Balsamo Drawings

Marker on paper.

Original Surrealism Black and White Lithograph An intriguing piece of art piece signed B.A.G. Guillot. This is a limited edition number 1/25, and E.A. or epreuve d'artiste. Guillo...

Unique piece. Rare drawing - Keith Haring - on a magazine page representing the American actress Kim Basinger. The drawing appears on the back of the page, which features a second ph...

Famous for his attenuated, highly stylized horses, hounds and other animals, often executed in iron or ceramic, William Hunt Diederich was one o...

Ash wood frame, glass, charcoal on paper. Charcoal study of sculpture.

Wonderful and darkly intriguing original artwork by renowned American Modernist artist and California artist benefactor Millard Sheets (1907-1989) featuring wartime boats caught in stormy seas. Very evocative and certainly quite relevant to the time it was created taken in the context of the war. The work is hand pencil signed and dated (1942) by Sheets on the mat just below the artwork. Provenance: Property from the estate of Millard Sheets. Would be a great addition to any collectors of his work or Mid-Century Modern artist or an eye-catching stand-alone accent artwork in about any setting. Sheets many awards include: Watson F. Blair Purchase Prize, Chicago Art Institute (1938) Philadelphia Watercolor Club Prize (1939) Dana Watercolor Medal, Pennsylvania Academy of fine Arts (1943) Drawing Prize, Los Angeles County Museum of Art (1946) Gold Brush Award, Artists Guild of Chicago, Award of the Year (1951) Honorary Doctor of Laws, University of Notre Dame, South Bend, Indiana (1964) His works can be found in numerous permanent collections, public settings, and international museums including: The Museum of Modern Art, New York Scripps College, CA The White House (Washington, DC) The San Diego Museum The Los Angeles Public Library...

Charcoal portrait drawing of a man, framed, dated 2016. Thought to be of either Mexican or Uruguayan origin.

21st Century Black India Ink Drawings framed in Handmade Steel by Elliot Bergman They are heavily layered and distinctly textured. Bergman utilizes both traditional tools and foun...

A large sized artwork by Tom De Doncker. Tom is a contemporary Belgian artist who lives by the adagio 'Simplicity is the first step in nature and the la...

Abstract charcoal drawing by Miriam Kubach, American, circa 1960s. It is executed on paper and has been professionally framed under UV resistant glass in a clean lined black lacquer ...

2006, Australian, Betsy Lewis Napangardi (1940-2008), Framed Mina Mina Dreaming, etching on paper. Number 5 of 60 and pencil signed Betsy Lewis with embossed seal. Information on the back of the work from the Warlukurlangu Artists Aboriginal Association and dated 1/11/2007, describes the story behind the work authenticates it. Dimensions: 17.5"w x 23.5"h x 1.5"d (framed) 7.5"w x 13"h (sight) Condition: Good. Not examined out of frame. Shows well. Ready to hang. Biography: Betsy Lewis Napangardi was a traditional Warlpiri woman from the Yuendumu Community region. Betsy was born in the bush just west of Yuendumu in the 1940’s, this was before hospitals and health clinics were available and accessible in the area. Betsy moved to Mount Doreen Station with her family at a young age. She was raised by Paddy Japanangka Lewis and attended the Yuendumu School. She spent her life living in Yuendumu. Betsy began painting full time in 1999 however she had been painting for Warlukurlangu Artists for some time before then. She was considered at the forefront of the move towards more abstract depictions of Aboriginal art however did maintain a strong connection to her Kurruwarri heritage. Her art is bright and textured with thick layers of paint. Some of her family members are also artists such as Margaret Lewis. Betsy is known best for five Dreamtime depictions - Snake Vine, Women’s Dreaming, Edible Fungus, Dreaming Site and Dogwood. The story of Jintiparnta is of the Napangardi and Napanangka women who collect Jintiparnta or Edible Fungus at Karnakarlangu. The area is also known as Mina Mina. The ancestral women would travel from here heading north and east toward Janyinki and Alcoota country. The Mina Mina is a ceremonial place which belongs to the Japanangka and Japangardi men and the Napanangka and Napangardi women. Water soakages, sand hills...

Drawing by Beeldens, Belgium, circa 1935. References: Modern and Contemporary Art, New Objectivity, Neue Sachlichkeit.