Cerbera Gallery Figurative Paintings

Jolynn Reigeluth State of the Union 2020 Acrylic, India Ink, linocut and cut paper on wood panel Year: 2022 Size: 30x20x2.5 in Framed Size: 30x20x2.5 in Ready to hang Signed COA prov...

Jolynn Reigeluth The Devil You Know Acrylic, India Ink, linocut and cut paper on wood panel Year: 2022 Size: 36x24x2.5 in Framed Size: 36x24x2.5 in Ready to hang Signed COA provided ...

Jolynn Reigeluth Mercy of the Buffoons Acrylic, India Ink, linocut and cut paper on wood panel Year: 2022 Size: 48x36x2.5 in Framed Size: 48x36x2.5 in Ready to hang Signed COA provid...

Keith Young Oops! Collage on Canvas; Rubber, Glue, Wood, Cotton Canvas Year: 2022 Size: 22x12.5x3in Signed by hand COA provided Ready to hang Ref.: 924802-1137 ---------------------...

Keith Young I'm an Achiever! Collage on Canvas; Rubber, Glue, Wood, Cotton Canvas Year: 2022 Size: 22x12.5x3in Signed by hand COA provided Ready to hang Ref.: 924802-1136 ----------...

Keith Young Lucky Cat and Pink Dolphin Collage on Canvas; Rubber, Glue, Wood, Cotton Canvas Year: 2022 Size: 11.25x9.25x3in Signed by hand COA provided Ready...

Marcus Cain Untitled Diptych Acrylic on paper Year: 1999 Size: 16.75x13.5 (each) Framed: 20.25x17x1.75in (each) COA provided Ref.: 924802-1069 Marcus Cain is a resident of Kansas Cit...

Marcus Cain Untitled Acrylic on paper Year: 1999 Size: 16.75x13.5 Framed: 20.25x17x1.75in COA provided Ref.: 924802-1068 Marcus Cain is a resident of Kansas City, MO and Manager of ...

Marcus Cain Untitled Acrylic on paper Year: 1999 Size: 16.75x13.5 Framed: 20.25x17x1.75in COA provided Ref.: 924802-1067 Marcus Cain is a resident of Kansas City, MO and Manager of ...

Amy Young Two Skulls with Blue Flowers Year: 2021 Material: Acrylic on Canvas Size: 30 x 24 x 1.5 inches Framed in a white wooden frame Signed COA provided Ref.: 924802-793 --------...

Amy Young Skull with Flowers and Bat Year: 2021 Material: Acrylic on Canvas Size: 24 x 20 x 1.5 inches Framed in a white wooden frame Signed COA provided Ref.: 924802-792 ----------...

Amy Young Serpent Diptych Year: 2021 Material: Acrylic on Canvas Size: 40 x 40 x 1.5 inches Stretched Signed COA provided ----------------------------------------- Amy Young (b.199...

John Ferry Mid-Century Modern X2 #2 Medium: Oil on Panel Year: 2020 Size: 5x16.5 in Signed, dated and inscribed by hand COA provided Re.: JF-20-03 “Ferry’s...

John Ferry Mid-Century Modern X2 #1 Medium: Oil on Panel Year: 2020 Size: 4.75x15.25 in Signed, dated and inscribed by hand COA provided Re.: JF-20-10 “Fer...

John Ferry Station #3 Medium: Oil on Panel Year: 2019 Size: 7.5x16 in Signed, dated and inscribed by hand Framed COA provided Ref.: JF-19-04 “Ferry’s works...

Ryan Wilks Will You Gay Marry Me Acrylic, oil, holy water, india ink, neon UV paint Year: 2021 Size: 28 x 20 in. Signed and dated by hand COA provided T...

Ryan Wilks Cry Me a Puddle Acrylic, india ink, holy water, neon UV paint, on paper Year: 2021 Size: 28 x 20 in. Signed and dated by hand COA provided The...

Artist : Ryan Wilks Title : Phallic Florals Materials : Oil on Stretched Circle Canvas Date : 01-01-2021 Dimensions : 35" x 35" Description : Florals taken ...

Artist : Ryan Wilks Title: Quarantine Medium: India ink, chalk pastel, graphite on canvas. Year: 2020 Size: 60W" x 72H" Description : This response to Covid...

Artist : Ryan Wilks Title : Liquidate Materials : Epoxy on Wood Board Date : 9-10-2020 Dimensions : 11" x 14" Description : Reimagining traditional depictions of the iconic cross, giving modern aesthetic to an ancient symbol. Providing new context through the lens of a queer art...

Artist : Ryan Wilks Title : Aesthetic of the Cross Materials : epoxy resin, chrome mirror paint, glass shards on wood board Date : 9-01-2020 Dimensions : 16" x 20" Description : Reimagining traditional depictions of the iconic cross, giving modern aesthetic to an ancient symbol. Epoxy casted, coated in chrome mirror paint and glass shards, light catches this piece from every direction, changing mood throughs the day as light within a space transitions from day to night. Ryan Wilks is a self-taught artist based in Kansas City, Missouri. Their work explores the various realities of queer existence. Primarily creating with oils, watercolors, sculptural assemblage, and ritual, their work sheds light on queer expression of spirituality and sexuality. Their bodies of work address and confront religion used as weapon and explores new modes of prayer through visual and participatory exhibitions. While religious and archetypal iconography such as the Devil and Lilith are seen within their figures in their paintings and used to express gender and queer ideologies, the work itself does not adopt the feeling of weighted religious rites. Instead, the work invites the viewer to participate in a modernized expression of spirit. Through figurative and narrative drawing and painting, through community-based performance ritual and ceremony, Wilks makes art that explores the various realities of queer existence. Gleaning inspiration from centuries old religious iconography and the oral and written histories documenting the queer experience from the beginning of time to their own personal experience today, Wilks' work strives to depict the push/pull, persecute/elevate relationships of humanity, sexuality, and spirituality. The use of more traditional materials and methods in Wilks' painting and drawing is an intentional nod to Italian masters such as Caravaggio, Titian, and Raphael, but it is the playfulness of Matisse’s figures and the contorting figures of Schiele that have influenced their work the most. Ritual and ceremonial performance is an integral aspect of Wilks'art. The use of objects, both found and made, and base elemental ingredients in occult practices are key components to their performances. Through movement, through ceremony, through studied and adaptive ritual, Wilks is able to engage an audience and create moments of sacred memory. Wilks' performance work is created and displayed in tandem with their 2-D work and further explores concepts displayed within their paintings and drawings. Through these methods of creating, engagement, and display of their art, Wilks strives to express the personal narrative of their queer experience, of their peers’, of those who have passed, and, ultimately, for future generations to research, decode, confront, and enjoy. Wilks has exhibited their work in at least 20 different solo exhibitions across the Kansas City Metropolitan area as well as being featured in 18 different publications regarding their work. Wilks' most recent artist residencies include the Artist in Residence program at the Crossroads Hotel, located in the heart of Kansas City's well known Crossroads Arts District, January-February 2020; and the Artist in Residence program at Arts KC, Jun-July 2020. In 2019, Wilks was nominated for "Best Exhibition" in the Pitch KC's annual "Best of KC" year-end round up for their exhibition "Hell", originally shown at Leedy-Voulkos Art Center. painting, watercolor, mixed media, human figure, religion, iconography, cultural commentary, queer art...

Artist: Ryan Wilks Title: Strength in Love Medium: Gold Leaf, Lapis Lazuli, Watercolor, Holy Water, Pen and ink on 243 year old Bible page. Year: 2019 Dimen...

Artist: Ryan Wilks Title: Wrath Medium: Holy Water, Lapis Lazuli, watercolor, Gold Leaf, on 243 year old Bible page (1777) Year: 2019 Size: 9.75" x 15.5' De...

Artist : Ryan Wilks Title : The Get Together Materials : India ink on Arches paper Date : 12-15-2020 Dimensions : 22" x 30" Description : In the time of soc...

Artist: Ryan Wilks Title: The Lovers Medium: paper on Arches Paper Year: 2020 Size: 22" x 30" Description : "The Lovers"was done using only an X-acto knife ...

Artist : Ryan Wilks Title : All Are Welcome Materials : Holy Water, Watercolor, Glass Shards, and Black 3.0 on Arches Paper Date : 10-01-2020 Dimensions : 2...

Heather Farrell Title : My Venus de Willendorf Materials : Mixed media on canvas Date : 2020 Dimensions : 4' x 4' Description : I was inspired by the ongoing racial inequalities and racism plaguing America. I have been interested in the history we are taught from a young age and what this history is geared toward accomplishing and for whom. I find it interesting who dictates what history is important and what can be commodified and taken for one group's benefit over another. The Venus is an important historical and artistic discovery and I use it as a symbol for the capturing of a culture, an idea or a virtue for one group's gain over another. I also use plastic Hawaiian lei as the capturing rope because lei have more recently been used as a very touristy, sometimes cheapened symbol for American excess and materialism. After all, the American government...

Heather Farrell Title : XOX Materials : Mixed media on canvas Date : 2020 Dimensions : 3' x 3' (36 x 36 in.) Description : I view imagery and the symbolism of snakes as a rebirth, a ...

Heather Farrell Title : Flora and Fauna Materials : Mixed media on canvas Date : 2020 Dimensions : 3' x 4' (36 x 48 in.) Description : I view imagery a...

Heather Farrell Title : Royal Palms Materials : Acrylic on canvas Date : 2019 Dimensions : 4' x 5'. (48 x 60 in.) Signed, COA provided Heather Farrell wor...

Heather Farrell Title : Everything is Stardust: Trees, Ropes and Tigers Materials : Acrylic on canvas Date : 2019 Dimensions : 5' x 6' (60 x 72 in.) Signed, COA provided Heather Fa...

Heather Farrell Title : They Battle For Beauty But They Already Are Materials : Mixed media including Swarovski crystals on birch board Date : 2020 Dimensions : 24" round Description...

Heather Farrell Title : I Blame Eve Materials : Acrylic on birch board Date : 2020 Dimensions : 3' x 4' (36 x 48 in.) Description : Animals and humans often acting the same - same ki...

Title: Still Life with Chess Materials : Oil on Canvas Date : 1960's Dimensions : 42 1/2 x 31 in. In the late 1960's, Daniel Brennan had a day job loading boxcars for Railway Express. During nights, he would go to a coffee house (Lawrence Gallery and Coffee House, at 43rd and Main St., KCMO), to sit and draw before heading home to paint. The gallery owners, Anne and Sidney Lawrence...

Hendrikji Kuehne and Beat Klein Title: Painting People in the Sun Medium: Collaged from Art Postcards Size: 19.75” x 27.5” Year: 2012 Selected Exhibitions: 2018 Graf & Schelble Galerie, Basel "abBild" Sherry Leedy Contemporary Arts, Kansas City/USA: Places to remember Musée jurassien des Arts, Moutier: Une heure dans le Jura (Sticker Book Project) 2017 The Garden of the Zodiac Gallery Omaha/ NE USA "Where do you wanna go from here?" (solo show) Deiglan Art Gallery, Gilfélagið, Akureyri: Temporary Environment (solo presentation) Kunstmuseum Thurgau, Karthause Ittingen, Warth: Menschenbilder (group show) 2016 2016 Graf & Schelble Galerie, Basel "Schauplätze" (solo show) Helvetia Art Foyer, Basel "Assemblage Bricolage Collage" (group show) Kunstmuseum Thurgau, Kartause Ittingen, Warth: "Im Rausch – Zwischen Höhenflug und Absturz" (group show) ZAGREUS PROJEKT, Koch/Kunst/Galerie, Berlin: FOOD raDESIGN-2016, überbeitet und angewandt (installation) 2015 Dr. M.T. Geoffrey Yeh Art Gallery, St. John’s University, New York: Vices Peculiar To These Eclectics: Contemporary Collage (group show) Pavel Zoubok...

Hendrikji Kuehne and Beat Klein Title: Painting a Vanishing Point Medium: Collaged from Art Postcards Size: 19.75” x 27.5 Year: 2009 Selected Exhibitions: 2018 Graf & Schelble Galerie, Basel "abBild" Sherry Leedy Contemporary Arts, Kansas City/USA: Places to remember Musée jurassien des Arts, Moutier: Une heure dans le Jura (Sticker Book Project) 2017 The Garden of the Zodiac Gallery Omaha/ NE USA "Where do you wanna go from here?" (solo show) Deiglan Art Gallery, Gilfélagið, Akureyri: Temporary Environment (solo presentation) Kunstmuseum Thurgau, Karthause Ittingen, Warth: Menschenbilder (group show) 2016 2016 Graf & Schelble Galerie, Basel "Schauplätze" (solo show) Helvetia Art Foyer, Basel "Assemblage Bricolage Collage" (group show) Kunstmuseum Thurgau, Kartause Ittingen, Warth: "Im Rausch – Zwischen Höhenflug und Absturz" (group show) ZAGREUS PROJEKT, Koch/Kunst/Galerie, Berlin: FOOD raDESIGN-2016, überbeitet und angewandt (installation) 2015 Dr. M.T. Geoffrey Yeh Art Gallery, St. John’s University, New York: Vices Peculiar To These Eclectics: Contemporary Collage (group show) Pavel Zoubok...

“Reason Has Limits” Oil on Wood tiles glued to panel Noremac has been following rock bands in America and Europe for the past several years, photographing young music fans at rock c...

Title: Blumenstilleben No. 401 Year: 2009 Medium: Oil on Canvas Size: 100 x 70 cm (39 3/8 x 27 1/2 inches)