Willa Latham Porcelain

A wave-edge vase in deep maroon and rich gilt decoration with a finely painted reserve with floral garden scene on the front; rich gilding on upper edge, ball, square foot and fine t...

A wave-edge vase in cobalt blue and rich gilt decoration with a finely painted reserve with floral garden scene on the front; rich gilding on upper edge, ball, square foot and fine t...

A milk jug in the “writhen” shape, cobalt blue ground with white and pale yellow trailing acanthus leaves and vines. We have a teapot with cover in the same pattern available, pleas...

A teapot with cover in the “writhen” shape, cobalt blue ground with white and pale yellow trailing acanthus leaves and vines. We have a milk jug in the same pattern available, pleas...

A milk jug or creamer in the “writhen” shape, emerald green ground with white and pale yellow trailing florals. We have a milk jug in a nearly identical pattern available, please se...

A teapot with cover in the “writhen” shape, emerald green ground with white and pale yellow trailing florals. We have a milk jug in a nearly identical pattern available, please see ...

A pear-shaped Rococo Revival sucrier with cover, with a capricious design of French blue scrolls, peach and gilt wave cartouches, and beautifully hand painted flower sprays around th...

A pear-shaped Rococo Revival teapot with cover, a dramatically scrolled and acanthus moulded foot, spout, loop finial and handle, picked out in gilt. Maroon cartouches and mushroom b...

This is a beautiful plate in the 8-lobed shape, with a deep pink ground and rich pale yellow and gilt acanthus and shell decoration, three scrolled reserves with exceptionally finely...

This is beautiful plate made by the Yates factory in about 1825. The plate is decorated with in a white ground with finely hand painted flower reserves, gilt sprigs and a characteris...

This is a beautiful and rare porcelain round serving dish made by Chelsea-Derby in about 1775. The dish is round and pleasingly lobed, and is decorated in a turquoise rim with gilt a...

This is a beautiful coffee cup and saucer made by Derby in about 1785. The set has the distinctive "artichoke" moulding and a bright turquoise ground with the white artichoke surface...

This is a beautiful and intriguing porcelain dish made by Caughley and decorated at Chamberlains Worcester in or shortly after 1793. The dish has a "harlequin" pattern with six diffe...

This is beautiful tea service consisting of a teapot with cover, a plate, a slop bowl, four teacups on saucers and four coffee cups on saucers. The service was made by the Yates fact...

This is an elegant "true trio" consisting of a teacup, coffee cup and saucer, made by Minton in about 1830. The set is decorated with the beautifully hand painted pattern no. 680 con...

This is a beautiful berry bowl made by Flight Barr & Barr probably in the year 1813. The dish is decorated with a beautiful continuous border of hand painted roses and thistles by th...

This is a very rare offer of a spectacular moulded and pierced chestnut basket, cover and stand, made by Worcester between 1770 and 1775 in their 1st or "Dr Wall" period. The set con...

A true trio consisting of a teacup, a coffee cup and a saucer, “rustic bean” shape, in deep maroon and pale yellow ground, with gilt and finely painted landscape reserves Pattern 95...

This is a stunning and extremely rare kidney shaped serving dish made by Derby between about 1813 and 1815. The dish is painted with bright red and blue flowers by William Quaker Peg...

This is a beautiful saucer dish or deep plate made by Coalport around the year 1815. This plate would have belonged to a large tea service. The plate is decorated with a deep cobalt ...

On offer is a very rare teacup and saucer made by Barr Flight & Barr in about 1810. The set has a beautifully soft salmon ground colour, an elegant gilt border motif, and beautiful monochrome sepia landscape...

This is a beautiful pair of Derby figures called the "Garland Shepherds", made in about 1765. The pair is one of Derby's most famous figure pairs and it bears the catalogue number E2...

This is a beautiful large plate made by Worcester in about 1770 in their First or the "Dr Wall" period. The plate has a pleasing slightly lobed rim, a white ground and beautifully pa...

Any porcelain made at the Pinxton porcelain factory is rare, but to find a complete tea service is even rarer! This wonderful service was made around...

This is a very rare and stunning coffee cup and saucer made by Derby in about 1785. The set has a white ground with graceful gilding, and two stunning little landscapes painted by Za...

This is a very rare and stunning vase with cover made by Chelsea-Derby in 1783-1784. The pear-shaped vase stands on a square foot and has two handles with moulded floral chains, and ...

This is one of a pair of beautiful plates made by William Billingsley at the Mansfield Pottery, between 1799 and 1802. The plates, manufactured by Coalport, have a pleasing slightly diapered shape. They were decorated with beautiful monochrome sepia flowers and a simple gilt rim by William Billingsley. Please see separate listing for the matching plate; I would be happy to offer some discount if you interested in purchasing both plates. William Billingsley was a brilliant but notoriously difficult man who left behind a trail of debts, broken hearts and mystery - but he was also one of the most important people in the history British porcelain. Billingsley revolutionised the way British decorators painted flowers; he added a freedom and artistry that now singles out British flower painting, and he created a new technique for painting roses, which you can see in this design. Billingsley trained and worked at Derby, and then started his own pottery at Pinxton. He then left to start a decorating studio at Mansfield, where he decorated wares from various potteries, among which Derby, Coalport, Whitehead and others. After that, he spent a period in Worcester, and then went to Wales where he set up a pottery in Nantgarw, worked at the Swansea pottery for a while and then returned to Nantgarw. While in Nantgarw he created some of the best porcelain ever made, but racking up great debts. He ended up running off in the dead of night and ending his days at Coalport painting flowers. Items painted by William Billingsley are rare and very much in demand - together with Thomas Baxter's work they are probably among the most desired pieces of British porcelain. The plate is marked with an impressed 7, the number associated with Billingsley. The attribution of this plate to William Billingsley is due to the fact that he painted nearly identical flowers on a Coalport jug...

This is one of a pair of beautiful plates made by William Billingsley at the Mansfield Pottery, between 1799 and 1802. The plates, manufactured by Coalport, have a pleasing slightly diapered shape. They were decorated with beautiful monochrome sepia flowers and a simple gilt rim by William Billingsley. Please see separate listing for the matching plate; I would be happy to offer some discount if you interested in purchasing both plates. William Billingsley was a brilliant but notoriously difficult man who left behind a trail of debts, broken hearts and mystery - but he was also one of the most important people in the history British porcelain. Billingsley revolutionised the way British decorators painted flowers; he added a freedom and artistry that now singles out British flower painting, and he created a new technique for painting roses, which you can see in this design. Billingsley trained and worked at Derby, and then started his own pottery at Pinxton. He then left to start a decorating studio at Mansfield, where he decorated wares from various potteries, among which Derby, Coalport, Whitehead and others. After that, he spent a period in Worcester, and then went to Wales where he set up a pottery in Nantgarw, worked at the Swansea pottery for a while and then returned to Nantgarw. While in Nantgarw he created some of the best porcelain ever made, but racking up great debts. He ended up running off in the dead of night and ending his days at Coalport painting flowers. Items painted by William Billingsley are rare and very much in demand - together with Thomas Baxter's work they are probably among the most desired pieces of British porcelain. The plate is marked with an impressed 7, the number associated with Billingsley. The attribution of this plate to William Billingsley is due to the fact that he painted nearly identical flowers on a Coalport jug...

This is a pair of cache pots made by the Derby Porcelain Company in 1795. The pair is decorated in bright canary or "Scarsdale" yellow and a white band with large flowers painted by ...

This is a stunning and extremely rare plate made by Derby between about 1795 and 1800. This plate is not only beautiful, it is a true piece of history. The plate has a nice ribbed r...

This is a beautiful small deep plate made by Worcester in about 1770 in their First or the "Dr Wall" period. It is a small, lobed dish with a deep green ground, elegant tooled gildin...

This is a stunning and rare Spode dessert service made between 1813 and 1822, consisting of a centre piece, a lozenge shape dish, four shell dish...

This is a splendid three-well ink stand or writing desk set made by Chamberlains Worcester in about 1810. The ink stand contains a stand with a pen holder or candle holder in the sha...

This is a stunning set of 4 large plates by the Clignancourt factory in Paris, probably made between 1780 and 1790. We one more of these plates available, please see separate listin...

This is a stunning large plate by the Clignancourt factory in Paris, probably made between 1780 and 1790. We also have a set of 4 of these plates available, please see separate list...

This is a stunning and extremely rare plate made by Coalport around the year 1805, and decorated in the London studio of Thomas Baxter. We have one more of these plates in stock, pl...

This is a stunning and extremely rare plate made by Coalport around the year 1805, and decorated in the London studio of Thomas Baxter. We have one more of these plates in stock, pl...

This is an extremely rare and beautiful coffee cup and saucer made by H&R Daniel some time between 1825 and 1830. The set is potted in the "plain" shape and bears pattern no. 4652 wi...

This is a striking plate with the popular "Staffordshire" moulding, a deep maroon rim with bold beige and white foliage, and a large hand painted yellow and purple pansy in the centr...

This is a beautiful plate with a warm grey and beige border of flowing acanthus leaves and pebble design with elaborate gilt, and a beautiful pink flower in the centre. Pattern: 810...

This is a pair of beautiful small vases in the "shell and scroll" design with elaborately moulded rim picked out in gilt. One vase is maroon with elegant gilding and a beautiful flow...

This is a rather stunning pair of one-handled low comports with pierced rims, a warm grey ground with elaborate gilt foliage, three very fine flower reserves each, and a large mounta...

This is a very rare oval lobed dish from the famous "Earl of Camden" service made by the Derby Porcelain Company in 1795. The service was painted with typical English roses by William Billingsley, one of Britain's most famous painters, and responsible for exactly this type of rose painting on British porcelain. There are more items available in this pattern, see separate listings. To keep these items together we'd be happy to offer a discount on multiple purchases - please ask! The Derby Porcelain Company, later called Royal Crown Derby, is currently the oldest British porcelain factory still in production. The Derby pottery was one of the most prominent potteries right from the start of English porcelain production in the mid 1700s to today, and the factory went through many iterations. In the 1820s, it was called "Bloor Derby" as it came under the ownership of Robert Bloor; this factory later closed but its legacy was continued under the ownership of a group of employees, and later this was merged into a new factory called Royal Crown Derby, which is still in operation today and still carries forward some of the oldest patterns that have made it famous over the centuries. William Billingsley was a brilliant but notoriously difficult man who left behind a trail of debts, broken hearts and mystery - but he was also one of the most important people in the history British porcelain. Billingsley revolutionised the way British decorators painted flowers; he added a freedom and artistry that now singles out British flower painting, and he created a new technique for painting roses, which you can see in this design. Billingsley worked at Derby, Worcester and Mansfield. He also set up his own potteries in Pinxton and Nantgarw and created some of the best porcelain ever made, but racking up great debts, before running off in the dead of night and ending his days at Coalport painting flowers. Items painted by William Billingsley are rare and very much in demand - together with Thomas Baxter's work they are probably among the most desired pieces of British porcelain. The Earl of Camden service was a huge service ordered by Lady Camden in 1795. It had to be produced under great, and unrealistic, time pressure and was notoriously late, much to Lady Camden's chagrin. She wanted the service to be produced by only the best artisans and therefore William Billingsley was tasked with painting all items - but it is thought that when it was clear the deadline was impossible to make, he enlisted the help of John Brewer for some of the last items, such as the ice pails. This plate shows the typical "Billingsley" roses: a beautiful naturally flowing garland of English roses interspersed with buds, trailing around a crisp gilt ribbon. The way the roses link into each other, the way each individual one is completely different, the light effects achieved by rubbing out some of the pink paint, and the very fine buds and foliage all point to these being from Billingsley's hand. This dish came together with a plate that bears labels that point to a rich provenance: the Doris Wheatley Collection, the Daniel Collection, Derek Gardner...

This is a very rare oval lobed dish from the famous "Earl of Camden" service made by the Derby Porcelain Company in 1795. The service was painted with typical English roses by William Billingsley, one of Britain's most famous painters, and responsible for exactly this type of rose painting on British porcelain. There are more items available in this pattern, see separate listings. To keep these items together we'd be happy to offer a discount on multiple purchases - please ask! The Derby Porcelain Company, later called Royal Crown Derby, is currently the oldest British porcelain factory still in production. The Derby pottery was one of the most prominent potteries right from the start of English porcelain production in the mid 1700s to today, and the factory went through many iterations. In the 1820s, it was called "Bloor Derby" as it came under the ownership of Robert Bloor; this factory later closed but its legacy was continued under the ownership of a group of employees, and later this was merged into a new factory called Royal Crown Derby, which is still in operation today and still carries forward some of the oldest patterns that have made it famous over the centuries. William Billingsley was a brilliant but notoriously difficult man who left behind a trail of debts, broken hearts and mystery - but he was also one of the most important people in the history British porcelain. Billingsley revolutionised the way British decorators painted flowers; he added a freedom and artistry that now singles out British flower painting, and he created a new technique for painting roses, which you can see in this design. Billingsley worked at Derby, Worcester and Mansfield. He also set up his own potteries in Pinxton and Nantgarw and created some of the best porcelain ever made, but racking up great debts, before running off in the dead of night and ending his days at Coalport painting flowers. Items painted by William Billingsley are rare and very much in demand - together with Thomas Baxter's work they are probably among the most desired pieces of British porcelain. The Earl of Camden service was a huge service ordered by Lady Camden in 1795. It had to be produced under great, and unrealistic, time pressure and was notoriously late, much to Lady Camden's chagrin. She wanted the service to be produced by only the best artisans and therefore William Billingsley was tasked with painting all items - but it is thought that when it was clear the deadline was impossible to make, he enlisted the help of John Brewer for some of the last items, such as the ice pails. This plate shows the typical "Billingsley" roses: a beautiful naturally flowing garland of English roses interspersed with buds, trailing around a crisp gilt ribbon. The way the roses link into each other, the way each individual one is completely different, the light effects achieved by rubbing out some of the pink paint, and the very fine buds and foliage all point to these being from Billingsley's hand. This dish came together with a plate that bears labels that point to a rich provenance: the Doris Wheatley Collection, the Daniel Collection, Derek Gardner...

This is a very rare square dish from the famous "Earl of Camden" service made by the Derby Porcelain Company in 1795. The service was painted with typical English roses by William Billingsley, one of Britain's most famous painters, and responsible for exactly this type of rose painting on British porcelain. There are more items available in this pattern, see separate listings. To keep these items together we'd be happy to offer a discount on multiple purchases - please ask! The Derby Porcelain Company, later called Royal Crown Derby, is currently the oldest British porcelain factory still in production. The Derby pottery was one of the most prominent potteries right from the start of English porcelain production in the mid 1700s to today, and the factory went through many iterations. In the 1820s, it was called "Bloor Derby" as it came under the ownership of Robert Bloor; this factory later closed but its legacy was continued under the ownership of a group of employees, and later this was merged into a new factory called Royal Crown Derby, which is still in operation today and still carries forward some of the oldest patterns that have made it famous over the centuries. William Billingsley was a brilliant but notoriously difficult man who left behind a trail of debts, broken hearts and mystery - but he was also one of the most important people in the history British porcelain. Billingsley revolutionised the way British decorators painted flowers; he added a freedom and artistry that now singles out British flower painting, and he created a new technique for painting roses, which you can see in this design. Billingsley worked at Derby, Worcester and Mansfield. He also set up his own potteries in Pinxton and Nantgarw and created some of the best porcelain ever made, but racking up great debts, before running off in the dead of night and ending his days at Coalport painting flowers. Items painted by William Billingsley are rare and very much in demand - together with Thomas Baxter's work they are probably among the most desired pieces of British porcelain. The Earl of Camden service was a huge service ordered by Lady Camden in 1795. It had to be produced under great, and unrealistic, time pressure and was notoriously late, much to Lady Camden's chagrin. She wanted the service to be produced by only the best artisans and therefore William Billingsley was tasked with painting all items - but it is thought that when it was clear the deadline was impossible to make, he enlisted the help of John Brewer for some of the last items, such as the ice pails. This plate shows the typical "Billingsley" roses: a beautiful naturally flowing garland of English roses interspersed with buds, trailing around a crisp gilt ribbon. The way the roses link into each other, the way each individual one is completely different, the light effects achieved by rubbing out some of the pink paint, and the very fine buds and foliage all point to these being from Billingsley's hand. This dish came together with a plate that bears labels that point to a rich provenance: the Doris Wheatley Collection, the Daniel Collection, Derek Gardner...

This is a pair of very rare and beautiful shell dishes made by Worcester around 1770 in their 1st or "Dr Wall" period. The dishes have one scrolled handle and have a shell-like shape...

This is a spectacular and rare dessert service made by Chamberlains Worcester in about 1822. The service consists of a high comport, 2 square dishes, 1 kidney shaped dish, 3 shell di...

This is a stunning and very rare dessert service made by Spode in 1822, which was the Regency era. This beautiful service, which is in perfect condition, would be fantastic for a summer dinner party! The service is made of Felspar porcelain and decorated in a beautiful pale yellow colour with an "Oeil de Perdrix" pattern and top quality floral reserves. The service consists of two lidded sauce tureens with stands, two deep rectangular dishes, two lozenge shaped dishes, one square dish, and six square dessert plates Spode was the great Pioneer among the Georgian potters in England. Around the year 1800 he perfected the bone china recipe that has been used by British potters ever since, and he was also the leading potter behind the technique of transferware, making it possible for English potters to replace the Chinese export china...

This is a beautiful teacup and saucer made by New Hall around the year 1810. The set is decorated in the very desired but rare palm tree pattern with the number 484. We also have a ...

This is a stunning dessert service made by Minton probably around the year 1830, in their "second period". The service consists of a high footed centre piece, two square dishes, two ...

This is a stunning and very rare pair of vases made by Coalport in around 1845. The vases have rich gilding in the Persian Revival style, combined with very English floral reserves of freely painted flower bouquets on a puce ground. Incorporated into the gilding on the back of the vases is a very English swan...

This is a beautiful set of a teapot, a sucrier with cover, and a plate made by Worcester in its Flight period, around 1790. You can tell from the generous size of the teapot that it ...

This is a very charming coffee cup and saucer made by Worcester in their First Period (sometimes called the Dr Wall Period) in about 1760. The items are decorated in a black overglaz...

This is a very charming milk jug with cover made by Worcester in their First Period (sometimes called the Dr Wall Period) in about 1760. The items are decorated in a black overglaze ...

This is a very rare deep plate made by Worcester around 1780. The plate has a basket weave rim and a very charming image of an Aesop fable about three foxes conversing under a large ...

This is a very rare deep plate made by Worcester around 1780. The plate has a basket weave rim and a very charming image of the Aesop fable of the horse and the donkey in the centre....

This is a beautiful set of 6 dessert plates made by Machin around 1825, which is known as the Regency period. The items have the famous "moustache" moulding picked out in gilt, a sim...

This is a very striking part dessert service made by Spode in about 1828, which is the Regency era. It is made of Spode's Imperial China and has the Frog pattern in mauve/purple. It consists of a high footed comport...

A teacup and saucer with milk jug in the “melted snow” shape with double drop handles, pale yellow ground with rich gilt and cobalt blue acanthus pattern and finely painted flower re...

A solitaire tea set consisting of a teapot with cover, a milk jug and a small cup and saucer, in “melted snow” shape, the cup with double drop handle, with deep cobalt blue ground, r...