Galerie Yves Gastou Seating

These striking chairs, created by Guy de Rougemont around 1986, exemplify the artist’s singular ability to merge fine art and functional design. Crafted in wood marquetry with a dyna...

A rare set of 9 chairs by Sido & François Thévenin.

Burnished bronze structure with a surrealist ornementation Synthetic fur Signed and numbered. Limited edition of 8 + 4 AP of a model created in the 1970's by the sculptor Victor Roman. Victor Roman was born in 1937 in Martinis in Romania. In 1950, he leaves his village to to go high-school in Tirgu-Mures. He then studies at the Fine Arts Institute Nicolae Grigorescu...

Antonio Ronchetti for Sormani Set of 6 sculptural chairs, circa 1970 Black lacquered wood, black leather Measures : H. 135 x 46 x 42 cm.

Model designed for the Auriol House, France. En 1965, Dominique Zimbacca expose les meubles issus de sa collaboration avec Françoise Sée à la galerie M.A.I situé au 12 rue Bonaparte, aujourd’hui remplacée par la Galerie Yves Gastou...

A rare Throne armchair by François & Sido Thévenin.

Base in a tubular chrome steel structure Fiberglass white hull around the exterior Beige padding in silky velvet on the seat.

Model designed for the Auriol House, France. Frame in fir wood Assembly by threaded rod, secured by nuts Piece from the artist's former collection. En 1965, Dominique Zimbacca expose les meubles issus de sa collaboration avec Françoise Sée à la galerie M.A.I situé au 12 rue Bonaparte, aujourd’hui remplacée par la Galerie Yves Gastou...

Price for a pair, 3 pairs available. Executed by Renzo Brugola Distributed by Blum Helman Gallery Collection Centre Georges Pompidou The Metropolitan Museum of Art collection In 1987, he designed the Miss, don’t you like caviar? chair for the I suppose you know what I’m talking about dining room suite. Each piece of this ensemble consists of a number of heterogeneous geometrical elements having a symbolic connotation. The honesty with which Sottsass designed and marketed this work to a luxury clientele could be seen as antithetical to modernism’s democratic ethos predicated on mass production. With the suite of furniture that includes this chair, there was no illusion of reaching ordinary consumers—the pieces are loft-scaled, exquisitely proportioned ensembles made of rare stones and exotic woods. Titles of other items in the series include What’s the Name of Your Swiss Bank...

Stainless steel structure with imitation leather cover.