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Centrifuga VIII, 2011
Located in Atlanta, GA
The painter and sculptor Martín Carral studied Fine Arts at the University of Barcelona. Carral has been painting gravitational waves for many years, an expanding universe of abyssal...
Category
21st Century and Contemporary Modern Interior Paintings
Materials
Oil
Arquitecturas inventadas 2
Located in Atlanta, GA
The painter and sculptor Martín Carral studied Fine Arts at the University of Barcelona. Carral has been painting gravitational waves for many years, an expanding universe of abyssal...
Category
21st Century and Contemporary Modern Interior Paintings
Materials
Oil
Centrifuga VII
Located in Atlanta, GA
The painter and sculptor Martín Carral studied Fine Arts at the University of Barcelona. Carral has been painting gravitational waves for many years, an expanding universe of abyssal...
Category
21st Century and Contemporary Modern Interior Paintings
Materials
Oil
Gesturing gardner with watering can, 1983
By Steven Campbell
Located in Atlanta, GA
Steven Campbell was a Scottish artist who created complex and humorous paintings with roots in performance and installation art. Campbell graduated from the Glasgow School of Art in 1982 and was awarded a Fulbright Scholarship to study at the Pratt Institute in New York the same year. The artist rapidly gained recognition in America, and after a successful period abroad returned to Glasgow in 1987. He remained in Scotland for the rest of his career, developing his position as a link between Scottish artists of the previous generation, and the emerging artists of the 1990s.
Before studying at Glasgow School of Art Campbell was an engineer at the steelworks on the outskirts of Glasgow. After seven years at the steelworks he decided to pursue art. At Glasgow School of Art he was a contemporary of Ken Currie, Peter Howson and Adrian Wiszniewski...
Category
20th Century Modern Figurative Paintings
Materials
Oil, Paper
Day 5 in Atlanta, 2018
Located in Atlanta, GA
Born in 1966, Antonio Cacciatore is a visual artist.
In 2006, he put an end to his career as a consultant.
It is in Australia where he resides when he begins his apprenticeship in t...
Category
21st Century and Contemporary Modern Figurative Paintings
Materials
Oil
Creador
Located in Atlanta, GA
I was born in Mexico City in 1963 and brought to the United States in the mid 70's, by my parents, when I was 13 years old. I attended my first art class in the late 80's, while at ...
Category
21st Century and Contemporary Modern Figurative Paintings
Materials
Oil
La Cueva de Platon
Located in Atlanta, GA
I was born in Mexico City in 1963 and brought to the United States in the mid 70's, by my parents, when I was 13 years old. I attended my first art class in the late 80's, while at ...
Category
21st Century and Contemporary Modern Figurative Paintings
Materials
Oil
Encontrarnos, 2006
Located in Atlanta, GA
I was born in Mexico City in 1963 and brought to the United States in the mid 70's, by my parents, when I was 13 years old. I attended my first art class in the late 80's, while at ...
Category
21st Century and Contemporary Modern Figurative Paintings
Materials
Oil
Still Ife with Ceremony
Located in Atlanta, GA
Bio
Aaron M. Brown was born in Wichita, KS. He received a BFA from the University of Kansas, MFA from Syracuse University. Awards include grants from the Pollock-Krasner Foundation...
Category
21st Century and Contemporary Realist Interior Paintings
Materials
Oil, Panel
Museology 17
Located in Atlanta, GA
Bio
Aaron M. Brown was born in Wichita, KS. He received a BFA from the University of Kansas, MFA from Syracuse University. Awards include grants from the Pollock-Krasner Foundation...
Category
21st Century and Contemporary Realist Figurative Paintings
Materials
Oil
The Abandoned Cottage
Located in Atlanta, GA
Paul Brown first began to paint in oils as a teenager and won several prizes for painting was still at school. His art teacher at the time felt that Brown was the most naturally gift...
Category
21st Century and Contemporary Abstract Landscape Paintings
Materials
Mixed Media
Sunflowers Rieux en Val
Located in Atlanta, GA
Paul Brown first began to paint in oils as a teenager and won several prizes for painting was still at school. His art teacher at the time felt that Brown was the most naturally gift...
Category
21st Century and Contemporary Abstract Landscape Paintings
Materials
Mixed Media
Palencia
Located in Atlanta, GA
The painter Gonzalez Bravo lives and works in Lisbon since 1970. His paintings speak as equations to be solved, sharing an intimate and symbolic languag...
Category
21st Century and Contemporary Abstract Expressionist Interior Paintings
Materials
Oil
La sieste sous le laurier
Located in Atlanta, GA
Artist
Category
21st Century and Contemporary Realist Landscape Paintings
Materials
Oil
Macedonie, 1966
Located in Atlanta, GA
Wim BOSMA (1902-1985) is an artist born in 1902 The oldest auction result ever registered on the website for an artwork by this artist is a painting s...
Category
20th Century Modern Landscape Paintings
Materials
Linen, Oil
Figura Maschile IX
Located in Atlanta, GA
Son of painter Angelo Bonfanti, Maurizio Bonfanti attended Bergamo's Liceo Artistico and studied etching at the Accademia di Belle Arti in the same city. Though he enrolled to study ...
Category
21st Century and Contemporary Modern Figurative Paintings
Materials
Mixed Media
Figura maschile VIII
Located in Atlanta, GA
Son of painter Angelo Bonfanti, Maurizio Bonfanti attended Bergamo's Liceo Artistico and studied etching at the Accademia di Belle Arti in the same city. Though he enrolled to study ...
Category
21st Century and Contemporary Modern Figurative Paintings
Materials
Mixed Media
Figura Femminile V, 2018
Located in Atlanta, GA
Son of painter Angelo Bonfanti, Maurizio Bonfanti attended Bergamo's Liceo Artistico and studied etching at the Accademia di Belle Arti in the same c...
Category
21st Century and Contemporary Modern Figurative Paintings
Materials
Mixed Media
Figura Femminile IV, 2018
Located in Atlanta, GA
Son of painter Angelo Bonfanti, Maurizio Bonfanti attended Bergamo's Liceo Artistico and studied etching at the Accademia di Belle Arti in the same city. Though he enrolled to study ...
Category
21st Century and Contemporary Modern Figurative Paintings
Materials
Mixed Media
Figura Femminile III, 2018
Located in Atlanta, GA
Son of painter Angelo Bonfanti, Maurizio Bonfanti attended Bergamo's Liceo Artistico and studied etching at the Accademia di Belle Arti in the same city. Though he enrolled to study ...
Category
21st Century and Contemporary Modern Figurative Paintings
Materials
Mixed Media
Figura Femminile II, 2018
Located in Atlanta, GA
Son of painter Angelo Bonfanti, Maurizio Bonfanti attended Bergamo's Liceo Artistico and studied etching at the Accademia di Belle Arti in the same c...
Category
21st Century and Contemporary Modern Figurative Paintings
Materials
Mixed Media
Figura Maschile VII, 2016
Located in Atlanta, GA
Son of painter Angelo Bonfanti, Maurizio Bonfanti attended Bergamo's Liceo Artistico and studied etching at the Accademia di Belle Arti in the same c...
Category
21st Century and Contemporary Modern Figurative Paintings
Materials
Mixed Media
Figura Maschile V, 2016
Located in Atlanta, GA
Son of painter Angelo Bonfanti, Maurizio Bonfanti attended Bergamo's Liceo Artistico and studied etching at the Accademia di Belle Arti in the same c...
Category
21st Century and Contemporary Modern Figurative Paintings
Materials
Mixed Media
Figura Maschile IV, 2016
Located in Atlanta, GA
Son of painter Angelo Bonfanti, Maurizio Bonfanti attended Bergamo's Liceo Artistico and studied etching at the Accademia di Belle Arti in the same c...
Category
21st Century and Contemporary Modern Figurative Paintings
Materials
Mixed Media
Figura Femminile, 2010
Located in Atlanta, GA
Son of painter Angelo Bonfanti, Maurizio Bonfanti attended Bergamo's Liceo Artistico and studied etching at the Accademia di Belle Arti in the same c...
Category
21st Century and Contemporary Modern Figurative Paintings
Materials
Mixed Media
Nudo Femminile, 2008
Located in Atlanta, GA
Son of painter Angelo Bonfanti, Maurizio Bonfanti attended Bergamo's Liceo Artistico and studied etching at the Accademia di Belle Arti in the same c...
Category
21st Century and Contemporary Modern Figurative Paintings
Materials
Mixed Media
Figura Maschile III, 2009
Located in Atlanta, GA
Son of painter Angelo Bonfanti, Maurizio Bonfanti attended Bergamo's Liceo Artistico and studied etching at the Accademia di Belle Arti in the same c...
Category
21st Century and Contemporary Modern Figurative Paintings
Materials
Mixed Media
Les cerfs qui ce battent dans la foret
By Karl Bodmer
Located in Atlanta, GA
Swiss-born Karl Bodmer (1809–1893) was one of the first and most accomplished European artists to document the landscape of the North American interior and its Indigenous peoples. He...
Category
19th Century Realist Animal Paintings
Materials
Oil
Wadoons Pool
By Vitali Bondarenko
Located in Atlanta, GA
Vitali Bondarenko was born in 1965. He graduated from the Kiev State Institute of Fine Arts in 1990, where he majored in oil painting and developed his talents for landscape and fig...
Category
21st Century and Contemporary Abstract Expressionist Figurative Paintings
Materials
Mixed Media
Scène fantastique
By Nebojsa BEZANIC
Located in Atlanta, GA
Born in 1964, Nebojsa Bezanic was predominantly influenced by the 1980s. The generation of artists that grew up in, and took inspiration from, the nineteen eighties was influenced by a period of quickly growing global capitalism, political upheaval, significant wealth discrepancy, global mass media and distinctive music and fashion, including electronic pop music and hip hop. The 1980s was the era of African famine, the height of the Cold War, and also the end of it, as marked by the fall of the Berlin Wall. significant art movements of the era include Neo Geo, The Pictures Generation and the global trend of Neo-Expressionism which manifested in Germany, the USA and Italy (where it was known as Transavanguardia). The decade was exemplified by artists like Anselm Kiefer, Jörg Immendorf...
Category
21st Century and Contemporary Modern Figurative Paintings
Materials
Ink, Watercolor
Scène fantastique
By Nebojsa BEZANIC
Located in Atlanta, GA
Born in 1964, Nebojsa Bezanic was predominantly influenced by the 1980s. The generation of artists that grew up in, and took inspiration from, the nineteen eighties was influenced by a period of quickly growing global capitalism, political upheaval, significant wealth discrepancy, global mass media and distinctive music and fashion, including electronic pop music and hip hop. The 1980s was the era of African famine, the height of the Cold War, and also the end of it, as marked by the fall of the Berlin Wall. significant art movements of the era include Neo Geo, The Pictures Generation and the global trend of Neo-Expressionism which manifested in Germany, the USA and Italy (where it was known as Transavanguardia). The decade was exemplified by artists like Anselm Kiefer, Jörg Immendorf...
Category
21st Century and Contemporary Modern Figurative Paintings
Materials
Ink, Watercolor
Zoe Zucker
Located in Atlanta, GA
Helene and Eric Bess are a team who have been collaborating for over 20 years. Both are professional artists with extensive experience in both the commercial and fine art fields. They presently work out of their studio in Florida, creating original art for gallery display, fine art crafts and taking commissions for murals & embellishments.
Helene was born in Canada in 1949. She studied art in Europe as a young adult and attended Phoenix Pratt School of Design in New York and St. Petersburg Community College in Florida. She worked for advertising agencies and freelance art projects such as theater design and t-shirt designs for several companies. She owned and operated an art studio (“Artistic Endeavors”) in Melbourne, Fl. for five years. She started doing murals and embellishments (residential and commercial) from 1992 till present. She considers her early life in Europe the major source of her artistic influence as well as the works of Modigliani.
Eric was born in Missouri in 1950. He started drawing literally as an infant and has never stopped. He was taking commissions for book covers & wall designs in his teens and studied art at Auburn University and The University of Alabama. He taught art in public schools in Alabama in the ‘70s. He worked as art director at Huntsville Educational Television for 6 years, as art director at Southern Sportswear in Daytona for 9 years, at Creative Signs & Designs in Flagler, Fl. for 6 years, and as a freelance artist and co-owner (with his wife Helene) of “BessStudio” (formerly “Artistic Innovations Inc.”) since 1998. His artistic influences include Michelangelo, Vermeer, Blake, Maxfield Parish...
Category
21st Century and Contemporary Modern Figurative Paintings
Materials
Mixed Media
Zelda Zucker
Located in Atlanta, GA
Helene and Eric Bess are a team who have been collaborating for over 20 years. Both are professional artists with extensive experience in both the commercial and fine art fields. They presently work out of their studio in Florida, creating original art for gallery display, fine art crafts and taking commissions for murals & embellishments.
Helene was born in Canada in 1949. She studied art in Europe as a young adult and attended Phoenix Pratt School of Design in New York and St. Petersburg Community College in Florida. She worked for advertising agencies and freelance art projects such as theater design and t-shirt designs for several companies. She owned and operated an art studio (“Artistic Endeavors”) in Melbourne, Fl. for five years. She started doing murals and embellishments (residential and commercial) from 1992 till present. She considers her early life in Europe the major source of her artistic influence as well as the works of Modigliani.
Eric was born in Missouri in 1950. He started drawing literally as an infant and has never stopped. He was taking commissions for book covers & wall designs in his teens and studied art at Auburn University and The University of Alabama. He taught art in public schools in Alabama in the ‘70s. He worked as art director at Huntsville Educational Television for 6 years, as art director at Southern Sportswear in Daytona for 9 years, at Creative Signs & Designs in Flagler, Fl. for 6 years, and as a freelance artist and co-owner (with his wife Helene) of “BessStudio” (formerly “Artistic Innovations Inc.”) since 1998. His artistic influences include Michelangelo, Vermeer, Blake, Maxfield Parish...
Category
21st Century and Contemporary Modern Figurative Paintings
Materials
Mixed Media
Mark Twain
Located in Atlanta, GA
Helene and Eric Bess are a team who have been collaborating for over 20 years. Both are professional artists with extensive experience in both the commercial and fine art fields. They presently work out of their studio in Florida, creating original art for gallery display, fine art crafts and taking commissions for murals & embellishments.
Helene was born in Canada in 1949. She studied art in Europe as a young adult and attended Phoenix Pratt School of Design in New York and St. Petersburg Community College in Florida. She worked for advertising agencies and freelance art projects such as theater design and t-shirt designs for several companies. She owned and operated an art studio (“Artistic Endeavors”) in Melbourne, Fl. for five years. She started doing murals and embellishments (residential and commercial) from 1992 till present. She considers her early life in Europe the major source of her artistic influence as well as the works of Modigliani.
Eric was born in Missouri in 1950. He started drawing literally as an infant and has never stopped. He was taking commissions for book covers & wall designs in his teens and studied art at Auburn University and The University of Alabama. He taught art in public schools in Alabama in the ‘70s. He worked as art director at Huntsville Educational Television for 6 years, as art director at Southern Sportswear in Daytona for 9 years, at Creative Signs & Designs in Flagler, Fl. for 6 years, and as a freelance artist and co-owner (with his wife Helene) of “BessStudio” (formerly “Artistic Innovations Inc.”) since 1998. His artistic influences include Michelangelo, Vermeer, Blake, Maxfield Parish...
Category
21st Century and Contemporary Modern Figurative Paintings
Materials
Mixed Media
La Femme Magenta
Located in Atlanta, GA
Helene and Eric Bess are a team who have been collaborating for over 20 years. Both are professional artists with extensive experience in both the commercial and fine art fields. They presently work out of their studio in Florida, creating original art for gallery display, fine art crafts and taking commissions for murals & embellishments.
Helene was born in Canada in 1949. She studied art in Europe as a young adult and attended Phoenix Pratt School of Design in New York and St. Petersburg Community College in Florida. She worked for advertising agencies and freelance art projects such as theater design and t-shirt designs for several companies. She owned and operated an art studio (“Artistic Endeavors”) in Melbourne, Fl. for five years. She started doing murals and embellishments (residential and commercial) from 1992 till present. She considers her early life in Europe the major source of her artistic influence as well as the works of Modigliani.
Eric was born in Missouri in 1950. He started drawing literally as an infant and has never stopped. He was taking commissions for book covers & wall designs in his teens and studied art at Auburn University and The University of Alabama. He taught art in public schools in Alabama in the ‘70s. He worked as art director at Huntsville Educational Television for 6 years, as art director at Southern Sportswear in Daytona for 9 years, at Creative Signs & Designs in Flagler, Fl. for 6 years, and as a freelance artist and co-owner (with his wife Helene) of “BessStudio” (formerly “Artistic Innovations Inc.”) since 1998. His artistic influences include Michelangelo, Vermeer, Blake, Maxfield Parish...
Category
21st Century and Contemporary Modern Figurative Paintings
Materials
Mixed Media
Mimi Rouge
Located in Atlanta, GA
Helene and Eric Bess are a team who have been collaborating for over 20 years. Both are professional artists with extensive experience in both the commercial and fine art fields. They presently work out of their studio in Florida, creating original art for gallery display, fine art crafts and taking commissions for murals & embellishments.
Helene was born in Canada in 1949. She studied art in Europe as a young adult and attended Phoenix Pratt School of Design in New York and St. Petersburg Community College in Florida. She worked for advertising agencies and freelance art projects such as theater design and t-shirt designs for several companies. She owned and operated an art studio (“Artistic Endeavors”) in Melbourne, Fl. for five years. She started doing murals and embellishments (residential and commercial) from 1992 till present. She considers her early life in Europe the major source of her artistic influence as well as the works of Modigliani.
Eric was born in Missouri in 1950. He started drawing literally as an infant and has never stopped. He was taking commissions for book covers & wall designs in his teens and studied art at Auburn University and The University of Alabama. He taught art in public schools in Alabama in the ‘70s. He worked as art director at Huntsville Educational Television for 6 years, as art director at Southern Sportswear in Daytona for 9 years, at Creative Signs & Designs in Flagler, Fl. for 6 years, and as a freelance artist and co-owner (with his wife Helene) of “BessStudio” (formerly “Artistic Innovations Inc.”) since 1998. His artistic influences include Michelangelo, Vermeer, Blake, Maxfield Parish...
Category
21st Century and Contemporary Modern Figurative Paintings
Materials
Mixed Media
A Trepar (To Climb)
Located in Atlanta, GA
Ernesto Bertani was born in 1949 and was largely inspired by the 1960s. Art turned into a vehicle for dogmas and other agendas, with Pop and Minimalism...
Category
20th Century Abstract Figurative Paintings
Materials
Oil
Head with Figure, 2008
By Mersad Berber
Located in Atlanta, GA
Mersad Berber was a Bosnian painter and printmaker. Known for his particularly skilled draughtsmanship in depicting historical and contemporary Bosnian events, Berber frequently empl...
Category
20th Century Modern Figurative Paintings
Materials
Oil
FutArism 3.2, 2011
By Amir Baradaran
Located in Atlanta, GA
Amir Baradaran is a New York-based Iranian-Canadian ARtificial artist. As the Arts-Based Creative Research Associate and Adjunct Faculty at Columbia University School of Engineering and Applied Sciences, Baradaran is developing iBegoo, a multi-user software that supports artists with limited knowledge of game design and programing by streamlining and automating the process of writing for, directing, and producing interactive Augmented Reality (AR) experiences that include responsive characters enabled with Artificial Intelligence (AI). Baradaran is the recipient of the Knight Foundation Arts Award, Canada Council for the Arts New-Chapter & 150th Anniversary Prize, UC Berkeley Artist Residency (from Center for Critical Theory, New Media, Race and Gender Studies), International Symposium on Mixed and Augmented Reality Future of Augmented Reality Prize, and Morgan Stanley Pulse Art Fair grant. As a researcher at Columbia University Computer Graphics and User Interfaces Lab and a member of the School of the Arts Digital Storytelling Lab, Baradaran’s praxis and writings focus on a critical {AR}ticulation of visual vocabularies that use AR and AI technologies around notions of interactivity, non-linear narrative formation, po{AI}try, data-mining, failed utopias, racialized and gendered bodies, infiltration, and the ephemeral. Baradaran is a TEDx speaker, and an invited presenter to His Holiness Dalai Lama’s World Headquarters in Dharamsala for the Summit on Fostering Universal Ethics and Compassion through Museums. Baradaran is the co-author of the chapter Augmenting Empathy and Decolonizing AR/VR Mediums: How Do We Reimagine Augmented and Virtual Reality Experiences?” (Ed. By Gokcigdem, 2019), the author of While Data Privacy Talks, Capitalism Walks: Urging for a Critical Take on the Artificial Intelligence Ecosystem, and the Rise of the Machine (Ed. By Brielmaier, Forthcoming), and the co-editor of The Color of Queer Health Care: Experiences of Multiple Oppression in the Lives of Queer People of Color (-with Ryan, B. & Brotman, S. (eds.), 2006). Reviews of Baradaran’s work include Oxford University Press, Art in America, New York Observer, ARTNET, National Public Radio, BBC, Forbes, Euro-News, and L'Actualité. ARTINFO described his public art, Transient (installed in 6,300 NYC...
Category
21st Century and Contemporary American Impressionist Figurative Paintings
Materials
C Print, Digital, Digital Pigment
FutArism 3.1, 2011
By Amir Baradaran
Located in Atlanta, GA
Amir Baradaran is a New York-based Iranian-Canadian ARtificial artist. As the Arts-Based Creative Research Associate and Adjunct Faculty at Columbia University School of Engineering and Applied Sciences, Baradaran is developing iBegoo, a multi-user software that supports artists with limited knowledge of game design and programing by streamlining and automating the process of writing for, directing, and producing interactive Augmented Reality (AR) experiences that include responsive characters enabled with Artificial Intelligence (AI). Baradaran is the recipient of the Knight Foundation Arts Award, Canada Council for the Arts New-Chapter & 150th Anniversary Prize, UC Berkeley Artist Residency (from Center for Critical Theory, New Media, Race and Gender Studies), International Symposium on Mixed and Augmented Reality Future of Augmented Reality Prize, and Morgan Stanley Pulse Art Fair grant. As a researcher at Columbia University Computer Graphics and User Interfaces Lab and a member of the School of the Arts Digital Storytelling Lab, Baradaran’s praxis and writings focus on a critical {AR}ticulation of visual vocabularies that use AR and AI technologies around notions of interactivity, non-linear narrative formation, po{AI}try, data-mining, failed utopias, racialized and gendered bodies, infiltration, and the ephemeral. Baradaran is a TEDx speaker, and an invited presenter to His Holiness Dalai Lama’s World Headquarters in Dharamsala for the Summit on Fostering Universal Ethics and Compassion through Museums. Baradaran is the co-author of the chapter Augmenting Empathy and Decolonizing AR/VR Mediums: How Do We Reimagine Augmented and Virtual Reality Experiences?” (Ed. By Gokcigdem, 2019), the author of While Data Privacy Talks, Capitalism Walks: Urging for a Critical Take on the Artificial Intelligence Ecosystem, and the Rise of the Machine (Ed. By Brielmaier, Forthcoming), and the co-editor of The Color of Queer Health Care: Experiences of Multiple Oppression in the Lives of Queer People of Color (-with Ryan, B. & Brotman, S. (eds.), 2006). Reviews of Baradaran’s work include Oxford University Press, Art in America, New York Observer, ARTNET, National Public Radio, BBC, Forbes, Euro-News, and L'Actualité. ARTINFO described his public art, Transient (installed in 6,300 NYC...
Category
21st Century and Contemporary American Impressionist Figurative Paintings
Materials
Digital, Digital Pigment, C Print
FutArism Marker 2.2, 2011
By Amir Baradaran
Located in Atlanta, GA
Amir Baradaran is a New York-based Iranian-Canadian ARtificial artist. As the Arts-Based Creative Research Associate and Adjunct Faculty at Columbia University School of Engineering and Applied Sciences, Baradaran is developing iBegoo, a multi-user software that supports artists with limited knowledge of game design and programing by streamlining and automating the process of writing for, directing, and producing interactive Augmented Reality (AR) experiences that include responsive characters enabled with Artificial Intelligence (AI). Baradaran is the recipient of the Knight Foundation Arts Award, Canada Council for the Arts New-Chapter & 150th Anniversary Prize, UC Berkeley Artist Residency (from Center for Critical Theory, New Media, Race and Gender Studies), International Symposium on Mixed and Augmented Reality Future of Augmented Reality Prize, and Morgan Stanley Pulse Art Fair grant. As a researcher at Columbia University Computer Graphics and User Interfaces Lab and a member of the School of the Arts Digital Storytelling Lab, Baradaran’s praxis and writings focus on a critical {AR}ticulation of visual vocabularies that use AR and AI technologies around notions of interactivity, non-linear narrative formation, po{AI}try, data-mining, failed utopias, racialized and gendered bodies, infiltration, and the ephemeral. Baradaran is a TEDx speaker, and an invited presenter to His Holiness Dalai Lama’s World Headquarters in Dharamsala for the Summit on Fostering Universal Ethics and Compassion through Museums. Baradaran is the co-author of the chapter Augmenting Empathy and Decolonizing AR/VR Mediums: How Do We Reimagine Augmented and Virtual Reality Experiences?” (Ed. By Gokcigdem, 2019), the author of While Data Privacy Talks, Capitalism Walks: Urging for a Critical Take on the Artificial Intelligence Ecosystem, and the Rise of the Machine (Ed. By Brielmaier, Forthcoming), and the co-editor of The Color of Queer Health Care: Experiences of Multiple Oppression in the Lives of Queer People of Color (-with Ryan, B. & Brotman, S. (eds.), 2006). Reviews of Baradaran’s work include Oxford University Press, Art in America, New York Observer, ARTNET, National Public Radio, BBC, Forbes, Euro-News, and L'Actualité. ARTINFO described his public art, Transient (installed in 6,300 NYC...
Category
21st Century and Contemporary American Impressionist Figurative Paintings
Materials
Mixed Media, Digital, Digital Pigment
FutArism Marker 2.1, 2011
By Amir Baradaran
Located in Atlanta, GA
Amir Baradaran is a New York-based Iranian-Canadian ARtificial artist. As the Arts-Based Creative Research Associate and Adjunct Faculty at Columbia University School of Engineering and Applied Sciences, Baradaran is developing iBegoo, a multi-user software that supports artists with limited knowledge of game design and programing by streamlining and automating the process of writing for, directing, and producing interactive Augmented Reality (AR) experiences that include responsive characters enabled with Artificial Intelligence (AI). Baradaran is the recipient of the Knight Foundation Arts Award, Canada Council for the Arts New-Chapter & 150th Anniversary Prize, UC Berkeley Artist Residency (from Center for Critical Theory, New Media, Race and Gender Studies), International Symposium on Mixed and Augmented Reality Future of Augmented Reality Prize, and Morgan Stanley Pulse Art Fair grant. As a researcher at Columbia University Computer Graphics and User Interfaces Lab and a member of the School of the Arts Digital Storytelling Lab, Baradaran’s praxis and writings focus on a critical {AR}ticulation of visual vocabularies that use AR and AI technologies around notions of interactivity, non-linear narrative formation, po{AI}try, data-mining, failed utopias, racialized and gendered bodies, infiltration, and the ephemeral. Baradaran is a TEDx speaker, and an invited presenter to His Holiness Dalai Lama’s World Headquarters in Dharamsala for the Summit on Fostering Universal Ethics and Compassion through Museums. Baradaran is the co-author of the chapter Augmenting Empathy and Decolonizing AR/VR Mediums: How Do We Reimagine Augmented and Virtual Reality Experiences?” (Ed. By Gokcigdem, 2019), the author of While Data Privacy Talks, Capitalism Walks: Urging for a Critical Take on the Artificial Intelligence Ecosystem, and the Rise of the Machine (Ed. By Brielmaier, Forthcoming), and the co-editor of The Color of Queer Health Care: Experiences of Multiple Oppression in the Lives of Queer People of Color (-with Ryan, B. & Brotman, S. (eds.), 2006). Reviews of Baradaran’s work include Oxford University Press, Art in America, New York Observer, ARTNET, National Public Radio, BBC, Forbes, Euro-News, and L'Actualité. ARTINFO described his public art, Transient (installed in 6,300 NYC...
Category
21st Century and Contemporary American Impressionist Figurative Paintings
Materials
Mixed Media, Digital, Digital Pigment
FutArism Marker 1.2, 2011
By Amir Baradaran
Located in Atlanta, GA
Amir Baradaran is a New York-based Iranian-Canadian ARtificial artist. As the Arts-Based Creative Research Associate and Adjunct Faculty at Columbia University School of Engineering and Applied Sciences, Baradaran is developing iBegoo, a multi-user software that supports artists with limited knowledge of game design and programing by streamlining and automating the process of writing for, directing, and producing interactive Augmented Reality (AR) experiences that include responsive characters enabled with Artificial Intelligence (AI). Baradaran is the recipient of the Knight Foundation Arts Award, Canada Council for the Arts New-Chapter & 150th Anniversary Prize, UC Berkeley Artist Residency (from Center for Critical Theory, New Media, Race and Gender Studies), International Symposium on Mixed and Augmented Reality Future of Augmented Reality Prize, and Morgan Stanley Pulse Art Fair grant. As a researcher at Columbia University Computer Graphics and User Interfaces Lab and a member of the School of the Arts Digital Storytelling Lab, Baradaran’s praxis and writings focus on a critical {AR}ticulation of visual vocabularies that use AR and AI technologies around notions of interactivity, non-linear narrative formation, po{AI}try, data-mining, failed utopias, racialized and gendered bodies, infiltration, and the ephemeral. Baradaran is a TEDx speaker, and an invited presenter to His Holiness Dalai Lama’s World Headquarters in Dharamsala for the Summit on Fostering Universal Ethics and Compassion through Museums. Baradaran is the co-author of the chapter Augmenting Empathy and Decolonizing AR/VR Mediums: How Do We Reimagine Augmented and Virtual Reality Experiences?” (Ed. By Gokcigdem, 2019), the author of While Data Privacy Talks, Capitalism Walks: Urging for a Critical Take on the Artificial Intelligence Ecosystem, and the Rise of the Machine (Ed. By Brielmaier, Forthcoming), and the co-editor of The Color of Queer Health Care: Experiences of Multiple Oppression in the Lives of Queer People of Color (-with Ryan, B. & Brotman, S. (eds.), 2006). Reviews of Baradaran’s work include Oxford University Press, Art in America, New York Observer, ARTNET, National Public Radio, BBC, Forbes, Euro-News, and L'Actualité. ARTINFO described his public art, Transient (installed in 6,300 NYC...
Category
21st Century and Contemporary American Impressionist Figurative Paintings
Materials
Mixed Media, Digital, Digital Pigment
FutArism Marker 1.1, 2011
By Amir Baradaran
Located in Atlanta, GA
Amir Baradaran is a New York-based Iranian-Canadian ARtificial artist. As the Arts-Based Creative Research Associate and Adjunct Faculty at Columbia University School of Engineering and Applied Sciences, Baradaran is developing iBegoo, a multi-user software that supports artists with limited knowledge of game design and programing by streamlining and automating the process of writing for, directing, and producing interactive Augmented Reality (AR) experiences that include responsive characters enabled with Artificial Intelligence (AI). Baradaran is the recipient of the Knight Foundation Arts Award, Canada Council for the Arts New-Chapter & 150th Anniversary Prize, UC Berkeley Artist Residency (from Center for Critical Theory, New Media, Race and Gender Studies), International Symposium on Mixed and Augmented Reality Future of Augmented Reality Prize, and Morgan Stanley Pulse Art Fair grant. As a researcher at Columbia University Computer Graphics and User Interfaces Lab and a member of the School of the Arts Digital Storytelling Lab, Baradaran’s praxis and writings focus on a critical {AR}ticulation of visual vocabularies that use AR and AI technologies around notions of interactivity, non-linear narrative formation, po{AI}try, data-mining, failed utopias, racialized and gendered bodies, infiltration, and the ephemeral. Baradaran is a TEDx speaker, and an invited presenter to His Holiness Dalai Lama’s World Headquarters in Dharamsala for the Summit on Fostering Universal Ethics and Compassion through Museums. Baradaran is the co-author of the chapter Augmenting Empathy and Decolonizing AR/VR Mediums: How Do We Reimagine Augmented and Virtual Reality Experiences?” (Ed. By Gokcigdem, 2019), the author of While Data Privacy Talks, Capitalism Walks: Urging for a Critical Take on the Artificial Intelligence Ecosystem, and the Rise of the Machine (Ed. By Brielmaier, Forthcoming), and the co-editor of The Color of Queer Health Care: Experiences of Multiple Oppression in the Lives of Queer People of Color (-with Ryan, B. & Brotman, S. (eds.), 2006). Reviews of Baradaran’s work include Oxford University Press, Art in America, New York Observer, ARTNET, National Public Radio, BBC, Forbes, Euro-News, and L'Actualité. ARTINFO described his public art, Transient (installed in 6,300 NYC...
Category
21st Century and Contemporary American Impressionist Figurative Paintings
Materials
Mixed Media, Digital, Digital Pigment
Lavish Contemptuousness #4
By Amir Baradaran
Located in Atlanta, GA
Amir Baradaran is a New York-based Iranian-Canadian ARtificial artist. As the Arts-Based Creative Research Associate and Adjunct Faculty at Columbia University School of Engineering and Applied Sciences, Baradaran is developing iBegoo, a multi-user software that supports artists with limited knowledge of game design and programing by streamlining and automating the process of writing for, directing, and producing interactive Augmented Reality (AR) experiences that include responsive characters enabled with Artificial Intelligence (AI). Baradaran is the recipient of the Knight Foundation Arts Award, Canada Council for the Arts New-Chapter & 150th Anniversary Prize, UC Berkeley Artist Residency (from Center for Critical Theory, New Media, Race and Gender Studies), International Symposium on Mixed and Augmented Reality Future of Augmented Reality Prize, and Morgan Stanley Pulse Art Fair grant. As a researcher at Columbia University Computer Graphics and User Interfaces Lab and a member of the School of the Arts Digital Storytelling Lab, Baradaran’s praxis and writings focus on a critical {AR}ticulation of visual vocabularies that use AR and AI technologies around notions of interactivity, non-linear narrative formation, po{AI}try, data-mining, failed utopias, racialized and gendered bodies, infiltration, and the ephemeral. Baradaran is a TEDx speaker, and an invited presenter to His Holiness Dalai Lama’s World Headquarters in Dharamsala for the Summit on Fostering Universal Ethics and Compassion through Museums. Baradaran is the co-author of the chapter Augmenting Empathy and Decolonizing AR/VR Mediums: How Do We Reimagine Augmented and Virtual Reality Experiences?” (Ed. By Gokcigdem, 2019), the author of While Data Privacy Talks, Capitalism Walks: Urging for a Critical Take on the Artificial Intelligence Ecosystem, and the Rise of the Machine (Ed. By Brielmaier, Forthcoming), and the co-editor of The Color of Queer Health Care: Experiences of Multiple Oppression in the Lives of Queer People of Color (-with Ryan, B. & Brotman, S. (eds.), 2006). Reviews of Baradaran’s work include Oxford University Press, Art in America, New York Observer, ARTNET, National Public Radio, BBC, Forbes, Euro-News, and L'Actualité. ARTINFO described his public art, Transient (installed in 6,300 NYC...
Category
21st Century and Contemporary American Impressionist Abstract Paintings
Materials
Mixed Media
Lavish Contemptuousness 3
By Amir Baradaran
Located in Atlanta, GA
Amir Baradaran is a New York-based Iranian-Canadian ARtificial artist. As the Arts-Based Creative Research Associate and Adjunct Faculty at Columbia University School of Engineering and Applied Sciences, Baradaran is developing iBegoo, a multi-user software that supports artists with limited knowledge of game design and programing by streamlining and automating the process of writing for, directing, and producing interactive Augmented Reality (AR) experiences that include responsive characters enabled with Artificial Intelligence (AI). Baradaran is the recipient of the Knight Foundation Arts Award, Canada Council for the Arts New-Chapter & 150th Anniversary Prize, UC Berkeley Artist Residency (from Center for Critical Theory, New Media, Race and Gender Studies), International Symposium on Mixed and Augmented Reality Future of Augmented Reality Prize, and Morgan Stanley Pulse Art Fair grant. As a researcher at Columbia University Computer Graphics and User Interfaces Lab and a member of the School of the Arts Digital Storytelling Lab, Baradaran’s praxis and writings focus on a critical {AR}ticulation of visual vocabularies that use AR and AI technologies around notions of interactivity, non-linear narrative formation, po{AI}try, data-mining, failed utopias, racialized and gendered bodies, infiltration, and the ephemeral. Baradaran is a TEDx speaker, and an invited presenter to His Holiness Dalai Lama’s World Headquarters in Dharamsala for the Summit on Fostering Universal Ethics and Compassion through Museums. Baradaran is the co-author of the chapter Augmenting Empathy and Decolonizing AR/VR Mediums: How Do We Reimagine Augmented and Virtual Reality Experiences?” (Ed. By Gokcigdem, 2019), the author of While Data Privacy Talks, Capitalism Walks: Urging for a Critical Take on the Artificial Intelligence Ecosystem, and the Rise of the Machine (Ed. By Brielmaier, Forthcoming), and the co-editor of The Color of Queer Health Care: Experiences of Multiple Oppression in the Lives of Queer People of Color (-with Ryan, B. & Brotman, S. (eds.), 2006). Reviews of Baradaran’s work include Oxford University Press, Art in America, New York Observer, ARTNET, National Public Radio, BBC, Forbes, Euro-News, and L'Actualité. ARTINFO described his public art, Transient (installed in 6,300 NYC...
Category
21st Century and Contemporary American Impressionist Abstract Paintings
Materials
Mixed Media
Edith
Located in Atlanta, GA
Artist
Category
21st Century and Contemporary Modern Animal Paintings
Materials
Acrylic
Untitled, 2021
Located in Atlanta, GA
Artist
Category
21st Century and Contemporary Modern Abstract Paintings
Materials
Oil
Untitled, 2021
Located in Atlanta, GA
Artist
Category
21st Century and Contemporary Modern Abstract Paintings
Materials
Oil
Untitled, 2021
Located in Atlanta, GA
Artist
Category
21st Century and Contemporary Modern Abstract Paintings
Materials
Oil
Untitled, 2018
Located in Atlanta, GA
Artist
Category
21st Century and Contemporary Modern Figurative Paintings
Materials
Mixed Media, Board
Le Femme et Le Cygne, 2020
Located in Atlanta, GA
Artist
Category
21st Century and Contemporary Modern Figurative Paintings
Materials
Mixed Media, Panel
Un Homme, 2020
Located in Atlanta, GA
Artist
Category
21st Century and Contemporary Modern Figurative Paintings
Materials
Mixed Media, Panel
Amour (Version 2), 2020
Located in Atlanta, GA
Artist
Category
21st Century and Contemporary Modern Figurative Paintings
Materials
Mixed Media, Panel
Bleu D'Afrique, 2020
Located in Atlanta, GA
Artist
Category
21st Century and Contemporary Modern Figurative Paintings
Materials
Mixed Media, Panel
Untitled
Located in Atlanta, GA
Artist
Category
21st Century and Contemporary Modern Figurative Paintings
Materials
Oil
Painting Five, 2003
By Kevin Archer
Located in Atlanta, GA
Archer creates his master pieces via the exploration of liquid animation, quintessentially a process of manipulating wet paint into more wet paint. His canvases are a saturation of colors that intertwine with one another rhythmically; the actively flying and floating biomorphic forms are suggestive of human, animal, and microcosmic shapes. They are busy colliding, overlapping, and engaging each other in an imaginary landscape space, frozen in a moment of time.
Perhaps, the biggest draw to Archer’s paintings is the multiple detailed vignettes that come into play when one takes a closer look at each of his creations. Consequently, welcoming the viewer to experience the dynamic aspects of the work – the paintings also encourage engagement, making them an interactive visual...
Category
21st Century and Contemporary Modern Abstract Paintings
Materials
Acrylic
Painting Two, 2002
By Kevin Archer
Located in Atlanta, GA
Archer creates his master pieces via the exploration of liquid animation, quintessentially a process of manipulating wet paint into more wet paint. His canvases are a saturation of colors that intertwine with one another rhythmically; the actively flying and floating biomorphic forms are suggestive of human, animal, and microcosmic shapes. They are busy colliding, overlapping, and engaging each other in an imaginary landscape space, frozen in a moment of time.
Perhaps, the biggest draw to Archer’s paintings is the multiple detailed vignettes that come into play when one takes a closer look at each of his creations. Consequently, welcoming the viewer to experience the dynamic aspects of the work – the paintings also encourage engagement, making them an interactive visual...
Category
21st Century and Contemporary Modern Abstract Paintings
Materials
Acrylic
Meridienne Rouge et Or
Located in Atlanta, GA
Jean Arcelin is a French and Swiss painter born in Paris in June 1962. He studied at Charpentier, a licensed art history school at the Sorbonne, where he developed an interest in sev...
Category
21st Century and Contemporary Impressionist Interior Paintings
Materials
Oil
Quelque Part en Russie
Located in Atlanta, GA
Jean Arcelin is a French and Swiss painter born in Paris in June 1962. He studied at Charpentier, a licensed art history school at the Sorbonne, where he developed an interest in sev...
Category
21st Century and Contemporary Impressionist Interior Paintings
Materials
Oil
