Willa Latham Tea Sets

This is an elegant teacup quartet consisting of a small plate, a teacup, a coffee cup and a saucer, made by Minton in about 1830. The set is decorated with the beautifully hand paint...

This is a beautiful tea bowl and saucer made by Derby in about 1785. The set has the very amazing and desired "artichoke" moulding and a bright turquoise ground with the white artic...

This is a beautiful coffee cup and saucer made by Derby in about 1785. The set has the distinctive "artichoke" moulding and a bright turquoise ground with the white artichoke surface...

This is beautiful tea service consisting of a teapot with cover, a plate, a slop bowl, four teacups on saucers and four coffee cups on saucers. The service was made by the Yates fact...

This is an elegant "true trio" consisting of a teacup, coffee cup and saucer, made by Minton in about 1830. The set is decorated with the beautifully hand painted pattern no. 680 con...

A true trio consisting of a teacup, a coffee cup and a saucer, “rustic bean” shape, in deep maroon and pale yellow ground, with gilt and finely painted landscape reserves Pattern 95...

This is a very rare and stunning cabaret "solitaire" tea set, serving one. The set was made by the Flight & Barr factory in Worcester between 1792 and 1804, and it consists of a larg...

On offer is a very rare teacup and saucer made by Barr Flight & Barr in about 1810. The set has a beautifully soft salmon ground colour, an elegant gilt border motif, and beautiful m...

Any porcelain made at the Pinxton porcelain factory is rare, but to find a complete tea service is even rarer! This wonderful service was made around...

This is a very rare and stunning coffee cup and saucer made by Derby in about 1785. The set has a white ground with graceful gilding, and two stunning little landscapes painted by Za...

This is a superb coffee pot made in England between 1800 and 1825. The pot is made of pearlware and has a very charming blue transfer printed pattern of fallow deer in a snowy landscape with farm buildings. This transfer print looks like an early 19thC print; as we couldn't identify the maker it was impossible to date it exactly. A charming detail is that the rim of the cover and the footrim, which are printed with a row of houses, both are printed up side down; this was probably done by children, who often did the smaller transfer prints because their little fingers could handle the thin strips of paper better than adults. The coffeepot is unmarked. There is an old shop label on the underside stating it is "English, probably Spode" - however, although this pot is certainly English, it is certainly not Spode. CONDITION REPORT The coffee pot is in good antique and usable condition without any damage to the pot or the spout; there are just some chips off the lower rim of the cover, which are not visible when in position and are inconsequential for using the pot. As is normal for antique pearlware...

This is an extremely rare and beautiful coffee cup and saucer made by H&R Daniel some time between 1825 and 1830. The set is potted in the "plain" shape and bears pattern no. 4652 wi...

This is a spectacular 17-piece tea service serving four, made by New Hall around the year 1810. The service consists of a teapot with cover on a stand, a sucrier with cover, a milk j...

This is a beautiful teacup and saucer made by New Hall around the year 1810. The set is decorated in the very desired but rare palm tree pattern with the number 484. We also have a ...

This is a beautiful set of a teapot, a sucrier with cover, and a plate made by Worcester in its Flight period, around 1790. You can tell from the generous size of the teapot that it ...

This is a very charming coffee cup and saucer made by Worcester in their First Period (sometimes called the Dr Wall Period) in about 1760. The items are decorated in a black overglaz...

A teacup and saucer with milk jug in the “melted snow” shape with double drop handles, pale yellow ground with rich gilt and cobalt blue acanthus pattern and finely painted flower re...

A solitaire tea set consisting of a teapot with cover, a milk jug and a small cup and saucer, in “melted snow” shape, the cup with double drop handle, with deep cobalt blue ground, r...

This is a beautiful and very rare Belleek cabaret set in the Grass design, consisting of a teapot, two teacups and saucers, a milk jug and a lidded sugar bowl, all placed on a large tray. All items carry the 1st Black Mark, which was used between 1863 and 1891. It is extremely rare to come across an entire cabaret set of these antique items, particularly when in such fabulous condition, so this is a rare opportunity! If you ever thought Belleek fine china looks, sounds and feels unique, you are right. There is a back story to this extraordinarily fine Irish eggshell porcelain, which has an unusually high amount of "frit" and therefore is thinner and finer than any other china. Pottery in Belleek (in the now Northern-Irish area of Fermanagh) had started in 1849 with John Caldwell Bloomfield, who was a wealthy land owner. During the Irish famine...

A solitaire tea set consisting of a teapot with cover on a stand and a trio consisting of a teacup, a coffee cup and a saucer, in “half orange” shape with deep cobalt blue and yellow...

A teacup and saucer in the “half orange” shape, white with simple gilt rim and beautiful hand painted flower sprays Pattern unknown but similar to 1082 Year: ca 1823 Size: cup diameter 10cm (4”), saucer diameter 14.2cm (5.5”) Condition: excellent, some rubbing to gilt There are several items available in this design, please see group image and ask for more info if interested. The Samuel Alcock factory was operative in Staffordshire between 1822 and 1856, after which it was bought by Sir James Duke and Nephews. The factory started as a partnership between the young Samuel Alcock and the older Ralph Stevenson, who provided the factory and capital. Alcock quickly took the factory to great heights, building one of the biggest factories of its time. Alcock jumped on the new Rococo Revival fashion and served a huge new middle class market. The reason we now don't hear much about Samuel Alcock porcelain...

A matched solitaire tea set consisting of a teapot with cover, a sucrier with cover, a milk jug and a matched trio consisting of a teacup, a coffee cup and a saucer. With pink ground...

A teapot with cover in the “rustic bean” shape, cobalt blue ground with gilt acanthus motif and finely painted flower posies on the belly of the teapot Pattern 5782 Year: ca 1837 Si...

This is a very charming orphaned coffee cup made by the Bow Porcelain factory in about 1755. The cup is decorated in a Chinese "famille rose" peony pattern. This cup would have been part of a large tea service, and the tiny size shows how expensive coffee was in the 18th Century. The Bow Porcelain Factory was one of the first potteries in Britain to make soft paste porcelain, and most probably the very first to use bone ash, which later got perfected by Josiah Spode to what is now the universally used "bone china". Bow was the main competitor of the Chelsea Porcelain Factory, but where Chelsea made very fine slipcast porcelain, Bow made a different soft paste porcelain that tended to be softer and could be pressed into moulds. Bow served a larger public generally at lower prices. The factory was only in operation between 1743 and 1774, after which the tradition got incorporated into some of the later famous potteries such as Worcester and Derby. The cup is unmarked, which is normal for Bow items of this era. Condition report the cup is in excellent condition without any damage or repairs. There are various glazing imperfections, which are quite normal for porcelain of this era. Antique British porcelain...

This is a stunning tea service made by New Hall in circa 1795. The service is made of hybrid hard paste porcelain and decorated in a bold Chinoiserie pattern of large flower sprays. The service consists of a teapot with cover, a milk jug, a slop bowl, and six tea bowls with saucers. This service has provenance; it came from the collection of David Redstone, the well known porcelain expert who wrote leading books on Bow and Chelsea porcelain. The New Hall factory started as a cooperative of several Staffordshire potters making use of the porcelain license of Bristol Porcelain...

This is a beautiful chocolate cup set made by Chelsea-Derby between 1770 and 1775, which was the Rococo era. The set consists of a cup, a saucer and a cover, and is decorated in a st...

This is a beautiful teapot made by Caughley around 1785, decorated with the "Compagnie des Indes" pattern with bold pink flower sprays and a pink s...

PLEASE NOTE THE NUMBER OF TRIOS IN THIS SERVICE HAS BEEN REDUCED FROM SIX TO FOUR, AND THE PRICE HAS BEEN REDUCED ACCORDINGLY. IT NOW IS AN 18-PIECE SERVICE. This is spectacular full tea service for four made by New Hall around the year 1810. The service consists of a teapot with cover, a sucrier with cover, a milk jug, four trios each consisting of a teacup, a coffee can and a saucer, a cake plate (saucer dish) and a slop bowl. The set is decorated in the super-charming and popular but very rare Elephant pattern...

This is an extremely rare Belleek cabaret set for two, or "tête-à-tête", made in the Erne series brought out in the 1890s. The items carry the 2nd Black Mark, used between 1891 and 1926. The set consists of a teapot, a milk jug, a sugar bowl, two teacups and saucers, and a large matching tray. This set is very fine and with its restrained cream-white colour it would make a wonderful wedding gift! If you ever thought Belleek fine china looks, sounds and feels unique, you are right. There is a back story to this extraordinarily fine Irish eggshell porcelain, which has an unusually high amount of "frit" and therefore is thinner and finer than any other china. Pottery in Belleek (in the now Northern-Irish area of Fermanagh) had started in 1849 with John Caldwell Bloomfield, who was a wealthy land owner. During the Irish famine he realised that unless he would find a way for his tenants to make a profit off the land, they would starve. Agriculture had become impossible due to the agricultural diseases. This caused millions to starve and more millions to leave. As an amateur mineralogist, John Caldwell Bloomfield realised that his land had exactly the right mineral deposits to be used as clay for porcelain. He involved several investors and scientists and after many years of research, trial, error, the building of a railway line to import coal from England, and building a factory, the Belleek pottery resulted, employing the local people and soon producing the finest china made with clay from the Belleek area. What had started as a way to fend off famine among the local tenants had became a story of incredible success by the 1880s as Queen Victoria fell in love with the fine white china and the many homely, slightly bizarre but nature-loving designs; this was different from English tradition, yet it was very much to the taste of the British who had developed a real love for home-made fine china since it was introduced in the late 18th Century. Belleek not only brought out many tea services, but started a new tradition of intricately woven porcelain baskets. Soon the English nobility started to place big orders and the pottery is still flourishing today and selling its wares the world over, while in England most potteries have long disappeared. Belleek made many cabaret services, often called breakfast services or "tête-à-tête" services; these were used to carry breakfast tea up to the bedroom. Queen Victoria bought one in the Echinus style during a visit to the factory in the 1860s, and ever since Belleek's cabaret services have been in great demand. Nowadays there are very few of these left and it is rare to find a full service like this. The Erne series was named after the river right besides the Belleek factory. This river forms the border between the Republic of Ireland and Northern Ireland, with the factory on the Northern Irish end of the bridge at Belleek. The pattern seems to be a play on the baskets and nets of the fishermen who once fished the abundant trout and salmon on the river Erne and the lake that belongs to it. The items carry the second Black Mark, which was used between 1891 and 1926, however the very fine quality of the porcelain indicates that most pieces of the set are more likely to be from the 1890s than from the 20th Century. You will see that the shade of cob lustre is different on each item; this is normal for Belleek tea sets...

This is a beautiful orphaned teacup made by Spode in about 1810. It bears a lavish Japanese-inspired Imari pattern. Spode was the great pioneer among the Georgian potters in England. Around the year 1800 he perfected the bone china recipe that has been used by British potters ever since, and he was also the leading potter behind the technique of transferware, making it possible for English potters to replace the Chinese export china, which had come to an end around that time, with their own designs. This was fundamental to a thriving industry that would last for about 150 years and provide half the world with their tableware. Spode porcelain is regarded as one of the highest quality porcelains around; for a soft-paste porcelain it is surprisingly hard and fine, and has a wonderful bright white colour. The pattern on this can is called "Dollar" pattern, a very famous pattern that was used by English potters in the 18th and early 19th Century. It is obvious why it is called “dollar” - but its origin is less obvious! It is thought that this pattern was derived from a very old Chinese pattern depicting a tree with elaborate foliage that hides a Chinese character representing longevity or happiness. Traditionally, this went with a an image called “Taotie”, which was used on very ancient bronze vases...