Galerie 1881 Prints and Multiples

The 1981 lithography Six Reclining Figures with Red Background by Henry Moore is a striking exploration of form, space, and human expression. As one of the 20th century's most renown...

The 1951 recruitment message Make a Modern Career in the RAF Ground Trades reflects the post-war era’s focus on modernization and the appeal to a new generation seeking opportunity a...

Jean-Gabriel Domergue, celebrated as the self-proclaimed “inventor of the pin-up,” was a master of portraying the elegance and allure of French high society. His work captured the sp...

Shanqi Yan’s 1965 poster L'impérialisme américain doit quitter l'Amérique latine stands as a vivid example of revolutionary art used as a political weapon during the height of the Co...

Victor Koretsky, a prominent Soviet poster artist, is well known for his powerful propaganda works that reflect the political landscape and ideology of the USSR during the mid-20th c...

Boris Efimov, a renowned Soviet political cartoonist and poster artist, became widely known for his incisive and impactful works during the 20th century. His art often carried strong...

Gaspar Camps, a prominent Spanish poster artist, became a leading figure in the world of graphic design during the early 20th century. His works are a perfect reflection of the evolv...

Gaspar Camps, an influential Spanish poster artist, was known for his ability to blend art and advertising into compelling, visually striking works. Active during the early 20th cent...

Gaspar Camps, a talented Spanish poster artist and graphic designer, was known for his modernist approach to advertising. He emerged as one of the leading figures in the world of pos...

The 1932 original poster Premier Toast Champagne is a captivating example of early 20th-century advertising that blends elegance with emotional appeal. This poster, evocative in its ...

The circa 1950 original poster by Kenneth Steel, promoting Lancaster Castle under the banner of British Railways, stands as a remarkable piece of mid-20th-century travel advertising. This poster invites viewers to explore one of England's most historic and architecturally significant landmarks, highlighting the accessibility and convenience of visiting the site via the British railway system. Kenneth Steel, known for his mastery in watercolors and lithography, captures Lancaster Castle with a sense of grandeur and historic depth. The castle, with its robust Norman architecture, is beautifully depicted in warm tones that emphasize the texture of the stone walls and the lush greenery surrounding the fortress. Steel’s ability to blend light and shadow brings the scene to life, creating a welcoming yet majestic atmosphere that encourages travel and exploration. At the heart of the poster is Lancaster Castle, a symbol of England’s rich medieval heritage. The text below the image provides historical context, noting that the castle, originally a Norman structure from the 11th century, was significantly strengthened and expanded in the 14th century by John of Gaunt...

The 1971 original travel poster by Pagès for Air France promoting travel to Spain is a vibrant celebration of a country renowned for its rich cultural heritage, diverse landscapes, a...

The 1971 original travel poster by Pagès for Air France promoting travel to Germany is a striking representation of a destination that bridges a storied past with a dynamic present. ...

The 1971 original travel poster by Pagès for Air France promoting travel to Israel is a captivating piece that reflects the burgeoning interest in international travel during the ear...

The 1971 original travel poster by Pagès for Air France promoting travel to Brazil is a vibrant expression of the growing enthusiasm for global exploration during the early 1970s. As...

The 1971 original travel poster by Pagès for Air France promoting travel to Asia is a captivating piece that reflects the era's growing interest in global exploration and cultural di...

The 1971 original travel poster by Pagès for Air France promoting travel to Canada is a striking example of how mid-20th century travel advertising captured the imagination of would-be travelers. With its focus on bold design and a sense of adventure, this poster reflects the growing enthusiasm for international travel and Air France's role in making distant destinations more accessible. Pagès' work for this campaign is emblematic of the era's modernist artistic trends, skillfully blending abstract forms with cultural and geographical references to convey the vast and varied appeal of Canada. Pagès, renowned for his innovative use of abstract shapes and colors, likely employs these elements to evoke the expansive landscapes and natural beauty of Canada. Though the specific visual details are not described, his style often incorporates geometric patterns and vibrant contrasts that could symbolize Canada's iconic features, such as its towering mountains, endless forests, and dynamic urban centers. The abstract nature of the design serves to create a sense of wonder and possibility, drawing viewers into the allure of exploring the vast Canadian wilderness and cosmopolitan cities. The word "Canada" is likely presented in a clean, modern font, emphasizing the destination's name with simplicity and elegance. Below this, the Air France logo, traditionally in a bold blue, reinforces the airline's commitment to providing a sophisticated and reliable travel experience. The minimalist text ensures that the viewer's focus remains on the visual elements of the poster, which communicate the essence of Canada as a destination rich in natural beauty and cultural diversity. In the 1970s, Canada was emerging as a popular destination for travelers seeking both adventure and tranquility. From the rugged beauty of the Rocky Mountains and the serene landscapes of the Great Lakes to the vibrant cultural scenes in cities like Montreal and Toronto, Canada offered a wide range of experiences. Pagès' abstract design likely captures this diversity, conveying the country's unique charm and inviting travelers to explore its myriad attractions. The choice of an abstract and modernist design reflects Air France's branding strategy during this period, positioning the airline as a gateway to the world's most exciting and diverse destinations. By commissioning contemporary artists like Pagès, Air France not only advertised its routes but also associated itself with the cutting-edge artistic movements of the time, appealing to a global audience of sophisticated and adventurous travelers. Today, the 1971 Air France Canada poster...

The 1971 original travel poster by Pagès for Air France promoting travel to Japan is a captivating blend of modern design and cultural symbolism, created to entice travelers to explo...

The 1971 original travel poster by Pagès for Air France promoting travel to the USA is a striking example of mid-20th century travel advertising, blending bold design with a modernis...

The 1918 original poster by Adolphe Willette, created for the Banque de l'Union Parisienne, is a compelling piece of wartime propaganda, urging citizens to contribute to the fourth national loan (4e Emprunt National). This poster, titled Pour que la France soit victorieuse comme à Valmy! (So that France may be victorious like at Valmy!), is a poignant call to action, blending historical reference with patriotic fervor to inspire public support during the final year of World War I. Adolphe Willette, a prominent French painter, illustrator, and political cartoonist, was known for his evocative and often satirical works. During the war, artists like Willette played a crucial role in shaping public sentiment and encouraging national unity through their art. This particular poster exemplifies his ability to harness the power of visual storytelling to evoke a sense of duty and pride in the French populace. The poster references the Battle of Valmy...

The 1972 original poster by Albert Brenet for the Musée français du chemin de fer in Mulhouse is a captivating work that captures the essence of France's rich railway heritage. Created by the renowned French painter and illustrator, the poster reflects Brenet’s talent for depicting scenes of transportation and industry with a sense of grandeur and nostalgia. This piece was part of a promotional campaign to attract visitors to the museum, which is dedicated to preserving and showcasing the history of French railways. Albert Brenet was a distinguished artist known for his dynamic illustrations, particularly in the fields of maritime and transport subjects. His work is characterized by a meticulous attention to detail and a vibrant, lifelike quality that brings industrial scenes to life. In this 1972 poster, Brenet turns his attention to the world of trains, presenting an evocative scene that highlights both the mechanical beauty of the locomotive and the human connection to it. The poster features a striking depiction of a historic steam locomotive, rendered in rich, vivid colors. The powerful engine, meticulously detailed, stands as a symbol of the technological advancements and the spirit of progress that defined the railway era. The setting, likely a large train shed or museum hall, creates a dramatic backdrop that emphasizes the grandeur of the locomotive. Brenet’s skillful use of light and shadow adds depth and realism, making the engine appear almost tangible. At the heart of the scene are two figures—likely visitors to the museum—gazing up at the locomotive in awe. Their presence adds a human element to the image, emphasizing the role of the Musée français du chemin de fer as a place of education and inspiration. By including these figures, Brenet captures the wonder and curiosity that trains continue to evoke, bridging the gap between past and present. The text on the poster, Musée français du chemin de fer - Mulhouse, is elegantly placed, with a clean, classic typeface that complements the visual composition without detracting from the central image. The simple, yet effective typography reflects the museum’s focus on heritage and the timeless appeal of the railway. The Musée français du chemin de fer, located in Mulhouse, Alsace, is one of the largest railway museums in Europe. Established to preserve the rich history of French rail transport, the museum houses an extensive collection of locomotives, carriages, and railway artifacts. The poster by Brenet was part of an effort to promote the museum to a broader audience, inviting them to explore the fascinating world of trains and their impact on modern society. The 1972 poster is not only a piece of advertising but also an artwork that encapsulates the spirit of the museum. Brenet’s artistic interpretation captures the essence of the museum’s mission: to celebrate the technological and cultural achievements of the railway industry and to share this legacy with future generations. Today, the poster is considered a collector’s item, valued for both its artistic merit and its historical significance. It serves as a reminder of the golden age of rail travel and the enduring fascination with the power and elegance of trains. Albert Brenet’s work continues to be admired for its ability to convey the majesty of industrial subjects, making the Musée français du chemin de fer poster...

The 1983 original exhibition poster for Hommage à Jean Cocteau at the Galerie Lucie Weill is a poignant celebration of one of the most multifaceted and influential artists of the 20t...

The circa 1930 original advertising poster by Hons for Káva Z Balounkovy Cikorky is a remarkable piece of graphic design from early 20th-century Czechoslovakia. Created to promote th...

The 1987 original poster designed by Jeanloup Sieff for Champagne Pommery is a striking example of the convergence of art, luxury, and advertising. Created by the renowned French photographer and graphic artist, the poster captures the essence of the prestigious Champagne brand through Sieff’s distinctive approach to visual storytelling. This collaboration between Pommery, one of the most famous Champagne houses, and Sieff, a master of elegant imagery, resulted in a timeless piece that continues to resonate in the world of luxury marketing. Jeanloup Sieff was widely celebrated for his photographic work, particularly his ability to convey sensuality, elegance, and sophistication through the lens. His style was deeply rooted in minimalism and naturalism, often using light and shadow to evoke mood and atmosphere. In his 1987 poster for Champagne Pommery, Sieff’s mastery of these elements is evident. The composition captures a moment of refinement and indulgence, aligning perfectly with Pommery’s image as a producer of fine Champagne. The poster was designed to celebrate the luxury and tradition associated with the Pommery brand, while also appealing to a modern, discerning audience. The visual language of the poster reflects Pommery’s commitment to craftsmanship and excellence. The combination of Sieff’s artistic vision and Pommery’s status as a Champagne house of distinction created a piece that spoke to both the heritage of the brand and its contemporary allure. The use of photography in the poster is significant, as it highlights Sieff’s signature approach to capturing the human form and moments of intimacy. His skillful use of lighting, combined with the elegant portrayal of the Champagne bottle and glass, emphasizes the luxury and celebration inherent in the Pommery experience. The poster invites viewers to imagine themselves in a world of refinement and indulgence, mirroring the lavish experience of enjoying a glass of Pommery Champagne...

The 1968 original exhibition poster for the Xèmes Jeux Olympiques d'Hiver (10th Winter Olympic Games) in Grenoble stands as a significant work in the history of Olympic design. Creat...

In the world of art exhibitions, posters often serve as an iconic glimpse into the creative world of the artists involved. One such piece is the 1967 original exhibition poster desig...

The 1932 original lithograph by Géo Ham, titled Rallye Monte Carlo à la Hotchkiss victorieuse – Suède, is an exquisite depiction of a pivotal moment in automotive history, capturing ...

The 1988 original poster by Andy Warhol, created for the "Cars" series and prominently featuring the Mercedes-Benz Typ C 111 Versuchswagen, is a compelling piece that highlights the ...

The 1910 original poster by Henri Gray for the Exposition Universelle Internationale in Brussels, created for the Chemin de Fer du Nord, is an exquisite representation of early 20th-...

The circa 1950 original poster by Dietrich Bodman, "Visitez la Forêt Noire avec les trains du chemin de fer fédéral allemand," is a beautiful example of mid-century European travel a...

The 1908 original poster by B. Capelle, created to promote the Exposition Franco-Anglaise, is a remarkable artifact of early 20th-century European cultural diplomacy. This exposition...

The 1899 "Plan des Tramways de Paris" by Wuhrer is a fascinating snapshot of Paris's public transportation landscape at the dawn of the 20th century. This meticulously crafted map delineates the extensive network of tramway lines that crisscrossed the city, each route marked in detail to aid both residents and visitors in navigating the bustling metropolis. The Belle Époque, during which this map was produced, was a period of significant growth and modernization in Paris. The city's population was expanding rapidly, and with it came the need for a more efficient means of urban transport. Tramways emerged as a vital solution, connecting neighborhoods and making the city's many attractions more accessible. These electric trams were a symbol of technological progress, replacing the horse-drawn carriages of earlier years and setting the stage for the future of public transit...

The 1977 "Milwaukee MECCA MECCA" poster by Robert Indiana is a bold tribute to the unique floor design of the Milwaukee Exposition Convention Center Arena (MECCA). Robert Indiana, a ...

The "Grindelwald First" poster, crafted by Gyger & Klopfenstein in the 1950s, is a vivid representation of mid-20th-century Swiss tourism. Designed to attract visitors to the alpine ...

The "AOF l'Union Française" poster from circa 1950 is a striking piece of historical propaganda from the French colonial period. Created to promote the economic and industrial achiev...

This circa 1940 original advertising poster, "Voir Melican - Opticien," showcases the refined artistry and design sensibilities of mid-20th-century commercial advertising. Designed t...

This circa 1900 original poster, "Planisphère de Géographie Politique et Commerciale," is a fascinating artifact of early 20th-century cartography, created by H. Bouthillier de Beaum...

This circa 1950 original poster by Wootton is an evocative call to arms, inviting individuals to "Join the Royal Air Force Regiment." Wootton, known for his work in military and avia...

This circa 1940 original poster by renowned artist Paul Lengellé is a striking tribute to the French Naval Aviation, "L'aéronautique Navale." Lengellé, celebrated for his exceptional...

This stunning circa 1960 original travel poster by Hans Heinrich Schellenberg, titled "Valais – Suisse," beautifully captures the scenic allure of the Swiss region of Valais. Printed...

This original 1964 screen print by Earl Newman captures the vibrant and artistic essence of Sausalito, California. Known for his bold use of color and minimalist design, Newman's wor...

This original 1933 poster by the artist J. Pillod is a captivating piece of automotive history, advertising Castrol oil with the iconic Bugatti car as its centerpiece. The poster beautifully combines the elegance of the Bugatti with the reliability of Castrol, making it a standout example of early 20th-century automotive advertising. The composition features a streamlined Bugatti car, symbolizing speed and luxury, set against a dynamic backdrop that emphasizes movement and modernity. The use of bold colors and clean lines reflects the aesthetic of the time, with a focus on both functionality and style. The poster’s typography is striking yet balanced, ensuring that the message about Castrol oil's superior performance is clear and compelling. This poster is printed on high-quality paper, showcasing the artistic and technical prowess of J. Pillod. The poster remains a cherished piece for collectors of vintage automotive memorabilia and those interested in the golden age of motoring. This 1933 Castrol-Bugatti poster...

This original Art Deco lithograph from the 1930s captures the elegance and dynamism of tennis during the golden age of the sport. The artwork, crea...

"Have You Really Tried?" is an original 1944 poster by Harold Von Schmidt, created during World War II as part of the United States' domestic propaganda efforts. The poster encourage...

"Le Grand Jeu du Pigeon Voyageur," circa 1890, is a captivating example of late 19th-century French board games, reflecting both the era's fascination with pigeons and the popularity...

This 1950 original travel poster by Edmond Maurus, created for Air France, is a captivating representation of mid-century travel marketing, emphasizing the significance of religious ...

This poster is the 5th poster to promote the 1984 French Open tennis tournament (Roland Garros tournament), now called Roland Garros, which is one of the four Grand Slam tournaments....

This original 1958 poster by Jean Des Gachons, created for Messageries Maritimes, is a striking piece that encapsulates the grandeur and adventure of maritime travel in the mid-20th ...

This original exhibition poster from 1993 showcases the works of Pierre Soulages, one of the most renowned French painters of the 20th century, at the prestigious Galerie de France. ...

This original advertising poster, Old Nick: Martinique, L'île du Rhum, serves as a vibrant celebration of the rich heritage of rum production on the island of Martinique. The poster ...

The 1992 original poster by René Gruau for the Centre de l'Affiche exhibition is a striking example of Gruau's minimalist yet powerful style, showcasing his unparalleled ability to c...

The 1945 original poster by Bouchenaf for Vol à Voile Sport Sans Rival created for the Fédération Nationale des Sports Aériens is a testament to the post-war fascination with aviatio...

The 1919 original poster for Homunkulus, created by Hans Neumann, is a striking example of early 20th-century film advertising, capturing the spirit of the silent film era with bold ...

The 1953 exhibition poster for Sculptures Polychromes by Fernand Léger at Galerie Louis Carré stands as a testament to the artist’s vibrant foray into three-dimensional art. Renowned...

The Espagne Baléares travel poster, created circa 1950 by the artist Morell, captures the idyllic charm and allure of Spain’s Balearic Islands. This poster is part of a post-war peri...

The 1981 travel poster Champagne by the renowned artist Razzia captures the essence and allure of one of France’s most celebrated regions, Champagne. Known for its prestigious sparkl...

The A Londra con la Sabena travel poster, created by G. Vanden Heynde in 1951, serves as a captivating representation of mid-20th century air travel, promoting London as an enticing destination. This poster was part of Sabena’s marketing efforts to attract travelers to experience the convenience and excitement of flying to one of Europe’s most iconic cities. During the 1950s, international air travel was becoming more accessible, though it still retained an aura of luxury and adventure. Sabena, the national airline of Belgium, was at the forefront of this burgeoning industry, offering routes that connected major European cities. The slogan A Londra con la Sabena encapsulates the promise of a seamless and sophisticated travel experience, highlighting the airline's ability to transport passengers to the heart of the United Kingdom. London, as depicted in the promotional materials of the era, symbolized a blend of historical grandeur and modern vitality. Post-World War II, the city was undergoing significant reconstruction and revitalization, which made it an attractive destination for tourists and business travelers alike. Sabena’s campaign aimed to capture the imagination of those eager to explore London’s rich cultural heritage, iconic landmarks, and bustling urban life. Sabena’s promotional posters from this period often emphasized the comfort and efficiency of their services. By flying with Sabena, travelers were assured of a journey marked by high standards of hospitality and safety, which was an essential selling point in the early days of commercial aviation. The tagline A Londra con la Sabena directly appeals to the Italian-speaking market, indicating the airline’s effort to reach diverse audiences across Europe. The messaging of the poster aligns with Sabena’s broader branding strategy, which was to present air travel as not only a practical means of transportation but also an exciting and upscale experience. By associating the airline with a world-class city like London, Sabena positioned itself as a premium carrier that could offer both adventure and reliability. In the context of the 1950s, traveling to London would have been seen as an opportunity to engage with a city that was a global center of finance, culture, and politics. The allure of London’s theaters, museums, shopping districts, and historic sites would have been a significant draw for potential travelers. Sabena’s role was to make this journey possible, providing a bridge between the traveler’s home and the vibrant streets of London. G. Vanden Heynde’s involvement in creating the A Londra con la Sabena poster...

The À travers la belle Suisse: Ligne du Saint Gothard travel poster, created by Katharina Anderegg circa 1950, captures the breathtaking beauty of Switzerland's iconic landscapes and...

The 1972 original poster for Brose und Partner, Berlin, exemplifies the bold and innovative design trends of the early 1970s, reflecting the dynamic spirit of the era. As one of Berl...

The 1947 original poster designed by André Bermond for the "Fêtes de l'Amitié Franco-Suisse" in Menton is a striking representation of post-war European unity and celebration. This f...