CURATED.ART Folk Art

A beautiful pair of 18th century Austrian carved gilt wood angel cherubs with their original hooks to the back .

Fairy tales do come true, and here they are: Eleven brightly colored hand-painted panels with classic nursery rhymes. A group of 11 vintage folk art painted children's nursery rhyme panels in oil are classic. These early to mid-century nursery rhyme panels include "Simple Simon," "Jack Be Nimble," "Little Bo Peep...

An early 18th Century antique hand carved and polychromed hand painted table crucifix from France with its original patina preserved. This crucifix could possible date back as early ...

Architectural oil painting on canvas of Heydon Hall executed in a rustic naive style with contrived aging and presented in a maple frame. Signed Dan Dunton.

Antique Baroque Black Forest Deer Head Late 18th Century A lovely carved wooden Black Forest deer head. Hand carved in typical abstract baroque style. It features a real deer horn t...

Early 20th century scratch built Church model We share what we love, and we love this scratch-built pine model of a church. Hand carved detail with gla...

A late 19th century small French impressionistic oil painting on wooden panel representing a Parisian girl by a Café after a rain. This "La Bell...

A very beautiful early 17th century oil on board painting of Saint Eugene - The Archbishop Of Toledo, Spain. Wonderful brushwork and intricate detail....

An early 19th century European hand carved and painted sculpture of a medieval tower in wood with its old patina.

Pair of late 18th early 19th century South American carved wooden stirrups. Known as estribos, each are carved from a solid block of wood. Decorated with wonderful carvings of horse heads and grape vines, these are truly charming pieces. With wrought iron stirrup rings and the original leather straps. Rich chocolate patina that only comes from age and use. Worn by Chilean huasos, highly skilled horsemen akin to America's cowboys. Prized by collectors of horse memorabilia...

A stunning antique Italian Baroque style silvered metal gilded wood monstrance reliquary. circa 1770-1820 Handmade in Italy in the late 18th / early 19th century, commissioned by the church to display an important religious relic, sculptural painted wood form, mounted with decorative silver repousse metal facing, open oval window where the philatory relic was once housed, rising on a gold gilt painted shaped plinth base. Dimensions: (approx) 17" High, 8" Wide, 5" Deep, 1.25lbs History: Reliquaries (also referred to as a shrine or châsse in French), are containers used to protect and display relics. A portable reliquary may be called a fereter, and a chapel in which it is housed a feretory. A monstrance, also known as an ostensorium (or an ostensory), is a vessel used in Roman Catholic, Old Catholic, High Church Lutheran and Anglican churches for the display on an altar of some object of piety, such as the consecrated Eucharistic host during Eucharistic adoration or Benediction of the Blessed Sacrament. It is also used as reliquary for the public display of relics of some saints. The use of reliquaries became an important part of Christian practices from at least the 4th century, initially in the Eastern Churches, which adopted the practice of moving and dividing the bodies of saints much earlier than the West, probably in part because the new capital of Constantinople, unlike Rome, lacked buried saints. Relics are venerated in the Oriental Orthodox, Eastern Orthodox, Roman Catholic and some Anglican Churches. Reliquaries provide a means of protecting and displaying relics. While frequently taking the form of caskets, they range in size from simple pendants or rings to very elaborate ossuaries. The relics were enshrined in containers crafted of or covered with gold, silver, gems, and enamel. These objects constituted a important form of artistic production across Europe and Byzantium throughout the Middle Ages. Many were designed with portability in mind, often being exhibited in public or carried in procession on the saint's feast day or on other holy days. Pilgrimages often centered on the veneration of relics. The faithful often venerate relics by bowing before the reliquary or kissing it; those churches which observe the veneration of relics distinguish between the honor given to the saints and the worship that is due to God alone. Sixteenth-century reformers such as Martin Luther opposed the use of relics since many had no proof of historical authenticity and objected to a cult of saints. Many reliquaries, particularly in northern Europe, were destroyed by Calvinists or Calvinist sympathizers during the Reformation...

Beautiful sculptured hand of a wooden Mannequin, Italy late 18 th Century mounted on a wooden stand, very fine sculptured and good, old Patina of the wood, very beautiful decorati...