David Barnett Gallery Figurative Prints

"Robert Macaire Commis Voyageur" is an original lithograph by Honore Daumier. It depicts two men having a conversation. Artwork Size: 14 1/4" x 9 1/2" Frame Size: 21 3/4" x 18 1/2" Artist Bio: Daumier was a prolific draftsman who produced over 4000 lithographs, he was perhaps best known for his caricatures of political figures and satires on the behavior of his countrymen, although posthumously the value of his painting has also been recognized. His works offer a commentary on social and political life in France in the 19th century. French caricaturist and painter, born at Marseilles. He showed in his earliest youth an irresistible inclination towards the artistic profession, which his father vainly tried to check by placing him first with a huissier, and subsequently with a bookseller. Having mastered the technique of lithography, Daumier started his artistic career by producing plates for music publishers, and illustrations for advertisements; these were followed by anonymous work for publishers, in which he followed the style of Charlet and displayed considerable enthusiasm for the Napoleonic legend. When, in the reign of Louis-Philippe, Philipon launched the comic journal, La Caricature, Daumier joined its staff, which included such powerful artists as Devéria, Raffet and Grandville, and started upon his pictorial campaign of scathing satire upon the foibles of the bourgeoisie, the corruption of the law and the incompetence of a blundering government. His caricature of the king as "Gargantua" led to Daumier's imprisonment for six months at Ste. Pélagie in 1832. The publication of La Caricature was discontinued soon after, but Philipon provided a new field for Daumier's activity when he founded the Charivari. For this journal Daumier produced his famous social caricatures, in which bourgeois society is held up to ridicule in the figure of Robert Macaire, the hero of a then popular melodrama. Another series, "L'Histoire Ancienne", was directed against the pseudoclassicism which held the art of the period in fetters. In 1848 Daumier embarked again on his political campaign, still in the service of Charivari, which he left in 1860 and rejoined in 1864. In spite of his prodigious activity in the field of caricature -- the list of Daumier's lithographed plates compiled in 1904 numbers no fewer than 3958 -- he found time for flight in the higher sphere of painting. Except for the searching truthfulness of his vision and the powerful directness of his brushwork, it would be difficult to recognize the creator of Robert Macaire, of Les Bas bleus, Les Bohémiens de Paris, and the Masques, in the paintings of "Christ and His Apostles" at the Ryks Museum in Amsterdam, or in his "Good Samaritan", "Don Quixote and Sancho Panza", "Christ Mocked...

"Robert Macaire Banquier et Jure" is an original lithograph by Honore Daumier. It depicts a banker and his contemporary having a conversation. 1/2 D. 371 (Charivari) Artwork Size: 14 1/4" x 9 1/2" Frame Size: 21 5/8" x 19" Artist Bio: Daumier was a prolific draftsman who produced over 4000 lithographs, he was perhaps best known for his caricatures of political figures and satires on the behavior of his countrymen, although posthumously the value of his painting has also been recognized. His works offer a commentary on social and political life in France in the 19th century. French caricaturist and painter, born at Marseilles. He showed in his earliest youth an irresistible inclination towards the artistic profession, which his father vainly tried to check by placing him first with a huissier, and subsequently with a bookseller. Having mastered the technique of lithography, Daumier started his artistic career by producing plates for music publishers, and illustrations for advertisements; these were followed by anonymous work for publishers, in which he followed the style of Charlet and displayed considerable enthusiasm for the Napoleonic legend. When, in the reign of Louis-Philippe, Philipon launched the comic journal, La Caricature, Daumier joined its staff, which included such powerful artists as Devéria, Raffet and Grandville, and started upon his pictorial campaign of scathing satire upon the foibles of the bourgeoisie, the corruption of the law and the incompetence of a blundering government. His caricature of the king as "Gargantua" led to Daumier's imprisonment for six months at Ste. Pélagie in 1832. The publication of La Caricature was discontinued soon after, but Philipon provided a new field for Daumier's activity when he founded the Charivari. For this journal Daumier produced his famous social caricatures, in which bourgeois society is held up to ridicule in the figure of Robert Macaire, the hero of a then popular melodrama. Another series, "L'Histoire Ancienne", was directed against the pseudoclassicism which held the art of the period in fetters. In 1848 Daumier embarked again on his political campaign, still in the service of Charivari, which he left in 1860 and rejoined in 1864. In spite of his prodigious activity in the field of caricature -- the list of Daumier's lithographed plates compiled in 1904 numbers no fewer than 3958 -- he found time for flight in the higher sphere of painting. Except for the searching truthfulness of his vision and the powerful directness of his brushwork, it would be difficult to recognize the creator of Robert Macaire, of Les Bas bleus, Les Bohémiens de Paris, and the Masques, in the paintings of "Christ and His Apostles" at the Ryks Museum in Amsterdam, or in his "Good Samaritan", "Don Quixote and Sancho Panza", "Christ Mocked...

"Deux Ex Capacites De L'Ancien Regime-Profils Contemporains #1" is an original lithograph on Sur Blanc (white woven) paper by Honore Daumier. It depicts ...

"Jamais Bredouille (Never Empty-Handed)" is a color lithograph after Jules Denneulin. It depicts a hunter showing his day's work to a farmer on a path at dusk. 20" x 26" art 40 1/4...

"Kacia" from "L'Estampe Moderne II" is an original color lithograph by Eugene Delatre. L'Esampe Moderne was a publication that published artwork from to...

"Le Nouveau Costume Des Cochers-Actualites" is an original lithograph by Honore Daumier, the third of three states. It depicts two carriage drivers passing each other. Artwork Size: 8 3/4" x 11" Frame Size: 18" x 20 1/2" Artist Bio: Daumier was a prolific draftsman who produced over 4000 lithographs, he was perhaps best known for his caricatures of political figures and satires on the behavior of his countrymen, although posthumously the value of his painting has also been recognized. His works offer a commentary on social and political life in France in the 19th century. French caricaturist and painter, born at Marseilles. He showed in his earliest youth an irresistible inclination towards the artistic profession, which his father vainly tried to check by placing him first with a huissier, and subsequently with a bookseller. Having mastered the technique of lithography, Daumier started his artistic career by producing plates for music publishers, and illustrations for advertisements; these were followed by anonymous work for publishers, in which he followed the style of Charlet and displayed considerable enthusiasm for the Napoleonic legend. When, in the reign of Louis-Philippe, Philipon launched the comic journal, La Caricature, Daumier joined its staff, which included such powerful artists as Devéria, Raffet and Grandville, and started upon his pictorial campaign of scathing satire upon the foibles of the bourgeoisie, the corruption of the law and the incompetence of a blundering government. His caricature of the king as "Gargantua" led to Daumier's imprisonment for six months at Ste. Pélagie in 1832. The publication of La Caricature was discontinued soon after, but Philipon provided a new field for Daumier's activity when he founded the Charivari. For this journal Daumier produced his famous social caricatures, in which bourgeois society is held up to ridicule in the figure of Robert Macaire, the hero of a then popular melodrama. Another series, "L'Histoire Ancienne", was directed against the pseudoclassicism which held the art of the period in fetters. In 1848 Daumier embarked again on his political campaign, still in the service of Charivari, which he left in 1860 and rejoined in 1864. In spite of his prodigious activity in the field of caricature -- the list of Daumier's lithographed plates compiled in 1904 numbers no fewer than 3958 -- he found time for flight in the higher sphere of painting. Except for the searching truthfulness of his vision and the powerful directness of his brushwork, it would be difficult to recognize the creator of Robert Macaire, of Les Bas bleus, Les Bohémiens de Paris, and the Masques, in the paintings of "Christ and His Apostles" at the Ryks Museum in Amsterdam, or in his "Good Samaritan", "Don Quixote and Sancho Panza", "Christ Mocked...

"Ce Matin Avant l'Aurore" is an original lithograph by Honore Daumier, the second state of three. Original Text: Ce matin, avant l'aurore, Un Dieu vint me réveiller ; Il me dit : tu dors encore… Est-il temps de sommeiller ? De ton Papa c’est la fête, Fais lui quelque don flatteur En lui posant sur la tête Une Couronne de fleurs. Translation: This morning before dawn A God came to wake me up The curtains they were drawn And my snoring had to stop It is your daddy's birthday, A time for gifts and flowers To be placed on his head so gray Instead of his morning showers. Artwork Size: 9 1/4" x 9 1/4" Frame Size: 20 1/2" x 17 5/8" Artist Bio: Daumier was a prolific draftsman who produced over 4000 lithographs, he was perhaps best known for his caricatures of political figures and satires on the behavior of his countrymen, although posthumously the value of his painting has also been recognized. His works offer a commentary on social and political life in France in the 19th century. French caricaturist and painter, born at Marseilles. He showed in his earliest youth an irresistible inclination towards the artistic profession, which his father vainly tried to check by placing him first with a huissier, and subsequently with a bookseller. Having mastered the technique of lithography, Daumier started his artistic career by producing plates for music publishers, and illustrations for advertisements; these were followed by anonymous work for publishers, in which he followed the style of Charlet and displayed considerable enthusiasm for the Napoleonic legend. When, in the reign of Louis-Philippe, Philipon launched the comic journal, La Caricature, Daumier joined its staff, which included such powerful artists as Devéria, Raffet and Grandville, and started upon his pictorial campaign of scathing satire upon the foibles of the bourgeoisie, the corruption of the law and the incompetence of a blundering government. His caricature of the king as "Gargantua" led to Daumier's imprisonment for six months at Ste. Pélagie in 1832. The publication of La Caricature was discontinued soon after, but Philipon provided a new field for Daumier's activity when he founded the Charivari. For this journal Daumier produced his famous social caricatures, in which bourgeois society is held up to ridicule in the figure of Robert Macaire, the hero of a then popular melodrama. Another series, "L'Histoire Ancienne", was directed against the pseudoclassicism which held the art of the period in fetters. In 1848 Daumier embarked again on his political campaign, still in the service of Charivari, which he left in 1860 and rejoined in 1864. In spite of his prodigious activity in the field of caricature -- the list of Daumier's lithographed plates compiled in 1904 numbers no fewer than 3958 -- he found time for flight in the higher sphere of painting. Except for the searching truthfulness of his vision and the powerful directness of his brushwork, it would be difficult to recognize the creator of Robert Macaire, of Les Bas bleus, Les Bohémiens de Paris, and the Masques, in the paintings of "Christ and His Apostles" at the Ryks Museum in Amsterdam, or in his "Good Samaritan", "Don Quixote and Sancho Panza", "Christ Mocked...

"Diane Chasseresse" is an original color lithograph signed by the artist Gaston de Latenay. It is edition 36/100, which is written in the lower right...

In the mid-nineteenth century, the United States government set out to survey and document its newly acquired lands and territories west of the Mississippi. The goals of these surveys were manifold: to produce topographical maps, to document flora and fauna, and to document natural resources to build the emerging US economy. These surveys, and the images from them, also functioned to build the new sense of American identity with the landscape, condensing vistas into the 'picturesque' tradition of European image making. Thus, the entire span of US territory could be seen as a single, cohesive whole. This lithograph comes from one of six surveys commissioned by the Army's Topographic Bureau in 1853, which sought to find the best route to construct a transcontinental railroad. The result was a thirteen-volume report including maps, lithographs, and technical data entitled 'Explorations and Surveys to ascertain the most practicable and economical route for a Railroad from the Mississippi river to the Pacific Ocean.' In particular, the print comes from the northern survey, commanded by Isaac Stevens, which explored the regions between the 47th and 49th parallels. 5.75 x 8.75 inches, image 6.5 x 9.25 inches, stone 17 x 20 inches, frame Artist 'Stanley Del.' lower left Entitled 'Lieutenant Crovers Despatch – Return of Governor Stevens to Fort Benton' lower center margin Publisher 'Sarony, Major & Knapp. Lith.s 449 Broadway N.Y.' lower right Inscribed 'U.S.P.R.R. EXP. & SURVEYS — 47th & 49th PARALLELS' upper left Inscribed 'GENERAL REPORT — PLATE XXXVII' upper right Framed to conservation standards using 100 percent rag matting with French accents; glazed with UV5 Plexiglas to inhibit fading; housed in a gold reverse ogee moulding. Print in overall good condition; some localized foxing and discoloration; minor surface abrasions to frame. John Mix Stanley...

"Man Pull" is an original color lithograph poster by Ducelier. It features a figure dressed in a striped shirt with a hat pulled down over their eyes. The artist's name is inscribed ...

"Comme une Rose Sur l'Ecune des Vagues" ("Like a Rose on the Waves") is an original color lithograph by Theo Tobiasse. The artist signed the piece in the lower right and wrote the ed...

"La Musique est le Pain des Anges" ("Music is the Bread of Angels") is an original color lithograph by Theo Tobiasse. The artist signed the piece lower right and wrote the edition nu...

"Black Eyed Susan" is an original lithograph by Marion Greenwood, published by Associated American Artists. The artist signed the piece in the lower right. It features a young girl w...

"Chanson d'Amour" is an original lithograph poster by Georges Dola. The artist signed the image on the left of Franz Schubert. This poster, published by Club of America, was used to ...

"Rayon des Soieries, Opera Bouffe en un Acte" is an original color lithograph poster by Maurice Dufrene. The artist's name is written lower right. This piece depicts an Art Deco repr...

"November Morning" is an original etching by Churchill Ettinger. The artist signed the piece in pencil lower right and titled it in pencil lower left. It depicts two fishermen workin...

"The Court Jesters" includes two original color woodcuts by Andre Derain. This is from an edition of 200. It features two vignettes of brightly-clad j...

"Listen (Dust is the Only Secret)" is an original lithograph with nylon string by Lesley Dill. The artist signed the piece lower left. It depicts the silhouette of a man constructed ...

"Brando, Le Vilain Americain" is an original lithograph poster designed by "Ghirardi" for the 1963 film "The Ugly American." 62 1/4" x 47 ...

"Manege rue Caulaincourt ou Le Petit Manege Aux Chevaux De Bois" is an original etching and aquatint signed by Jacques Villon. The artist signed the piece in the lower right. This is an artist proof in brown & black on arches paper. This piece depicts a number of figures on a horse-drawn carousel going through the street. 21 7/8" x 28 1/2" art 29 1/4" x 33 1/2" frame Jacques Villon (French, 1875 - 1963) French painter, printmaker and illustrator. The oldest of three brothers who became major 20th-century artists, including Raymond Duchamp-Villon and Marcel Duchamp, he learnt engraving at the age of 16 from his maternal grandfather, Emile-Frédéric Nicolle (1830-94), a ship-broker who was also a much appreciated amateur artist. In January 1894, having completed his studies at the Lycée Corneille in Rouen, he was sent to study at the Faculty of Law of the University of Paris, but within a year he was devoting most of his time to art, already contributing lithographs to Parisian illustrated newspapers such as Assiette au beurre. At this time he chose his pseudonym: Jack (subsequently Jacques) in homage to Alphonse Daudet’s novel Jack (1876) and Villon in appreciation of the 15th-century French poet François Villon; soon afterwards this new surname was combined with the family name by Raymond. Marcel Duchamp and their sister Suzanne Duchamp...

"La Chatelaine" is an original color lithograph by Charles Doudelet. The artist's name is inscribed lower right. This piece, featuring a wealthy woman on a white horse surrounded by dogs, was published in the Art Nouveau publication L'Estampe Moderne. 15 3/4" x 12" art 19 1/4" x 23" frame Belgian painter, sculptor, illustrator and stage designer. He studied music at the Koninklijk Muziekconservatorium and sculpture at the Gewerbeschule, Ghent (after 1877). He visited Paris in 1887 and Italy in 1890, with a grant from the city of Ghent. He was deeply impressed by the masters of the Quattrocento, and was encouraged to take up painting after meeting Constantin Meunier...

"Orient-Express" is a lithograph poster by Pierre Fix-Masseau. It depicts two people dining and being served drinks on a luxury train. The artist signed the artwork in the image lower right. There was a small tear on the margin that has been repaired. 38 5/8" x 24 1/4" art 40 1/2" x 26" frame French Poster...

"The Spinner" is an original etching by Jean Leon Gerome Ferris. It depicts a woman in an interior next to a spinning wheel. The artist signed the piece lo...

This double-sided lithograph by Paolo Garretto features a Vanity Fair cover "The Face Off" on the front and a Camel Cigarette ad on the back. It was pu...

"Bal AAAA Bullier" is an original color lithograph poster by Achille-Emile Othon Friesz, signed by the artist in the plate in the lower left. This p...

"Head of Woman" is an original woodcut on yellow paper by David Barnett. The artist signed the piece in the lower right, and wrote the title lower center, and the edition number (1/6...

"Jacomo Monte-Carlo Open" is an original lithograph poster by Pierre Fix-Masseau. The artist signed the piece in the image lower right. This poster advertises a tennis competition fr...

"Joy" is an original black and white lithograph from "Les Bucoliques" by Henri de Fantin-Latour. It depicts a young maiden gleefully running towards the viewer. The artist signed the...

"VALMY! (L'Estampe Moderne)" is a print watermarked PL BAS after a drawing by Adolphe Willette. It depicts a general with his army and a young girl. 15 3/4" x 12" art 23" x 19 1/4" frame Adolphe Léon Willette (30 July 1857 – 4 February 1926) was a French painter, illustrator, caricaturist, and lithographer, as well as an architect of the famous Moulin Rouge cabaret. Willette ran as an "anti-semitic" candidate in the 9th arrondisement of Paris for the September 1889 legislative elections. Biography Willette was born in Châlons-sur-Marne. He studied for four years at the École des Beaux-Arts under Cabanel, training which gave him a unique position among the graphic humorists of France. Whether comedy or tragedy, dainty triviality or political satire, his work is instinct with the profound sincerity of the artist. He set Pierrot upon a lofty pedestal among the imaginary heroes of France, and established Mimi Pinson, frail, lovable, and essentially good-hearted, in the affections of the nation. Willette is at once the modern Watteau of the pencil, and the exponent of sentiments that move the more emotional section of the public. Always a poet, and usually gay, fresh, and delicate, in his presentation of idylls exquisitely dainty and characteristically Gallic, illustrating the more "charming" side of love, often pure and sometimes extremely materialistic. Willette frequently reveals himself bitter and fierce, even ferocious, in his hatreds, being a violent though at the same time a generous partisan of political ideas, furiously compassionate with love and pity for the people whether they be ground down under the heel of political oppression, or are merely the victims ot unrequited love, suffering all the pangs of graceful anguish that are born of scornful treatment. There is charm even in his thrilling apotheosis of the guillotine, and in the introduction into his caricatures of the figure of Death itself. The artist was a prolific contributor to the French illustrated press under the pseudonyms "Cemoi", "Pierrot", "Louison", "Bebe", and "Nox", but more often under his own name. He illustrated Melandri's Les Pierrots and Les Giboulles d'avril, Le Courrier français, and published his own Pauvre Pierrot and other works, in which he tells his stories in scenes in the manner of Busch. He decorated several "brasseries artistiques" with wall-paintings, stained glass, &c., notably Le Chat noir and La Palette d'or, and he painted the highly imaginative ceiling for La Cigale...

"Little Girl With Doll" is an original lithograph by James Ormsbee Chapin. The artist signed the piece in pencil lower right. It depicts a small girl holding a doll. 12" x 7" image...

"Boy With Book Looking Out Window" is an original lithograph print by James Ormsbee Chapin. The artist signed the piece in pencil lower right. This piece depicts a boy looking out th...

"Venise" is an original etching and chine colle by Edgar Chahine. This is a rare artist's proof, the third state of the etching, and the artist signed the piece in pencil lower right...

"Personnages with Bird" is an original lithograph by Sebastien Hadengue. The artist signed the piece lower left. It depicts abstracted figures and birds in earth tones. 11" x 8 1/2...

"Five Dutchmen with Hats" is an original lithograph by Claude Weisbuch. The artist signed the piece lower right and wrote the edition number (EA 15/30) in the lower left. This piece ...

"Models & Horses" is an original color lithograph by Philip Pearlstein. The artist signed the piece lower left and it is edition 15/140. This piece features two nude female models lo...

"Leur Abri (Their Shelter)" is an original color lithograph by Abel Pann. It features soldiers hiding behind cowering civilians, women and children, and was created during World War I. The artist signed the piece lower right, and the edition number is 40/500. 12 1/4" x 19 1/2" image 19 5/8" x 24 3/4" paper 25 3/4' x 30 1/4" frame Over many years, Abel Pann (1883-1963) was regarded as the foremost Land Of Israel Painter. This view was shared by the Jewish community throughout the world and by the general public in pre-State Israel where reproductions of his works were hung in almost every home”. This is how Yigal Zalmone, Chief Art Curator of the Israel Museum, describes Abel Pann. Abel Pann was born in 1883 in the town of Kreslawka in the Vetebsk region of White Russia. His father Nahum was a rabbi and head of a yeshivah, a religious academy. Pann received a Jewish elementary school education until he was twelve. He studied the fundamentals of drawing for three months with the painter Yehuda Pen of Vetebsk, who also taught Marc Chagall and Ossip Zadkine. When he was twelve he traveled between Russian and Poland, earning money as an apprentice in sign workshops. In 1898 he went south to Odessa, where he was accepted by the Academy of Fine Arts. In 1903 Pann moved to Paris, where his work included depictions of Jewish daily life, Parisian genre paintings, as well as sketches and caricatures that were humorous and psychological criticisms regarding society. His empathy for the poor and wretched became well known. In 1912, the director of the Bezalel School of Art and Crafts in Jerusalem asked Abel Pann to teach at the school which he accepted a year later. During the first year of World War I, Pann was restricted to leave Europe after he returned to recover belongings to take back to Jerusalem. During the first years of the war, he concentrated on popular, nationalist posters and illustrations, including depictions of the cruelty of the German enemy. In 1920 he returned to Jerusalem and resumed teaching at the Bezalel School, and formed the Palestine Art...

"Circus" is an original lithograph by Henri-Gabriel Ibels. The artist signed the piece lower right and wrote the edition number (12 out of 100) in the lower left. This piece depicts a few disconcerted circus performers. 17 1/2" x 20 1/2" art 19 1/2" x 22 1/2" frame Henri-Gabriel Ibels (30 November 1867 Paris – February 1936 Paris), was a French illustrator, printmaker, painter and author. He studied at the Académie Julian with Pierre Bonnard and Édouard Vuillard and was a member of Les Nabis...

"Sixieme Biennale de Peinture" is an vintage Picasso exhibition poster printed in 1966 by Mourlot. It depicts a Picasso painting from 1965 and advertises a Biennial exhibition of pai...

"Man With Horn" is an original poster after an artwork by Pablo Picasso. It advertises an exhibition of Picasso's works at Marlborough Gallery in New Yor...

"Vachere au Bord de L'Eau" is an original etching and aquatint by Camille Pissarro, the 8th state. It can be found in the catalogue raisonne Delteil #93. It features a woman sitting ...

"7Eme Bal de l'AAAA Skater" is an original color lithograph poster by Ludovic Rodo Pissarro. The artist signed the piece in plate lower right. It depicts a wo...

"Emprunt de la Defense Nationale" is an original lithograph poster by Francisque Poulbot. It depicts a mother with three young children saying goodbye to her husband as he leaves for war. This was an advertisement for French people to donate to the war effort during the first world war. 43 1/2" x 30 1/4" art 48" x 34 1/2" frame Emprunt de la Défense Nationale [National Defence Loan] WW1 French...

"Boy With Cows" is an original drypoint etching by John Edward Costigan. It depicts a young boy with three cows standing in a watering hole. The artist si...

"At the Ball" is an original color etching by Warrington Colescott. The artist signed the piece lower right, dated it, and wrote the edition number (22/40) along the bottom of the im...

"Man with Scales" is an original lithograph by Joseph Hirsch. The artist signed the piece in pencil lower left. This piece depicts a man in a black robe examining the balance of the ...

"Cite Lacustre" is an Estampe Originale en coleurs by Fernand Cormon. The artist created this work for the art nouveau publication L'Estampe Moderne in 1897. The L'Estampe Moderne bl...

"Mexican Family" is a black and white lithograph by Howard Cook. The artist signed the piece lower right. It is from an edition of 250. This artwork dep...

"A Multiple of Gaudy and Fantastic Appearances" from "Edgar Allen Poe's Mask of the Read Death" is an original lithograph by Frederico Castellon. The artist ...

"Projet D'Assiette" is an original zincographie print by Paul Gauguin. It is from the first edition of 50, created in 1889. 18 7/8" x 13" art 24 3/4" x 21" framed Paul Gauguin (1...

"Cheveaux Et Cavalier (Horse & Rider) VI (Black, Red, Blue, White)" is an original color lithograph signed in pencil by the artist Marino Marini in the lower right. Reference: Guasta...

"Kiss Me Stupid Exhibition Poster" is a poster by Valerio Adami. The poster was created for the Kiss Me Stupid show at the Galerie Maeght. This graphic black and white composition sh...

"Knapp & Listette: A Duo of Drolls" is an original color lithograph by an unknown artist. It features a number of clowns and gymnasts diving into the waves. Multiple women approach f...

"Solidarity" is an original etching by surrealist artist Yves Tanguy. The artist signed the piece in pencil in the lower right and wrote the edition number, 109/150, in the lower lef...

"Adam Eats Eve in the Evening" is an original black and white lithograph by Stephane Astrinsky. This surreal lithograph evokes a biblical story as well as elements of horror. 9 1/4...

This World War I poster, featuring Uncle Sam, was printed by Meisenheimer-Milwaukee and was sponsored by the Woman's Liberty Loan Committee. The ar...

"Geste et Peinture" is an original color lithograph by Claude Weisbuch. The artist signed the piece in the lower right and wrote the edition number (16/160) in the lower left. This p...

"Parc Montsouris" is an original color lithograph by Harold Altman. The artist signed the piece in the lower right, titled it lower center, and wrote the edition number (28/285) in t...

"Man Looking Through a Window" is an original etching by Cornelis-Pietersz Bega. It depicts a figure leaning through a window. Publisher: Pearce #37. 3 1/8" x 3" art 14 3/4" x 13 1/...

"The Conversation" is an original etching by Cornelis-Pietersz Bega. It depicts three men conversing in a dark interior. Publisher: Pearce #43. 3" x 2 1/4" art 12 3/4" x 11 5/8" fra...

"Family (suite of 2)" is a suite of two original color lithographs by Harold Altman. These pieces are to be sold as a pair only. They depict families interacting in lush green parks....