Klasiskas Makslas galerija Portrait Paintings

Fantasy. Mixed media, collage on canvas, 100x70 cm

Woman portrait. 1955, oil on canvas, 50.8 x 40.6 cm Elegant woman portrait with scarf

Woman portrait. 1955, oil on canvas, 50.5 x 40.6 cm Elegant woman portrait with scarf

Overflight over the city. 1947, paper, mixed media, 23x20 cm Adolfs Zardins (1890 08 II Riga, Latvia – 1967 07 II Jurmala, Latvia), painter. Only in 1990 his relatives give his arti...

Consolation. 2020., canvas, pastel, 55,5x31 cm Composition with figures

Together. Cardboard, oil, 50x39.5 cm Double portrait of a man and woman Vladimir Borisovich Glushenkov (May 21, 1948, Riga - December 26, 2009, Riga.) - painter, graphic artist, po...

The sun. 1973. Cardboard, oil, 33x46.5 cm Woman portrait in orange colors Vladimir Borisovich Glushenkov (May 21, 1948, Riga - December 26, 2009, Riga.) - painter, graphic artist, poet, translator. Born in Riga in a Russian-Polish-German family. Vladimir Glushenkov...

Flirt. Cardboard, mixed media, 50x40 cm Abstract/Surrealist composition with two fasec Vladimir Borisovich Glushenkov (May 21, 1948, Riga - December 26, 2009, Riga.) - painter, grap...

Painter's family (Ed. Kalnins). Oil on cardboard, 50x79,5 cm

Doors knocker. Oil on canvas, 90x63 cm The artist Vadim Kovalev was born in 1968 in the capital of Latvia, Riga, where he is also presently living and creating his works. When Vadi...

Jazz. Oil on canvas. 73x100 cm Man with saxophone The artist Vadim Kovalev was born in 1968 in the capital of Latvia, Riga, where he is also presently ...

Lunas horse. Oil on canvas, 73X93 cm Horse in blue-cyan color The artist Vadim Kovalev was born in 1968 in the capital of Latvia, Riga, where he is also presently living and creatin...

Giraffe. Oil on canvas, 90X73 cm The artist Vadim Kovalev was born in 1968 in the capital of Latvia, Riga, where he is also presently living and creating his works. When Vadim was ...

Madame. Oil on canvas, 100x80 cm The artist Vadim Kovalev was born in 1968 in the capital of Latvia, Riga, where he is also presently living and creatin...

Africa. Oil on canvas, 80X60 cm The artist Vadim Kovalev was born in 1968 in the capital of Latvia, Riga, where he is also presently living and creating...

Coral Angel. Oil on wood, 70X70 cm The artist Vadim Kovalev was born in 1968 in the capital of Latvia, Riga, where he is also presently living and creating his works. When Vadim wa...

Rain. Oil on canvas, 90X65 cm The artist Vadim Kovalev was born in 1968 in the capital of Latvia, Riga, where he is also presently living and creating his works. When Vadim was fiv...

Clown. Oil on canvas, 90X70 cm The artist Vadim Kovalev was born in 1968 in the capital of Latvia, Riga, where he is also presently living and creating his works. When Vadim was fi...

Girl in restaurant in Paris. 19th century, oil on wood, 46x37,5 cm Eduardo Léon Garrido (1856-1949) Eduardo León Garrido was born in Madrid in 1856. He falls within the Group of Spaniards in Paris, as he warns in his style, with clear influences of Impressionism, somewhat reminiscent of Manet. He was the eldest son of Luis Garrido Fernandez, an official at the Ministry of Finance. His father would have liked him to embrace an administrative career but Eduardo León moved towards the artistic career. Trained in the Escuela Superior de Madrid, he painted his first work « the theft of the Sabine women », at only eighteen years old. Then he entered the Studio of Vicente Palmaroli (1834-1896). He will always consider the latter as his true teacher. In 1875, at the age of 19, he arrived in Paris to continue his studies with a scholarship from the city of Madrid. The same year he exhibited for the first time at the Salon where he presented a « Saint Jerome ». Very quickly he appears to be noticed by the famous merchant of the Rue Chaptal, Adolphe Goupil, for who he worked a few years. Notice that Vincent van Gogh worked for Goupil & Cie from 1869 till 1876 (his brother Theo entered in 1873. From 1876 on Garrido exhibits portraits and stylish, contemporary scenes. Catalogues indicates that he changed his dealer for the gallery Borniche around 1880. During the years 1882-1894 he did not expose anymore at the Salon (except once, in 1887, with the portrait of his friend, the painter Bréauté) . However, he painted a lot to feed the gallery of his dealer and a few galleries in Madrid. During that period he had also some student : Anne Blanche Dillaye (1851-1931), the american painter, studied with him from 1885 till 1887. From 1892 onwards it is the merchant Félix Gérard (one of the first dealers of work by Manet and Courbet), of the Rue Lafitte, which concludes with him an exclusive contract. He probably imposed to the artist to paint a different style. This sealed a radical departure from his 1880-1890 period, during which he painted the streets of Paris, café terraces, newspaper kiosks, and was likened to very fashionable Belle-Époque artists. From 1892 onwards, Garrido painted almost solely gallant scenes in the 18th century style, in keeping with current tastes and clients’ demands. Meanwhile, Garrido left Paris. In 1888 he established a studio on the banks of the Marne at La Varenne-Saint-Hilaire (Val-de-Marne near Paris). He married there in 1892 one of its models, Leonie Beck, and in 1893 their first child, Louis- Edouard, was born. He is quickly integrated into local life and became an art teacher in the Philotechnic Association of La Varenne. From 1895 onwards he presented new works at the Salon des Artistes Français and in 1914, he obtained the French citizenship, while two of his son went into battle (World War I). He continued painting, mainly landscapes, portraits of family members (children, granddaughter Odile born in 1923) and flowers. At the end of his life and because of poor eyesight he painted exclusively flower bouquets. In 1939, Eduardo León and his wife Leonie arrive at Caen. They settled with their son, Louis- Edouard, who resided there. Eduardo Leon Garrido died there in 1949. He is buried in the family burial at the cemetery Venoix in Caen. Some of his paintings can be seen in the Museo del Prado (Madrid), the Museo Carmen Thyssen (Málaga), the Museo Nacional de Bellas Artes (Argentina), Bilbao Fine Arts Museum and private collections such as the Bellver Collection in Sevilla. In the Musée Charles Léandre...

Fight with Inner Demons. 2018, author technique, 100x100cm Agate Apkalne. Born in Riga, 1977 Education: 2005 – MA in arts, Art Academy of Latvia 1998 ...

Will-o'-the-wisp. 2018, oil on canvas, 100x100cm Portrait on black background Agate Apkalne. Born in Riga, 1977 Education: 2005 – MA in arts, Art Acade...

At work. 1950, oil on cardboard, 49x69 cm Socrealist artworks, women are sorting sprats Alfejs Bromults (1913.3.IV - 1991.11.I) His first professional education was at National Uni...

Jadviga Žilvinska (1918-2010) was born in Tallinn. She grew up in Liepāja, where her great interest in art began and strengthened, which led the young artist to study at the Art Aca...

Jadviga Žilvinska (1918-2010) was born in Tallinn. She grew up in Liepāja, where her great interest in art began and strengthened, which led the young artist to study at the Art Academy of Latvia. During her studies at the Academy, she studied with K. Ubāns, V. Tone and J. Liepiņš, and defended her diploma thesis under the guidance of L. Liberts. Later on, she devoted her entire life to art, working at the Liepāja School of Fine Arts and as a portraitist at the "Māksla" combine. She had four favourite themes: landscapes, portraits, flowers and sacred painting. Her works have lyricism and inner harmony. In the portraits, we see not only the outer form of a person, but the artist allows us to look into the very essence of a person - it is likely that the models themselves often saw something new and bright in themselves through the artist's vision. The works are executed in various techniques - tempera, oil, pastel and watercolour. CV: 1938 - Graduated from the Liepaja Secondary School of Applied Arts, Department of Decorative Painting. 1943 - Latvian Academy of Art, L. Liberts Figurative Painting Workshop with her diploma work "At the Artist's" 1946-1948 - teacher of painting and drawing at Liepāja Fine Arts High School. 1948-1966 - portraitist at the "Māksla" combine Participated in exhibitions since 1948. Member of the Artists' Union since 1966. Solo exhibitions in Riga, Jelgava, Sigulda (1972); Riga (1975; 1978; two in 1981; 1986; 1994), Jurmala (1979). Works exhibited in Latvia as well as abroad (Poland, Switzerland, Italy, Japan, Finland, Venezuela, Germany, Hungary). The works are located in: "Portrait of Cardinal Julian Vaivoda", 1983, in the Vatican Museum in Rome "Portrait of Pope John Paul II, 1982, in the Roman Catholic Metropolitan Curia of Riga The altarpieces "The Heart of Jesus" and "Our Lady of Fatima", the paintings "John the Baptist" and "The Holy Family" , all from the late 1960s, in the Church of St Mary Magdalene...

Kaspars Zarins Born in 1962 Professional training: Janis Rozentals Art School of Riga (1973 - 1980), Painting Department at the Latvian Academy of Arts (1980 - 1986) under the sup...

Circus Princess. 2015. Oil on canvas, 65x60 cm Nugzar Avtandilovich Kahiani was born in Poti, Georgia in 1952. He studied at the Art College named after Nikoladze. Then he went to serve in the Soviet Army from1970 to 1972. After completing his military service he entered the Stieglitz St. Petersburg State Academy of Art and Industry at the faculty of artistic metal, from which he graduated in 1986. During his studies, he has been actively engaged in painting. His favorite artists are Gauguin, El Greco, Botticelli, Turner and Picasso. Works of artistic stone He worked also with stone, cornelian and onyx. But his soul gravitated to bright and blustery color, and so he has became engaged in painting. At first his paintings were quiet, with muted tonal gamma. The color image was built on the play of hues and halftones. Such a careful elaboration of color educates the taste, sharpness and delicacy of vision. Gradually, the painter became more experienced, and his paintings acquired assurance and power of maturity, blooming in colorful brilliancy. Nugzar's color preferences The color of Nugzar’s paintings is deep and multi-layered. It is woven of infinite number of hues and filled with light. At first sight it may be difficult to recognize the shapes in the play of flickering color dabs. The figures appear gradually, they draw the first breath just before our eyes, crystallizing from the color heap. The painter is attracted by major tonality and motives that years ago could be called “the gallant feasts” - repasts, assiduities, music parties, and airings. After somewhat daemonic, infernal imagery of early paintings, it has appeared the theme of “Le joie de vivre,” the joy of life. Source of inspiration Born in the ancient Kolkhida, he keeps the blissful pagan feel of entirety and completeness of being. It is embodied almost literally in his favorite personage auroral gorgeous-bodied beauty of a girl. He grants these forms even to Olympian inhabitants - Aphrodite, Athene, Arthemide, let alone the Bacchants. I remember unwittingly that Niko Pirosmani similarly painted on his impoverished buckrams the luxurious prince repasts and languid, elephantine beauties. Working style But his style is not bounded by grotesque parody, as well as the irony is not the only aspect of his world outlook. In his landscapes we can catch the ecstatic admiration with Nature. In contradistinction to his favorite impressionists, he never paints from nature and never bears in mind the particular place. It is just a blooming Earth, studied very closely, so that the trees are cut by the edges of the painting, and at the same time it is a bird’s eye view revealing infinite, boundless spaces. Nougzar says that the landscape for him is first of all a color ensemble. He can just leaf through the illustrated journal, nourishing his eye with color in various combinations, and so get the impulse to create a ‘physical’ landscape image. Probably, his landscapes are no less fantastical than his figure compositions, but such is his talent, his mission - to make the world more beautiful and gentle than it is in reality. Exhibitions Nugzar Kakhiani...

Girl with a rooster. 2020. Oil on canvas, 70x65 cm Colorful bright artwork girl with a rooster Nugzar Avtandilovich Kahiani was born in Poti, Georgia in 1952. He studied at the Art College named after Nikoladze. Then he went to serve in the Soviet Army from1970 to 1972. After completing his military service he entered the Stieglitz St. Petersburg State Academy of Art and Industry at the faculty of artistic metal, from which he graduated in 1986. During his studies, he has been actively engaged in painting. His favorite artists are Gauguin, El Greco, Botticelli, Turner and Picasso. Works of artistic stone He worked also with stone, cornelian and onyx. But his soul gravitated to bright and blustery color, and so he has became engaged in painting. At first his paintings were quiet, with muted tonal gamma. The color image was built on the play of hues and halftones. Such a careful elaboration of color educates the taste, sharpness and delicacy of vision. Gradually, the painter became more experienced, and his paintings acquired assurance and power of maturity, blooming in colorful brilliancy. Nugzar's color preferences The color of Nugzar’s paintings is deep and multi-layered. It is woven of infinite number of hues and filled with light. At first sight it may be difficult to recognize the shapes in the play of flickering color dabs. The figures appear gradually, they draw the first breath just before our eyes, crystallizing from the color heap. The painter is attracted by major tonality and motives that years ago could be called “the gallant feasts” - repasts, assiduities, music parties, and airings. After somewhat daemonic, infernal imagery of early paintings, it has appeared the theme of “Le joie de vivre,” the joy of life. Source of inspiration Born in the ancient Kolkhida, he keeps the blissful pagan feel of entirety and completeness of being. It is embodied almost literally in his favorite personage auroral gorgeous-bodied beauty of a girl. He grants these forms even to Olympian inhabitants - Aphrodite, Athene, Arthemide, let alone the Bacchants. I remember unwittingly that Niko Pirosmani similarly painted on his impoverished buckrams the luxurious prince repasts and languid, elephantine beauties. Working style But his style is not bounded by grotesque parody, as well as the irony is not the only aspect of his world outlook. In his landscapes we can catch the ecstatic admiration with Nature. In contradistinction to his favorite impressionists, he never paints from nature and never bears in mind the particular place. It is just a blooming Earth, studied very closely, so that the trees are cut by the edges of the painting, and at the same time it is a bird’s eye view revealing infinite, boundless spaces. Nougzar says that the landscape for him is first of all a color ensemble. He can just leaf through the illustrated journal, nourishing his eye with color in various combinations, and so get the impulse to create a ‘physical’ landscape image. Probably, his landscapes are no less fantastical than his figure compositions, but such is his talent, his mission - to make the world more beautiful and gentle than it is in reality. Exhibitions Nugzar Kakhiani...

Summer. 2021. Oil on canvas, 70x70 cm Colorful bright artwork with two girls Nugzar Avtandilovich Kahiani was born in Poti, Georgia in 1952. He studied at the Art College named after Nikoladze. Then he went to serve in the Soviet Army from1970 to 1972. After completing his military service he entered the Stieglitz St. Petersburg State Academy of Art and Industry at the faculty of artistic metal, from which he graduated in 1986. During his studies, he has been actively engaged in painting. His favorite artists are Gauguin, El Greco, Botticelli, Turner and Picasso. Works of artistic stone He worked also with stone, cornelian and onyx. But his soul gravitated to bright and blustery color, and so he has became engaged in painting. At first his paintings were quiet, with muted tonal gamma. The color image was built on the play of hues and halftones. Such a careful elaboration of color educates the taste, sharpness and delicacy of vision. Gradually, the painter became more experienced, and his paintings acquired assurance and power of maturity, blooming in colorful brilliancy. Nugzar's color preferences The color of Nugzar’s paintings is deep and multi-layered. It is woven of infinite number of hues and filled with light. At first sight it may be difficult to recognize the shapes in the play of flickering color dabs. The figures appear gradually, they draw the first breath just before our eyes, crystallizing from the color heap. The painter is attracted by major tonality and motives that years ago could be called “the gallant feasts” - repasts, assiduities, music parties, and airings. After somewhat daemonic, infernal imagery of early paintings, it has appeared the theme of “Le joie de vivre,” the joy of life. Source of inspiration Born in the ancient Kolkhida, he keeps the blissful pagan feel of entirety and completeness of being. It is embodied almost literally in his favorite personage auroral gorgeous-bodied beauty of a girl. He grants these forms even to Olympian inhabitants - Aphrodite, Athene, Arthemide, let alone the Bacchants. I remember unwittingly that Niko Pirosmani similarly painted on his impoverished buckrams the luxurious prince repasts and languid, elephantine beauties. Working style But his style is not bounded by grotesque parody, as well as the irony is not the only aspect of his world outlook. In his landscapes we can catch the ecstatic admiration with Nature. In contradistinction to his favorite impressionists, he never paints from nature and never bears in mind the particular place. It is just a blooming Earth, studied very closely, so that the trees are cut by the edges of the painting, and at the same time it is a bird’s eye view revealing infinite, boundless spaces. Nougzar says that the landscape for him is first of all a color ensemble. He can just leaf through the illustrated journal, nourishing his eye with color in various combinations, and so get the impulse to create a ‘physical’ landscape image. Probably, his landscapes are no less fantastical than his figure compositions, but such is his talent, his mission - to make the world more beautiful and gentle than it is in reality. Exhibitions Nugzar Kakhiani...

Composition with faces by Peteris Taukulis - 2013. Paper, collage, 26x20 cm

Conversation. 2019. Oil on canvas, 82x75 cm

Reflections on the ballet. 1970, canvas, cardboard, oil, 60x80 cm Laimdots Murnieks (1922-2011) studied at Cesis and Jelgava teachers’ institutes (1938 – 44). He graduated from the ...

Girl with wild flowers. 2002, canvas, oil, 64x64 cm

At night. 1961. Paper, mixed media, 14x10 cm Adolfs Zardins (1890 08 II Riga, Latvia – 1967 07 II Jurmala, Latvia), painter. Only in 1990 his relatives give his artistic heritage to...

Heights & fast sketch. 1961. Paper, mixed media, 9,5x6 cm; 9x6cm Adolfs Zardins (1890 08 II Riga, Latvia – 1967 07 II Jurmala, Latvia), painter. Only in...

Collective farmer. 1980, watercolor on paper, 57,5x58 cm Dzidra Bauma (1930) Dzidra Bauma works in watercolor technique. She paint figural compositions,...

Fresco. 2001, canvas, mixed media, 46x38 cm Ieva Iltnere (b. 1957) entered the Latvian art scene in the early 1980s. Together with other young painters of her generation she attracted much attention and radically changed prevailing conceptions about the Latvian figural painting. The fame of this generation of artists has not diminished since that time. In 1988 Ieva Iltnere took part in the young artists’ exhibition “Post-Traditionalism” at the Central Artists’ House in Moscow as well as in the exhibition “Riga – Lettische Avantgarde” at the Staatliche Kunsthalle in Berlin. It was the first important show of Latvian avant-garde art in Western Europe. In 1990 Ieva Iltnere and her like-minded contemporaries participated in the famous exhibition-action “Gentle Fluctuations” at the Exhibition Hall Latvija in Riga. This exhibition encouraged radical aspirations of the young painters’ group and promoted the adoption of new influences in Latvian art. In 1992 there was Ieva Iltnere and Jānis Mitrēvics’ joint exhibition “Works” and in 1994 – her solo exhibition “School” at the Art Museum Arsenāls. She took part in important Latvian art exhibitions at the Zvolle City Museum (2002), Frauen Museum in Bonn (1992), Grand Salle de l’Aubette in Strasbourg, Maison du Danemark in Paris (1997), Städtische Galerie im Buntentor in Bremen, etc. Ieva Iltnere is one of the most outstanding and creative artists of her generation. Her art is able to communicate great, significant ideas, important to both the individual and the society in general, through intimate subject matter. Iltnere has created a particular imagery that clearly marks her individual style. Her early works deal with themes of family, mother and child, depiction of intimate aspects of life. The artist raised everyday phenomena to the level of sacredness. Today the artist synthesizes traditional means of painting and conceptual approach, inspired by different cultures, Western avant-garde art of the 20th century and Biblical themes (solo exhibition “Stories”, 2002). Iltnere’s paintings feature subdued colouring and discrete intonation. The artist pays particular attention to light and composition. Each work is endowed with a personal touch. Iltnere’s works are found in collections of the Latvian National Museum of Art (previous title - State Museum of Art), the Artists’ Union of Latvia Museum (Riga), the State Tretyakov Gallery (Moscow), Ludwig Museum (Aachen, Germany), Jane Voorhees Zimmerli Art Museum (New Jersey, USA) as well as in private collections in Latvia and abroad. Selected solo exhibitions: 2008 "Beautiful fragile nature", Riga Gallery, Riga / Latvia 2007 "Eight Rooms", Riga Gallery, Riga / Latvia 2004 "The Happy Childhood", Riga Gallery, Riga / Latvia 2003 "Ieva's Painting", Gallery NoMi, St. Petersburg / Russia "My Room", Gallery Centrs, Riga / Latvia 2002 "Stories", Riga Gallery, Riga / Latvia* 2001 "Ieva Iltnere's United Images", Gallery Daugava, Riga / Latvia 1999 "Papers and Canvases", Gallery Daugava, Riga / Latvia 1998 "Paintings of Paris", Gallery Daugava, Riga / Latvia 1997 "Oil", Gallery Bastejs, Riga / Latvia 1994 "School", Art Museum Arsenāls, Riga / Latvia* 1993 Riga Gallery, Riga / Latvia Gallery G&G, Riga / Latvia* 1992 "Works", Art Museum Arsenāls, Riga / Latvia (together with Jānis Mitrēvics)* "Four New Paintings", Gallery Kolonna, Riga / Latvia 1989 Gallery Baltasar, Gothenburg / Sweden (together with Ivars Poikāns)* Selected group exhibitions: 2008 12th International Contemporary Art Exhibition "Art Moscow", Central House of Artists, Moscow / Russia* Rauma Biennale Balticum 08 "Flower Power", Rauman Taidemuseo, Rauma Art Museum/ Finland 2007 11th International Contemporary Art Exhibition "Art Moscow", Central House of Artists, Moscow / Russia* 2005 9th International Contemporary Art Exhibition "Art Moscow", Central House of Artists, Moscow / Russia* 2004 8th International Contemporary Art Exhibition "Art Moscow", Central House of Artists, Moscow / Russia* "The Rape of Europe", Eskilstuna Art Museum, Eskilstuna / Sweden* 2003 "Labyrinth", Gallery Vartai, Vilnius / Lithuania...

Dynamic self-portrait. 1970, cardboard, oil, 37x36,5 cm + gift book about artist Vladimirs Glušenkovs Painting published in the book "Vladimirs Glušenkovs", Ed .: Neputns, 2018, on L...

Untitled. 2002, oil on wood, 57x17,5 cm Man face on red background with flower Kaspars Perskis (1975) was born in Riga, Latvia. This is where he stud...

Girls portrait. Oil on canvas, 81x57 cm

1th September. Paper, watercolor, 50x38 cm Arnolds Pankoks (born 1914.21.IX - 2008.) Graduated Art Academy of Latvia (1937 – 43, 1945 – 47) with diploma work "...

Pioneer Leader. Oil on cardboard, 25x24,5 cm Arnolds Pankoks (born 1914.21.IX - 2008.) Graduated Art Academy of Latvia (1937 – 43, 1945 – 47) with dip...

Women portraits. 2.pcs., paper, mixed media, 10,2x5,3 cm, 13,9x10,2 cm Adolfs Zardins (1890 08 II Riga, Latvia – 1967 07 II Jurmala, Latvia), painter. Only in 1990 his relatives giv...

Ole! 2003, mixed media on cardboard, 30x39 cm Colorful abstract painting in blue, red colors Gunta Liepina Griva Born 1942 in Riga, Latvia 1961 – Gradua...

The lonely demon. 2003, paper, mixed media, 15x19,5 cm Colorful, stylized portrait on black background. Portrait with lilac face and long nose Gunta Liepina Griva...

Frown / Vysotsky /2009, oil on canvas, 80x80 cm

Bella. Oil on canvas, 50x50 cm Woman portrait in warm colors Laimdots Murnieks (1922-2011) studied at Cesis and Jelgava teachers’ institutes (1938 – 44). He graduated from the Paint...

Portrait. 1970s, cardboard, oil, 50x35,5 cm Woman portrait in light colors Laimdots Murnieks (1922-2011) studied at Cesis and Jelgava teachers’ institutes (1938 – 44). He graduated ...

The girl in the city. 1964, oil on cardboard, 76.5x41.5 cm Laimdots Murnieks (1922-2011) studied at Cesis and Jelgava teachers’ institutes (1938 – 44). He graduated from the Paintin...

Good morning / Guten Morgen. 2009, oil on canvas, 18x24 cm Woman portrait with eyelash curler in style of 1920 Anita Arbidane (1983) In 2008 graduated Latvian Academy of Arts Depar...

The colors of the soul - 15. 2017. Oil on canvas, 30x30 cm Fantasy painting woman face Kristine Kvitka (1983) Kristine Kvitka is a Latvian artist, born in Riga in 1983, currently li...

The colors of the soul - 10. 2017. Oil on canvas, 30x30 cm Fantasy painting woman face Kristine Kvitka (1983) Kristine Kvitka is a Latvian artist, born in Riga in 1983, currently li...

The colors of the soul - 16. 2017. Oil on canvas, 30x30 cm Fantasy painting woman face Kristine Kvitka (1983) Kristine Kvitka is a Latvian artist, born in Riga in 1983, currently li...

The colors of the soul - 13. 2017. Oil on canvas, 30x30 cm Fantasy painting woman face Kristine Kvitka (1983) Kristine Kvitka is a Latvian artist, born in Riga in 1983, currently li...