Ashok Sinha

Be My Valentine

2016

24"x30" will photograph, signed and editioned on reverse. (edition of 5) This photograph is from a series entitled, “(UN)THINKABLE,” the culmination of 25 years of Phillip Buehler’s work photographing remnants of the Cold War throughout the United States and Europe. Buehler has visited NATO airbases, Cape Canaveral, the Airplane Graveyard, missile bunkers and silos (even within New York City’s borders) among many other sites that are historic, and yet hidden, forbidden, and forgotten. Photographs from this series will be featured in a solo exhibition this September at the Front Room Gallery. For anyone growing up during the Cold War the sense of dread of the world’s annihilation was all to concrete. It was evidenced in films like “Dr. Strangelove” and “The Day After.” Everyone knew the U.S. had enough nuclear weapons to destroy the world 5 times over, and assumed something similar about the Russians. For those not old enough to remember this built in fear, don’t worry (worry) it is reawakening. We don’t need another Cuban Missile Crisis to push us to the brink, the renewed tension with the Russians, and now North Korea’s recent entry in the nuclear weapons club is more than enough to unnerve anyone who is watching these conflicts unfold. Phillip Buehler is watching closely. Through this comprehensive series Buehler’s photos show many aspects of this non-war war. In Buehler’s aerial photographs from a military airplane storage yard in Arizona the repetition of the same model of bomber aircraft are so abstractly pattern-based that the overall effect beginnings to feel like a Middle Eastern...

24"x 30" photograph, edition of 5, signed on reverse. This photograph is taken at Greystone Park Hospital, in an area of the building where snow has drifted into the abandoned complex. Phillip Buehler has been photographing abandoned places around the world since he rowed to the (then abandoned) Ellis Island in 1974. Many, like Greystone Park Hospital, have since been demolished; some, like Ellis Island and the High Line, have been restored, and some, like the S.S. United States and the New York State Pavilion, are now in jeopardy. Photographs from the (now demolished) Greystone Park Hospital are featured in this exhibition and in the book “Wardy Forty” which he wrote in 2013 about the last days of Woody...

24"x 30" photograph, edition of 5, signed on reverse This photograph taken at Greystone Park Hospital shows an old single bed that has been abandoned. The bed has been decayed to the point of simply being a decayed bed frame and piled wooden bed boards...

24"x 30" photograph, edition of 5, signed on reverse This photograph was taken at Greystone Park Hospital, and shows a distressed abandoned operating room...

24"x30" edition of 5 photograph available unframed Phillip Buehler has been photographing abandoned places around the world since he rowed to the (then abandoned) Ellis Island in 1974. Many, like Greystone Park Hospital, have since been demolished; some, like Ellis Island and the High Line, have been restored, and some, like the S.S. United States and the New York State Pavilion, are now in jeopardy. Photographs from the (now demolished) Greystone Park Hospital are featured in this exhibition and in the book “Wardy Forty” which he wrote in 2013 about the last days of Woody Guthrie

From series “Place and Time”: Battle of Red Buttes, Casper, Wyoming, 2015 23'x29" edition of 10 available unframed Originally from northern California, Edie Winograde moved to ...

The frequencies I am made of, Set Individual Image size: 68.8 in. H x 43.3 in. W Overall Image size: 68.8 in. H x 216.5 Gicleé print on cotton rag 68.8" H x 43.3" W Ed 4/5 + 1AP 201...

9-1-1 by Frank Schott 28 x 39 inches / 74cm x 102cm framed signed edition of 25 archival fine art pigment print artist signed + numbered certificate of authenticity framed "Moder...

"I wrap, cover or paint my body with the same pattern as the backdrop and represent myself as a part of that landscape. With this act, I am building my own identity through the entou...

"I wrap, cover or paint my body with the same pattern as the backdrop and represent myself as a part of that landscape. With this act, I am building my own identity through the entou...

"I wrap, cover or paint my body with the same pattern as the backdrop and represent myself as a part of that landscape. With this act, I am building my own identity through the entou...

"I wrap, cover or paint my body with the same pattern as the backdrop and represent myself as a part of that landscape. With this act, I am building my own identity through the entou...