Caviar20 Nude Photography

Edward Weston (1886-1958) is one of the most revered and influential pioneers of modern photography in the 20th century. Renowned for his technical prowess and artistic innovation,...

Nobuyoshi Araki (b. 1940) is a renowned Japanese photographer acclaimed for his provocative style that blurs the line between fine art and pornography. With an oeuvre of over 450 ph...

Nobuyoshi Araki (b. 1940) is a renowned Japanese photographer acclaimed for his provocative style that blurs the line between fine art and pornography. With an oeuvre of over 450 ph...

Attila Richard Lukacs (b. 1962) is one of Canada's most distinctive if not revolutionary Canadian figurative painters. Lukacs established his reputation in the 1980s by creating astonishing large-scale paintings that depicted skinheads, construction workers, and other masculine archetypes in elaborate and erotic scenes. The physical presence of the Lukacs' male subjects stands out as one of the artist's most distinctive aesthetic elements. With meticulous attention to form and proportions, Lukacs skillfully renders his young men with expressive brushwork and an intense, moody palette reminiscent of the old masters. Despite the monumental scale of his canvases, Lukacs begins his creative process with a much more intimate and modern-day tool: the Polaroid. Because of its immediacy and simplicity, it became an essential part of his process in the 80's and 90's. As a result, the artist amassed a trove of over 1,200 Polaroids that depict lovers, friends, and anonymous models in various poses that serve as a starting point for his paintings. In this grid of Polaroids, "Bar Back" is a young man posing nude on top of a first aid kit. The exceptional warmth and rich hues infuse this series of 12 Polaroids with a sensual and painterly quality, a characteristic that is undoubtably present throughout the artist's oeuvre. From 2009-2012 a large touring exhibition devoted to Lukacs' Polaroids was shown at several museums across Canada including Museum London and the Art Gallery of Alberta. Working with Michael Morris...

Attila Richard Lukacs (b. 1962) is one of Canada's most distinctive if not revolutionary Canadian figurative painters. Lukacs established his reputation in the 1980s by creating astonishing large-scale paintings that depicted skinheads, construction workers, and other masculine archetypes in elaborate and erotic scenes. The physical presence of the Lukacs' male subjects stands out as one of the artist's most distinctive aesthetic elements. With meticulous attention to form and proportions, Lukacs skillfully renders his young men with expressive brushwork and an intense, moody palette reminiscent of the old masters. Despite the monumental scale of his canvases, Lukacs begins his creative process with a much more intimate and modern day tool: the Polaroid. Because of its immediacy and simplicity it became an essential part of his process in the 80's and 90's. As a result the artist amassed a trove of over 1,200 Polaroids that depict lovers, friends, and anonymous models in a various poses that serve as a starting point for his paintings. In this grid of Polaroids, "Alex" is a young man posing nude on top of a tarp. The exceptional warmth and rich hues infuse this series of 12 Polaroids with a sensual and painterly quality, a characteristic that is undoubtably present throughout the artist's oeuvre. From 2009-2012 a large touring exhibition devoted to Lukacs' Polaroids was shown at several museums across Canada including Museum London and the Art Gallery of Alberta. Working with Michael Morris...

Helmut Newton (1920-2004) was one of the greatest photographers of the 20th century, known for his unflinching, heavily eroticized images of women. Born in 1920 in Berlin, Newton’...

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant cont...

Nan Goldin (b. 1953) is one of the most influential photographers of the 20th century. Beginning in the 1970's Goldin took candid shots of her lovers and friends - especially drag queens and trans women, characters often living on the margins of society, in New York City and beyond. "Cody in the Dressing Room at the Boy Bar, NYC” is a paradigm of Goldin's work from the early 1990’s celebrating both nightlife and its beautiful denizens. The photograph shows Cody, semi-nude and confidently posing for Goldin, as they either unwind after or are preparing for a performance. Situated in a dressing room signalled by the mirror, makeup and clothes strewn around. Behind Cody is a silver grid of black and white portraits taped to the wall, reminiscent of Warhol’s famous screen tests, and a reminder of Goldin's exceptional composition. Furthermore, the image is cropped right above the subject's waist leaving their actual gender ambiguous if not irrelevant. Today, images of drag queens and glamorous trans woman are increasingly common in Western culture, considering the success of TV shows such as Rupaul's Drag Race...