Bloomsbury Fine Art & Antiques Scientific Instruments

Vintage floor globe. The stand is made out of solid wood with a metal detail at the bottom, and is 26 3/4" high and 22.5" wide. The globe is most likely also made oit of wood and com...

Large antique 19th century Turkish incense burner or fire pit with pierced brass and solid brass ornamentation. Museum quality Islamic collector metalwork piece footed incense censer...

Toledo Scale Company Model 8400A. Features an enameled green porcelain finish and tiled station. Features the iconic Art Deco Skyscraper design with a ...

A miniature 19th century 3.5 inch diameter pocket terrestrial globe by C. Abel-Klinger, Nuremberg, Germany, in English for the English speaking markets. Signed with cartouche reading...

Offered here for your consideration is, A fine antique 6-inch terrestrial globe. Additional Details: By C.S. Hammond & Co. The globe likely dates from 1927 to 1930 due to the ...

Terrestrial globe printed by W. & A.K. Johnston Ltd, Edinburgh, Scotland and distributed by Nystrom & Co., Chicago. This globe dates to the 1950's. The globe is metal as is the stand...

Crams Imperial World Globe Floor Standing Globe On A Turned Hardwood & Brass Stand Model No 16 Manufactured by George F Cram Co. Indiana, U.S.A

Antique Middle Eastern Islamic art Moorish brass bowl engraved with Thuluth Arabic calligraphy.The polished brass bowl is profusely chased with vines and vegetal motifs and inscribed with Islamic verses of the Holly Koran.This bowl has been professionally cleaned and polished.Measures: Diameter 7.25" x 4" height Mouth opening: 5".Great Middle Eastern brass metalwork decorative Islamic art objects.Handcrafted Moorish hand-etched Islamic metal brass bowl.Engraved, incised and hammered with very fine Arabic Islamic calligraphy writing and geometric designs on brass vessel.Very Intricate fine Middle eastern Moorish Islamic Art metalwork, museum quality artwork.Late 19th Century.Date of Manufacture: Circa 1880.Condition: Wear consistent with age and use. Islamic brass metalwork is an intricate and beautiful form of art that originated in the Islamic world. It encompasses a wide range of decorative objects made from brass or other metals such as copper, bronze, and silver. Brass trays, in particular, are highly regarded for their craftsmanship and intricate designs. Islamic brass metalwork has a rich history that dates back to the early Islamic period, with its roots in the metalworking traditions of ancient civilizations such as the Persians, Greeks, and Romans. However, Islamic artisans developed their own unique styles and techniques, blending elements from various cultures and creating distinctive motifs that reflected Islamic aesthetics and religious beliefs. The process of creating brass trays involves several steps, each requiring specialized skills. Here is a general overview of the traditional techniques involved: 1) Design: A skilled artist or calligrapher creates the design for the brass object. Islamic brass metalwork often incorporates intricate geometric patterns, arabesques, floral motifs, and calligraphy inspired by Quranic verses or poetry. 2) Metalworking: The object is typically made from a sheet of brass or another metal. The metal is cut into the desired shape and then hammered or pressed to create the object. Traditional techniques such as repoussé (hammering from the reverse side) or chasing (hammering on the front side) may be employed to shape the metal. 3) Engraving: The surface of the metal is often decorated with intricate engravings or etchings. Skilled artisans use chisels, gravers, or other specialized tools to create fine details and elaborate patterns. 4) Filigree and Inlay: Some brass trays feature additional decorative elements such as filigree or inlay work. Filigree involves shaping thin wires of brass into delicate patterns and soldering them onto the tray's surface. Inlay work, on the other hand, involves embedding contrasting materials such as silver or copper into the brass, creating intricate designs. 5) Surface Treatment: After the main decorative work is complete, the tray may undergo surface treatments to enhance its appearance. This can include processes like polishing, buffing, or applying various chemical patinas to create an aged or oxidized effect. While this bowl has certainly witnessed the passage of time, it remains in remarkably good condition, with only minor signs of age that add character to its appearance. The patina on the brass enhances its antique allure, making it a truly authentic and captivating collectible. Arabic Calligraphy: The Arabic writing on the bowl is a work of art in itself. The calligraphy showcases the mastery of the scribe's hand, with flowing curves and intricate details that form an elegant script. The script may include Quranic verses, blessings, or poetic verses, depending on the bowl's origin and purpose. The inscriptions are not only visually striking but also carry profound meaning, making this bowl a beautiful representation of Islamic heritage. Intricate Patterns: In addition to the Arabic calligraphy, the bowl features intricate geometric patterns and motifs that further enhance its visual appeal. These patterns are a hallmark of Islamic art and reflect the mathematical precision and artistic creativity that defined Islamic craftsmanship. This antique Islamic brass bowl...

A cast iron mortar with a bas-relief band in the center.

Carved oak dinner gong, the oak frame with mask pediment above a leaf-carved scroll decorated frame supporting the original brass gong. All raised on scrolling legs. Dimensions Heigh...

Unique, practical and highly decorative seat / hall bench with quality carvings. This beautifully carved and striking stool is surrounded by a number of very well designed and execu...

Celestial globe compiled on the Hesi & Gould catalogs by Eng. Pini and published in 1889 by Gussoni & Dotti Milano piazza del Duomo. Sphere in paper mache covered with paper printed by engraving on copper plate and hand watercolored, base in turned and ebonized wood. Good condition, conservative restoration at the base. Measures: Height 45 cm, inche 17.8, sphere diameter 22 cm 8.7. Giovanni Gussoni in 1874 bought the business of Antonio Ronchi typographer in Via Unione 5 in Milan, and then moved in 1883 to the shop of the Southern Porticoes in Piazza Duomo. Giovanni Gussoni was followed by his son Vittorio, who on April 16, 1907 sold the company to a collaborator, Giovanni Serra, who continued the business until November 1914. Man has always wanted to know the world in which he lives and has used all the means available to measure the space that surrounds him to expand his knowledge more and more. The conditions that allowed man to develop models of the world and space were probably realized only after...