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Bell
By Jimi Gleason
Located in Phoenix, AZ
silver deposit and acrylic on canvas b. 1961 The surfaces of Jimi Gleason’s paintings have always responded to both the light and space of the environment they are in. Working with ...
Category

2010s Abstract Abstract Paintings

Materials

Silver

Rolling Sea
By Jimi Gleason
Located in Phoenix, AZ
silver deposit and acrylic on canvas b. 1961 The surfaces of Jimi Gleason’s paintings have always responded to both the light and space of the environment they are in. Working with ...
Category

2010s Abstract Abstract Paintings

Materials

Silver

Eight Miles High
By Jimi Gleason
Located in Phoenix, AZ
silver deposit and acrylic on canvas b. 1961 The surfaces of Jimi Gleason’s paintings have always responded to both the light and space of the environment they are in. Working with ...
Category

2010s Abstract Abstract Paintings

Materials

Silver

Archer
By Jimi Gleason
Located in Phoenix, AZ
silver deposit and acrylic on canvas b. 1961 The surfaces of Jimi Gleason’s paintings have always responded to both the light and space of the environment they are in. Working with ...
Category

2010s Abstract Abstract Paintings

Materials

Silver

What Light
By Jimi Gleason
Located in Phoenix, AZ
silver deposit and acrylic on canvas b. 1961 The surfaces of Jimi Gleason’s paintings have always responded to both the light and space of the environment they are in. Working with ...
Category

2010s Abstract Abstract Paintings

Materials

Silver

Shaman
By Jimi Gleason
Located in Phoenix, AZ
silver deposit and acrylic on canvas b. 1961 The surfaces of Jimi Gleason’s paintings have always responded to both the light and space of the environment they are in. Working with ...
Category

2010s Abstract Abstract Paintings

Materials

Silver

Shadows Are Falling
By Jimi Gleason
Located in Phoenix, AZ
silver deposit and acrylic on canvas b. 1961 The surfaces of Jimi Gleason’s paintings have always responded to both the light and space of the environment they are in. Working with ...
Category

2010s Abstract Abstract Paintings

Materials

Silver

Sweet Leaf
By Jimi Gleason
Located in Phoenix, AZ
silver deposit and acrylic on canvas b. 1961 The surfaces of Jimi Gleason’s paintings have always responded to both the light and space of the environment they are in. Working with ...
Category

2010s Abstract Abstract Paintings

Materials

Silver

Pard's Wave (Wilco)
By Jimi Gleason
Located in Phoenix, AZ
silver deposit and acrylic on canvas b. 1961 The surfaces of Jimi Gleason’s paintings have always responded to both the light and space of the environment they are in. Working with ...
Category

2010s Abstract Abstract Paintings

Materials

Silver

Riptide
By Jimi Gleason
Located in Phoenix, AZ
silver deposit and acrylic on canvas b. 1961 The surfaces of Jimi Gleason’s paintings have always responded to both the light and space of the environment they are in. Working with ...
Category

2010s Abstract Abstract Paintings

Materials

Silver

Aurora KinE
By Jimi Gleason
Located in Phoenix, AZ
silver deposit and acrylic on canvas b. 1961 The surfaces of Jimi Gleason’s paintings have always responded to both the light and space of the environment they are in. Working with ...
Category

2010s Abstract Abstract Paintings

Materials

Silver

Out of the Blue
By Jimi Gleason
Located in Phoenix, AZ
silver deposit and acrylic on canvas b. 1961 The surfaces of Jimi Gleason’s paintings have always responded to both the light and space of the environm...
Category

2010s Abstract Abstract Paintings

Materials

Silver

Strindberg Nocturnes II
By Robert Kelly
Located in Phoenix, AZ
Robert Kelly’s painted collages are anchored in a step-by-step process of formal puzzle composition and informed by decades of expert surface crafting. Having grown fond of the pared...
Category

2010s Abstract Abstract Paintings

Materials

Canvas, Mixed Media, Oil

Strindberg Nocturnes I
By Robert Kelly
Located in Phoenix, AZ
Robert Kelly’s painted collages are anchored in a step-by-step process of formal puzzle composition and informed by decades of expert surface crafting. Having grown fond of the pared...
Category

2010s Bauhaus Abstract Paintings

Materials

Canvas, Mixed Media, Oil

Standing Grey Spectral Light
By Eric Zammitt
Located in Phoenix, AZ
layered acrylic panels Eric Zammitt’s work alludes to the dynamics and interplay of dual elements: matter and energy, spirit and body, emotion and intell...
Category

2010s Abstract Geometric Abstract Paintings

Materials

ABS

Wedge
By Eric Zammitt
Located in Phoenix, AZ
layered acrylic panel sculpture Eric Zammitt’s work alludes to the dynamics and interplay of dual elements: matter and energy, spirit and body, emotion a...
Category

2010s Abstract Geometric Sculptures

Materials

ABS

Becoming the Clown
By Hector Ruiz
Located in Phoenix, AZ
Copper etching with aquatint The power of memory and how it recalls individuality begins in such basic experiences as the ability to link internal ideas to external manifestations of those ideas. Memories as simple as an old toy or a street can set off a chain reaction of thoughts that snowball into issues as broad as nationalism, identity politics or a body politic to name a few. Hector Ruiz’s works encompass the broad, complex and often painful world particular to the Arizona and neighboring Mexican landscape. United States and Mexican border...
Category

Early 2000s Street Art Figurative Prints

Materials

Copper

Daybed Daydream
By Hector Ruiz
Located in Phoenix, AZ
copper etching with aquatint The power of memory and how it recalls individuality begins in such basic experiences as the ability to link internal ideas to external manifestations of those ideas. Memories as simple as an old toy or a street can set off a chain reaction of thoughts that snowball into issues as broad as nationalism, identity politics or a body politic to name a few. Hector Ruiz’s works encompass the broad, complex and often painful world particular to the Arizona and neighboring Mexican landscape. United States and Mexican border...
Category

Early 2000s Outsider Art Figurative Prints

Materials

Copper

Chromosphere
By Dion Johnson
Located in Phoenix, AZ
b. 1975, Bellaire, OH Dion Johnson’s paintings combine and explore dynamic opposites: expansiveness and compression, surface and depth, and darkness and light. Gradient color field...
Category

2010s Abstract Abstract Paintings

Materials

Canvas

Post Concentric Episode Bone Diptych
By Kris Cox
Located in Phoenix, AZ
Pigment wood putty, acrylic, Dorland's wax medium on wood panel signature and year on verso Constructed paintings comprise the Concentric and Post Concentric Episode Series. They ar...
Category

2010s Abstract Paintings

Materials

Wax, Acrylic, Wood Panel, Pigment, Putty

Sweetness
By Dion Johnson
Located in Phoenix, AZ
b. 1975, Bellaire, OH Dion Johnson’s paintings combine and explore dynamic opposites: expansiveness and compression, surface and depth, and darkness and light. Gradient color field...
Category

2010s Abstract Geometric Abstract Paintings

Materials

Canvas, Acrylic

Frequency
By Dion Johnson
Located in Phoenix, AZ
acrylic on canvas b. 1975, Bellaire, OH Dion Johnson’s paintings combine and explore dynamic opposites: expansiveness and compression, surface and depth, and darkness and light. G...
Category

2010s Abstract Geometric Abstract Paintings

Materials

Canvas, Acrylic

Citron
By Dion Johnson
Located in Phoenix, AZ
acrylic on canvas b. 1975, Bellaire, OH Dion Johnson’s paintings combine and explore dynamic opposites: expansiveness and compression, surface and depth, and darkness and light. G...
Category

2010s Abstract Abstract Paintings

Materials

Canvas, Acrylic

Aerial
By Dion Johnson
Located in Phoenix, AZ
acrylic on canvas b. 1975, Bellaire, OH Dion Johnson’s paintings combine and explore dynamic opposites: expansiveness and compression, surface and depth, and darkness and light. G...
Category

2010s Abstract Abstract Paintings

Materials

Canvas, Acrylic

Sensation
By Dion Johnson
Located in Phoenix, AZ
acrylic on canvas b. 1975, Bellaire, OH Dion Johnson’s paintings combine and explore dynamic opposites: expansiveness and compression, surface and depth, and darkness and light. G...
Category

2010s Abstract Abstract Paintings

Materials

Canvas, Acrylic

Cuts in Orange
By Jan Maarten Voskuil
Located in Phoenix, AZ
acrylic on linen 24 x 24 x 2.5 inches Jan Maarten Voskuil stretches his paintings into the third dimension. His crafted, partly curved wooden constructions are based on simple ge...
Category

2010s Abstract Geometric Abstract Sculptures

Materials

Raw Linen, Acrylic

6 Kackle
By Ed Moses
Located in Phoenix, AZ
b. Long Beach, CA (April 9, 1926 – January 17, 2018), video copyright by the artist and Bentley Gallery, Inc. Ed Moses was a prominent figure in the Los Angeles art scene and key promoter of Post-War, West Coast art for almost 60 years. Best known for his eclectic range, his canvases are formal abstractions that use a variety of processes to experiment with surface—creating striations, cracks, marks and blurs at times juxtaposed with hard-edge geometric abstraction. As he described, “Painting is like discovery, trying this, trying that, bending this, twirling that, and then, every once in a while, it goes bing!” Moses' works are held in the permanent collections of the Albright-Knox Gallery, NY; Museum of Modern Art, New York; Whitney Museum; Philadelphia Museum of Art; Art Institute of Chicago; Berkeley Art Museum at UC Berkeley; Corcoran Gallery of Art, Washington, D.C.; Dallas Museum of Art, Hirshhorn Museum, Washington, D.C.; Los Angeles County Museum of Art; Museum of Contemporary Art, Los Angeles; Hammer Museum; San Francisco Museum of Modern Art; Cincinnati Museum of Art; Butler Art Institute of American Art, Ohio; Dallas Museum of Art; National Gallery of Art; Musee National d'art moderne - Centre Georges Pompidou, Paris, FR; and many others. As a young man, Moses joined the military during World War II as a Navy Medical Corps surgical technician and discovered an aptitude for treating injuries. After his tour ended, he enrolled in Long Beach City College's pre-med program with the intent of becoming a doctor. After a painting course with Pedro Miller, Moses switched his major to art. He then went on to study at the University of California, Los Angeles, where he would receive both his bachelor’s and master’s degrees. While enrolled in his master’s program, fellow artist Craig Kauffman introduced Moses to Walter Hopps, future owner of the influential Ferus Gallery. Though he’d been exhibiting since 1949, Moses first showed at Ferus in 1958—while still enrolled at UCLA—and quickly became part of the “Cool School” with artists Robert Irwin, Larry Bell, Ed Ruscha, John Altoon, and others. Following graduation, Moses moved to New York City where he became friends with Franz Kline, Milton Resnick, William de Kooning, and Mark Rothko, with whom he would exhibit in New York, Washington, D.C., and elsewhere. In 1959, Moses married Avilda Peters and moved back to Los Angeles to start a family, travel, and continue his painting career. Always working with process and experimenting with materials as a painter, Moses was critically lauded for his bold composition and innovation. In 1968, he received a Tamarind Lithography Fellowship as well as the offer of a teaching position at the University of California, Los Angeles, his alma mater, where he would teach until 1972. After travels in Europe, he would return to UCLA to teach until 1976, the same year he was recognized with a National Endowment for the Arts Fellowship Grant and his first museum shows: a show of drawings from 1958-1970s at the Wight Gallery at UCLA, and a show of new abstract and cubist red paintings at LACMA curated by Stephanie Barron, the latter marking a transitional moment in his career. While drawing was prominent in his work in the 1960s and early 70s, by the mid-70s, Moses was turning increasingly to painting. In 1980, Moses was awarded a Guggenheim Fellowship and traveled in Japan. Moses worked with Peter Goulds...
Category

2010s Abstract Abstract Paintings

Materials

Canvas, Acrylic, Mixed Media

Overarching
By Jake Fischer
Located in Phoenix, AZ
oil on panel b. 1985, Phoenix, AZ Jake Fischer, born and raised in Phoenix, Arizona, graduated with a Master of Fine Art from Arizona State University in Drawing and Painting. While at ASU, he was awarded accolades including the Benjamin Wong Fee Scholarship, Eirene Peggy Lamb Scholarship, and the Gerry Grout Award. Fischer then attended the Art Students League of New York's residency program where he received the Ruth Katzman Scholarship. In 2016, Fischer had his first solo exhibition in New York, Between Light, at Island Weiss Gallery and has since notably participated in Into the Night: Contemporary Art and Nocturne Tradition at the Tucson Museum of Art. Interpermeate at Bentley Gallery...
Category

2010s Realist Still-life Paintings

Materials

Wood Panel, Oil

Lofty
By Jake Fischer
Located in Phoenix, AZ
oil on panel b. 1985, Phoenix, AZ Jake Fischer, born and raised in Phoenix, Arizona, graduated with a Master of Fine Art from Arizona State University in Drawing and Painting. While at ASU, he was awarded accolades including the Benjamin Wong Fee Scholarship, Eirene Peggy Lamb Scholarship, and the Gerry Grout Award. Fischer then attended the Art Students League of New York's residency program where he received the Ruth Katzman Scholarship. In 2016, Fischer had his first solo exhibition in New York, Between Light, at Island Weiss Gallery and has since notably participated in Into the Night: Contemporary Art and Nocturne Tradition at the Tucson Museum of Art. Interpermeate at Bentley Gallery...
Category

2010s Minimalist Landscape Paintings

Materials

Oil, Wood Panel

Drawing 02-02-16
By Jun Kaneko
Located in Phoenix, AZ
sumi ink and oil stick on Korean paper (72 x 61.5 x 1.5 inches, framed) b. 1942, Nagoya, Japan Jun Kaneko’s most recognized sculptural form is the boldly glazed, monumental dango (...
Category

Early 2000s Abstract Abstract Drawings and Watercolors

Materials

Oil Crayon, Sumi Ink, Handmade Paper

U 30
By Nellie King Solomon
Located in Phoenix, AZ
acrylic, ink and mylar on aluminum
Category

2010s Abstract Mixed Media

Materials

Mylar, Ink, Mixed Media, Acrylic

U 29
By Nellie King Solomon
Located in Phoenix, AZ
acrylic, ink and mylar on aluminum
The Skies of Sky #3 (white)
By Louise Blyton
Located in Phoenix, AZ
b. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and form through the visual language of Reductivism, an aesthetic style characterized by streamlined compositions, restricted color, and a reduction of form and means. Identifying with Reductivism’s simplicity, Blyton’s shaped canvases and three-dimensional wall sculptures elevate craftsmanship and process, achieving a compositional clarity that unifies color and form. To construct her works, Blyton covers custom built balsa wood stretchers with raw linen, adorning them with layers of pure pigment or acrylic paint. Each pigment reacts differently to raw linen and requires a specific number of coats to reach the artist’s desired level of saturation. As the artist explains, “I’m always looking for a kind of quietness and harmony when making my works even if the color being used is loud.” The artist creates her own spatial dimension by manipulating the shape of the canvas, which escapes from the flat surface of the wall, confusing its role as a painting. “Rather than responding to the architecture they ask particular attributes of the building to act as support,” as some works appear to climb the surface of the walls, while others straddle columns and corners. Louise Blyton lives and works in Melbourne, Australia. She graduated with a Bachelor of Fine Art at RMIT University, Melbourne, Australia in 1988. Her works are held in significant corporate and private collections in Australia, China, France, United Kingdom, Portugal, and the United States. Since 2000, Blyton has run an artist supply store called, St. Luke Artist Colourman, which specializes in professional paint and raw materials, with her husband David Coles.
Category

2010s Abstract Geometric Abstract Sculptures

Materials

Linen, Acrylic

The Skies of Sky #2 (blue)
By Louise Blyton
Located in Phoenix, AZ
b. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and form through the visual language of Reductivism, an aesthetic style characterized by streamlined compositions, restricted color, and a reduction of form and means. Identifying with Reductivism’s simplicity, Blyton’s shaped canvases and three-dimensional wall sculptures elevate craftsmanship and process, achieving a compositional clarity that unifies color and form. To construct her works, Blyton covers custom built balsa wood stretchers with raw linen, adorning them with layers of pure pigment or acrylic paint. Each pigment reacts differently to raw linen and requires a specific number of coats to reach the artist’s desired level of saturation. As the artist explains, “I’m always looking for a kind of quietness and harmony when making my works even if the color being used is loud.” The artist creates her own spatial dimension by manipulating the shape of the canvas, which escapes from the flat surface of the wall, confusing its role as a painting. “Rather than responding to the architecture they ask particular attributes of the building to act as support,” as some works appear to climb the surface of the walls, while others straddle columns and corners. Louise Blyton lives and works in Melbourne, Australia. She graduated with a Bachelor of Fine Art at RMIT University, Melbourne, Australia in 1988. Her works are held in significant corporate and private collections in Australia, China, France, United Kingdom, Portugal, and the United States. Since 2000, Blyton has run an artist supply store called, St. Luke Artist Colourman, which specializes in professional paint and raw materials, with her husband David Coles.
Category

2010s Abstract Geometric Abstract Sculptures

Materials

Linen, Acrylic

The Skies of Sky #1 (black)
By Louise Blyton
Located in Phoenix, AZ
b. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvas...
Category

2010s Abstract Geometric Abstract Sculptures

Materials

Linen, Acrylic

Dakota
By Jimi Gleason
Located in Phoenix, AZ
silver deposit and acrylic on canvas b. 1961 The surfaces of Jimi Gleason’s paintings have always responded to both the light and space of the environm...
Category

2010s Abstract Abstract Paintings

Materials

Silver

Bell Diamond
By Jimi Gleason
Located in Phoenix, AZ
silver deposit and acrylic on canvas b. 1961 The surfaces of Jimi Gleason’s paintings have always responded to both the light and space of the environm...
Category

2010s Abstract Abstract Paintings

Materials

Silver

Luna
By Jimi Gleason
Located in Phoenix, AZ
silver deposit and acrylic on canvas b. 1961 The surfaces of Jimi Gleason’s paintings have always responded to both the light and space of the environm...
Category

2010s Abstract Abstract Paintings

Materials

Silver

All the Summers are Hers
By Louise Blyton
Located in Phoenix, AZ
b. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and form through the visual language of Reductivism, an aesthetic style characterized by streamlined compositions, restricted color, and a reduction of form and means. Identifying with Reductivism’s simplicity, Blyton’s shaped canvases and three-dimensional wall sculptures elevate craftsmanship and process, achieving a compositional clarity that unifies color and form. To construct her works, Blyton covers custom built balsa wood stretchers with raw linen, adorning them with layers of pure pigment or acrylic paint. Each pigment reacts differently to raw linen and requires a specific number of coats to reach the artist’s desired level of saturation. As the artist explains, “I’m always looking for a kind of quietness and harmony when making my works even if the color being used is loud.” The artist creates her own spatial dimension by manipulating the shape of the canvas, which escapes from the flat surface of the wall, confusing its role as a painting. “Rather than responding to the architecture they ask particular attributes of the building to act as support,” as some works appear to climb the surface of the walls, while others straddle columns and corners. Louise Blyton lives and works in Melbourne, Australia. She graduated with a Bachelor of Fine Art at RMIT University, Melbourne, Australia in 1988. Her works are held in significant corporate and private collections in Australia, China, France, United Kingdom, Portugal, and the United States. Since 2000, Blyton has run an artist supply store called, St. Luke Artist Colourman, which specializes in professional paint and raw materials, with her husband David Coles.
Category

2010s Abstract Geometric Abstract Sculptures

Materials

Linen, Acrylic

Return to Me
By Louise Blyton
Located in Phoenix, AZ
b. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and form through the visual language of Reductivism, an aesthetic style characterized by streamlined compositions, restricted color, and a reduction of form and means. Identifying with Reductivism’s simplicity, Blyton’s shaped canvases and three-dimensional wall sculptures elevate craftsmanship and process, achieving a compositional clarity that unifies color and form. To construct her works, Blyton covers custom built balsa wood stretchers with raw linen, adorning them with layers of pure pigment or acrylic paint. Each pigment reacts differently to raw linen and requires a specific number of coats to reach the artist’s desired level of saturation. As the artist explains, “I’m always looking for a kind of quietness and harmony when making my works even if the color being used is loud.” The artist creates her own spatial dimension by manipulating the shape of the canvas, which escapes from the flat surface of the wall, confusing its role as a painting. “Rather than responding to the architecture they ask particular attributes of the building to act as support,” as some works appear to climb the surface of the walls, while others straddle columns and corners. Louise Blyton lives and works in Melbourne, Australia. She graduated with a Bachelor of Fine Art at RMIT University, Melbourne, Australia in 1988. Her works are held in significant corporate and private collections in Australia, China, France, United Kingdom, Portugal, and the United States. Since 2000, Blyton has run an artist supply store called, St. Luke Artist Colourman, which specializes in professional paint and raw materials, with her husband David Coles.
Category

2010s Abstract Geometric Abstract Sculptures

Materials

Linen, Acrylic

Days Sliding By
By Louise Blyton
Located in Phoenix, AZ
b. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and form through the visual language of Reductivism, an aesthetic style characterized by streamlined compositions, restricted color, and a reduction of form and means. Identifying with Reductivism’s simplicity, Blyton’s shaped canvases and three-dimensional wall sculptures elevate craftsmanship and process, achieving a compositional clarity that unifies color and form. To construct her works, Blyton covers custom built balsa wood stretchers with raw linen, adorning them with layers of pure pigment or acrylic paint. Each pigment reacts differently to raw linen and requires a specific number of coats to reach the artist’s desired level of saturation. As the artist explains, “I’m always looking for a kind of quietness and harmony when making my works even if the color being used is loud.” The artist creates her own spatial dimension by manipulating the shape of the canvas, which escapes from the flat surface of the wall, confusing its role as a painting. “Rather than responding to the architecture they ask particular attributes of the building to act as support,” as some works appear to climb the surface of the walls, while others straddle columns and corners. Louise Blyton lives and works in Melbourne, Australia. She graduated with a Bachelor of Fine Art at RMIT University, Melbourne, Australia in 1988. Her works are held in significant corporate and private collections in Australia, China, France, United Kingdom, Portugal, and the United States. Since 2000, Blyton has run an artist supply store called, St. Luke Artist Colourman, which specializes in professional paint and raw materials, with her husband David Coles.
Category

2010s Abstract Geometric Abstract Sculptures

Materials

Linen, Acrylic

The Daisy and the Marigold
By Louise Blyton
Located in Phoenix, AZ
b. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and ...
Category

2010s Abstract Geometric Abstract Sculptures

Materials

Linen, Acrylic

Life on the Shelf
By Louise Blyton
Located in Phoenix, AZ
b. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and form through the visual language of Reductivism, an aesthetic style characterized by streamlined compositions, restricted color, and a reduction of form and means. Identifying with Reductivism’s simplicity, Blyton’s shaped canvases and three-dimensional wall sculptures elevate craftsmanship and process, achieving a compositional clarity that unifies color and form. To construct her works, Blyton covers custom built balsa wood stretchers with raw linen, adorning them with layers of pure pigment or acrylic paint. Each pigment reacts differently to raw linen and requires a specific number of coats to reach the artist’s desired level of saturation. As the artist explains, “I’m always looking for a kind of quietness and harmony when making my works even if the color being used is loud.” The artist creates her own spatial dimension by manipulating the shape of the canvas, which escapes from the flat surface of the wall, confusing its role as a painting. “Rather than responding to the architecture they ask particular attributes of the building to act as support,” as some works appear to climb the surface of the walls, while others straddle columns and corners. Louise Blyton lives and works in Melbourne, Australia. She graduated with a Bachelor of Fine Art at RMIT University, Melbourne, Australia in 1988. Her works are held in significant corporate and private collections in Australia, China, France, United Kingdom, Portugal, and the United States. Since 2000, Blyton has run an artist supply store called, St. Luke Artist Colourman, which specializes in professional paint and raw materials, with her husband David Coles.
Category

2010s Abstract Geometric Abstract Sculptures

Materials

Linen, Acrylic

2.14.95
By Mala Breuer
Located in Phoenix, AZ
oil and wax on linen 1927 - 2017 Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she ...
Category

1990s Color-Field Abstract Paintings

Materials

Linen, Wax, Oil

1975 (6)
By Mala Breuer
Located in Phoenix, AZ
poured acrylic on canvas 1927 - 2017 Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts ...
Category

1970s Abstract Abstract Paintings

Materials

Acrylic

Sacred Heart Triptych (5.81)
By Mala Breuer
Located in Phoenix, AZ
oil and wax on canvas, three panels (84 x 90 x 1.5 inches, each panel) 1927 - 2017 Mala Breuer grew up attending classes in painting and drawing from a young age at the California ...
Category

1980s Abstract Abstract Paintings

Materials

Wax, Oil

1978 (red)
By Mala Breuer
Located in Phoenix, AZ
oil and wax on linen 1927 - 2017 Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she ...
Category

1970s Abstract Abstract Paintings

Materials

Wax, Oil

1978 (white)
By Mala Breuer
Located in Phoenix, AZ
oil and wax on linen 1927 - 2017 Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she ...
Category

1970s Abstract Abstract Paintings

Materials

Wax, Oil

90 To Shore Yellow Right
By Eric Zammitt
Located in Phoenix, AZ
Category

2010s Abstract Geometric Abstract Sculptures

Materials

Plastic

YELLOWPINK Wedge
By Eric Zammitt
Located in Phoenix, AZ
laminated acrylic plastic Zammitt’s work alludes to the dynamics and interplay of dual elements: matter and energy, spirit and body, emotion and intellect. It is simultaneously abou...
Category

2010s Abstract Geometric Abstract Sculptures

Materials

Plastic

BLUEGREEN 2 AQUA Concave
By Eric Zammitt
Located in Phoenix, AZ
laminated acrylic plastic Zammitt’s work alludes to the dynamics and interplay of dual elements: matter and energy, spirit and body, emotion and intellect. It is simultaneously abou...
Category

2010s Abstract Geometric Abstract Sculptures

Materials

Plastic

Stratosphere
By Dion Johnson
Located in Phoenix, AZ
acrylic on canvas b. 1975, Bellaire, OH Dion Johnson’s paintings combine and explore dynamic opposites: expansiveness and compression, surface and depth, and darkness and light. G...
Category

2010s Abstract Abstract Paintings

Materials

Acrylic, Canvas

Acrobat
By Dion Johnson
Located in Phoenix, AZ
acrylic on canvas b. 1975, Bellaire, OH Dion Johnson’s paintings combine and explore dynamic opposites: expansiveness and compression, surface and depth, and darkness and light. G...
Category

2010s Abstract Abstract Paintings

Materials

Acrylic, Canvas

J Trac
By Jimi Gleason
Located in Phoenix, AZ
acrylic on canvas b. 1961 The surfaces of Jimi Gleason’s paintings have always responded to both the light and space of the environment they are in. Working with shimmery pearlescen...
Category

2010s Abstract Abstract Paintings

Materials

Canvas, Acrylic

Night Vision
By Nellie King Solomon
Located in Phoenix, AZ
glass beads, medium, and Mylar mounted on aluminum
Category

2010s Abstract Mixed Media

Materials

Glass, Mylar, Mixed Media

Level
By Jake Fischer
Located in Phoenix, AZ
oil on panel b. 1985, Phoenix, AZ Jake Fischer, born and raised in Phoenix, Arizona, graduated with a Master of Fine Art from Arizona State University in Drawing and Painting. Whil...
Category

2010s Abstract Landscape Paintings

Materials

Oil, Wood Panel

Moving Targets
By Bryan David Griffith
Located in Phoenix, AZ
smoke from an open flame accumulated in encaustic beeswax on panel Triptych Each piece measures: 10" h x 10" w x 1.5" d Bryan David Griffith's work explores the idea that dualities...
Category

2010s Minimalist Mixed Media

Materials

Wax, Encaustic, Wood Panel

Glyph #2
By Jim Waid
Located in Phoenix, AZ
mixed media on paper Jim Waid creates abstract worlds saturated with color, layered with mark, filled with rhythm and movement, and intricately textured. His canvases barely contai...
Category

2010s Abstract Abstract Paintings

Materials

Mixed Media

Glyph #1
By Jim Waid
Located in Phoenix, AZ
mixed media on paper Jim Waid creates abstract worlds saturated with color, layered with mark, filled with rhythm and movement, and intricately textured. His canvases barely contai...
Category

2010s Abstract Abstract Paintings

Materials

Mixed Media

Dyrad Study #1
By Jim Waid
Located in Phoenix, AZ
mixed media on paper Jim Waid creates abstract worlds saturated with color, layered with mark, filled with rhythm and movement, and intricately textured. His canvases barely contai...
Category

2010s Abstract Abstract Paintings

Materials

Mixed Media

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