Italian glassmaking techniques. Royal blue vase...

Murrine is an ancestral technique in Murano glass. Each piece of Murano glass is handmade, not mass-produced or industrialized. It takes a lot of patience and know-how to make Murrine. The placement of the murrine has been done with great care and precision by Murano craftsmen. This work is unique in the world for its combination of color and elegance. Fratelli Toso was founded in 1854 by the brothers Ferdinando, Carlo, Liberato, Angelo, Giovanni and Gregorio. At the beginning the company produced pharmaceutical containers and domestic glassware. A vibrant and intricate decorative piece for any space...

Murrine is an ancestral technique in Murano glass. Each piece of Murano glass is handmade, not mass-produced or industrialized. It takes a lot of patience and know-how to make Murrine. The placement of the murrine has been done with great care and precision by Murano craftsmen. This work is unique in the world for its combination of color and elegance. Fratelli Toso was founded in 1854 by the brothers Ferdinando, Carlo, Liberato, Angelo, Giovanni and Gregorio. At the beginning the company produced pharmaceutical containers and domestic glassware. A vibrant and intricate decorative piece for any space...

Lapis lazuli blue colour vintage Fratelli Toso Murano Millefiori. Murrine is an ancestral technique in Murano glass. Each piece of Murano glass is handmade, not mass-produced or industrialized. It takes a lot of patience and know-how to make Murrine. The placement of the murrine has been done with great care and precision by Murano craftsmen. This work is unique in the world for its combination of color and elegance. Fratelli Toso was founded in 1854 by the brothers Ferdinando, Carlo, Liberato, Angelo, Giovanni and Gregorio. At the beginning the company produced pharmaceutical containers and domestic glassware. A vibrant and intricate decorative piece for any space. Collectible piece in a range of different styles, shapes, and sizes. Hand blown multicolor Murano glass made in Italy in the early 20th century. The glass masters of Fratelli Toso have over 150 years of experience, taking from ancient Italian glassmaking techniques. Royal blue vase...

Red rubis vintage Fratelli Toso Murano Murrine Millefiori. Murrine is an ancestral technique in Murano glass. Each piece of Murano glass is handmade...

Emerald green vintage Fratelli Toso Murano Murrine Millefiori. Murrine is an ancestral technique in Murano glass. Each piece of Murano glass is hand...

Murrine is an ancestral technique in Murano glass. Each piece of Murano glass is handmade, not mass-produced or industrialized. It takes a lot of patience and know-how to make Murrine. The placement of the murrine has been done with great care and precision by Murano craftsmen. This work is unique in the world for its combination of color and elegance. Fratelli Toso was founded in 1854 by the brothers Ferdinando, Carlo, Liberato, Angelo, Giovanni and Gregorio. At the beginning the company produced pharmaceutical containers and domestic glassware. A vibrant and intricate decorative piece for any space...

Pair of sapphire blue crystal lamp base gilded bronze. The crystal pieces are from the 40's, it come from one of the oldest glass houses in Paris, Maison König rue Pastourelle. Unfor...

Sapphire blue crystal lamp base gilded bronze. The crystal pieces come from one of the oldest glass houses in Paris, the Maison König, rue pastourel...

Pair of white crystal lamp bases with silver bronze highlights H 64 x diameter 14. The crystal pieces come from one of the oldest glass houses in Pa...

A beautiful original vintage Italian pair of wall lamps designed by Paolo Venini in the 1960s in brass and Murano glass surmounted at the top by a half moon crown of curved brass rod...

A beautiful original vintage Italian chandelier designed by Paolo Venini in the 1960s in brass and Murano glass, this pendant is surmounted at the top by a crown of curved brass rods...

A mallard duck desk or smoker set in Parisian porcelain, composed of an ashtray, a desk tray, a business card box and a tobacco jar dressed in cellar leather...

Jacqueline SUZOR de PANAFIEU (1903 – 1981) Numbered Large vase signed J. Suzor, circa 1970 geometric pattern, cracked ceramic, creation Desert Occidental, collection "Santal" "Handmade in France, Faiencerie des Recollets". White-grey craqueling glazed, very beautiful pattern . Superb vintage condition, no repairs. Born in 1903 in Paris, Jacqueline studied drawing as a teenager. From the 1920s to 1935, she began a promising career as a painter. From Kiki to J.S. de PANA-FIEU, through Suzor, JSP or Pana (more than 6 signatures for one artist!), Jacqueline Suzor de Panafieu assumed several personalities during her life as a Parisian artist. Her signatures bear witness to a woman's life and career made up of ruptures and twists. Curious about everything and everyone, Jacqueline Suzor surrounded herself with artists, writers, filmmakers, actors and photographers who met at her table. She also met Dali and Giacometti. Jacqueline freed herself from the cubist influence, she defined herself in the 1930s, an aesthetic that came from her passion for the Far East, developed through contact with the objects brought back by her ambassador father during his distant travels. Two artists inspired her during the period from 1957 to 1962: Bernard Buffet and Georges Matthieu. From one she borrowed the black lines; from the other she owed her passage to abstraction. Her numerous exhibitions in the 1970s brought her recognition in France and abroad. It was also a time of commitment within the Union of Women Painters and Sculptors (UFPS), of which she became vice-president. MAIN EXHIBITIONS : 1933 - Salon de la Société Nationale des Beaux Arts, Grand Palais, Paris. 1959 - Gallery Mourgue, Paris. Personal exhibition (EP). 1961 - Salon Comparaisons. 1962 - Gallery Hoche, Paris. 1970 - Town hall of Montrouge. M.J.C., Montreuil. Athanor Gallery, Pana Interior Museum, le Véşinet...

Jacqueline SUZOR de PANAFIEU (1903 – 1981) Numbered vase signed J. Suzor, circa 1970 geometric pattern, in Art Deco's style, cracked ceramic, creation Desert Occidental, collection "Rouge-Gorge" "Hand made in France, Faiencerie des Recollets". White craqueling glazed, very beautiful pattern and bright colors. Superb vintage condition, no repairs. Born in 1903 in Paris, Jacqueline studied drawing as a teenager. From the 1920s to 1935, she began a promising career as a painter. From Kiki to J.S. de PANA-FIEU, through Suzor, JSP or Pana (more than 6 signatures for one artist!), Jacqueline Suzor de Panafieu assumed several personalities during her life as a Parisian artist. Her signatures bear witness to a woman's life and career made up of ruptures and twists. Curious about everything and everyone, Jacqueline Suzor surrounded herself with artists, writers, filmmakers, actors and photographers who met at her table. She also met Dali and Giacometti. Jacqueline freed herself from the cubist influence, she defined herself in the 1930s, an aesthetic that came from her passion for the Far East, developed through contact with the objects brought back by her ambassador father during his distant travels. Two artists inspired her during the period from 1957 to 1962: Bernard Buffet and Georges Matthieu. From one she borrowed the black lines; from the other she owed her passage to abstraction. Her numerous exhibitions in the 1970s brought her recognition in France and abroad. It was also a time of commitment within the Union of Women Painters and Sculptors (UFPS), of which she became vice-president. MAIN EXHIBITIONS : 1933 - Salon de la Société Nationale des Beaux Arts, Grand Palais, Paris. 1959 - Gallery Mourgue, Paris. Personal exhibition (EP). 1961 - Salon Comparaisons. 1962 - Gallery Hoche, Paris. 1970 - Town hall of Montrouge. M.J.C., Montreuil. Athanor Gallery, Pana Interior Museum, le Véşinet...

This rare pair of tricolor "Eastside model" club armchairs was created by designer Ettore Sottsass for Knoll International. Its structure in gray steel tube and its soft leather cove...

These authentic Louis XVI period armchairs, original and authentic, seduced me by their modernity. Very rare with their original cream lacquer, flat and square back "à la Reine", with their strict armrests and highly visible assembly, straight legs turned into quivers in the shape of a column tapered down and fluted. The foot ends in a dice that rests on the ground, while the top is cubic is decorated with a circular molding pattern quite rare contrary to the rosette pattern often used for copies - The queen chairs have perfect proportions in their elegant silhouette. In general, I am only interested in design and contemporary pieces, but in the course of my peregrinations I sometimes come across pieces that do not leave me indifferent. As for the lyres chairs, the baccarat chandelier and the large golden mirror...

A lovely ice bucket in the shape of an apple, by the Switzerland designer Hans TurnwaId edited by Freddo Therm the top and the base in Lucite acrylic Tortoise Shelland and a handle i...

Very elegant and chic, reupholstered 3-seater sofa and a lounge chair, 1950s, composed of solid rosewood in a wool blue navy stripe, attributed to Sven Ivar Dysthe. Sven Ivar Dysthe ...

Luigi Gaetano Ceschina was born on 15 August 1879 in Muronico, Italy. He originally founded Sanitaria Cheschina, a sanitary products company, which won him the award of « Cavaliere d...

Exceptional limited edition 1/2 tapestry "Pelops" with certificate from a private collection, 1964. Ateliers Pinton brothers in Felletin, under the supervision of Pierre Baudouin 2ex + 1EA Editor Aram Iynedjian. The tapestry will be sold with its certificate of authenticity from the gallery. From the 15th century, the name of Pinton was associated with the Aubusson tapestry. Since then, over the generations, the Pinton family has largely contributed to the development of this fabulous cultural heritage until the creation in the 19th century, of the Felletin factory, in the department of Creuse. Even today, in these workshops, the craftsmen execute the same correct gestures with the same attention to detail and thus extend the chain of the history of the tapestry of tradition but also contemporary. The hand of specialists, the eye of designers and dyers and the taste of the most demanding clientele find their meaning in the fabric of the carpets. The excellence of French know-how, a living heritage society and custodian of Aubusson's cultural heritage, has always collaborated with great artists. The works of Charles Le Brun, Charles Lapicque, Pablo Picasso, Jean-Michel Othoniel, and many other big names in the world of painting, architecture, design, fell into the looms and know-how ancestral of this unique Creuse creator. Editor Aram Iynedjian Aram Iynedjian, Lausanne gallery owner and editor of tapestries from Braque, Estève and Lapicque, the latter meets Pierre Baudouin, the most famous of the cardboard painters of the time. The one who translated the works of Le Corbusier, Calder or Picasso into tapestry then collaborates with Charles Lapicque and they will develop a work of great richness. Lapicque came to realize these two summits which are "Pélops" and "Diane et Actéon". I realize that you should never try to describe a work of art Let’s look at it. Let us admire the science of composition, linear purity, technical perfection, the beauty of color, the truth of the drama. Let us see, if we can, the implacable presence of genius. "We will now understand that after having based a painting on the love of tapestry, it was relatively easy, and very tempting, to build a tapestry faithful to my painting," explained the artist in the exhibition catalog. of the Galerie Verrière in 1970. It was not until 1961 that he began to produce cardboards both for the tapestry of the Lisse in Aubusson, but also at the Mobilier National, with the help of Pierre Baudouin Charles Lapicque (1898-1988) Born in 1898 in Theizé (Rhône) in a family practicing both the arts and the sciences, Charles Lapicque is no exception to the rule: gifted for music and drawing, he graduated from the École Centrale in 1921, works as engineer until 1928 before integrating in 1931 a laboratory at the Faculty of Sciences of Paris, where he carried out research on the perception of colors, crowned by the title of Doctor of Physical Sciences in 1938. He thus studies the reactions of the eye in front of an intense light source, at the origin of the formation of starry images which he will use in his works, and defines a theory of the staggering of colors in space which overturns the rules of the Renaissance: "I had shown that the Classic rule, that of Vinci, advocating placing the blues in the distance, the reds, oranges and yellows in the foreground, is a nonsense; it makes more sense, more favorable to do the opposite. "(In Red and blue in the arts, 1936) It was around 1920 that Charles Lapicque began to paint in Brittany where he spent every summer since his childhood, first on the motif and then in a workshop that his stepfather Jean Perrin, Nobel Prize in Physics, had him build in 1927 ; he then definitively adopted the work of memory, in accordance with the art of music which he deeply loved and the Bergsonian philosophy of knowledge: "It is up to us to give reality an appearance that it has no itself, a form, a figure (...). " His youthful production immediately reveals a great originality, oscillating between figuration and abstraction which sometimes intertwine: alongside synthetic paintings by their simplified drawing and their flat colors, he designs an Homage to Palestrina (1925), composed of a grid derived from Cubism, entirely abstract, relayed by a Christ with Thorns (1939), according to a principle that he will develop after 1939, in line with his optical discoveries. In fact, during the war years, an almost abstract period began, that of the tight blue framework, applied to backgrounds ranging from yellow to red and revealing a more or less identifiable world (Jeanne d'Arc crossing the Loire, 1940; Rencontres series, 1940-1945). Exhibited in 1929 by the gallery owner Jeanne Bucher, Lapicque abandoned his scientific career in 1943 to devote himself entirely to painting. He continued his work which resulted in 1946-1953 in white-frame structures; their much softer lines lead him to the system of either black or white interlacing which encloses areas of pure color, most often in solid color. With The Battle of Waterloo in 1949, Lapicque still uses optics - zooming in on a given area - to depict spaces with multiple perspectives and decomposed times. This new interest in the liveliness of color developed in the following period, which can be described as flamboyant or Baroque (1954-1963): illustrated in particular by the series of Breton lagoons and twilight or nocturnal views of Venice in the light. Stars, which the artist himself describes as “daring sweets”, it begins with the Raoul Dufy Prize of the Venice Biennale, awarded in 1953 to the artist who took the opportunity to give free rein to his passion for the Serenissima until July 1956. Another point in common with his elder brother is the expression of movement. Begun in 1949 in The Battle of Waterloo then in 1952 with Dimanche aux regates, it became an obsession from 1964, in the exploration of new themes, such as the different shots of tennis players captured on the fly (1965), the mythological scenes and sea storms. These dizzying years precede the artist's last period: as he comes of age, he discovers serenity, revealed by a painting now with acrylic paint, much more peaceful from 1974, which even borders on a childish naivety at the end. of his life. All of his work includes an astonishing diversity of themes, also nourished by his travels (Rome in 1957, Greece in 1964, Holland in 1974 ...), with a predilection for the sea, rocks, sailboats, music, tennis, horses, wild beasts, but also for history and mythology, as evidenced by knights, kings and ancient gods. It also deploys, in total creative freedom, a wide variety of styles and orientations. Having been one of the pioneers of non-figurative art, thus paving the way for artists like Manessier, Bazaine, Vieira da Silva, De Staël, etc. Owners of the new non-figurative Paris School of the Postwar period, Charles Lapicque then returned to figuration, in a "new interpretation" of appearance, even if he continued to rub shoulders with abstraction at times. "Drawing runs after color and color after drawing. " Heir to the Fauves, Charles Lapicque plays like them on pure colors, whose dissonances, associated with a totally free design and an overloaded composition in a multiple space, make him a precursor of the New Figuration in all its forms: the Narrative Figuration born in France in the early 1960s, represented in particular by Gérard Fromanger, Erró, Bernard Rancillac and Gérard Guyomard; Free Figuration born in the early 1980s, marked by Robert Combas, Hervé and Richard Di Rosa, Louis Jammes and François Boisrond, and which, in turn, influenced the American Bad Painting of a Jean-Michel Basquiat or a Keith Haring, deliberately neglected and Expressionist; Lapicque's “Classic subjects” were able to feed Cultivated Painting, which also appeared in the early 1980s with Jean-Michel Alberola, Patrice Giorda and Gérard Garouste...

This early original of Wassily pair of lounge chairs, are with the original white leather, highly sought after by collectors. The leather has no structura...

YOU HAVE THE POSSIBILITY TO BUY A PAIR OR MORE CHAIRS. IMPORTANT : THIS LOUIS XVI CHAIRS ARE NOT A COPIES BUT 100% ORIGINALS !! Exceptional set of Louis XVI lyre chairs in lacquered wood, a prized model and symbol of refinement in the 18th century. While these chairs are unstamped, their details are strongly reminiscent of a production by Jacob: finessed sculpture with sophisticated grooves…these proportions are perfect and light, a touch of exquisite taste. These chairs feature ancient lacquer in two tones (white with blue highlights) The seats have been restored The assembly of these chairs has been checked and remains solid - The original trim on the springs and straps have been preserved and remain in good condition. The chairs stayed in the same family and the laque is in it original vintage statement and has been very good preserved. These chairs are covered with a luxurious silk a blue gray and silver combination that perfectly matches the original lacquer from Maison Tassinari and Chatel...

A very rare and beautiful portrait of a Saint, a polychrome ceramic signed hand on the reverse Marc Roussel. Marc Roussel is the father in Law of François Lembo, as his son-in-law h...

Outstanding pair of table lamps in the shape of twisted columns in amber Murano glass Seguso, circa 1950-1960. The lamps sit on patinated bronzed metal bases and retain all their ori...

Rare Monix floor lamp 3 adjustable and orientable spots on a metal barrel nickeled and lacquered black, foot circular base. Each spot has its own switch to be adjusted and can be use...

The term Art Deco appeared in the 1960s in reference to the International Exhibition of Decorative and Industrial Modern Arts organized in Paris in 1925 which marked the consecration...

Rare large vintage projector brand BBT on tripod and original casters Large projector manufactured by the company Barbier, Benard and Turenne (BBT) ...

The term Art Deco appeared in the 1960s in reference to the International Exhibition of Decorative and Industrial Modern Arts organized in Paris in 1925 which marked the consecration...

Pretty blown glass vase of Benor cleared acid multilayer glass with floral decoration. It is a production of glassware Art of the island of Bendor. Signed, on the top, Bendor.

Exceptional and very rare handcut table lamp is in a clear and rich ruby red color double-layered crystal, it is a piece who required time for her shaping, outline, engrave and notch...

Very rare and beautiful 1940s umbrella stand by Fontana Arte, with a brass frame and four sheet of glass etched with a delicate umbrellas engraved on the glass. A gilded metal base...

This splendid and rare large furniture piece includes three doors with engraved signed keys from the artist Gaston Poisson, “GP”. This circa 1937 cabinet is made of green lacquered* mahogany and contains 12 interior shelves (three doors each with 4 shelves), each shelf featuring beautiful marquetry detail. The centerpiece of this beautiful cabinet is the large exterior mirror by Robert Pansart. This is made of "églomisé" glass with a polychrome geometric ribbon-like decor. Églomisé glass is a technique used often for mirrors that creates intricate decoration using golden leaves and silver. *THE LACQUER IS NOT ORIGINAL, THE CABINET HAS BEEN REFINISHED LATE 20 CENTURY Gaston Poisson, a cabinetmaker from Lille, France, is a renowned Renaissance designer best known for his modernist work. He has a unique taste for pure clean lines, mostly from the 1950s-1960s, which is exemplified in this particular piece. The square and diagonal motifs visible on the facade of the cabinet as well as the ornate marquetry on the interior shelves show that this piece was highly specialized, a well thought out piece made with incredible care. Robert Pansart is a French glassmaker and decorator who specialized in his unique technique of etching and oxidizing with “églomisé” glass. One of the most highly regarded glassmakers of his time, he mainly worked from post war years to the 1960s, and his work is reminiscent of a world based on fairy tales – evocative of the 1940s-1950s taste. His mirrors tend to appear in the antique art market and are valued as highly collectible pieces. Pansart mirrors were auctioned at very high prices at auctions at Artcurial and other major auction houses (see the last picture) Different works of the artist: Berliz Cinema in Paris Municipal Theater of Poitiers (see last picture) Theater of the Paquebot France

Barbini red gold flecks art Murano glass coral sculpture. Intense red coral branch and gold flecks infused on a clear glass pot. The coral has a brass ring between the branch and the...

Low back black and white wool lounge chair designed by Hans Olsen for CS Møbler in 1958. Features rosewood legs and a versatile wool fabric in...

Jacqueline SUZOR de PANAFIEU (1903 – 1981) Longwy vase numeroted signed J. Suzor, circa 1970 geometric pattern, in Art Deco's style, cracked ceramic, creation Desert Occidental, collection "Rouge-Gorge" "Hand made in France, Faiencerie des Recollets". White craqueling glazed...