Decoratum More Furniture and Collectibles

Rare, sculptural vase was made of pure, high-fire porcelain and glazed both on the inside and the outside. Blue and pink highly detailed crystals on crackled blue background were gr...

Naomi Clark paints abstract, vibrant, amoeba-like shapes in single solid colors on silk noil fabric to create Amoeba Curtains Fabric. Sold by the yard (36" x...

A charming ceramic pot by Weller, signed on the bottom, with handles. Beautiful decoration and yellow glaze.

A beautiful Modern turquoise blue Amphora pottery vase, circa early-20th century, USA. Very good condition as shown in images. No chips noted. Dimension...

Rare and grand Venetian Renaissance style silk brocade panels (two panels per length - total of three sets available as one continuous length or sold separately) - opulent woven patt...

A pair of brass Syrian Mamluk revival vases with silver and copper inlay Syrian, 20th Century 28cm high x 14cm in diameter. These excellent vases were made in the Mamluk revival...

A ceramic vase in a beautiful glaze of blue and brown produced by Accolay Pottery. Founded in the 1950s in Accolay, France, the Accolay studio became well known after it produced but...

2-347 Handmade garden copper vase with cast brass handles. Can be used as umbrella/stick stand

Antique Suzani textile made of hand embroidery intricate scrolling of eight large flowers motifs on a handwoven cotton background. Professionally cleaned and backed with fine textile...

A beautiful black and white ceramic pottery vase with 'eye' design. A great addition to any room. Dimensions: 5.75" Height For chair shown searc...

19th century Uzbekistani hand spun linen Suzani with silk embroidered floral motif and silk ikat border. Reverse side has original antique Fine hand printed cotton backing.  

Brussels late 17th century tapestry, "Asia" from a Four Continents series. Designed by Lodowijk van Schoor, Woven in the Workshop of J. van der Borcht I Size: 9'4 high x 18' wide. Wool, silk and metal thread pattern wefts This extremely colorful and attractive late Baroque Flemish tapestry with a popular iconography is the product of two important figures in 17th century Brussels weaving. J. van der Borcht I (circa 1650–1713) was a master weaver and tapestry entrepreneur who established a most distinguished family tapestry firm and was followed by J. van der Borcht II, Jasper van der Borcht, Pieter van der Borcht and Jan Frans van der Borcht, taking the operations into the mid18th century. Their wealthy patrons allowed the firm to engage some of the best designers and as a result the artistic quality, as well as the sheer technical execution, is always high. The Van der Borchts wove tapestry series (or single pieces) of Mythological Scenes, Months, Allegories, Armorials, Triumphs of the Gods, The Continents, as well as more down-to-earth genre scenes designed or inspired by David Teniers II or Teniers III. Their artist designers included, besides the Teniers, Jan van Orley, Augustin Coppens, Gerard Lairesse, Phillipe de Hondt, and the Antwerp-born Lodowijk van Schoor (circa 1650–1702), the designer of U-1362. Van Schoor was the successor of David Teniers III. He was the designer or co-creator of about fifteen sets of tapestries. His cartoons were utilized and copied in both the Northern and Southern Netherlands, and continued popular well into the 18th century. His style, especially in his later works, is more harmonious and refined than Teniers and he avoided genre scenes with peasants. Van Schoor sometimes collaborated with other artists, for example Lucas Aertschellinck (1620 – 1699) who specialized in landscape backgrounds as in the set of Mythological Scenes” woven circa 1700 in the Van der Borcht shop. He did not collaborate on this tapestry, Van Schoor’s figures are graceful and his color schemes vivid, in keeping with the best of contemporary Flemish tapestry. Van Schoor’s designs influenced artists working at great remove from Brussels, even so far as the Florentine workshop of Bernini and Demignot where a Van Schoor inspired “Four Continents” set was woven in the early 1720s. The “Four Continents” or “Four Parts of the World” was a popular theme in the 17th and 18th centuries for tapestry patrons. Each continent was identified by native peoples and animals: America (North and South together) by Indians and the Turkey bird...