Galerie 1881 Art

This circa 1900 original theatre poster, published by David Allen & Sons, is a striking example of Edwardian-era theatrical advertising, capturing the vibrancy and excitement of the ...

The 1956 original travel poster by Ray Delvert, commissioned by the Ministère des Travaux Publics, des Transports et du Tourisme and published by the Direction Générale du Tourisme, ...

The circa 1990 original poster by Razzia for Slazenger Tennis is a striking example of the artist’s signature style, blending luxury, sport, and bold graphic design. Known for his elegant and sophisticated approach to advertising, Razzia—whose real name is Gérard Courbouleix–Dénériaz—created some of the most recognizable promotional posters of the late 20th century, covering subjects from fashion to automobiles and sports. This Slazenger Tennis poster reflects the prestige and tradition associated with the Slazenger brand, one of the oldest and most respected names in tennis. Founded in 1881, Slazenger has long been linked to Wimbledon, professional tournaments, and classic sports aesthetics. The poster, likely featuring clean lines, refined composition, and a minimalist yet luxurious approach, captures the timeless elegance of tennis as both a competitive and lifestyle sport. Razzia’s work often evokes a sense of nostalgia and exclusivity, drawing inspiration from Art Deco and early 20th-century advertising posters. His technique—unlike modern digital design—relies on hand-painted artwork transformed into high-quality lithographs, adding a unique richness and depth to his compositions. As a collectible, this 1990s Slazenger Tennis poster is highly sought after by sports enthusiasts, tennis memorabilia collectors, and fans of Razzia’s artwork. It stands as a testament to Slazenger’s legacy in professional tennis and the enduring power of classic sports advertising. Sport - Roland Garros - Björn Borg Rally Posters...

The 1955 original poster by Albert Brenet, created for the SNCF (Société Nationale des Chemins de fer Français), celebrates the electrification of the Valenciennes - Thionville railw...

The 1959 original exhibition poster for Georges Braque's "Théogonie" is a striking piece that reflects the artist's deep engagement with mythology and symbolism. Created for an exhib...

The Russo-Japanese War (1904–1905) marked a pivotal moment in naval warfare, and this circa 1900 original print vividly captures the intensity of battle. Titled "Our Torpedoes Attack...

In 1992, the Earth Summit (Sommet de la Terre) in Rio de Janeiro marked a historic moment in global environmental action. Designed by Willy Niprinz, this original poster was created ...

In 1955, Michel Girault designed the official poster for the Biennale Photo-Cinéma, a significant event held at the Grand Palais in Paris. This biennial celebration brought together ...

In 1973, Bernard Buffet created the lithograph Le Havre – Le Bassin du Commerce, paying homage to the industrial and maritime heart of the city of Le Havre. Known for its rich mariti...

In 1973, Bernard Buffet created the lithograph Brest – Le Château et le Navire-École, capturing the maritime heritage and historical significance of the city of Brest, a crucial port...

Beautiful original poster, very rare, produced for the SNCF to promote the mountain sites in the 30s. It was realized by Roland Hugon. It shows a little boy, mischievous and full of...

The 1994 exhibition at the Musée Picasso in Paris celebrated Pablo Picasso’s “Les Deux Frères”, a poignant masterpiece from the artist’s Rose Pe...

The 1990 original exhibition poster for Georges Braque’s “À tire d’aile” at the National Museum of Modern Art serves as a stunning testament to the enduring appeal of one of modern a...

The 1954 original exhibition poster after Henri de Toulouse-Lautrec’s iconic work “Le Jockey se rendant au poteau” is a captivating example of how the legacy of a renowned artist was...

The 1917 original poster by Abel Faivre, titled “3e Emprunt de la Défense Nationale – Crédit Lyonnais – Liberté”, is a striking example of World War I propaganda, blending art with p...

This circa 1920 original poster by Rapeno, titled “Combattez la Tuberculose”, represents a critical moment in early 20th-century public health advocacy. In the wake of World War I, t...

This 1925 original poster by Miramar, titled “Transformez vos bons de la défense en titres de rente 4%”, is an evocative piece of financial propaganda from post-World War I France. C...

This 1985 original lithograph by Charles Kiffer, titled “Maurice Chevalier Plante”, is a striking blend of whimsy and abstraction that pays homage to the legendary French entertainer...

This vibrant 1990 Soviet poster, titled “За здоровье!” (For Health!), is a striking example of the Soviet Union’s visual propaganda during the late perestroika period. Designed to pr...

This exquisite 1896 lithographic poster by Jules Chéret, renowned as the “Father of the Modern Poster,” was created to promote the Grande Fête: 1er Bal Masqué (First Masquerade Ball)...

This original lithographic poster, designed in 1898 by the legendary French artist Jules Chéret, promotes Le Pays des Fées – Jardin Enchanté, a spectacular attraction featured during...

Designed in 1899 by the renowned American graphic artist William H. Bradley, this original lithographic poster for Victor Bicycles, produced by the Overman Wheel Co., is a classic ex...

This poster, created for the 1998 exhibition titled "James Bond: Die Welt des 007" (translated as "The World of 007"), held at the Roemer-und Pelizaeus-Museum in Hildesheim, Germany,...

This poster, created for the 1998 exhibition titled "James Bond: Die Welt des 007" (translated as "The World of 007"), held at the Roemer-und Pelizaeus-Museum in Hildesheim, Germany,...

This original Chinese propaganda poster, likely produced during the later years of the Cultural Revolution (1966–1976) or shortly after, is a striking example of the graphic and symbolic art style used to inspire revolutionary fervor and unity among the populace. The poster serves as both an artistic representation and a political message, encapsulating the ideals of collectivism, progress, and revolutionary optimism. The poster uses a bold, minimalist color scheme of black and red on a tan background, common to Chinese woodblock prints...

This original Palestinian poster, produced by the General Union of Palestinian Students (GUPS), is a powerful example of the political messaging and artistic expression that characte...

The 1983 Soviet poster titled I Would Be a Champion is a compelling artifact from the USSR's rich history of sports promotion and Olympic enthusiasm. This original poster exemplifies...

The 1960 original poster titled Aux fils courageux, notre patrie by Isaak Grinstein is a notable example of Soviet-era propaganda art. This piece was pr...

The 1990 silkscreen poster titled Contre le fascisme allemand et le stalinisme by E. Cvik is a compelling artifact reflecting the political tensions and historical consciousness of i...

The 1981 lithography Six Reclining Figures with Red Background by Henry Moore is a striking exploration of form, space, and human expression. As one of the 20th century's most renown...

The 1951 recruitment message Make a Modern Career in the RAF Ground Trades reflects the post-war era’s focus on modernization and the appeal to a new generation seeking opportunity a...

Jean-Gabriel Domergue, celebrated as the self-proclaimed “inventor of the pin-up,” was a master of portraying the elegance and allure of French high society. His work captured the sp...

Shanqi Yan’s 1965 poster L'impérialisme américain doit quitter l'Amérique latine stands as a vivid example of revolutionary art used as a political weapon during the height of the Co...

Victor Koretsky, a prominent Soviet poster artist, is well known for his powerful propaganda works that reflect the political landscape and ideology of the USSR during the mid-20th c...

Boris Efimov, a renowned Soviet political cartoonist and poster artist, became widely known for his incisive and impactful works during the 20th century. His art often carried strong...

Gaspar Camps, a prominent Spanish poster artist, became a leading figure in the world of graphic design during the early 20th century. His works are a perfect reflection of the evolv...

Gaspar Camps, an influential Spanish poster artist, was known for his ability to blend art and advertising into compelling, visually striking works. Active during the early 20th cent...

Gaspar Camps, a talented Spanish poster artist and graphic designer, was known for his modernist approach to advertising. He emerged as one of the leading figures in the world of pos...

The 1932 original poster Premier Toast Champagne is a captivating example of early 20th-century advertising that blends elegance with emotional appeal. This poster, evocative in its ...

The circa 1950 original poster by Kenneth Steel, promoting Lancaster Castle under the banner of British Railways, stands as a remarkable piece of mid-20th-century travel advertising. This poster invites viewers to explore one of England's most historic and architecturally significant landmarks, highlighting the accessibility and convenience of visiting the site via the British railway system. Kenneth Steel, known for his mastery in watercolors and lithography, captures Lancaster Castle with a sense of grandeur and historic depth. The castle, with its robust Norman architecture, is beautifully depicted in warm tones that emphasize the texture of the stone walls and the lush greenery surrounding the fortress. Steel’s ability to blend light and shadow brings the scene to life, creating a welcoming yet majestic atmosphere that encourages travel and exploration. At the heart of the poster is Lancaster Castle, a symbol of England’s rich medieval heritage. The text below the image provides historical context, noting that the castle, originally a Norman structure from the 11th century, was significantly strengthened and expanded in the 14th century by John of Gaunt...

The 1971 original travel poster by Pagès for Air France promoting travel to Spain is a vibrant celebration of a country renowned for its rich cultural heritage, diverse landscapes, a...

The 1971 original travel poster by Pagès for Air France promoting travel to Germany is a striking representation of a destination that bridges a storied past with a dynamic present. ...

The 1971 original travel poster by Pagès for Air France promoting travel to Israel is a captivating piece that reflects the burgeoning interest in international travel during the ear...

The 1971 original travel poster by Pagès for Air France promoting travel to Brazil is a vibrant expression of the growing enthusiasm for global exploration during the early 1970s. As...

The 1971 original travel poster by Pagès for Air France promoting travel to Asia is a captivating piece that reflects the era's growing interest in global exploration and cultural di...

The 1971 original travel poster by Pagès for Air France promoting travel to Canada is a striking example of how mid-20th century travel advertising captured the imagination of would-be travelers. With its focus on bold design and a sense of adventure, this poster reflects the growing enthusiasm for international travel and Air France's role in making distant destinations more accessible. Pagès' work for this campaign is emblematic of the era's modernist artistic trends, skillfully blending abstract forms with cultural and geographical references to convey the vast and varied appeal of Canada. Pagès, renowned for his innovative use of abstract shapes and colors, likely employs these elements to evoke the expansive landscapes and natural beauty of Canada. Though the specific visual details are not described, his style often incorporates geometric patterns and vibrant contrasts that could symbolize Canada's iconic features, such as its towering mountains, endless forests, and dynamic urban centers. The abstract nature of the design serves to create a sense of wonder and possibility, drawing viewers into the allure of exploring the vast Canadian wilderness and cosmopolitan cities. The word "Canada" is likely presented in a clean, modern font, emphasizing the destination's name with simplicity and elegance. Below this, the Air France logo, traditionally in a bold blue, reinforces the airline's commitment to providing a sophisticated and reliable travel experience. The minimalist text ensures that the viewer's focus remains on the visual elements of the poster, which communicate the essence of Canada as a destination rich in natural beauty and cultural diversity. In the 1970s, Canada was emerging as a popular destination for travelers seeking both adventure and tranquility. From the rugged beauty of the Rocky Mountains and the serene landscapes of the Great Lakes to the vibrant cultural scenes in cities like Montreal and Toronto, Canada offered a wide range of experiences. Pagès' abstract design likely captures this diversity, conveying the country's unique charm and inviting travelers to explore its myriad attractions. The choice of an abstract and modernist design reflects Air France's branding strategy during this period, positioning the airline as a gateway to the world's most exciting and diverse destinations. By commissioning contemporary artists like Pagès, Air France not only advertised its routes but also associated itself with the cutting-edge artistic movements of the time, appealing to a global audience of sophisticated and adventurous travelers. Today, the 1971 Air France Canada poster...

The 1971 original travel poster by Pagès for Air France promoting travel to Japan is a captivating blend of modern design and cultural symbolism, created to entice travelers to explo...

The 1971 original travel poster by Pagès for Air France promoting travel to the USA is a striking example of mid-20th century travel advertising, blending bold design with a modernis...

The 1918 original poster by Adolphe Willette, created for the Banque de l'Union Parisienne, is a compelling piece of wartime propaganda, urging citizens to contribute to the fourth national loan (4e Emprunt National). This poster, titled Pour que la France soit victorieuse comme à Valmy! (So that France may be victorious like at Valmy!), is a poignant call to action, blending historical reference with patriotic fervor to inspire public support during the final year of World War I. Adolphe Willette, a prominent French painter, illustrator, and political cartoonist, was known for his evocative and often satirical works. During the war, artists like Willette played a crucial role in shaping public sentiment and encouraging national unity through their art. This particular poster exemplifies his ability to harness the power of visual storytelling to evoke a sense of duty and pride in the French populace. The poster references the Battle of Valmy...

The 1972 original poster by Albert Brenet for the Musée français du chemin de fer in Mulhouse is a captivating work that captures the essence of France's rich railway heritage. Created by the renowned French painter and illustrator, the poster reflects Brenet’s talent for depicting scenes of transportation and industry with a sense of grandeur and nostalgia. This piece was part of a promotional campaign to attract visitors to the museum, which is dedicated to preserving and showcasing the history of French railways. Albert Brenet was a distinguished artist known for his dynamic illustrations, particularly in the fields of maritime and transport subjects. His work is characterized by a meticulous attention to detail and a vibrant, lifelike quality that brings industrial scenes to life. In this 1972 poster, Brenet turns his attention to the world of trains, presenting an evocative scene that highlights both the mechanical beauty of the locomotive and the human connection to it. The poster features a striking depiction of a historic steam locomotive, rendered in rich, vivid colors. The powerful engine, meticulously detailed, stands as a symbol of the technological advancements and the spirit of progress that defined the railway era. The setting, likely a large train shed or museum hall, creates a dramatic backdrop that emphasizes the grandeur of the locomotive. Brenet’s skillful use of light and shadow adds depth and realism, making the engine appear almost tangible. At the heart of the scene are two figures—likely visitors to the museum—gazing up at the locomotive in awe. Their presence adds a human element to the image, emphasizing the role of the Musée français du chemin de fer as a place of education and inspiration. By including these figures, Brenet captures the wonder and curiosity that trains continue to evoke, bridging the gap between past and present. The text on the poster, Musée français du chemin de fer - Mulhouse, is elegantly placed, with a clean, classic typeface that complements the visual composition without detracting from the central image. The simple, yet effective typography reflects the museum’s focus on heritage and the timeless appeal of the railway. The Musée français du chemin de fer, located in Mulhouse, Alsace, is one of the largest railway museums in Europe. Established to preserve the rich history of French rail transport, the museum houses an extensive collection of locomotives, carriages, and railway artifacts. The poster by Brenet was part of an effort to promote the museum to a broader audience, inviting them to explore the fascinating world of trains and their impact on modern society. The 1972 poster is not only a piece of advertising but also an artwork that encapsulates the spirit of the museum. Brenet’s artistic interpretation captures the essence of the museum’s mission: to celebrate the technological and cultural achievements of the railway industry and to share this legacy with future generations. Today, the poster is considered a collector’s item, valued for both its artistic merit and its historical significance. It serves as a reminder of the golden age of rail travel and the enduring fascination with the power and elegance of trains. Albert Brenet’s work continues to be admired for its ability to convey the majesty of industrial subjects, making the Musée français du chemin de fer poster...

The 1983 original exhibition poster for Hommage à Jean Cocteau at the Galerie Lucie Weill is a poignant celebration of one of the most multifaceted and influential artists of the 20t...

The circa 1930 original advertising poster by Hons for Káva Z Balounkovy Cikorky is a remarkable piece of graphic design from early 20th-century Czechoslovakia. Created to promote th...

The 1987 original poster designed by Jeanloup Sieff for Champagne Pommery is a striking example of the convergence of art, luxury, and advertising. Created by the renowned French photographer and graphic artist, the poster captures the essence of the prestigious Champagne brand through Sieff’s distinctive approach to visual storytelling. This collaboration between Pommery, one of the most famous Champagne houses, and Sieff, a master of elegant imagery, resulted in a timeless piece that continues to resonate in the world of luxury marketing. Jeanloup Sieff was widely celebrated for his photographic work, particularly his ability to convey sensuality, elegance, and sophistication through the lens. His style was deeply rooted in minimalism and naturalism, often using light and shadow to evoke mood and atmosphere. In his 1987 poster for Champagne Pommery, Sieff’s mastery of these elements is evident. The composition captures a moment of refinement and indulgence, aligning perfectly with Pommery’s image as a producer of fine Champagne. The poster was designed to celebrate the luxury and tradition associated with the Pommery brand, while also appealing to a modern, discerning audience. The visual language of the poster reflects Pommery’s commitment to craftsmanship and excellence. The combination of Sieff’s artistic vision and Pommery’s status as a Champagne house of distinction created a piece that spoke to both the heritage of the brand and its contemporary allure. The use of photography in the poster is significant, as it highlights Sieff’s signature approach to capturing the human form and moments of intimacy. His skillful use of lighting, combined with the elegant portrayal of the Champagne bottle and glass, emphasizes the luxury and celebration inherent in the Pommery experience. The poster invites viewers to imagine themselves in a world of refinement and indulgence, mirroring the lavish experience of enjoying a glass of Pommery Champagne...

The 1968 original exhibition poster for the Xèmes Jeux Olympiques d'Hiver (10th Winter Olympic Games) in Grenoble stands as a significant work in the history of Olympic design. Creat...

In the world of art exhibitions, posters often serve as an iconic glimpse into the creative world of the artists involved. One such piece is the 1967 original exhibition poster desig...

The 1932 original lithograph by Géo Ham, titled Rallye Monte Carlo à la Hotchkiss victorieuse – Suède, is an exquisite depiction of a pivotal moment in automotive history, capturing ...

The 1988 original poster by Andy Warhol, created for the "Cars" series and prominently featuring the Mercedes-Benz Typ C 111 Versuchswagen, is a compelling piece that highlights the ...

The 1910 original poster by Henri Gray for the Exposition Universelle Internationale in Brussels, created for the Chemin de Fer du Nord, is an exquisite representation of early 20th-...

The circa 1950 original poster by Dietrich Bodman, "Visitez la Forêt Noire avec les trains du chemin de fer fédéral allemand," is a beautiful example of mid-century European travel a...

The 1908 original poster by B. Capelle, created to promote the Exposition Franco-Anglaise, is a remarkable artifact of early 20th-century European cultural diplomacy. This exposition...