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Concentrated
Located in New York, NY
Inspired by her love for nature, Griet Van Malderen (Belgium, 1970), a self-taught wildlife photographer from Flanders in Belgium, has been exploring Africa’s wild places for the pas...
Category
2010s Other Art Style Black and White Photography
Materials
Photographic Film, Archival Paper, Photographic Paper, Pigment, Archival...
Price Upon Request
Intimate
Located in New York, NY
Inspired by her love for nature, Griet Van Malderen (Belgium, 1970), a self-taught wildlife photographer from Flanders in Belgium, has been exploring Africa’s wild places for the pas...
Category
2010s Photorealist Black and White Photography
Materials
Photographic Film, Archival Paper, Photographic Paper, Photogram, Pigmen...
Price Upon Request
Zenitude
Located in New York, NY
Inspired by her love for nature, Griet Van Malderen (Belgium, 1970), a self-taught wildlife photographer from Flanders in Belgium, has been exploring Africa’s wild places for the pas...
Category
2010s Photorealist Black and White Photography
Materials
Photographic Film, Photographic Paper, Photogram, Pigment, Archival Pigment
Price Upon Request
On the Hunt
Located in New York, NY
Inspired by her love for nature, Griet Van Malderen (Belgium, 1970), a self-taught wildlife photographer from Flanders in Belgium, has been exploring Africa’s wild places for the pas...
Category
2010s Photorealist Black and White Photography
Materials
Photographic Film, Photographic Paper, Photogram, Pigment, Archival Pigment
Price Upon Request
Protector of Odin
Located in New York, NY
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...
Category
2010s Contemporary Black and White Photography
Materials
Photographic Film, Archival Ink, Archival Paper, Photographic Paper, Pho...
Price Upon Request
The Flower & The Willow
Located in New York, NY
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...
Category
2010s Contemporary Black and White Photography
Materials
Photographic Film, Archival Ink, Archival Paper, Photographic Paper, Pho...
Price Upon Request
My Body My Blood
Located in New York, NY
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...
Category
2010s Contemporary Black and White Photography
Materials
Photographic Film, Archival Ink, Archival Paper, Photographic Paper, Pho...
Kiss of my Kettlingr
Located in New York, NY
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...
Category
2010s Contemporary Black and White Photography
Materials
Photographic Film, Archival Ink, Archival Paper, Photographic Paper, Arc...
Price Upon Request
Ninos de la Calle 1
By Steve Schlackman
Located in New York, NY
Steve Schlackman is a lawyer by profession and a photographer by choice. Fascinated by the magical world of photography since his youth, he honed this...
Category
2010s Photorealist Black and White Photography
Materials
Archival Paper, Photographic Paper, Digital, Archival Pigment, Digital P...
Nina Linda
By Steve Schlackman
Located in New York, NY
Steve Schlackman is a lawyer by profession and a photographer by choice. Fascinated by the magical world of photography since his youth, he honed this...
Category
2010s Photorealist Black and White Photography
Materials
Archival Paper, Photographic Paper, Digital, Archival Pigment, Digital P...
No.7
Located in New York, NY
A fan of photography since her early childhood, Mizrakli graduated from Yeditepe University in Istanbul, Interior Decoration Department, and continued her higher education in London,...
Category
2010s Contemporary Black and White Photography
Materials
Photographic Film, Photographic Paper, Digital, Archival Pigment, Digita...
Scarface
Located in New York, NY
Inspired by her love for nature, Griet Van Malderen (Belgium, 1970), a self-taught wildlife photographer from Flanders in Belgium, has been exploring Africa’s wild places for the pas...
Category
2010s Contemporary Black and White Photography
Materials
Photographic Film, Photographic Paper, Pigment, Archival Pigment, Digita...
Price Upon Request
Plastic Beach
Located in New York, NY
A fan of photography since her early childhood, Mizrakli graduated from Yeditepe University in Istanbul, Interior Decoration Department, and continued her higher education in London,...
Category
2010s Surrealist Black and White Photography
Materials
Photographic Paper, Digital, Archival Pigment, Digital Pigment
Next Generation
Located in New York, NY
Inspired by her love for nature, Griet Van Malderen (Belgium, 1970), a self-taught wildlife photographer from Flanders in Belgium, has been exploring Africa’s wild places for the pas...
Category
2010s Photorealist Black and White Photography
Materials
Photographic Film, Photographic Paper, Archival Pigment, Pigment
Price Upon Request
NO.6
Located in New York, NY
A fan of photography since her early childhood, Mizrakli graduated from Yeditepe University in Istanbul, Interior Decoration Department, and continued her higher education in London,...
Category
2010s Contemporary Black and White Photography
Materials
Photographic Film, Photographic Paper, Digital, Archival Pigment, Digita...
Zebra Kili
Located in New York, NY
Inspired by her love for nature, Griet Van Malderen (Belgium, 1970), a self-taught wildlife photographer from Flanders in Belgium, has been exploring Africa’s wild places for the pas...
Category
2010s Contemporary Black and White Photography
Materials
Photographic Film, Archival Paper, Photographic Paper, Photogram, Pigmen...
Price Upon Request
Ninos de la Calle 4
By Steve Schlackman
Located in New York, NY
Steve Schlackman is a lawyer by profession and a photographer by choice. Fascinated by the magical world of photography since his youth, he honed this skill over time, meticulously p...
Category
2010s Photorealist Black and White Photography
Materials
Archival Paper, Photographic Paper, Digital, Photogram, Archival Pigment...
Gymnase en Vienne - Blois, France
Located in New York, NY
The work is available as Silver gelatin print, by the artist, made in the darkroom, from the original 35 mm black and white negative and in a total edition of 25.
Available in 4 siz...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Photographic Paper, Black and White, Silver Gelatin
Place du Chateau - Blois, France
Located in New York, NY
The work is available as Silver gelatin print, by the artist, made in the darkroom, from the original 35 mm black and white negative and in a total edition of 25.
Available in 4 siz...
Category
2010s Contemporary Black and White Photography
Materials
Photographic Paper, Black and White, Silver Gelatin
Place de le Gare - Tours, France
Located in New York, NY
Available in 3 sizes: 24 x 30 cm; 30 x 40 cm; 40 x 50 cm
JEAN-LUC OLEZAK
Jean-Luc Olezak is a French photographer of Polish decent. He has been working in photography for
30 years a...
Category
1990s Contemporary Black and White Photography
Materials
Photographic Paper, Black and White, Silver Gelatin
2000 - Tours, France
Located in New York, NY
The work is available as Silver gelatin print, by the artist, made in the darkroom, from the original 35 mm black and white negative and in a total edition of 25.
Available in 4 siz...
Category
Early 2000s Contemporary Black and White Photography
Materials
Photographic Paper, Black and White, Silver Gelatin
Métro - Paris, France
Located in New York, NY
The work is available as Silver gelatin print, by the artist, made in the darkroom, from the original 35 mm black and white negative and in a total edition of 25.
Available in 4 siz...
Category
Early 2000s Contemporary Black and White Photography
Materials
Photographic Paper, Black and White, Silver Gelatin
La mariée - Blois, France
Located in New York, NY
The work is available as Silver gelatin print, by the artist, made in the darkroom, from the original 35 mm black and white negative and in a total edition of 25.
Available in 4 siz...
Category
1980s Contemporary Black and White Photography
Materials
Photographic Paper, Black and White, Silver Gelatin
Le Trocadero Tour Eiffel - Paris, France
Located in New York, NY
The work is available as Silver gelatin print, by the artist, made in the darkroom, from the original 35 mm black and white negative and in a total edition of 25.
Available in 4 siz...
Category
2010s Contemporary Black and White Photography
Materials
Photographic Paper, Black and White, Silver Gelatin
NO. 7
By Melissa Mizrakli
Located in New York, NY
The photographs of the young Turkish artist Melissa Mizrakli focus on the human body, giving it a personal interpretation. In some of her black and white works she uses the human body only as a pictorial sign in order to create almost abstract works. First made anonymous, the female model is then cloned and circularly multiplied. The result is a kind of wheel in which the repeated human body gives birth to a new, seemingly vegetal or mineral structure. Thus, the human element seems to be transformed into different other natural species...
Category
2010s Contemporary Black and White Photography
Materials
Photographic Paper, Plexiglass, Archival Paper, Archival Pigment
Métro - Paris, France
Located in New York, NY
The work is available as Silver gelatin print, by the artist, made in the darkroom, from the original 35 mm black and white negative and in a total edition of 25.
Available in 4 siz...
Category
2010s Contemporary Black and White Photography
Materials
Photographic Paper, Black and White, Silver Gelatin
Bus - Paris, France
Located in New York, NY
The work is available as Silver gelatin print, by the artist, made in the darkroom, from the original 35 mm black and white negative and in a total edition of 25.
Available in 4 siz...
Category
2010s Contemporary Black and White Photography
Materials
Photographic Paper, Black and White, Silver Gelatin
Plastic Beach
By Melissa Mizrakli
Located in New York, NY
The photographs of the young Turkish artist Melissa Mizrakli focus on the human body, giving it a personal interpretation. In some of her black and white works she uses the human bod...
Category
2010s Contemporary Black and White Photography
Materials
Photographic Paper, Plexiglass, Archival Paper, Archival Pigment
Jardin des Prébendes - Tours, France
Located in New York, NY
The work is available as Silver gelatin print, by the artist, made in the darkroom, from the original 35 mm black and white negative and in a total edition of 25.
Available in 4 siz...
Category
Early 2000s Contemporary Black and White Photography
Materials
Photographic Paper, Black and White, Silver Gelatin
Chailles
Located in New York, NY
The work is available as Silver gelatin print, by the artist, made in the darkroom, from the original 35 mm black and white negative and in a total edition of 25.
Available in 4 siz...
Category
Early 2000s Contemporary Black and White Photography
Materials
Photographic Paper, Black and White, Silver Gelatin
Kertesz - Tours, France
Located in New York, NY
The work is available as Silver gelatin print, by the artist, made in the darkroom, from the original 35 mm black and white negative and in a total edition of 25.
Available in 4 siz...
Category
2010s Contemporary Black and White Photography
Materials
Photographic Paper, Black and White, Silver Gelatin
Bords de Loire - Tours, France
Located in New York, NY
The work is available as Silver gelatin print, by the artist, made in the darkroom, from the original 35 mm black and white negative and in a total edition of 25.
Available in 4 siz...
Category
2010s Contemporary Black and White Photography
Materials
Photographic Paper, Black and White, Silver Gelatin
Les Prébendes - Tours, France
Located in New York, NY
The work is available as Silver gelatin print, by the artist, made in the darkroom, from the original 35 mm black and white negative and in a total edition of 25.
Available in 4 siz...
Category
2010s Contemporary Black and White Photography
Materials
Photographic Paper, Black and White, Silver Gelatin
Vieux Tours rue de chateauneuf - Tours, France
Located in New York, NY
The work is available as Silver gelatin print, by the artist, made in the darkroom, from the original 35 mm black and white negative and in a total edition of 25.
Available in 4 siz...
Category
2010s Contemporary Black and White Photography
Materials
Photographic Paper, Black and White, Silver Gelatin
Le baiser - Dhuizon, France
Located in New York, NY
The work is available as Silver gelatin print, by the artist, made in the darkroom, from the original 35 mm black and white negative and in a total edition of 25.
Available in 4 siz...
Category
2010s Contemporary Black and White Photography
Materials
Photographic Paper, Black and White, Silver Gelatin
Les Quais - Paris, France
Located in New York, NY
The work is available as Silver gelatin print, by the artist, made in the darkroom, from the original 35 mm black and white negative and in a total edition of 25.
Available in 4 siz...
Category
1990s Contemporary Black and White Photography
Materials
Photographic Paper, Black and White, Silver Gelatin
Le Chateau Couple - Blois, France
Located in New York, NY
The work is available as Silver gelatin print, by the artist, made in the darkroom, from the original 35 mm black and white negative and in a total edition of 25.
Available in 4 siz...
Category
Early 2000s Contemporary Black and White Photography
Materials
Photographic Paper, Black and White, Silver Gelatin
Affiche - Blois, France
Located in New York, NY
The work is available as Silver gelatin print, by the artist, made in the darkroom, from the original 35 mm black and white negative and in a total edition of 25.
Available in 4 siz...
Category
Early 2000s Contemporary Black and White Photography
Materials
Photographic Paper, Black and White, Silver Gelatin, Photographic Film
Cafe Neruda
By Steve Schlackman
Located in New York, NY
This digital print is part of a limited edition set.
Steve Schlackman is a lawyer by profession and a photographer by choice. Fascinated by the magical world of photography since his youth, he honed this skill over time, meticulously pouring over all things photographic, technical and creative alike, with unstoppable enthusiasm. Steve’s passion for taking photographs was ignited early on, during a study-abroad trip to Paris, where he immersed himself in all things art historical. Diligence, a strong trait Schlackman is known for, paid off, and after daily meanderings at the Louvre, a great love for art emerged along with hundreds of photographs. These pictures proved to be early tributes to the urban landscape, and although they didn’t amount to full-on series, a seed was planted.
The omnipresent tension between the poor neighborhoods of the Cuban capital, as a result of political dictatorship, and the rich Afro-Cuban cultural roots of their inhabitants, whose wealth is represented by their music and feelings, is physically visible in Steve’s use of high contrast, a metaphoric touch on the subject of the light and darkness of the Afro-Cuban heritage. Although intentionally apolitical, the pictures speak volumes about the Cuban status quo and, appropriately, the eternal joy of living despite socio-political hardship.
Play, in and of itself a mode to survive the harsh reality, represents another subject Steve is keen on capturing. Whether it is adults playing dominoes...
Category
2010s Contemporary Black and White Photography
Materials
Black and White, Digital, Archival Paper, Archival Pigment
Todo Por La Revolucion
By Steve Schlackman
Located in New York, NY
This digital print is part of a limited edition set.
Steve Schlackman is a lawyer by profession and a photographer by choice. Fascinated by the magical world of photography since his youth, he honed this skill over time, meticulously pouring over all things photographic, technical and creative alike, with unstoppable enthusiasm. Steve’s passion for taking photographs was ignited early on, during a study-abroad trip to Paris, where he immersed himself in all things art historical. Diligence, a strong trait Schlackman is known for, paid off, and after daily meanderings at the Louvre, a great love for art emerged along with hundreds of photographs. These pictures proved to be early tributes to the urban landscape, and although they didn’t amount to full-on series, a seed was planted.
The omnipresent tension between the poor neighborhoods of the Cuban capital, as a result of political dictatorship, and the rich Afro-Cuban cultural roots of their inhabitants, whose wealth is represented by their music and feelings, is physically visible in Steve’s use of high contrast, a metaphoric touch on the subject of the light and darkness of the Afro-Cuban heritage. Although intentionally apolitical, the pictures speak volumes about the Cuban status quo and, appropriately, the eternal joy of living despite socio-political hardship.
Play, in and of itself a mode to survive the harsh reality, represents another subject Steve is keen on capturing. Whether it is adults playing dominoes...
Category
2010s Contemporary Black and White Photography
Materials
Black and White, Digital, Archival Paper, Archival Pigment
Balcon Con Vista
By Steve Schlackman
Located in New York, NY
This digital print is part of a limited edition set.
Steve Schlackman is a lawyer by profession and a photographer by choice. Fascinated by the magical world of photography since his youth, he honed this skill over time, meticulously pouring over all things photographic, technical and creative alike, with unstoppable enthusiasm. Steve’s passion for taking photographs was ignited early on, during a study-abroad trip to Paris, where he immersed himself in all things art historical. Diligence, a strong trait Schlackman is known for, paid off, and after daily meanderings at the Louvre, a great love for art emerged along with hundreds of photographs. These pictures proved to be early tributes to the urban landscape, and although they didn’t amount to full-on series, a seed was planted.
The omnipresent tension between the poor neighborhoods of the Cuban capital, as a result of political dictatorship, and the rich Afro-Cuban cultural roots of their inhabitants, whose wealth is represented by their music and feelings, is physically visible in Steve’s use of high contrast, a metaphoric touch on the subject of the light and darkness of the Afro-Cuban heritage. Although intentionally apolitical, the pictures speak volumes about the Cuban status quo and, appropriately, the eternal joy of living despite socio-political hardship.
Play, in and of itself a mode to survive the harsh reality, represents another subject Steve is keen on capturing. Whether it is adults playing dominoes...
Category
2010s Contemporary Black and White Photography
Materials
Black and White, Digital, Archival Paper, Photographic Paper, Archival P...
LE JARDIN
By Reka Nyari
Located in New York, NY
Print is also available in a Medium size : 40'' x 56'' and is priced at : $14,000. It is a black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame.
The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”.
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story.
Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”.
This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works.
In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.”
As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”.
————————————————————————————————————————————
Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic...
Category
2010s Contemporary Black and White Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Black and White, Archi...
Price Upon Request
DANDELION
By Reka Nyari
Located in New York, NY
Print is also available in a Large size: 63'' x 50'' and is priced at: $16,000. A black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame.
The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”.
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story.
Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”.
This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works.
In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.”
As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”.
————————————————————————————————————————————
Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic...
Category
2010s Contemporary Black and White Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Black and White, Pigme...
Price Upon Request
VENATION
By Reka Nyari
Located in New York, NY
Print is also available in a large size: 63'' x 50'' and is priced at: $16,000 Each work is a one-of-a-kind, unique piece that is hand punctured. The work also comes with a black floating frame.
The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”.
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story.
Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”.
This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works.
In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.”
As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”.
————————————————————————————————————————————
Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic...
Category
2010s Contemporary Black and White Photography
Materials
Pigment, Pigment, Archival Pigment, Digital Pigment, Plexiglass, Archiva...
Price Upon Request
PATRONNE
By Reka Nyari
Located in New York, NY
Print is also available in Medium size: 50'' x 40'' and is priced at $13,000. A black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame.
The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”.
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story.
Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”.
This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works.
In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.”
As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”.
————————————————————————————————————————————
Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic...
Category
2010s Contemporary Black and White Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Black and White, Paper...
Price Upon Request
FLEURS SAUVAGES
By Reka Nyari
Located in New York, NY
Print is also available in a small size : 50'' x 40'' and is priced at : $13,000. Each work is a one of a kind, unique piece that is hand punctured. The work also comes with a black floating frame.
The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”.
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story.
Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”.
This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works.
In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.”
As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”.
————————————————————————————————————————————
Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic...
Category
2010s Contemporary Black and White Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Black and White, Adhes...
Price Upon Request
EFFECT PAPILLON
By Reka Nyari
Located in New York, NY
Print is framed and total size is 50 x 40. The work is framed in a a black floating frame with conservation acrylic.
Print is also available in a large size : 63'' x 50'' and is priced at : $16,000 Each work is a one of a kind, unique piece that is hand punctured. The work also comes with a black floating frame.
The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”.
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story.
Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”.
This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works.
In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.”
As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”.
————————————————————————————————————————————
Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic...
Category
2010s Contemporary Black and White Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Black and White, Digit...
Price Upon Request
Shaped by the Wind
By Jean- Michel Lenoir
Located in New York, NY
SHAPED BY THE WIND
30" X 42" Ed. of 10, Unframed
we can frame it in a white wood shadow box. The frame price is 400$.
Available in size 42 x 60" Framed Ed. of 10. $6,800
A resolu...
Category
2010s Naturalistic Landscape Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Digi...
L'ARTISTE
By Reka Nyari
Located in New York, NY
Print is also available in a large size : 50'' x 40'' and is priced at : $13,000. A black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame.
The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”.
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story.
Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”.
This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works.
In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.”
As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”.
————————————————————————————————————————————
Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic Photography...
Category
2010s Contemporary Black and White Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Black and White, Plexi...
Price Upon Request
PHANTASMA
By Reka Nyari
Located in New York, NY
Print is also available in a large size : 56'' x 74'' and is priced at : $19,000. A black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame.
The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”.
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story.
Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”.
This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works.
In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.”
As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”.
————————————————————————————————————————————
Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic Photography...
Category
2010s Contemporary Black and White Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Black and White, Plexi...
Price Upon Request
LUNE DE SANG
By Reka Nyari
Located in New York, NY
Print is also available in a large size : 63'' x 50'' and is priced at : $16,000. A black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame.
The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”.
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story.
Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”.
This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works.
In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.”
As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”.
————————————————————————————————————————————
Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic Photography...
Category
2010s Contemporary Black and White Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Black and White, Plexi...
Price Upon Request
ROUTES
By Reka Nyari
Located in New York, NY
Print is also available in a small size : 50'' x 40'' and is priced at : $13,000. A black and white photographic print, with uniquely handmade puncture designs by the artist, set in ...
Category
2010s Contemporary Black and White Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Black and White, Plexi...
Price Upon Request
BELOVED
By Reka Nyari
Located in New York, NY
Print is also available in a large size : 63'' x 50'' and is priced at : $16,000 Each work is a one of a kind, unique piece that is hand punctured. The work also comes with a black f...
Category
2010s Contemporary Black and White Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Black and White, Plexi...
Price Upon Request
SORCIER
By Reka Nyari
Located in New York, NY
A black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame.
Print is also available in large size: 63'' x 50'' and i...
Category
2010s Contemporary Black and White Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Black and White, Plexi...
Price Upon Request
Regret
By Drew Tal
Located in New York, NY
Portrait photography
Drew Tal's work combines photography with digital media to render highly stylized and realistic figurative imagery.
Focusing on faces and dramatic close-up po...
Category
2010s Contemporary Portrait Photography
Materials
Plexiglass, Photographic Paper, Black and White, Varnish
Price Upon Request
Slight Fragments #11
Located in New York, NY
All artworks are Fine Art archival prints on handmade Ise-Washi paper, from the color Analog negative
made with a lensless pinhole camera.
The proposed framing is a float mount in a deep shadow box frame, where the artwork is hinged
inside the frame, for the 2 larger sizes, and matted with an 8 ply museum board for the 2 smaller
sizes. We propose a white mat frame or a natural wood frame.
Japanese photographer Reiko Yagi...
Category
2010s Naturalistic Black and White Photography
Materials
Handmade Paper, Washi Paper, Color, Pinhole
