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"Van Cortlandt Park, Bronx, NY, 2022" photograph from "HOOPS" basketball series
By Sean Hemmerle
Located in New York, NY
35" 42"" fine art photograph, hand signed by the artist. This color photograph depicts a basketball court in Van Cordlant Park, Bronx, NY. The photo show a basketball court, shiny, a...
Category

2010s Contemporary Color Photography

Materials

Archival Pigment

"Armn 110418" Graffiti painted railroad train car, limited edition photo 10"x30"
By Stephen Mallon
Located in New York, NY
10"x30" c-print photograph, limited edition of 10 signed upon reverse, depicting a freight train car from the Union Pacific railroad, coated in colorful graffiti. The tagger team collaborated in a writing session on the train car using the same colors, in gradient colors of yellow, orange and pink letters, outlined in blue. The cream white metal sides of the train car are the perfect 'canvas' for the tags some recognized as "Trigz" "Betor" "Croox" "ICR". The photographer, Stephen Mallon, captures this moving train car and its tagged graffiti sides as it travels through the landscape of America, with a bucolic blue clouded sky just behind the railroad freight train car. This is a limited edition, color photograph by the New York artist, Stephen Mallon, capturing moving freight trains in the United States. This series tracks the still active railroad lines and their rail cars in America, featured in "Passing West". Front Room Gallery is pleased to present, “Passing West” a solo exhibition of photographs by Stephen Mallon. “Passing West” is a continuation of Mallon’s “Passing Freight” series, a visual celebration of the unique beauty and function of freight train cars in United States. This series of photographs captures the still active rail lines that carry freight to destinations across the country. Mallon’s industrial landscape photographs isolate freight cars within this iconic transportation system, which has played a critical role in supply infrastructure across the continent for hundreds of years. The photos in “Passing West” are framed against the open plains, mountain ranges, and the salt flats— mostly taken during a residency at the Montello Foundation in 2020, in which Mallon travelled the countryside of Utah and Nevada. Poised against the rugged western landscape Mallon’s photographs of train cars often appear to carry the weight of the mountains themselves. Whether they are covered in graffitti or smartly displaying the rail lines iconic logos, each of these cars are brimming with it’s own individual personality. In one “Hopper” car, the tan car stands in front of the dusty desert mountains, and on it graffitti states “confront my toxic masculinty”. Another car, a yellow caboose with the crimson “Union Pacific” logo on it, would be as comfortable in an episode of “Thomas the Tank Engine” as on the set of “East of Eden”. Some of the open Box cars actually frame the mountains and flats themselves with their rectilinear shapes. These trains are all moving, quite literally. And while they might appear to be stopped in the photograph, it is only for that split second as they pass Stephen Mallon, his camera, and his tripod. Mallon’s procedure involves many elements including the perfect location, light, the individual personality of each car, the trickiness of getting exactly the right moment, and patience. The intersection of mechanical and natural worlds, singular encounters where the trains activate the landscape are hard to predict. About Stephen Mallon Stephen Mallon is a photographer and filmmaker who specializes in the industrial-scale creations of mankind at unusual moments of their life cycles. Mallon’s work blurs the line between documentary and fine art, revealing the industrial landscape to be unnatural, desolate and functional yet simultaneously also human, surprising and inspiring. It has been featured in publications and by broadcasters including The New York Times, National Geographic, NBC, The Wall Street Journal, The Daily Mail, MSNBC, The Atlantic, GQ, CBS, the London Times...
Category

2010s Contemporary Color Photography

Materials

Photographic Paper

"Armn 110418" Graffiti painted railroad train car, limited edition photo 15"x45"
By Stephen Mallon
Located in New York, NY
15"x45" c-print photograph, limited edition of 10 signed upon reverse, depicting a freight train car from the Union Pacific railroad, coated in colorful graffiti. The tagger team collaborated in a writing session on the train car using the same colors, in gradient colors of yellow, orange and pink letters, outlined in blue. The cream white metal sides of the train car are the perfect 'canvas' for the tags some recognized as "Trigz" "Betor" "Croox" "ICR". The photographer, Stephen Mallon, captures this moving train car and its tagged graffiti sides as it travels through the landscape of America, with a bucolic blue clouded sky just behind the railroad freight train car. This is a limited edition, color photograph by the New York artist, Stephen Mallon, capturing moving freight trains in the United States. This series tracks the still active railroad lines and their rail cars in America, featured in "Passing West". Front Room Gallery is pleased to present, “Passing West” a solo exhibition of photographs by Stephen Mallon. “Passing West” is a continuation of Mallon’s “Passing Freight” series, a visual celebration of the unique beauty and function of freight train cars in United States. This series of photographs captures the still active rail lines that carry freight to destinations across the country. Mallon’s industrial landscape photographs isolate freight cars within this iconic transportation system, which has played a critical role in supply infrastructure across the continent for hundreds of years. The photos in “Passing West” are framed against the open plains, mountain ranges, and the salt flats— mostly taken during a residency at the Montello Foundation in 2020, in which Mallon travelled the countryside of Utah and Nevada. Poised against the rugged western landscape Mallon’s photographs of train cars often appear to carry the weight of the mountains themselves. Whether they are covered in graffitti or smartly displaying the rail lines iconic logos, each of these cars are brimming with it’s own individual personality. In one “Hopper” car, the tan car stands in front of the dusty desert mountains, and on it graffitti states “confront my toxic masculinty”. Another car, a yellow caboose with the crimson “Union Pacific” logo on it, would be as comfortable in an episode of “Thomas the Tank Engine” as on the set of “East of Eden”. Some of the open Box cars actually frame the mountains and flats themselves with their rectilinear shapes. These trains are all moving, quite literally. And while they might appear to be stopped in the photograph, it is only for that split second as they pass Stephen Mallon, his camera, and his tripod. Mallon’s procedure involves many elements including the perfect location, light, the individual personality of each car, the trickiness of getting exactly the right moment, and patience. The intersection of mechanical and natural worlds, singular encounters where the trains activate the landscape are hard to predict. About Stephen Mallon Stephen Mallon is a photographer and filmmaker who specializes in the industrial-scale creations of mankind at unusual moments of their life cycles. Mallon’s work blurs the line between documentary and fine art, revealing the industrial landscape to be unnatural, desolate and functional yet simultaneously also human, surprising and inspiring. It has been featured in publications and by broadcasters including The New York Times, National Geographic, NBC, The Wall Street Journal, The Daily Mail, MSNBC, The Atlantic, GQ, CBS, the London Times...
Category

2010s Contemporary Color Photography

Materials

Photographic Paper

"Raw Sugar Warehouse" Domino Sugar Refinery, Contemporary Color Photograph
By Paul Raphaelson
Located in New York, NY
17"x24" color photograph signed on the reverse by the artist. This fine art photograph depicts the interior warehouse of the historic Brooklyn Domino Sugar...
Category

2010s Contemporary Landscape Photography

Materials

Photographic Paper

"Watertight Hatches" Maritime Large Scale Color Fine Art Photograph
By Stephen Mallon
Located in New York, NY
C Print Photograph 40"x60" edition of 5, available unframed. This color photograph depicts an abstract composition of Watertight Hatches from the USS Radford, prior to its controlled...
Category

21st Century and Contemporary Contemporary Abstract Photography

Materials

C Print

"Armn 110418" Graffiti painted railroad train car, limited edition photograph
By Stephen Mallon
Located in New York, NY
20"x60" c-print photograph, limited edition of 10 signed upon reverse, depicting a freight train car from the Union Pacific railroad, coated in colorful graffiti. The tagger team col...
Category

2010s Contemporary Color Photography

Materials

Photographic Paper

Be My Valentine
By Ashok Sinha
Located in New York, NY
Ashok Sinha's luminous color photograph "Be My Valentine" features the shadows of a mother and an infant. The pairs silohuette is bathed in an amber glow against the wall, with a crib...
Category

2010s Contemporary Figurative Photography

Materials

Archival Pigment

"Nicaragua, " from the series "We are the Kings and Queens of Narnia"
By Sasha Bezzubov
Located in New York, NY
From the series "We are the Kings and Queens of Narnia." This is a series of photographs about Bezzubov's family's somewhat unconventional way of traveling around the world - by wal...
Category

2010s Conceptual Figurative Photography

Materials

C Print

"Boxcar CSXT 994 371" Contemporary Freight Train photograph, do not hump text
By Stephen Mallon
Located in New York, NY
Boxcar CSXT 994 371 is a photograph by the photographer Stephen Mallon. In this photo a grey boxcar with the words "do not hump" emblazoned on it appears against a snow covered mount...
Category

2010s Contemporary Color Photography

Materials

C Print

Tourists After a Three Week Hallucinogenic Iboga Initiation
By Sasha Bezzubov
Located in New York, NY
Sasha Bezzubov’s photographic approach has developed through diverse series that address the contemporary condition and explore the nature of the document. Sasha Bezzubov uses a large format camera to photograph the people and the land in diverse series including, The Gringo Project, Expats and Natives, Things Fall Apart...
Category

21st Century and Contemporary Contemporary Figurative Photography

Materials

Archival Pigment

Through Window, 27"X40" photograph of Domino Sugar Refinery- Brooklyn, New York
By Paul Raphaelson
Located in New York, NY
27"x40" unframed photograph, edition of 10, signed on reverse. This photograph was taken at the site of Brooklyn's Domino Sugar Refinery, Paul Raphaelson's photographs chronicle th...
Category

2010s Contemporary Figurative Photography

Materials

Photographic Paper

Char Filters (27"x40") Domino Sugar Factory, Williamsburg, Brooklyn -limited ed.
By Paul Raphaelson
Located in New York, NY
27"x40" limited edition of 10 signed on reverse. This photograph was taken at the site of Brooklyn's Domino Sugar Refinery, Paul Raphaelson's photographs chronicle the final state ...
Category

2010s Contemporary Figurative Photography

Materials

Photographic Paper

Train in the Sky, limited edition photograph, NYC subway car, recycling
By Stephen Mallon
Located in New York, NY
C Print Photograph 30" x45", edition 5 of 5, C Print Photograph, signed on reverse, unframed- this is the final available print in this edition. This photograph is from Stephen Mall...
Category

2010s Contemporary Color Photography

Materials

Photographic Paper, C Print

"Atrium" large scale color photograph, Wayne Hills Mall (Modern Ruins) framed
By Phillip Buehler
Located in New York, NY
limited edition of 5, signed on reverse by the artist, Phillip Buehler. This photograph has a kaleidoscope feel in the geometric pattern of blue clouded sky tiles and salmon coral diamond paneling. It captures the view of the open panel ceiling of the atrium in the abandoned Wayne Hills Mall...
Category

2010s Contemporary Color Photography

Materials

Archival Pigment

"Courtyard" Wayne Hills Mall, New Jersey (Modern Ruins) color photograph
By Phillip Buehler
Located in New York, NY
limited edition of 5, signed on reverse by the artist, Phillip Buehler. A view of the crumbling panel ceiling of the courtyard in the abandoned Wayne Hills Mall...
Category

2010s Contemporary Color Photography

Materials

Archival Pigment

"Blimpie" Wayne Hills Mall, Wayne, NJ (Modern Ruins) color photograph
By Phillip Buehler
Located in New York, NY
limited edition of 5, signed on reverse by the artist, Phillip Buehler. Flooded hallways and abandoned kiosks are all that remains of the shops at Wayne Hill's Mall. This photograph depicts the once active Blimpie's sandwich shop. It's famous logo and neon sign still intact in the dilapidated mall. This photograph is a featured in a solo exhibition of Phillip Buehler's photographs, entitled: “Mallrat to Snapchat: The End of the Third Place.” Front Room Gallery is proud to present “Mallrat to Snapchat: The End of the Third Place,” on view November 29th - January 12th. January recent work by photographer Phillip Buehler documenting the death of the Wayne Hills Mall in Wayne, New Jersey. This is Buehler’s second solo show at Front Room Gallery. Buehler’s exhibition is part photography, part installation, part cultural critique, mixed in with nostalgia and genuine affection for this very American economical and sociological experiment— The Mall. Buehler takes a very intimate look at the beginning, and possibly ending, of mall culture in the United States featuring not only photographs, but also artifacts from the mall and its opening year, 1973. Under a photograph of a desolate Sam Goody will be a bin filled with almost 100 albums from that year, that visitors can flip through and play in the gallery on a vintage record player. Buehler’s photos of iconic hangouts and lowbrow teenage meeting places ring out from the 1970’s, 80’s, and 90’s but are torn away from their movie soundtracks and sent into an apocalyptic icy future. Featuring Sam Goody, Waldenbooks, Toys R Us...
Category

2010s Contemporary Color Photography

Materials

Archival Pigment

"Sam Goody Exterior" Wayne Hills Mall (from Modern Ruins series) photograph
By Phillip Buehler
Located in New York, NY
limited edition of 5, signed on reverse by the artist, Phillip Buehler. This photograph depicts what remains of the of the Sam Goody entrance at the deserted Wayne Hills Mall, in Wayne, New Jersey. The prominent sign to the entrance of the mall, has been removed yet, there is still the vaguely visible lettering on the grand entrance to the closed retailer. Phillip Buehler captures the last stages of the life of the once bustling mall, with the empty corridors and dilapidated storefronts and kiosks. This photograph is a featured in a solo exhibition of Phillip Buehler's photographs, entitled: “Mallrat to Snapchat: The End of the Third Place.” Front Room Gallery is proud to present “Mallrat to Snapchat: The End of the Third Place,” on view November 29th - January 12th. January recent work by photographer Phillip Buehler documenting the death of the Wayne Hills Mall in Wayne, New Jersey. This is Buehler’s second solo show at Front Room Gallery. Buehler’s exhibition is part photography, part installation, part cultural critique, mixed in with nostalgia and genuine affection for this very American economical and sociological experiment— The Mall. Buehler takes a very intimate look at the beginning, and possibly ending, of mall culture in the United States featuring not only photographs, but also artifacts from the mall and its opening year, 1973. Under a photograph of a desolate Sam Goody will be a bin filled with almost 100 albums from that year, that visitors can flip through and play in the gallery on a vintage record player...
Category

2010s Contemporary Color Photography

Materials

Archival Pigment

"Waldenbooks" Wayne Hills Mall, NJ (Modern Ruins) 24"x30" color photograph
By Phillip Buehler
Located in New York, NY
24"x30 contemporary color photograph, limited edition of 5, signed on reverse by the artist, Phillip Buehler. The shuttered gate of Waldenbooks appears as an ineffectual effort in the dilapidated scene captured by Phillip Buehler. The once brilliant sign has been removed, yet you can see the aura of the letters, appearing as black signage against a grey-black surface. Debris and trash litter the flooded corridor, creating a errie feeling. This photograph is a featured in a solo exhibition of Phillip Buehler's photographs, entitled: “Mallrat to Snapchat: The End of the Third Place.” Front Room Gallery is proud to present “Mallrat to Snapchat: The End of the Third Place,” on view November 29th - January 12th. January recent work by photographer Phillip Buehler documenting the death of the Wayne Hills Mall in Wayne, New Jersey. This is Buehler’s second solo show at Front Room Gallery. Buehler’s exhibition is part photography, part installation, part cultural critique, mixed in with nostalgia and genuine affection for this very American economical and sociological experiment— The Mall. Buehler takes a very intimate look at the beginning, and possibly ending, of mall culture in the United States featuring not only photographs, but also artifacts from the mall and its opening year, 1973. Under a photograph of a desolate Sam Goody will be a bin filled with almost 100 albums from that year, that visitors can flip through and play in the gallery on a vintage record player...
Category

2010s Contemporary Color Photography

Materials

Archival Pigment

"Art World" Wayne Hills Mall, NJ (Modern Ruin series) 24"x30" color photograph
By Phillip Buehler
Located in New York, NY
24"x30" contemporary color photograph, limited edition of 5, signed on reverse by the artist, Phillip Buehler. This photograph depicts the time ravaged corridor of the abandoned Wayne Hills Mall, in Wayne, New Jersey. A waterlogged hallway leads from the crumbling atrium to the empty storefront shell of Art World, with its sign still intact on the upper wall of the shop. Phillip Buehler captures the last stages of the life of the once bustling mall, with the empty corridors and dilapidated storefronts and kiosks. This photograph is a featured in a solo exhibition of Phillip Buehler's photographs, entitled: “Mallrat to Snapchat: The End of the Third Place.” Front Room Gallery is proud to present “Mallrat to Snapchat: The End of the Third Place,” on view November 29th - January 12th. January recent work by photographer Phillip Buehler documenting the death of the Wayne Hills Mall in Wayne, New Jersey. This is Buehler’s second solo show at Front Room Gallery. Buehler’s exhibition is part photography, part installation, part cultural critique, mixed in with nostalgia and genuine affection for this very American economical and sociological experiment— The Mall. Buehler takes a very intimate look at the beginning, and possibly ending, of mall culture in the United States featuring not only photographs, but also artifacts from the mall and its opening year, 1973. Under a photograph of a desolate Sam Goody will be a bin filled with almost 100 albums from that year, that visitors can flip through and play in the gallery on a vintage record player. Buehler’s photos of iconic hangouts and lowbrow teenage meeting places ring out from the 1970’s, 80’s, and 90’s but are torn away from their movie soundtracks and sent into an apocalyptic icy future. Featuring Sam Goody, Waldenbooks, Toys R Us...
Category

2010s Contemporary Color Photography

Materials

Archival Pigment

"Sam Goody" Wayne Hills Mall, NJ (Modern Ruin series) 24"x30"color photograph
By Phillip Buehler
Located in New York, NY
24"x30" contemporary color photograph, limited edition of 5, signed on reverse by the artist, Phillip Buehler. This photograph depicts the remnants of a Sam Goody shopfront in the now closed and demolished, Wayne Hills Mall, in Wayne, New Jersey. Phillip Buehler captures the last stages of the life of the once bustling mall, with the empty corridors and dilapidated storefronts and kiosks. This photograph is a featured in a solo exhibition of Phillip Buehler's photographs, entitled: “Mallrat to Snapchat: The End of the Third Place.” Front Room Gallery is proud to present “Mallrat to Snapchat: The End of the Third Place,” on view November 29th - January 12th. January recent work by photographer Phillip Buehler documenting the death of the Wayne Hills Mall in Wayne, New Jersey. This is Buehler’s second solo show at Front Room Gallery. Buehler’s exhibition is part photography, part installation, part cultural critique, mixed in with nostalgia and genuine affection for this very American economical and sociological experiment— The Mall. Buehler takes a very intimate look at the beginning, and possibly ending, of mall culture in the United States featuring not only photographs, but also artifacts from the mall and its opening year, 1973. Under a photograph of a desolate Sam Goody will be a bin filled with almost 100 albums from that year, that visitors can flip through and play in the gallery on a vintage record player. Buehler’s photos of iconic hangouts and lowbrow teenage meeting places ring out from the 1970’s, 80’s, and 90’s but are torn away from their movie soundtracks and sent into an apocalyptic icy future. Featuring Sam Goody, Waldenbooks, Toys R Us...
Category

2010s Contemporary Color Photography

Materials

Archival Pigment

"Main Entrance" Wayne Hills Mall, NJ (Modern Ruins) 24"x30" color photograph
By Phillip Buehler
Located in New York, NY
24"x30" photograph, limited edition of 5, signed on reverse by the artist, Phillip Buehler. Barricaded with a wall of gnarled metal, the abandoned mall's entrance is blocked by a wall of debris. Phillip Buehler's photograph captures the unsettling scene of the closed mall, seemingly taken from a post-apocolyptic, science-fiction scene. This photograph is a featured in a solo exhibition of Phillip Buehler's photographs, entitled: “Mallrat to Snapchat: The End of the Third Place.” Front Room Gallery is proud to present “Mallrat to Snapchat: The End of the Third Place,” on view November 29th - January 12th. January recent work by photographer Phillip Buehler documenting the death of the Wayne Hills Mall in Wayne, New Jersey. This is Buehler’s second solo show at Front Room Gallery. Buehler’s exhibition is part photography, part installation, part cultural critique, mixed in with nostalgia and genuine affection for this very American economical and sociological experiment— The Mall. Buehler takes a very intimate look at the beginning, and possibly ending, of mall culture in the United States featuring not only photographs, but also artifacts from the mall and its opening year, 1973. Under a photograph of a desolate Sam Goody will be a bin filled with almost 100 albums from that year, that visitors can flip through and play in the gallery on a vintage record player...
Category

2010s Contemporary Color Photography

Materials

Archival Pigment

"Atrium" Wayne Hills Mall, New Jersey (Modern Ruins) color photograph
By Phillip Buehler
Located in New York, NY
limited edition of 5, signed on reverse by the artist, Phillip Buehler. A view of the open panel ceiling of the atrium in the abandoned Wayne Hills Mall...
Category

2010s Contemporary Color Photography

Materials

Archival Pigment

"Main Entrance" Wayne Hills Mall, New Jersey (Modern Ruins) color photograph
By Phillip Buehler
Located in New York, NY
limited edition of 5, signed on reverse by the artist, Phillip Buehler. Barricaded with a wall of gnarled metal, the abandoned mall's entrance is blocked by a wall of debris. Phillip Buehler's photograph captures the unsettling scene of the closed mall, seemingly taken from a post-apocolyptic, science-fiction scene. This photograph is a featured in a solo exhibition of Phillip Buehler's photographs, entitled: “Mallrat to Snapchat: The End of the Third Place.” Front Room Gallery is proud to present “Mallrat to Snapchat: The End of the Third Place,” on view November 29th - January 12th. January recent work by photographer Phillip Buehler documenting the death of the Wayne Hills Mall in Wayne, New Jersey. This is Buehler’s second solo show at Front Room Gallery. Buehler’s exhibition is part photography, part installation, part cultural critique, mixed in with nostalgia and genuine affection for this very American economical and sociological experiment— The Mall. Buehler takes a very intimate look at the beginning, and possibly ending, of mall culture in the United States featuring not only photographs, but also artifacts from the mall and its opening year, 1973. Under a photograph of a desolate Sam Goody will be a bin filled with almost 100 albums from that year, that visitors can flip through and play in the gallery on a vintage record player. Buehler’s photos of iconic hangouts and lowbrow teenage meeting places ring out from the 1970’s, 80’s, and 90’s but are torn away from their movie soundtracks and sent into an apocalyptic icy future. Featuring Sam Goody, Waldenbooks, Toys R Us...
Category

2010s Contemporary Color Photography

Materials

Archival Pigment

"Santa's Stage" Wayne Hills Mall, New Jersey (Modern Ruins) color photograph
By Phillip Buehler
Located in New York, NY
limited edition of 5, signed on reverse by the artist, Phillip Buehler. As the Holiday season approaches we can image and remember the stage upon which Santa sat in the Wayne Hill's...
Category

2010s Contemporary Color Photography

Materials

Archival Pigment

"Waldenbooks" Wayne Hills Mall, New Jersey (Modern Ruins) color photograph
By Phillip Buehler
Located in New York, NY
limited edition of 5, signed on reverse by the artist, Phillip Buehler. The shuttered gate of Waldenbooks appears as an ineffectual effort in the dilapidated scene captured by Phillip Buehler. The once brilliant sign has been removed, yet you can see the aura of the letters, appearing as black signage against a grey-black surface. Debris and trash litter the flooded corridor, creating a errie feeling. This photograph is a featured in a solo exhibition of Phillip Buehler's photographs, entitled: “Mallrat to Snapchat: The End of the Third Place.” Front Room Gallery is proud to present “Mallrat to Snapchat: The End of the Third Place,” on view November 29th - January 12th. January recent work by photographer Phillip Buehler documenting the death of the Wayne Hills Mall...
Category

2010s Contemporary Color Photography

Materials

Archival Pigment

"Photocenter 2000" Wayne Hills Mall, New Jersey (Modern Ruins) color photograph
By Phillip Buehler
Located in New York, NY
limited edition of 5, signed on reverse by the artist, Phillip Buehler. A flood of water creates a reflected surface of debris along the floor of the abandoned store in this photograph. Buehler has captured the time capsule effect of the remnants of the store with its geometric patterns in pink, teal and grey denoting the former 'glory days' of the Wayne Hills Mall...
Category

2010s Contemporary Color Photography

Materials

Archival Pigment

"The Town Mouse" Wayne Hills Mall, New Jersey (Modern Ruins) color photograph
By Phillip Buehler
Located in New York, NY
limited edition of 5, signed on reverse by the artist, Phillip Buehler. The quaint facade of the beloved "Town Mouse" has fallen into disrepair amongst other artifacts in the abando...
Category

2010s Contemporary Color Photography

Materials

Archival Pigment

"Sound-a-Rama" Former Wayne Hills Mall (Modern Ruins) color photograph
By Phillip Buehler
Located in New York, NY
limited edition of 5, signed on reverse by the artist, Phillip Buehler. This photograph depicts the time ravaged former "Sound-a-Rama" storefront in the abandoned Wayne Hills Mall, in Wayne, New Jersey. A sign still hangs in the dilapidated and vacant store awning. The shop's waterlogged ceiling has collapsed, and pools of water have formed along the once busy hallway of the mall. This photograph is a featured in a solo exhibition of Phillip Buehler's photographs, entitled: “Mallrat to Snapchat: The End of the Third Place.” Front Room Gallery is proud to present “Mallrat to Snapchat: The End of the Third Place,” on view November 29th - January 12th. January recent work by photographer Phillip Buehler documenting the death of the Wayne Hills Mall in Wayne, New Jersey. This is Buehler’s second solo show at Front Room Gallery. Buehler’s exhibition is part photography, part installation, part cultural critique, mixed in with nostalgia and genuine affection for this very American economical and sociological experiment— The Mall. Buehler takes a very intimate look at the beginning, and possibly ending, of mall culture in the United States featuring not only photographs, but also artifacts from the mall and its opening year, 1973. Under a photograph of a desolate Sam Goody will be a bin filled with almost 100 albums from that year, that visitors can flip through and play in the gallery on a vintage record player. Buehler’s photos of iconic hangouts and lowbrow teenage meeting places ring out from the 1970’s, 80’s, and 90’s but are torn away from their movie soundtracks and sent into an apocalyptic icy future. Featuring Sam Goody, Waldenbooks, Toys R Us...
Category

2010s Contemporary Color Photography

Materials

Archival Pigment

"Foot Locker" Former Wayne Hills Mall (Modern Ruins) color photograph
By Phillip Buehler
Located in New York, NY
limited edition of 5, signed on reverse by the artist, Phillip Buehler. This photograph depicts the time ravaged former "Footlocker" storefront in the abandoned Wayne Hills Mall...
Category

2010s Contemporary Color Photography

Materials

Archival Pigment

"Avenue Exterior" Wayne Hills Mall (from Modern Ruins series) color photograph
By Phillip Buehler
Located in New York, NY
limited edition of 5, signed on reverse by the artist, Phillip Buehler. This photograph depicts the faint residual outlines of the sign to the Avenue store at the deserted Wayne Hills Mall...
Category

2010s Contemporary Color Photography

Materials

Archival Pigment

"Mall is Closed" Wayne Hills Mall, NJ (Modern Ruins series) color photograph
By Phillip Buehler
Located in New York, NY
limited edition of 5, signed on reverse by the artist, Phillip Buehler. This photograph depicts an interior view looking out of the closed and deserted Wayne Hills Mall, in Wayne, N...
Category

2010s Contemporary Color Photography

Materials

Archival Pigment

"Art World" Wayne Hills Mall, New Jersey (Modern Ruin series) color photograph
By Phillip Buehler
Located in New York, NY
limited edition of 5, signed on reverse by the artist, Phillip Buehler. This photograph depicts the time ravaged corridor of the abandoned Wayne Hills Mall, in Wayne, New Jersey. A...
Category

2010s Contemporary Color Photography

Materials

Archival Pigment

"Sam Goody" Wayne Hills Mall, NJ (Modern Ruin series) color photograph
By Phillip Buehler
Located in New York, NY
limited edition of 5, signed on reverse by the artist, Phillip Buehler. This photograph depicts the remnants of a Sam Goody shopfront in the now closed and demolished, Wayne Hills M...
Category

2010s Contemporary Color Photography

Materials

Archival Pigment

"Osho No Dimensions Meditation" Pune, India- Large Format Photograph
By Sasha Bezzubov and Jessica Sucher
Located in New York, NY
limited edition of 5 signed by the artists on reverse (available unframed - please inquire about framing options). This photograph is taken with a large format camera, capturing immense detail and a sense of scale and color in this atmospheric image of the OSHO No Dimensions form of meditation. The OSHO Meditation Ashram in Pune, India is 120 kms south-east of Mumbai and is one of the world's largest centers for personal growth and meditation. This photograph, seems infused with a meditative spirit and tranquility. The Searchers is a series of large-scale photographs examining Western...
Category

2010s Figurative Photography

Materials

Archival Pigment

"Air Break" Reefing of New York Subway Car (20"x30" Color Photograph ed.5
By Stephen Mallon
Located in New York, NY
20"x30" This is a limited edition photograph, newly released by the New York artist, Stephen Mallon. It is 20"x30" edition #1 of 5, signed and editioned on the reverse. This color p...
Category

2010s Contemporary Landscape Photography

Materials

Photographic Paper

"Diver in Icy Water" Edition of 5 - 30"x45" limited edition phototgrapah
By Stephen Mallon
Located in New York, NY
"Diver in Icy Water" 30"x45" photograph - edition of 5 (unframed) This photograph is featured in our current exhibition at the gallery and is available as 2/5 unframed, or framed a...
Category

21st Century and Contemporary Contemporary Landscape Photography

Materials

Photographic Paper, C Print

"Air Break" Subway Reefing Photograph series
By Stephen Mallon
Located in New York, NY
This is a limited edition photograph, newly released by the New York artist, Stephen Mallon. It is 30"x45" edition #1 of 5, signed and editioned on the reverse. This photograph capt...
Category

2010s Contemporary Landscape Photography

Materials

Photographic Paper, C Print

White Flags
By Phillip Buehler
Located in New York, NY
24"x30" archival pigment print, signed and editioned by the artist, 1/5 Phillip Buehler has been photographing "modern ruins" for over 35 years. "In 1974, when I was in high school,...
Category

2010s Contemporary Figurative Photography

Materials

Photographic Paper

Untitled, from Sub/Culture
By Paul Raphaelson
Located in New York, NY
Untitled, from Sub/Culture archival pigment inkjet 17x25" 2012 1/10 In the early 1990s, after moving to Providence, Rhode Island, he started producing formally complex, often dark ...
Category

2010s Contemporary Figurative Photography

Materials

Photographic Paper

Crew Quarters
By Stephen Mallon
Located in New York, NY
40"x60" C-Print photograph edition of 5, signed on reverse This photograph is featured in a current exhibition of photographs by the artist, "Stephen Mallon" depicting the S...
Category

2010s Contemporary Color Photography

Materials

C Print

Promenade
By Stephen Mallon
Located in New York, NY
40"x60" C-Print photograph edition of 5, signed on reverse This photograph is featured in a current exhibition of photographs by the artist, "Stephen Mallon" depicting the SS U...
Category

2010s Contemporary Color Photography

Materials

C Print

Gear Pile
By Stephen Mallon
Located in New York, NY
C Print Photograph, signed on reverse available as 30"x45" edition of 5, framed and mounted in high quality shadow box frame with natural wood finish. This is from Stephe...
Category

2010s Contemporary Figurative Photography

Materials

Photographic Paper, C Print

Purple Door
By Phillip Buehler
Located in New York, NY
24"x 30" photograph, edition of 5, signed on reverse This photograph was taken at Greystone Park Hospital, and depicts the extremely distressed texture of a wall and door in the a...
Category

21st Century and Contemporary Contemporary Color Photography

Materials

Archival Pigment

Crew Quarters
By Stephen Mallon
Located in New York, NY
30"x45" C-Print photograph, edition of 5, signed on reverse This photograph by Stephen Mallon is taken aboard the SS United States, depciting the section of the vessel that held the...
Category

2010s Contemporary Color Photography

Materials

C Print

" 1600" C Print Photograph, 30"x45"
By Stephen Mallon
Located in New York, NY
This is a large scale photograph, limited edition of 5, signed by the artist on the reverse. Available unframed, please inquire about framing options. In this photograph, the vibran...
Category

21st Century and Contemporary Contemporary Figurative Photography

Materials

Photographic Paper, C Print

Fire Door
By Paul Raphaelson
Located in New York, NY
17"x25" signed on reverse, available unframed, This photograph was taken at the site of Brooklyn's Domino Sugar Refinery, Paul Raphaelson's photographs chronicle the final state of ...
Category

2010s Contemporary Figurative Photography

Materials

Photographic Paper

"Through Window", photograph of Brooklyn's Domino Sugar, framed and mounted
By Paul Raphaelson
Located in New York, NY
17"x25" signed on reverse, presented mounted and framed in a hardwood, shadowbox frame, with spacers and plexiglass. This photograph was taken at the site of Brooklyn's ...
Category

2010s Contemporary Figurative Photography

Materials

Photographic Paper

High Voltage Door
By Paul Raphaelson
Located in New York, NY
60"x40" limited edition of 10 photograph, #2/10 signed and editioned on reverse by the artist. This photograph was taken at the site of Brooklyn's famous, historic Domino Sugar Ref...
Category

2010s Contemporary Color Photography

Materials

Photographic Paper

B52 Field
By Phillip Buehler
Located in New York, NY
24"x30" photograph, signed and editioned on reverse. (edition of 5) This photograph is from a series entitled, “(UN)THINKABLE,” the culmination of 25 years of Phillip Buehler’s work photographing remnants of the Cold War throughout the United States and Europe. Buehler has visited NATO airbases, Cape Canaveral, the Airplane Graveyard, missile bunkers and silos (even within New York City’s borders) among many other sites that are historic, and yet hidden, forbidden, and forgotten. Photographs from this series will be featured in a solo exhibition this September at the Front Room Gallery. For anyone growing up during the Cold War the sense of dread of the world’s annihilation was all to concrete. It was evidenced in films like “Dr. Strangelove” and “The Day After.” Everyone knew the U.S. had enough nuclear weapons to destroy the world 5 times over, and assumed something similar about the Russians. For those not old enough to remember this built in fear, don’t worry (worry) it is reawakening. We don’t need another Cuban Missile Crisis to push us to the brink, the renewed tension with the Russians, and now North Korea’s recent entry in the nuclear weapons club is more than enough to unnerve anyone who is watching these conflicts unfold. Phillip Buehler is watching closely. Through this comprehensive series Buehler’s photos show many aspects of this non-war war. In Buehler’s aerial photographs from a military airplane storage yard in Arizona the repetition of the same model of bomber aircraft are so abstractly pattern-based that the overall effect beginnings to feel like a Middle Eastern tapestry...
Category

2010s Contemporary Figurative Photography

Materials

Archival Pigment

Strategic Air Command B-52
By Phillip Buehler
Located in New York, NY
24"x30" will photograph, signed and editioned on reverse. (edition of 5) This photograph is from a series entitled, “(UN)THINKABLE,” the culmination of 25 years of Phillip Buehler’s work photographing remnants of the Cold War throughout the United States and Europe. Buehler has visited NATO airbases, Cape Canaveral, the Airplane Graveyard, missile bunkers and silos (even within New York City’s borders) among many other sites that are historic, and yet hidden, forbidden, and forgotten. Photographs from this series will be featured in a solo exhibition this September at the Front Room Gallery. For anyone growing up during the Cold War the sense of dread of the world’s annihilation was all to concrete. It was evidenced in films like “Dr. Strangelove” and “The Day After.” Everyone knew the U.S. had enough nuclear weapons to destroy the world 5 times over, and assumed something similar about the Russians. For those not old enough to remember this built in fear, don’t worry (worry) it is reawakening. We don’t need another Cuban Missile Crisis to push us to the brink, the renewed tension with the Russians, and now North Korea’s recent entry in the nuclear weapons club is more than enough to unnerve anyone who is watching these conflicts unfold. Phillip Buehler is watching closely. Through this comprehensive series Buehler’s photos show many aspects of this non-war war. In Buehler’s aerial photographs from a military airplane storage yard in Arizona the repetition of the same model of bomber aircraft are so abstractly pattern-based that the overall effect beginnings to feel like a Middle Eastern...
Category

2010s Contemporary Figurative Photography

Materials

Archival Pigment

Fallout Shelter, archival dye-sub print on aluminum
By Phillip Buehler
Located in New York, NY
archival dye-sub print on aluminum. 14"x20" edition of 25 signed on reverse This photograph depicts the iconic fallout shelter sign, that designated locations of safety from nuclea...
Category

2010s Contemporary Color Photography

Materials

Metal

"Salt Shed" Contemporary Color Photograph
By Phillip Buehler
Located in New York, NY
The graphic red orange and white pattern of the tent canopy, composed with the metal trestle arches creates a visual symmetry in this color photograph. The soft geometry of the central salt pile mimic the arch and undulating forms in orange ceiling pattern of the shed. 24"x48" will photograph, signed and editioned on reverse. (edition of 5). Unframed, please inquire about framing options. Buehler has visited NATO airbases, Cape Canaveral, the Airplane Graveyard, missile bunkers and silos (even within New York City’s borders) among many other sites that are historic, and yet hidden, forbidden, and forgotten. Photographs from this series will be featured in a solo exhibition this September at the Front Room Gallery. For anyone growing up during the Cold War the sense of dread of the world’s annihilation was all to concrete. It was evidenced in films like “Dr. Strangelove” and “The Day After.” Everyone knew the U.S. had enough nuclear weapons to destroy the world 5 times over, and assumed something similar about the Russians. For those not old enough to remember this built in fear, don’t worry (worry) it is reawakening. We don’t need another Cuban Missile Crisis to push us to the brink, the renewed tension with the Russians, and now North Korea’s recent entry in the nuclear weapons club is more than enough to unnerve anyone who is watching these conflicts unfold. Phillip Buehler is watching closely. Through this comprehensive series Buehler’s photos show many aspects of this non-war war. In Buehler’s aerial photographs from a military airplane storage yard in Arizona the repetition of the same model of bomber aircraft are so abstractly pattern-based that the overall effect beginnings to feel like a Middle Eastern...
Category

2010s Contemporary Color Photography

Materials

Archival Pigment

Staircase
By Phillip Buehler
Located in New York, NY
20"x 24" available unframed This photograph depicts a look down a stairwell at Greystone Park Hospital, from a central perspective showing the cascading stairs as they recede int...
Category

21st Century and Contemporary Contemporary Color Photography

Materials

Archival Pigment

Tree Shadows
By Zoe Wetherall
Located in New York, NY
20"x30" photograph, edition of 5 signed on reverse. In this photograph by Zoe Wetherall, “Horses” two horses stand next to a wire fence, the shadows of the fence posts and horses d...
Category

2010s Contemporary Landscape Photography

Materials

Archival Pigment

"Raw Sugar Warehouse" Domino Sugar Refinery, Williamsburg, Brooklyn
By Paul Raphaelson
Located in New York, NY
This limited edition of 10, (#1/10) photograph is signed and editioned on the reverse by the artist and is unframed. It depicts the interior warehouse of the historic Brooklyn Domino Sugar...
Category

2010s Contemporary Landscape Photography

Materials

Photographic Paper

Village in the Forest, 30"x40" photograph
By Sasha Bezzubov
Located in New York, NY
30"x40" photograph, signed on reverse by the artist, edition of 5 Sasha Bezzubov’s photographic approach has developed through diverse series that address the contemporary condition and explore the nature of the document. Working both solo and with his sometime collaborator Jessica Sucher, Sasha Bezzubov uses a large format camera to photograph the people and the land in diverse series including, The Gringo Project, Expats and Natives, Things Fall Apart, The Searchers, Albedo Zone, Facts on the Ground and most recently, Republic of Dust. Bezzubov is a two-time recipient of the Fulbright Scholarship Award. His work has been included in numerous solo and group exhibitions including International Biennial of Photography and Visual Arts (Liege, Belgium); Tucson Museum of Art; Museum Belvedere (The Netherlands); Herter Art Gallery (University of Massachusetts); Wavehill (New York); New Orleans Museum of Art; and Noorderlicht Photography Festival (The Netherlands). In 2009 Nazraelli Press published Bezzubov’s monograph Wildfire (introduction by Bill McKibben). In 2011 Daniel Cooney...
Category

2010s Contemporary Landscape Photography

Materials

Archival Pigment

"Horses" Minimalist Color Landscape Photograph
By Zoe Wetherall
Located in New York, NY
28"x40" photograph, edition of 5 signed on reverse. In this photograph by Zoe Wetherall, “Horses” two horses stand next to a wire fence, the shadows of the fence posts and horses d...
Category

2010s Contemporary Landscape Photography

Materials

Archival Pigment

Tree Lines
By Zoe Wetherall
Located in New York, NY
edition of 5, signed by the artist, Zoe Wetherall This image represents the combination of the artist's love of aerial photography and her personal fascination with the American lan...
Category

2010s Contemporary Landscape Photography

Materials

Archival Pigment

Bridge
By Zoe Wetherall
Located in New York, NY
edition of 5, signed by the artist, Zoe Wetherall This image represents the combination of the artist's love of aerial photography and her personal fascination with the American lan...
Category

2010s Contemporary Landscape Photography

Materials

Archival Pigment

Shadows
By Zoe Wetherall
Located in New York, NY
edition of 5, signed by the artist, Zoe Wetherall This image represents the combination of the artist's love of aerial photography and her personal fascination with the American lan...
Category

2010s Contemporary Landscape Photography

Materials

Archival Pigment

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