Gauchet Fine Art
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Talk to the Stranger - Graffiti
By Fabien Rocca
Located in Miami, FL
Mixed-media contemporary artist from Miami via Corsica, France who has lead national digital art campaigns, most notably for Warner Bros 75 Years of DC Comics, and the development o...
Category
21st Century and Contemporary Street Art Mixed Media
Materials
Canvas, Ink, Acrylic
Share Your Vices - Graffiti
By Fabien Rocca
Located in Miami, FL
Mixed-media contemporary artist from Miami via Corsica, France who has lead national digital art campaigns, most notably for Warner Bros 75 Years of DC Comics, and the development o...
Category
21st Century and Contemporary Street Art Mixed Media
Materials
Canvas, Ink, Acrylic
Skull Extract - Graffiti
By Fabien Rocca
Located in Miami, FL
Mixed-media contemporary artist from Miami via Corsica, France who has lead national digital art campaigns, most notably for Warner Bros 75 Years of DC Comics, and the development o...
Category
21st Century and Contemporary Street Art Mixed Media
Materials
Canvas, Ink, Acrylic
Cinema Cinema - Graffiti
By Fabien Rocca
Located in Miami, FL
Mixed-media contemporary artist from Miami via Corsica, France who has lead national digital art campaigns, most notably for Warner Bros 75 Years of DC Comics, and the development o...
Category
21st Century and Contemporary Street Art Figurative Paintings
Materials
Canvas, Ink, Acrylic
Eye Love U - Graffiti
By Fabien Rocca
Located in Miami, FL
Mixed-media contemporary artist from Miami via Corsica, France who has lead national digital art campaigns, most notably for Warner Bros 75 Years of DC Comics, and the development o...
Category
21st Century and Contemporary Street Art Mixed Media
Materials
Canvas, Ink, Acrylic
Venice
Located in Miami, FL
Inspired by architecture, historical urbanism, passion for creation with intense multicultural experiences thru traveling and living in different parts of the planet, my drawings are...
Category
2010s Contemporary Landscape Prints
Materials
Canvas, Ink
New York
Located in Miami, FL
Martin's vision of cities is cartographic. He is undoubtedly a man from another era - who likes the present - his plans of cities are an act of resistance in the era of google maps
Category
2010s Contemporary Landscape Prints
Materials
Canvas, Ink
Beach Time
By Jean Sanglar
Located in Miami, FL
Jean Sanglar was born in France in 1926. He draws with taste and talent from an early age, however, his family will only consider this a mere hobby. After studying law, he later took...
Category
Late 20th Century Neo-Expressionist Figurative Paintings
Materials
Mixed Media
The Acrobat
By Jean Sanglar
Located in Miami, FL
Jean Sanglar was born in France in 1926. He draws with taste and talent from an early age, however, his family will only consider this a mere hobby. After studying law, he later took...
Category
Late 20th Century Neo-Expressionist Figurative Paintings
Materials
Mixed Media
Femme au Cigare
By Jean Sanglar
Located in Miami, FL
Jean Sanglar was born in France in 1926. He draws with taste and talent from an early age, however, his family will only consider this a mere hobby. After studying law, he later took...
Category
Late 20th Century Neo-Expressionist Figurative Paintings
Materials
Mixed Media
The Invitation
By Jean Sanglar
Located in Miami, FL
Jean Sanglar was born in France in 1926. He draws with taste and talent from an early age, however, his family will only consider this a mere hobby. After studying law, he later took...
Category
Late 20th Century Neo-Expressionist Figurative Paintings
Materials
Mixed Media
Untitled
By Mathieu Rosianu
Located in Miami, FL
Mathieu Rosianu, a painter with a humanist backbone, wanted to give Art the power of a fighting weapon and bring it to the people. Therefore, it is no coincidence that the years befo...
Category
20th Century Abstract Abstract Paintings
Materials
Acrylic
Beach Volley
By Jean Sanglar
Located in Miami, FL
Jean Sanglar was born in France in 1926. He draws with taste and talent from an early age, however, his family will only consider this a mere hobby. After studying law, he later took...
Category
Late 20th Century Neo-Expressionist Figurative Paintings
Materials
Mixed Media
Untitled
By Mathieu Rosianu
Located in Miami, FL
Mathieu Rosianu, a painter with a humanist backbone, wanted to give Art the power of a fighting weapon and bring it to the people. Therefore, it is no coincidence that the years befo...
Category
Mid-20th Century Abstract Abstract Paintings
Materials
Acrylic
Lost in Wynwood
By Fabien Rocca
Located in Miami, FL
Fabien Rocca (b. Oct. 8th 1973) is a mixed-media contemporary artist From Miami via Corsica, France who has lead national digital art campaigns, most notably for Warner Bros 75 Years...
Category
21st Century and Contemporary Street Art Portrait Paintings
Materials
Acrylic, Canvas, Mixed Media
Renaissance - Revival 5
By Paul-Émile Rioux
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Color Photography
Materials
Plexiglass, Archival Pigment
Renaissance - Revival 4
By Paul-Émile Rioux
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Color Photography
Materials
Plexiglass, Archival Pigment
Cloud Diptych Masterprint + NFT
By Paul-Émile Rioux
Located in Miami, FL
Masterprint with NFT and Certificate of Authenticity
Archival photo print under acrylic glass.
Edition of 3 Masterprint + NFT
Dimensions: 2x 60x40 in.
Depth: 1/8 in.
About the Mas...
Category
2010s Contemporary Color Photography
Materials
Plexiglass, Archival Pigment
Clouds 4
By Paul-Émile Rioux
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
RIOUX started the Cloud project in 2022.
Paul-Emile Rioux’s series Cloud, like his other work, is a ...
Category
2010s Contemporary Color Photography
Materials
Plexiglass, Archival Pigment
Clouds 18
By Paul-Émile Rioux
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Color Photography
Materials
Plexiglass, Archival Pigment
Clouds 17
By Paul-Émile Rioux
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Color Photography
Materials
Plexiglass, Archival Pigment
Clouds 16
By Paul-Émile Rioux
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Color Photography
Materials
Plexiglass, Archival Pigment
Clouds 15
By Paul-Émile Rioux
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Color Photography
Materials
Plexiglass, Archival Pigment
Clouds 14
By Paul-Émile Rioux
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Color Photography
Materials
Plexiglass, Archival Pigment
Clouds 13
By Paul-Émile Rioux
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Color Photography
Materials
Plexiglass, Archival Pigment
Clouds 12
By Paul-Émile Rioux
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Color Photography
Materials
Plexiglass, Archival Pigment
Clouds 11
By Paul-Émile Rioux
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Cloud project in 2022.
Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above.
Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations.
Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse.
With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide.
There are 18 pieces in the Cloud collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category
2010s Contemporary Color Photography
Materials
Plexiglass, Archival Pigment
Clouds 10
By Paul-Émile Rioux
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Cloud project in 2022.
Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above.
Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations.
Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse.
With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide.
There are 18 pieces in the Cloud collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category
2010s Contemporary Color Photography
Materials
Plexiglass, Archival Pigment
Geneva
Located in Miami, FL
Inspired by architecture, historical urbanism, passion for creation with intense multicultural experiences thru traveling and living in different parts of the planet, my drawings are...
Category
2010s Contemporary Landscape Prints
Materials
Canvas, Ink
Oxydation
By Jean-Pierre Rives
Located in Miami, FL
Born 1952, Saint Simon, France
Jean-Pierre Rives is an internationally renowned sculptor, and painter, as well as a Hall of Fame rugby player.
After retiring from rugby in the early 1980s, he discovered the work of sculptor Albert Feraud. Discussions with the artist inspired him to pursue his own art practice, working scraps of abandoned steel into fluid, curvaceous forms.
In his frequently monumental work, the softness of the curve is juxtaposed against the hardness of the material. Rives says about his practice, "I always seek to bring 'lightness' to the ‘heavy'; romanticism and poetry to the rigid; and sculpt an industrial masterpiece that harnesses innovation with energy. My sculptures are pieces of reality: their rust marks a measure of time, honouring the past while celebrating the future."
Rives has exhibited his work in galleries, museums, and public spaces around the world including the Jardin du Luxembourg in Paris (an honour previously held exclusively by Rodin), Sculpture by the Sea (a renowned international public sculpture exhibition in Sydney, Australia), and Dag Hammarskjold...
Category
2010s Contemporary Abstract Paintings
Materials
Metal
Clouds
By Paul-Émile Rioux
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Cloud project in 2022.
Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above.
Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations.
Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse.
With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide.
There are 18 pieces in the Cloud collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category
2010s Contemporary Color Photography
Materials
Plexiglass, Archival Pigment
Clouds 2
By Paul-Émile Rioux
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Cloud project in 2022.
Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above.
Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations.
Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse.
With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide.
There are 18 pieces in the Cloud collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category
2010s Contemporary Color Photography
Materials
Plexiglass, Archival Pigment
Clouds 3
By Paul-Émile Rioux
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Cloud project in 2022.
Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above.
Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations.
Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse.
With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide.
There are 18 pieces in the Cloud collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category
2010s Contemporary Color Photography
Materials
Plexiglass, Archival Pigment
Paris
Located in Miami, FL
Inspired by architecture, historical urbanism, passion for creation with intense multicultural experiences thru traveling and living in different parts of the planet, my drawings are...
Category
2010s Contemporary Landscape Prints
Materials
Canvas, Ink
Geneva
Located in Miami, FL
Inspired by architecture, historical urbanism, passion for creation with intense multicultural experiences thru traveling and living in different parts of the planet, my drawings are...
Category
2010s Contemporary Landscape Prints
Materials
Canvas, Ink
Clouds 6
By Paul-Émile Rioux
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Color Photography
Materials
Plexiglass, Archival Pigment
Clouds 7
By Paul-Émile Rioux
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Color Photography
Materials
Plexiglass, Archival Pigment
Aboriginal Painting by Michael Nelson Tjakamarra
By Michael Nelson Tjakamarra
Located in Miami, FL
Michael Nelson Tjakamarra (also cited as: Michael Nelson Jagamarra, or Jakamara) is a Senior Warlpiri Tribesman and an Elder of the Papunya Community in central Australia. Born c. 1949 at Pikilyi, Vaughan Springs west of Yuendumu in the Northern Territory, he grew up ‘in the bush’. His father was an important tribal elder and medicine man at Yuendumu. It was therefore automatic that he would grow up with the traditional values and knowledge that now influences his paintings.
Michael lived at Haasts Bluff until his parents took him to Yuendumu for European education at the mission school. He left school at thirteen, after initiation, and worked at buffalo shooting, driving trucks, droving cattle and in the army, before returning to Yuendumu and then to Papunya to settle in 1976. He worked for a time in the Government store and for the Council.
Michael learned to paint at Papunya by observing the senior men such as Billy Stockman and Old Mick Tjakamarra. Although he was tutored by his uncle, Jack Tjupurrula, Michael developed his own style and began painting earnestly from 1983.
Michael is known as master desert painter for his depiction of several Dreamings in one painting. For him the understanding of the Dreaming stories that go with his paintings is all important – without the stories his paintings would ‘mean nothing’ as far as he is concerned. His Dreamings include the Possum, Snake, Two Kangaroos, Rock Wallaby, Bush Banana, Honey Ant and Yam.
In 1984 Michael won the National Aboriginal Art Award with his painting ‘Three Dreamings’. His reputation as a painter rose rapidly after this. He exhibited his work in the 1986 Biennale of Sydney and featured in ‘The State of the Art’, a British art documentary. In 1987 Michael had been asked to paint a major work (27’long) to decorate the foyer of Sydney’s Opera House and he chose to paint his ‘Possum Dreaming’ story. A great highlight in Michael’s career was in 1988 when he was commissioned to design a 196 sq-metre mosaic in the main forecourt of Australia’s new Parliament House in Canberra. The work was based on his ‘Kangaroo and Emu’ dreaming. Michael was presented to Her Majesty, Queen Elizabeth 11...
Category
2010s Contemporary Abstract Paintings
Materials
Linen, Acrylic
Urban Landscapes - Serie Reglisse N° I
Located in Miami, FL
Born 1959, Geneva, Switzerland
Vanna Karamaounas aka Iseult Labote – Lives and works in Geneva and Berlin.
Born in Geneva of mixed Greek and Swiss heritage, Labote studied art his...
Category
2010s Abstract Color Photography
Materials
C Print, Digital
Renaissance - Revival 18
By Paul-Émile Rioux
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Renaissance project in 2016.
Renaissance further develops themes explored by RIOUX in his earlier series Turquoise Default. It is not merely a progression however, but also a contrast. This new series poses questions about hope, which is perhaps now more relevant than ever.
“Renaissance invokes in us a sense of uncertainty and a self-awareness of our limits, of an infinity made apparent by the horizon line, the vanishing point, the moment in any spatial or temporal projection beyond which we can no longer see, but from which, nonetheless, we know the universe carries on. At the same time it poses a choice to us: do we accept the openness of abstraction or do we insist on imposing a (false) certainty of representation in what we see in these images. Hope is a faith made possible by uncertainty and the unknown, by an understanding that history and the future are creative acts, works of art in which we all participate.” Neal Rockwell
There are 18 pieces in the RENAISSANCE collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category
2010s Contemporary Color Photography
Materials
Plexiglass, Archival Pigment
Urban Landscapes - Serie Bouquet N° I
Located in Miami, FL
Born 1959, Geneva, Switzerland
Vanna Karamaounas aka Iseult Labote – Lives and works in Geneva and Berlin.
Born in Geneva of mixed Greek and Swiss heritage, Labote studied art his...
Category
2010s Abstract Color Photography
Materials
C Print, Digital
Urban Landscapes - Serie Urbanus N° XXV
Located in Miami, FL
Born 1959, Geneva, Switzerland
Vanna Karamaounas aka Iseult Labote – Lives and works in Geneva and Berlin.
Born in Geneva of mixed Greek and Swiss heritage, Labote studied art his...
Category
2010s Abstract Color Photography
Materials
C Print, Digital
Urban Landscapes - Serie Voile N° VI
Located in Miami, FL
Born 1959, Geneva, Switzerland
Vanna Karamaounas aka Iseult Labote – Lives and works in Geneva and Berlin.
Born in Geneva of mixed Greek and Swiss heritage, Labote studied art his...
Category
2010s Abstract Color Photography
Materials
C Print, Digital
Urban Landscapes - Serie 1492 - N° I
Located in Miami, FL
Born 1959, Geneva, Switzerland
Vanna Karamaounas aka Iseult Labote – Lives and works in Geneva and Berlin.
Born in Geneva of mixed Greek and Swiss heritage, Labote studied art his...
Category
2010s Abstract Color Photography
Materials
C Print, Digital
Renaissance - Revival 17
By Paul-Émile Rioux
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Renaissance project in 2016.
Renaissance further develops themes explored by RIOUX in his earlier series Turquoise Default. It is not merely a progression however, but also a contrast. This new series poses questions about hope, which is perhaps now more relevant than ever.
“Renaissance invokes in us a sense of uncertainty and a self-awareness of our limits, of an infinity made apparent by the horizon line, the vanishing point, the moment in any spatial or temporal projection beyond which we can no longer see, but from which, nonetheless, we know the universe carries on. At the same time it poses a choice to us: do we accept the openness of abstraction or do we insist on imposing a (false) certainty of representation in what we see in these images. Hope is a faith made possible by uncertainty and the unknown, by an understanding that history and the future are creative acts, works of art in which we all participate.” Neal Rockwell
There are 18 pieces in the RENAISSANCE collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category
2010s Contemporary Color Photography
Materials
Plexiglass, Archival Pigment
Renaissance - Revival 16
By Paul-Émile Rioux
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Renaissance project in 2016.
Renaissance further develops themes explored by RIOUX in his earlier series Turquoise Default. It is not merely a progression however, but also a contrast. This new series poses questions about hope, which is perhaps now more relevant than ever.
“Renaissance invokes in us a sense of uncertainty and a self-awareness of our limits, of an infinity made apparent by the horizon line, the vanishing point, the moment in any spatial or temporal projection beyond which we can no longer see, but from which, nonetheless, we know the universe carries on. At the same time it poses a choice to us: do we accept the openness of abstraction or do we insist on imposing a (false) certainty of representation in what we see in these images. Hope is a faith made possible by uncertainty and the unknown, by an understanding that history and the future are creative acts, works of art in which we all participate.” Neal Rockwell
There are 18 pieces in the RENAISSANCE collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category
2010s Contemporary Color Photography
Materials
Plexiglass, Archival Pigment
Carrara Marble "LOL"
By Vincent Du Bois
Located in Miami, FL
Coming from a family with a long artistic tradition. Vincent Du Bois accomplished to synthesize both classical background and comtemporary vision. From...
Category
2010s Contemporary Figurative Sculptures
Materials
Marble, Steel
Renaissance - Revival 15
By Paul-Émile Rioux
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Renaissance project in 2016.
Renaissance further develops themes explored by RIOUX in his earlier series Turquoise Default. It is not merely a progression however, but also a contrast. This new series poses questions about hope, which is perhaps now more relevant than ever.
“Renaissance invokes in us a sense of uncertainty and a self-awareness of our limits, of an infinity made apparent by the horizon line, the vanishing point, the moment in any spatial or temporal projection beyond which we can no longer see, but from which, nonetheless, we know the universe carries on. At the same time it poses a choice to us: do we accept the openness of abstraction or do we insist on imposing a (false) certainty of representation in what we see in these images. Hope is a faith made possible by uncertainty and the unknown, by an understanding that history and the future are creative acts, works of art in which we all participate.” Neal Rockwell
There are 18 pieces in the RENAISSANCE collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category
2010s Contemporary Color Photography
Materials
Plexiglass, Archival Pigment
Renaissance - Revival 14
By Paul-Émile Rioux
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Color Photography
Materials
Plexiglass, Archival Pigment
London
Located in Miami, FL
Martin's vision of cities is cartographic. He is undoubtedly a man from another era - who likes the present - his plans of cities are an act of resistance in the era of google maps
Category
2010s Contemporary Landscape Prints
Materials
Canvas, Ink
Renaissance - Revival 13
By Paul-Émile Rioux
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Color Photography
Materials
Plexiglass, Archival Pigment
Renaissance - Revival 12
By Paul-Émile Rioux
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Color Photography
Materials
Plexiglass, Archival Pigment
Renaissance - Revival 11
By Paul-Émile Rioux
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Color Photography
Materials
Plexiglass, Archival Pigment
Renaissance - Revival 10
By Paul-Émile Rioux
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Color Photography
Materials
Plexiglass, Archival Pigment
Aboriginal Painting by Bessie Sims Nakamarra
Located in Miami, FL
Bessie Nakamarra Sims was born in the 1930s and passed away in 2012. She lived for many years before coming into contact with white people at Mt. Doreen Station, west of Yuendumu in Central Australia, a remote Aboriginal community located 290 kms north-west of Alice Springs. Later in life, in the early 80's, she started to paint for the art centre...
Category
2010s Contemporary Abstract Paintings
Materials
Linen, Acrylic
Aboriginal Painting by Bessie Sims Nakamarra
Located in Miami, FL
Bessie Nakamarra Sims was born in the 1930s and passed away in 2012. She lived for many years before coming into contact with white people at Mt. Doreen Station, west of Yuendumu in Central Australia, a remote Aboriginal community located 290 kms north-west of Alice Springs. Later in life, in the early 80's, she started to paint for the art centre...
Category
2010s Contemporary Abstract Paintings
Materials
Linen, Acrylic
Renaissance - Revival 8
By Paul-Émile Rioux
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Color Photography
Materials
Plexiglass, Archival Pigment
Renaissance - Revival 9
By Paul-Émile Rioux
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Color Photography
Materials
Plexiglass, Archival Pigment
Gstaad
Located in Miami, FL
Inspired by architecture, historical urbanism, passion for creation with intense multicultural experiences thru traveling and living in different parts of the planet, my drawings...
Category
2010s Contemporary Landscape Prints
Materials
Canvas, Ink
Aboriginal Painting by Ningura Napurrula
By Ningura Napurrula
Located in Miami, FL
Ningura Napurrula was born at Watulka, south of Kiwirrkurra, Western Australia c.1938. She is the widow of Yala Yala Gibbs Tjungurrayi, a highly respected Pintupi elder who held sign...
Category
2010s Contemporary Abstract Paintings
Materials
Linen, Acrylic
