Bazaar Sas Sculptures and Carvings

A late Qing Dynasty period giltwood architectural panel on red ground, with floral motifs, set in new frame. Delve into the rich tapestry of the late Qing Dynasty period with this gi...

This red coral specimen, with flowing lines and organic form, is a beautiful example of how the work of nature can be, and has been, celebrated as a...

Pair of Qing dynasty architecture carving panels, detail carvings with warriors riding horses.

Chinese light celadon jade libation cup from early 19th, possibly 18th century. The item is executed in archaistic Ming style.

A sublime and rare pair of Chinese white glazed porcelain figures of Guanyin, attributed to Tang Ying (1682 - 1756), Qing Dynasty, Qianlong Period, China. This ethereal pair of white glazed porcelain figures depict the revered Buddhist Goddess of Mercy, Guanyin. Guanyin is portrayed standing, wearing heavy robes that drape beautifully around her figure. Bare feet peek out from under the hem of the robes. Her hair piled in a high chignon and covered by a cowl. The treatment of the hair, finely textured, unglazed, and with remnants of darker pigment, is typical of works by Tang Yin (1682 - 1756), who was the head of the imperial porcelain works at Jingdezhen. Guanyin's beatific face is set in a serene smile, with a small, flat nose, and downcast, heavily lidded, almond shaped eyes. A simple beaded necklace graces her chest. Her hands held out, and may have once held attributes. The hands were originally removable, but have since been permanently attached. The figures crafted of a fine porcelain and glazed all over in a supple white glaze. One figure bears a label from the Rafi Mottahedeh collection to the back. Provenance: Chinese Porcelain Company...

A sublime Chinese carved boxwood figure of the Bodhisattva of Compassion, Avalokiteshvara, called Guanyin in Chinese, mid-Qing dynasty. The an...

Chinese white jade openwork plaque late Qing Dynasty depicting birds and flowers. Very fine and detailed work. Small loss on the back side of the pl...

A magnificent Chinese carved spinach green jade chilong dragon sculpture, resting on fitted hardwood stand. Rich deep bright green color with molten shades of lighter pale green, exceptionally carved, with intricate detail throughout. The mythical beast lying ready on all four, head raised, mouth ajar with teeth exposed, wings by its side, spiral scroll incised on hind legs. Provenance: Estate of Ali A. Abssi (1934-2020) and Florence Hall Abssi (1919-2014), founders of the Ishtar Gate...

A finely carved Bamboo representing a sage Chinese Qing Dynasty, 19th century Good condition as shown in the photos Height 25.5 cm Beautiful aged patina

This magnificent Chinese Blue and White Qing Emperor King figures set were hand made with famous Blue and White porcelain. Each statue has beautiful detailed carving works and shows ...

A Chinese Qing dynasty carved wooden architectural panel from the 19th century, with pierced cloudy motifs and guardian lion. Hand-carved du...

A large and magnificent near life-sized Chinese carved and lacquered wood figure of a Buddha, Qing Dynasty, 19th century or earlier, southern China. The figure likely represents one of the Five Tathagatas, also known as Dhyani Buddhas or Wisdom Buddhas. More specifically, either Amitabha or Amoghasiddhi. Amitabha is the Buddha of infinite light, and represents the wisdom of observation and recognition. Amoghasiddhi is the Buddha of accomplishment, and represents the wisdom of perfected practices. The size and scale of the Buddha indicates it was made for temple worship. The large Buddha is portrayed seated in vajrasana, or full lotus position, with the soles of both feet facing up. His elegant hands, with impossibly long and slender fingers, perform shuni mudra, the gesture of bestowing patience. His right arm is bent at the elbow, the right hand raised to heart level. The left arm resting gently in his lap, the left hand at navel level. The Buddha is dressed in voluminous robes that wrap around his shoulders and body, and tied at the waist. The heavy fabric draping and pooling elegantly all around his robust body. His broad chest and right arm exposed. The Buddha's face is both solemn and beatific - his expression seeming to change depending on the angle of view. The most notable feature of his face is the large urna to the center of his forehead, set between a pair of painted, high arching brows over heavily lidded almond shaped eyes. A strong nose is set above a small mouth pursed in an ever so slight smile. Long pendulous earlobes touch his shoulders. The Buddha's hair arranged in the typical fashion, with "spikes" representing tight curls. A prominent ushnisha rises from the crown of his head, covered by more hair, and topped with a rounded protuberance. The Buddha is constructed from several blocks of wood, joined, carved and lacquered a deep red-brown with gold flecks...