Galerie Prints Portrait Photography

Hotel Sports Holidaymakers water-skiing in front of the Carlton Hotel, Cannes. Paper size 30 x 20" inches / 76 x 51 cm Estate Stamped Collection Edition to 150 Photo by Slim...

'Pool At El Venerol' 1967 Slim Aarons Limited Edition Estate Stamped Print Guests by the pool at 'El Venerol', the villa of Hector and Chico de Ayala, Marbella, Spain, August 1967....

Speedboat Landing A Magnum motorboat belonging to Count Filippo Theodoli arrives at the private jetty of the Il Pellicano Hotel in Porto Ercole, Italy. Paper size 30 x 20" inches ...

Speedboat Landing A Magnum motorboat belonging to Count Filippo Theodoli arrives at the private jetty of the Il Pellicano Hotel in Porto Ercole, Italy. Paper size 30 x 20" inches ...

Speedboat Landing A Magnum motorboat belonging to Count Filippo Theodoli arrives at the private jetty of the Il Pellicano Hotel in Porto Ercole, Italy. Paper size 30 x 20" inches ...

'Jimi Hendrix' SIGNED, LIMITED EDITION 1967 by Gered Mankowitz Portrait of Jimi Hendrix. Photograph by Gered Mankowitz of Jimi Hendrix at Mason’s Yard, London 1967. Blue smoke. ...

'Marianne Faithfull' SIGNED, LIMITED EDITION Portrait of Marianne Faithfull. Photograph by Gered Mankowitz of Marianne Faithfull recording at Decca Studios in London in 1964. A...

'Paul McCartney' SIGNED, LIMITED EDITION Portrait of Paul McCartney. Paul McCartney Pinstripe Colour Tryptych, by Gerard Mankowitz, London 1967. All Prints are Signed and Limite...

'Kate Bush' SIGNED, LIMITED EDITION Portrait of Kate Bush. Photograph of Kate Bush in red dess, by Gered Mankowitz, London 1979. All Prints are Signed and Limited Edition Prin...

'Eurythmics' SIGNED, LIMITED EDITION 1981 by Gered Mankowitz Portrait of The Eurythmics. Photograph by Gered Mankowitz, Eurythmics, London 1981. All Prints are Signed and Limit...

Princess Ruspoli Princess Lucy Ruspoli stands in front of a colourful wall of old skis in Lech am Arlberg, Austria, February 1979. Paper size 40 x 30" inch...

'Eurythmics' SIGNED, LIMITED EDITION 1978 by Gered Mankowitz Portrait of Generation X. Photograph by Gered Mankowitz, Generation X, London 1978. All Prints are Signed and Limit...

'Jimi Hendrix' SIGNED, LIMITED EDITION 1967 by Gered Mankowitz Portrait of Jimi Hendrix. Photograph by Gered Mankowitz of Jimi Hendrix, London 1967. All Prints are Signed and L...

'Kate Bush' SIGNED, LIMITED EDITION Portrait of Kate Bush. Photographer Gered Mankowitz recalls,’…..the back cover series of portraits that I shot for Lionheart in August 1978. I art directed the album cover and my assistant at the time, Richard Grey...

'Marianne Faithfull' SIGNED, LIMITED EDITION Portrait of Marianne Faithfull. Photograph by Gered Mankowitz of Marianne Faithfull recording at Decca Studios in London in 1964. Al...

'Marianne Faithfull' SIGNED, LIMITED EDITION Portrait of Marianne Faithfull. Photograph by Gered Mankowitz of Marianne Faithfull, London in 1965. All Prints are Signed and Limi...

'Eurythmics' SIGNED, LIMITED EDITION 1986 by Gered Mankowitz Portrait of Eurythmics. Photograph by Gered Mankowitz, Eurythmics, Revenge album cover, Paris 1986. All Prints a...

'Jimi Hendrix' SIGNED, LIMITED EDITION 1967 by Gered Mankowitz Portrait of Jimi Hendrix. Photograph by Gered Mankowitz of Jimi Hendrix, London 1967. More smoke. All Prints are...

'Kate Bush' SIGNED, LIMITED EDITION Portrait of Kate Bush. Photograph of Kate Bush, by Gered Mankowitz, London 1978. All Prints are Signed and Limited Edition Printed later 20...

'Kate Bush' SIGNED, LIMITED EDITION Portrait of Kate Bush. Gered Mankowitz Photograph of Kate Bush for Lionheart, 1978. All Prints are Signed and Limited Edition Printed later ...

Slim Aarons Estate Print - Roquebrune-Cap-Martin - Oversize A view from a hillside in Roquebrune-Cap-Martin, southeastern France, looking toward Monaco, August 1970. (Photo by Slim...

Porto Ercole A Magnum motorboat belonging to Count Filippo Theodoli arrives at the private jetty of the Il Pellicano Hotel in Porto Ercole, Italy, August 1973. Paper size 60 x 40"...

Mazatlan Mansion Eldorado, the Redo family villa in Mazatlan, Mexico, January 1984. Paper size 24 x 20" inches / 61 x 51 cm Estate Stamped Collection Edition to 150 Photo by S...

Billy Bob Thornton 2001 Signed Limited Edition By Kevin Westenberg Archival Pigment Print, Signed Limited Edition Print size 24 x 30 inches / 61 x 76 cm signed numbered edition s...

Billy Bob Thornton 2001 Signed Limited Edition By Kevin Westenberg Archival Pigment Print, Signed Limited Edition Print size 24 x 30 inches / 61 x 76 cm signed numbered edition s...

Pete Doherty, by Kevin Westenberg, 2008 Archival Pigment Print, Signed Limited Edition Print size 152 x 101 cm signed numbered edition size 3 only th...

Slim Aarons Estate Print - Junior Skier (New England Skiing) - Oversize A freckled member of the Junior Skiing Program in North Conway, New Hampshire, 1955. (Photo by Slim Aarons) ...

Checkered Flag The checkered flag signals the end of the race during the 1963 Nassau Speed Week. Paper size 30 x 20" inches / 76 x 51 cm Estate St...

Winter Suntans Young women enjoy a relaxing sunbathe in snowy Gstaad. Paper size 40 x 30" inches / 101 x 76 cm Estate Stamped Collection Edition to 150 Photo by Slim Aarons ...

Plantation Cocoyer People relaxing in the bar at Plantation Cocoyer, Cocoyer Beach, Haiti, February 1981. Paper size 16 x 12" inches / 40 x 30 cm Estate Stamped Collection Editi...

Oberon's Lunch Film star Merle Oberon (1911 – 1979) and lunch guests at her villa, La Consentida, Acapulco. The star is second from the right facing the camera. Circa 1966. Pape...

Slim Aarons Estate Print - Pool On Amalfi Coast - Oversize A view of the seaside pool at the Hotel St. Caterina, Amalfi, Italy, September 1984. (Photo by Slim Aarons) Chromogenic...

Slim Aarons Estate Print - Hotel du Cap Eden-Roc - Oversize Guests by the pool at the Hotel du Cap Eden-Roc, Antibes, France, August 1976. (Photo by Slim Aarons) Chromogenic pri...

Slim Aarons Estate Print - Squaw Valley Snow - Oversize Snow covers the deserted cafe in Squaw Valley, California, January 1961. (Photo by Slim Aarons) Chromogenic print paper size 30 x 20" inches / 76 x 51 cm unframed printed later edition size 150 only certificate of authenticity supplied numbered in ink & blind embossed stamped Slim Aarons signature on front Authorised and issued by the Slim Aarons Archive & Estate c/o The Getty Archive London England and produced utilizing the original transparency. winter snow snowy cafe restaurant dining chair...

Slim Aarons Estate Print - Pool At Las Brisas - Oversize Guests in the pool at the Las Brisas Hotel, Acapulco, Mexico, February 1972. (Photo by Slim Aarons) Chromogenic print pa...

Slim Aarons Estate Print - Palm Bay Club - Oversize A young woman at the Palm Bay Club, Miami, Florida, USA, circa 1965. (Photo by Slim Aarons) silver gelatin print paper size 40...

Underwater Drink A woman drinking from a coconut underwater in the pool at Las Brisas Hotel in Acapulco, Mexico, February 1972. Paper size 30 x 20" inches / 76 x 51 cm Estate St...

Speedboat Landing A Magnum motorboat belonging to Count Filippo Theodoli arrives at the private jetty of the Il Pellicano Hotel in Porto Ercole, Italy. Paper size 60 x 40" inches ...

Catherine Wilke Catherine Wilke joins the topless sunbathers on the island of Capri. Paper size 16 x12" inches / 40 x 30 cm Estate Stamped Collection Edition to 150 Photo by ...

Speedboat Landing A Magnum motorboat belonging to Count Filippo Theodoli arrives at the private jetty of the Il Pellicano Hotel in Porto Ercole, Italy. Paper size 60 x 40" inches ...

Catherine Wilke Catherine Wilke joins the topless sunbathers on the island of Capri. Paper size 30 x20" inches / 76 x 51 cm Estate Stamped Collection Edition to 150 Photo by S...

Portrait of Pink Floyd's David Gilmour 2015 by Kevin Westenberg Archival Fine Art pigment print - signed, limited edition of 8 only. DAVID GILMOUR. LO...

'Naughty But Nice' by Christopher Simon Sykes The impossibly cool, Keith Richards during the Rolling Stones' 1975 Tour of the Americas. The fas...

Portrait of Pink Floyd's David Gilmour 2015 by Kevin Westenberg Archival Fine Art pigment print - signed, limited edition of 8 only. 2/8 DAVID GILMOUR...

Sophia Loren - Venice 1955 Oversize Archival Pigment Print Absolutely Exquisite large 20 x 20" inches / 51 x 51 cm paper size print. Unframed. Produced on authentic Hahnemühle pho...

The Beatles 1963 Abbey Road Studios London England. The first major group portrait of the Beatles was taken by Terry O’Neill during the recording of their first hit single and album...

Sophia Loren - Venice 1955 Oversize Archival Pigment Print Absolutely Exquisite HUGE 40 x 40" inches / 101 x 101 cm paper size print. Unframed. Produced on authentic Hahnemühle p...

'Kate Bush Drama' SIGNED, LIMITED EDITION 1978 by Gered Mankowitz Silver gelatin print - signed and numbered and stamped on the face of the print in the border below the image. Iconic and luscious close up shot of the legendary British pop singer, song writer and performer Kate Bush. Taken in London in 1978 at the height of her fame and success, by legendary Rock & Music photographer, Gered Mankowitz. GERED MANKOWITZ BIOGRAPHY: Gered Mankowitz was born in London, England, on 3rd August 1946. The first of four sons of the late author, playwright and film writer Wolf Mankowitz and his wife, the Jungian psychotherapist Ann Mankowitz. After an education of sorts at several London co-educational “progressive” schools, he left at 15, avoiding all exams and completed his education devoid of any formal qualifications. Having displayed a natural ‘eye’ for photography whilst on a school trip to Holland and having been inspired to take up photography by the actor Peter Sellers, his photographs were seen by the legendary photographer Tom Blau, who offered Gered an apprenticeship at his famous photo agency, Camera Press Ltd., in London. Over a period of several months Gered worked in all the various departments that made up Camera Press, finally moving to the studio and going on various assignments in and around London. In 1962, Gered went to Barbados with his family and began taking photographs professionally, producing a range of work from architectural studies for the island’s top architect to the first Boeing 707 landing at Bridgetown airport for British West Indian Airways. On returning to London, Gered was offered a chance to go to Paris for the collections, working for the fashion photographer Alec Murray. In spite of the glamour and exciting atmosphere, it was clear that this particular area of work was not for him, and on returning to London he went to work for the ‘show-biz’ portraitist, Jeff Vickers. Gered had already photographed the Bristol Old Vic production of the American musical play “Fiorello” and his photos had been used for the front of theatre display when the show transferred to London’s Piccadilly Theatre. This made him the youngest photographer to have his pictures used in this way; so working for Jeff Vickers gave him an opportunity to develop his ‘show-biz’ contacts and to broaden his experience in the studio, taking portraits of many actors and other personalities. During 1963, Gered met and photographed the singing duo Chad and Jeremy, who had just signed with Ember records. One of these photos was used as the cover of the duo’s first album, “Yesterday’s Gone”, and Gered found himself working in the music industry at a time when it desperately needed new, mould breaking images. He began to work with a new generation of producers like John Barry, Shel Talmy and Chris Blackwell photographing artists who were of his own age group and who felt at ease with him in a way that had not been possible with other photographers. At the end of 1963 Gered opened his first studio, at 9 Masons Yard in the heart of London’s West End. On one side was the infamous disco “The Scotch of St.James”, hangout of the pop glitterati of the time, and on the other the art gallery “Indica”, partly financed by The Beatles and where John Lennon met Yoko Ono. Within a few months Gered had already begun to make a name for himself, and he was approached to photograph Marianne Faithful, who had just had a big hit with “As Tears Go By”. Working closely with Marianne he got to know her manager and producer Andrew Loog Oldham. In early 1965, Oldham asked him to photograph the Rolling Stones, who he also managed and produced. This was a major turning point in Gered’s career, because from this first session came the cover for “Out of Our Heads” (U.S. title “December’s Children”), and as a result he was asked by the Stones to go to America with them on their record breaking 1965 autumn tour. During this 9 week (48 city) tour of the U.S. Gered photographed the Stones on stage and off, and got particularly close to Keith and Charlie. There were many adventures as Gered found himself on the road with the greatest Rock band in the world at the peak of their original success. Gered continued working with the Stones as their ‘official’ photographer, producing photos for albums (“Between the Buttons”; “Got Live If You Want It”; “Big Hits”; and several others), press and publicity, taken at home, in the recording studio, on stage and behind the scenes until 1967, when the band broke off with their manager, Oldham. Through the 60’s, Gered continued in the music world working with Oldham at his famous Immediate label, and with many other major artists including Jimi Hendrix, Free, Traffic, The Yardbirds, The Small Faces and Soft Machine. In to the 70’s with Slade, Gary Glitter, Suzi Quatro, Sweet, Elton John, Kate Bush, Eurythmics, ABC, Duran Duran and many others. During this period, Gered also worked in other areas of photography, including advertising, book covers and a brief spell taking ‘stills’ on movies, including several months in Sardinia with Elizabeth Taylor and Richard Burton on the ill-fated movie “Boom”. In 1982 Gered had a major exhibition of his work at London’s famous Photographers’ Gallery. This was seen by over 16,000 people, a record for the gallery at the time, and it then toured the U.K. for over 2 years. This exhibition was the first in the U.K. to focus on the world of music and was a pathfinder in this genre. In 1984 a book based on this exhibition, called “Hit Parade”, was published in the U.K. and U.S.A. Also in 1984 a book of Gered’s Rolling Stones photographs, called “Satisfaction”, was published. Both books were very well received, and as a result there began the growing interest in the Gered Mankowitz archive. For over 22 years Gered was based at his North London studio, a converted Victorian chapel, taking prize-winning photos for the advertising industry. He has also been a regular contributor to several major publications, and still works in the music business, photographing bands and singers for album covers and magazines. He contributes regularly to The Sunday Times Magazine and Mojo magazine as well as shooting sessions with musical artists such as Oasis, Verve, Catatonia, Kula Shaker, Embrace, The Buena Vista Social Club, Snow patrol, The Bravery, Dukes Spirit as well as many others. Prints of Gered’s work are purchased in galleries throughout the World including London, Manchester, Glasgow, Berlin, Amsterdam, New York, Washington DC, Los Angeles, San Francisco, Hawaii, Hong Kong, Dubai and Tokyo. In 1991 Gered teamed up with the designer David Costa to form Ink Icon Ltd. and to produce a series of limited edition silkscreen prints based on his archive. The first subject in this major project was Jimi Hendrix, and the result was so successful that it was chosen to become the flagship image for the world wide Jimi Hendrix Exhibition. It was also used as the cover for the Polygram Int. C.D. package, entitled The Ultimate Experience, which has gone on to sell well over 2 million copies. In 1993 they created three new images of Hendrix for the worldwide re-release of the great musicians’ albums. Their next project was to produce a set of 4 silk screen images for The Rolling Stones’ Voodoo Lounge tour, and in 1999 they produced Red Cage, a new Stones silk screen to celebrate the band’s continuing Bridges to Babylon tour. Ink Icon teamed up with top California based fine art publisher FrontLine Graphics Inc to produce a set of 6 limited edition, fine art litho prints that they launched in New York at ArtExpo in March 2000. In September and November 1992 Gered had a great success with his exhibition called ENTERTAINERS at the Cromwell and Ward Gallery in Dean Street, London, and in May and June 1993 the exhibition was at the City Museum in Portsmouth as part of the City’s Arts and Music Festival. In April 1994 the exhibition was enlarged to over 100 images for a four-week stay at the prestigious Gallerie Rose in Hamburg, Germany’s Rock’n’Roll city, and then on to Birmingham and Perpignan. In March 1995 Genesis Books published a limited edition (1750 copies only) book of Gered’s Rolling Stones photographs entitled Masons Yard To Primrose Hill and in July 1995 there was an exhibition based on the book at The Govinda Gallery in Washington DC. This book sold out within a few months and recently copies were changing hands for 850 GBP, over 7 times its original price! In early 1999 Genesis published a further book called I-Contact, which contains Gered’s entire black & white Rolling Stones archive of over 3000 images reproduced as 12 x 16 contact sheets. I-Contact also sold out very quickly and currently you would be lucky to find a used copy for less than 1000 GBP! In November 1998 there was a second one-man exhibit at Govinda in Washington DC, and in December/January 1999 there was a show at Magidson Fine Arts in Madison Avenue, New York City. During this prestigious show the gallery was visited by Tommy Hilfiger who purchased prints of the entire show, becoming in one purchase, Gered’s single biggest collector in the United States. Subsequently Tommy has used many of Gered’s prints to decorate his flagship stores, as well as his personal offices in New York. Gered’s famous photo of Hendrix also graced the cover of the Hilfiger sponsored Vanity Fair Rock Icons supplement in their December 1999 issue. Gered had several images in the Icons of Pop exhibition originally at The National Portrait Gallery in London. In March 1999 Gered went to Tokyo to open his first show in Japan, which then toured to three other Japanese cities. From February 2000 several of Gered’s works are on permanent exhibit in San Francisco at the San Francisco Art Exchange, where they have become some of the galleries most consistent sellers. At the end of 2000 Gered had his first major show in The Netherlands at the highly respected Torch Gallery, and in July/August 2001 over 35 prints of his work from the 60’s were seen in Lucerne, Switzerland as part of an International Blues Festival. In December 2001/January 2002 Gered teamed up with the legendary Beatles photographer Robert Freeman and presented a 64 image show in Hong Kong which was a huge success and went on to the Tres Hombres Gallery at the Hotel Tylosand in Halmstad, near Stockholm, Sweden for the whole of Summer 2002. The show was then exhibited in San Francisco in December 2002 through until the end of January 2003. This extraordinary collection that captures the 60’s so brilliantly continued to tour throughout 2004/5. From May 31st 2002 Gered participated in a major exhibition of photographs of Jimi Hendrix at the Audi Forum in Piccadilly Central London, which he also helped to curate and his images of Jimi were used within one of the first interactive television commercials produced for the Audi TT at the same time. Gered published a new book of his Rolling Stones photographs in September 2002 with Vision On Publishers which was launched with an all new Rolling Stones exhibit at the Proud Camden Gallery. This same show was then presented in Hamburg as part of Universal Music’s launch of the re-issued Rolling Stones catalogue of CD’s. With the sponsorship of HP this exhibition toured the UK and was also shown in galleries in Paris and Milan during the latter part of 2004. In June of 2003 together with his partner David Costa, Gered launched a Jimi Hendrix limited edition Fender Stratocaster guitar...

David Bowie, Aladdin Eyes Open, 1973 by Brian Duffy. This photograph was taken during the photo shoot for the album cover for Aladdin Sane, January 1973, London. This is an exquisite FRAMED* Archival Pigment print. *Note delivery includes secure art crating & shipping. Framed in black wood with glass and matt Stamped by The Duffy Archive, UK. Supplied with certificate of authenticity. Gorgeous print measuring 115 x 115 x 3 cm (framed). The image area is 95 x 95 cm. Produced utilising the original contact sheet. We ship regularly using Fedex Express services and ship to all international locations. About these images : “It wasn’t until we saw the contact sheets the next day I remember thinking, God this is spectacular. You just knew you had cracked it, boy, did you know it.” Celia Philo DAVID BOWIE: FIVE SESSIONS PHOTOGRAPHS BY DUFFY Brian Duffy photographed David Bowie over five sessions between August 1972 and April 1980, and made the iconic Aladdin Sane album cover image. January 1973–Session two–Aladdin Sane. It has been called ‘The Mona Lisa of Pop’. Who could have imagined that the moment he clicked the shutter on the Hasselblad in early 1973 that one of those images would become known as a cultural icon? – Chris Duffy Some background to the shoot. The background stories to the Aladdin Sane shoot are told in rich detail in the book Bowie Duffy – Five Sessions. In particular it is a delight to read Duffy’s (a self confessed Marxist anarchist) analysis and compare that with the measured tone of Tony Defries. If you don’t have a copy of the book, here’s a flavour of their respective views – which amount to much the same thing – just expressed in different ways. First up, Tony Defries: “I was looking for an iconic cover image and artwork that would help me to persuade RCA that Bowie was sufficiently important to warrant megastar treatment and funding in order to propel him to exactly that status. Engaging a master, world-class photographer to shoot the project /brand and to design the artwork was the best way to send that message. Brian had the ability to make the mundane image interesting and the interesting image fascinating.” Then Duffy: “Tony wanted to make the most expensive cover he could possibly get a record company to pay for, because he realised that if it cost fifty quid, well, so what – but if it cost £5,000 the record company were now having to pay attention. He said “Can you make it expensive?“and I said “No problem old love.” I proposed– One: A Dye-transfer. A genius method of being able to spend the most amount of money to get a reproduction from a colour transparency onto a piece of paper. Two: Get the plates made, where? Switzerland. Then employ me to design it and create it – even better and more wasteful.” The Aladdin Sane session was a real team effort. The location was Duffy’s studio at 151a King Henry’s Road in Primrose Hill, London, which had been the setting for the Ziggy Stardust session the previous August. Duffy had agreed with Tony Defries that his design agency, Duffy Design Concepts, which he ran with Celia Philo, would design the sleeve. Present in Primrose Hill on that January day in 1973 were Duffy, David Bowie, Celia Philo, Tony Defries, French make-up artist Pierre Laroche, and Duffy’s studio manager Francis Newman, who also acted as his assistant that day. Follow-up work on the detailed airbrushing required to create the final artwork was carried out by Philip Castle. What about that lightning bolt flash and the liquid pool? The idea for the lightning bolt came from David Bowie. The realisation of that lighting bolt into the form that appeared on the sleeve was down to Duffy. Its source is believed to be a rice cooker that was in Duffy’s studio – and which had a small logo with a red and blue flash. Francis Newman remembers, “Pierre stared to apply this tiny little flash on his face and when Duffy saw that he said, “No, not like that, like this” and literally drew it right across his face and said to Pierre, “Now, fill that in.”” The red colour was lipstick. Adding the pool of liquid to the collarbone was Duffy’s idea, and this was brilliantly airbrushed in as part of the post-production work by Philip Castle. David Bowie explained the background to Rolling Stone magazine, that it was a “Lightning bolt. An electric kind of thing. Instead of, like, the flame of a lamp, I thought he would probably be cracked by lightning. Sort of an obvious-type thing, as he was sort of an electric boy. But the teardrop was Brian Duffy’s. He put that on afterward, just popped it in there. I thought it was rather sweet.” DAVID BOWIE David Robert Jones (8 January 1947 – 10 January 2016), known professionally as David Bowie (/ˈboʊi/ BOH-ee),[2] was an English singer-songwriter and actor. He was a leading figure in the music industry and is considered one of the most influential musicians of the 20th century, acclaimed by critics and musicians, particularly for his innovative work during the 1970s. His career was marked by reinvention and visual presentation, with his music and stagecraft having a significant impact on popular music. During his lifetime, his record sales, estimated at 140 million albums worldwide, made him one of the world's best-selling music artists. In the UK, he was awarded ten platinum album certifications, eleven gold and eight silver, and released eleven number-one albums. In the US, he received five platinum and nine gold certifications. He was inducted into the Rock and Roll Hall of Fame in 1996. Born in Brixton, South London, Bowie developed an interest in music as a child, eventually studying art, music and design before embarking on a professional career as a musician in 1963. "Space Oddity" became his first top-five entry on the UK Singles Chart after its release in July 1969. After a period of experimentation, he re-emerged in 1972 during the glam rock era with his flamboyant and androgynous alter ego Ziggy Stardust. The character was spearheaded by the success of his single "Starman" and album The Rise and Fall of Ziggy Stardust and the Spiders from Mars, which won him widespread popularity. In 1975, Bowie's style shifted radically towards a sound he characterised as "plastic soul", initially alienating many of his UK devotees but garnering him his first major US crossover success with the number-one single "Fame" and the album Young Americans. In 1976, Bowie starred in the cult film The Man Who Fell to Earth, directed by Nicolas Roeg, and released Station to Station. The following year, he further confounded musical expectations with the electronic-inflected album Low (1977), the first of three collaborations with Brian Eno that came to be known as the "Berlin Trilogy". "Heroes" (1977) and Lodger (1979) followed; each album reached the UK top five and received lasting critical praise. After uneven commercial success in the late 1970s, Bowie had UK number ones with the 1980 single "Ashes to Ashes", its parent album Scary Monsters (and Super Creeps), and "Under Pressure", a 1981 collaboration with Queen. He reached his commercial peak in 1983 with Let's Dance; the album's title track topped both UK and US charts. Throughout the 1990s and 2000s, Bowie continued to experiment with musical styles, including industrial and jungle. He also continued acting; his roles included Major Jack Celliers in Merry Christmas, Mr. Lawrence (1983), Jareth the Goblin King in Labyrinth (1986), Pontius Pilate in The Last Temptation of Christ (1988), and Nikola Tesla...

'Private Dancer' Brigitte Bardot 1961 by Giancarlo Botti Wonderfully intimate shot of the French sex symbol and icon, Brigitte Bardot, on set of the film 'A Very Private Affair' w...

Hepburn With Dove A contemplative Audrey Hepburn with a dove perched on her shoulder, 1966. Printed Later. Limited to 50 only this size* and signed by Terry O'Neill - this is a coll...

Dean Martin Backstage American actor and singer Dean Martin (1917 – 1995) preparing to go on stage at a Las Vegas nightclub, 1971. Limited to 50 only this size* and signed by Terry ...

Capote At Home Author Truman Capote (1924 – 1984) relaxes with a book and a cigarette in his cluttered apartment, Brooklyn Heights, New York, 1958. Gorgeous print measuring 30 x 30...

Slim Aarons - Family Snapper - Estate Stamped Babe Paley (Mrs William Paley) by the pool. Her husband, William Paley is snapping the photographer at their cottage, Round Hill, Jamai...

Slim Aarons - Ursula Andress - Estate Stamped Swiss actress Ursula Andress poses in a hammock in Rome, Italy, circa 1955. ( Gorgeous print measuring a large 40 x 40" inches / ca 10...

'Jimi Classic II' SIGNED, LIMITED EDITION 1967 by Gered Mankowitz C print - signed and numbered and stamped on the face of the print in the border below the image. HUGE 40 x 40" ...

Portrait iof Radiohead's Thom Yorke 2006 by Kevin Westenberg Archival Fine Art pigment print edition of 3 only. 60 x 40 inches / 152 xc 101 cm signed an...

Portrait Of Marilyn Manson 1998 Los Angeles Archival Fine Art pigment print edition of 10 30 x 40 inches / 76 xc 101 cm signed and numbered on the fr...

Slim Aarons - Mara Lane - Estate Stamped Austrian actress Mara Lane posing by the pool at the Sands Hotel, Las Vegas, in a red and white striped bathing costume. Gorgeous print mea...

'Private Dancer' Brigitte Bardot 1961 by Giancarlo Botti Wonderfully intimate shot of the French sex symbol and icon, Brigitte Bardot, on set of the film 'A Very Private Affair' w...