Glenn Green Galleries

Shoji, woodblock print by Clifton Karhu, round, framed, brown, white, yellow framed woodblock print hand signed and numbered by the artist

Koshihata Snow, woodblock print by Clifton Karhu, white, Japan, framed, signed 1975 hand signed and numbered

Cake Shop, woodblock print by Clifton Karhu, red, yellow, black, framed, Japan hand signed and numbered

Animal Stack - They Help Each Other, sculpture by Melanie Yazzie multi-color limited edition sculpture 40 Contact the gallery for completion times and de...

Heliconia plant, basket, Wounaan Tribe, palm fiber, natural dyes, red, black The baskets are made by the Wounaan and Embera Indians from the Darien Rainforest in Panama. The Wounaa...

Grandfather, sculpture by Melanie Yazzie, turquoise,contemporary,Native American limited edition As a printmaker, painter, and sculptor, my work draws upon my rich Diné heritage. T...

Fandango, by Rodger Jacobsen, figurative, bronze, sculpture, steel, pedestal Rodger Jacobsen’s sculpture is at once inspiring, amusing, and quite frankly, amazing. Inspiring, in the...

Slumber by Rodger Jacobsen fabricated steel sculpture sleeping man in bed humor Rodger Jacobsen’s sculpture is at once inspiring, amusing, and quite frankl...

Long Gone, by Rodger Jacobsen, female, nude, bronze, sculpture, stone base Long Gone, by Rodger Jacobsen female nude bronze sculpture, stone base Rodger Jacobsen’s sculpture is at...

Mana (Girl), Hopi Kachina lithograph by Dan Namingha black and white hand pulled color lithograph signed and numbered by the artist unframed

hand pulled lithograph edition 100 signed and numbered by the artist unframed

Speckled Corn Kachina, Dan Namingha, lithograph, Hopi, kachina, blue, orange hand pulled limited edition lithograph signed and numbered by the artist Glenn Green Galleries also pr...

Mystic Images, Dan Namingha lithograph Hopi contemporary abstract Kachina images limited edition hand pulled color lithograph

Uncle of the Corn Dancers, Hopi, kachina, lithography Dan Namingha hand pulled limited edition lithograph signed and numbered by the artists

Truckin', by Rodger Jacobsen, female figure, bronze sculpture, steel base,brown bronze sculpture on a fabricated steel pedestal Truckin' by Rodger Jacobsen, female figure, bronze ...

Athena, concrete sculpture by Troy Williams, female, nude, steel, green, cement intentionally distressed to give an antique look

Turquoise Woman, sculpture, by Troy Williams, wood, turquoise, steel, nude

Puma Plaque, Wounaan, Darien Rainforest, Basket, Black, white, red, handwoven

Kachina Figures, by Dan Namingha, green, black, framed, Hopi, drawing, katsina

BarkerLee Yazzie Keeps Cool at Ganado Lake, Navajo, Dog, bronze, sculpture, by Melanie A Yazzie numbered, open edition As a printmaker, painter, and sculptor, my work draws upon my rich Diné (Navajo) heritage. The work I make attempts to follow the Diné (Navajo) dictum “walk in beauty” literally, creating beauty and harmony. As an artist, I work to serve as an agent of change by encouraging others to learn about social, cultural, and political phenomena shaping the contemporary lives of Native peoples...

Seed Pod in Spring Shower, by Melanie Yazzie, painting, dogs, abstract, pink Melanie Yazzie works in a wide range of media that include printmaking, pai...

Two Minds Meeting, Melanie Yazzie large red sculpture, animals, people, Navajo Melanie A. Yazzie "Two Minds Meeting" fabricated aluminum with powder...

Through The Ages by Toko Shinoda, black and white signed lithograph calligraphy 11/35 obituary published by CNN March 2021 Celebra...

Processions,painting by Brenda Kingery,contemporary Chickasaw art,large abstract horizontal Cahoon Museum of American Art In her most recent works, Ki...

Treasure Mounds, by Brenda Kingery, abstract, painting, Chickasaw, large, tan Treasure Mounds, abstract painting by Brenda Kingery, Chickasaw, large, t...

Animal Stack-They Help Each Other, sculpture by Melanie Yazzie, Navajo, Silver limited edition of 8 As a printmaker, painter, and sculptor, my work draws...

Chuck Jones, bronze portrait, Bugs Bunny, Roadrunner, Marvin the Martian PorkyPig Portrait of Warner Brothers cartoonist Chuck Jones. One in the edition i...

Andromeda, white marble, female figure, waves, chain, nude, classical sculpture In Greek mythology, Andromeda is the daughter of Cepheus and Cassiopeia, king and queen of ancient Et...

Dance With Wisdom, Khang Pham-New, pink, granite, abstract, sculpture, outdoor, indoor Granite sculpture for outdoor or indoor installation. Sculpture garden ready with a connected base. Granite is durable and easy to care for and can withstand all climates. We first saw his sculptures when they were featured in an outdoor sculpture Biennale in Vancouver with many notable and established sculptors (like Magdalena Abakanowicz, Dennis Oppenheim, Albert Paley, Bill Reid, and Yoko Ono). His work stood out to us and we’ve represented Khang internationally ever since, exhibiting and placing his sculptures in public and private collections for the last 11 years. The response has been amazing. His abstract biomorphic shapes are contemplative and beautiful to view. Khang says: “It is my passion to create monumental sculpture. I invite the viewer to touch and interact with the work. It is especially nice to see small children in and around the large pieces.” Pham-New is interested in the art and form of sculpture as a basis for contemplation and meditation. Khang Pham was born in war-torn South Vietnam...

Nuska, Portrait of a Girl, bronze portrait, 1924, unique Isamu Noguchi (Japanese American 1904 - 1988); "Nuska, The Deaf Girl"; cire perdu cast bronze with complex dark patina on bronze base; 15 x lOx 8 inches; base 4.5 x 5.75 x 5,75 inches; signature quilled under and at back - "Isamu"; foundry stamp quilled in wax at the back - "Roman Bronze Works N.Y." Excellent condition. "Nuska, The Deaf Girl" is included in the Catalogue Raisonne of Noguchi's sculpture by Nancy Grove and Dianne Botnick (Garland, 1980) as Number 21. It is currently listed in the digital catalogue being assembled by the Isamu Noguchi Museum in Long Island City, New York as Number 10. This is apparently a unique casting, not part of an edition. This is an apparently early, cire perdu bronze cast by Roman Bronze Works, probably when the foundry was located in the Louis Comfort Tiffany red...

diptych, ocean scene in Greece

Salmon River, contemporary mixed media large-scale painting blue orange black horizontal John Hogan A graduate of Northeast Louisiana State Univ...

Jealousy, bronze edition sculpture of a man with two women, Eduardo Oropeza Jealousy, bronze and straw sculpture of a man with two women edition of 12

Current, abstract painting by Glenn Green, red, black, blue, yellow on canvas

Disconnect, wood sculpture by Troy Williams, telephone, cell phone tower, steel Hand-carved wood bust on a fabricated steel cell phone tower. The figure is talking into a cell phone...

Around Five, horse painting by Melanie Yazzie, blue, red, black, abstract, white

Horizontes (Horizons), Eduardo Oropeza, bronze friends sculpture, monumental Eduardo Oropeza HORIZONTES (Horizons) 96 x 15 x 12 61.25x 35.5 x 15.5 b...

Making New Friends, teal aluminum sculpture Korean & Navajo Women outdoor heart New sculpture featured in the exhibit for Melanie Yazzie at the Whe...

Slumber, Rodger Jacobsen bronze sculpture skinny man sleeping bed with a big head Slumber, small bronze sculpture skinny man sleeping bed with a big head...

This new sculpture is based on a linoleum block she cut for a print. It is now in aluminum. It can be displayed as shown or mounted on a wall.

Grandmother, silver totem abstract sculpture Navajo contemporary,indoor, outdoor limited edition of 8 Base measures 1.5" thick aluminum 36 wide 29 depth tapers to 21 As a printma...

Strength From Within, aluminum, turquoise, Navajo, sculpture, Melanie Yazzie limited edition of 8 powder coated​ aluminum This sculpture is a self-portrait of my state of mind when...

Waiting For His Lover, Paul Moore bronze sculpture, Native American Flute Outdoor or indoor life size bronze sculpture Paul Moore WAITING FOR HIS L...

Jealousy, bronze edition sculpture of a man with two women, Eduardo Oropeza Jealousy, bronze and straw sculpture of a man with two women edition of 12

Contemplating the Angel by Eduardo Oropeza, bronze sculpture, angel, church limited edition of 25 bronze and straw/twigs Sculptor, painter, printmaker, & photographer, Eduardo Oropeza remains a commanding presence in contemporary art. He applied a high level of devotion and integrity to his artwork. After the many years he had been working at his chosen profession, he saw being an artist as a tremendous gift, which honored and humbled him. A native of California's San Joaquin Valley and long time resident of East Los Angeles, Oropeza's academic training began with the study of Sociology. After taking an art course, he ultimately changed majors and received a Master of Fine Arts degree in sculpture from San Jose State. Post graduate work followed at San Jose, San Diego State at Long Beach and Palomar College. Oropeza’s contribution to public art in Los Angeles can be seen in a ceramic mosaic covering the 2 story Self Help...

Making New Friends, medium, aluminum sculpture, Female figures, Korean, Navajo Limited edition of 8 Once an order is received, the sculpture will be...

Winter, horse painting by Melanie Yazzie, blue, red, black, white frame, Navajo

Apache Hunter, limited edition lithograph by Allan Houser, horseback hunter hand-pulled black and white lithograph printed in Santa Fe, New Mexico unframed edition of 75 Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selected Collections Centre Georges Pompidou, Paris, France * “They’re Coming”, bronze Dahlem Museum, Berlin, Germany Japanese Royal Collection, Tokyo, Japan “The Eagle”, black marble commissioned by President William J. Clinton United States Mission to the United Nations, New York City, NY *"Offering of the Sacred Pipe”, monumental bronze by Allan Houser © 1979 Presented to the United States Mission to the United Nations as a symbol of World Peace honoring the native people of all tribes in these United States of America on February 27, 1985 by the families of Allan and Anna Marie Houser, George and Thelma Green and Glenn and Sandy Green in New York City. National Portrait Gallery, Smithsonian, Washington, DC * Portrait of Geronimo, bronze National Museum of American Art, Smithsonian, Washington, D.C. * “Buffalo Dance Relief”, Indiana limestone National Museum of the American Indian, Smithsonian, Washington, D.C. *Sacred Rain Arrow, (Originally dedicated at the US Senate Committee on Indian Affairs, US Senate Building) “Goat”, “To The Great Spirit” - dedicated in 1994 at the Vice President’s Residence in Washington, D.C.. Ceremony officiated by Hillary Rodham Clinton and Tipper Gore. Oklahoma State Capitol, Oklahoma City, Ok * “As Long As the Waters Flow”, bronze Gilcrease Museum, Tulsa, OK *Sacred Rain Arrow, bronze Fort Sill, Oklahoma *”Chiricahua Apache Family”, bronze Donated and dedicated to Allan Houser’s parents Sam and Blossom Haozous by Allan Houser and Glenn and Sandy Green The Heard Museum, Phoenix, Arizona *Earth Song, marble donated by Glenn and Sandy Green   The Clinton Presidential Library, Arkansas * “May We Have Peace”, bronze The George H.W. Bush Presidential Library, College Station, Texas *"Offering to the Great Spirit", bronze The British Royal Collection, London, England *Princess Anne received "Proud Mother", bronze in Santa Fe Allan Houser’s father Sam Haozous, surrendered at the age of 14 with Geronimo and his band of Warm Springs Chiricahua Apache people in 1886 in Southern Arizona. This was the last active war party in the United States. This group of Apache people was imprisoned for 27 years starting in Fort Marion, Florida and finally living in captivity in Fort Sill, Oklahoma. Allan Houser was born in 1914. His artwork is an ongoing testimony to Native life in America – its beauty, strength and poignancy. Allan Houser is from the culture and portrayed his people in an insightful and authentic way. Because of the era in which he lived, he had a rare understanding of American Indian life. Allan was the first child born after the Chiricahua Apaches were released from 27 years of captivity. Allan grew up speaking the Chiricahua dialect. Allan heard his father’s stories of being on the warpath with Geronimo and almost nightly heard his parents singing traditional Apache music. Allan’s father knew all of Geronimo’s medicine songs. Allan had an early inclination to be artistic. He was exposed to many Apache ceremonial art forms: music, musical instruments, special dress, beadwork, body painting and dynamic dance that are integral aspects of his culture. His neighbors were members of many different tribes who lived in Oklahoma. Allan eagerly gained information about them and their cultures. Allan gathered this information and mentally stored images until he brought them back to life, years later, as a mature artist. Allan Houser was represented by Glenn Green Galleries (formerly known as The Gallery Wall, Inc.) from 1973 until his death in 1994. The gallery served as agents, advocates, and investors during this time. In 1973 the Greens responded enthusiastically to the abstraction and creativity in Houser’s work. They were impressed, not only with his versatility and talent but with the number of mediums he employed. His subject matter was portrayed in styles ranging from realism, stylized form to abstraction. With encouragement from the Greens, Houser at the age of 61, retired from his post as the head of the sculpture department at the Institute of American Indian Arts in Santa Fe, New Mexico in 1975 to begin working full-time creating his art. The next 20-year period was an exciting time for Allan, the gallery, and for the Green family. He created a large body of sculpture in stone, wood and bronze. For many years Glenn Green Galleries co-sponsored many editions of his bronzes and acted as quality control for the bronze sculptures according to Houser’s wishes. As both agents and gallery representatives, the Greens promoted and sold his art in their galleries in Phoenix and Scottsdale, Arizona and in Santa Fe, New Mexico. They had bi-annual exhibits in their galleries to feature Houser’s newest work and sponsored and arranged international museum shows in America, Europe and Asia. They travelled for these events including a trip to Carrara, Italy to the famed quarries of Michelangelo and together co-financed and arranged the purchase of 20 tons of marble. A watershed event for Allan Houser’s career occurred in the early 1980’s when Glenn Green Galleries arranged with the US Information Agency a touring exhibit of his sculpture through Europe. This series of exhibits drew record attendance for these museums and exposed Houser’s work to an enthusiastic art audience. This resulted in changing the perception of contemporary Native art in the United States where Houser and Glenn Green Galleries initially faced resistance from institutions who wanted to categorize him in a regional way. The credits from the European exhibits helped open doors and minds of the mainstream art community in the United States and beyond. Senator Daniel Inouye of Hawaii was a supporter of Allan Houser’s artwork. We worked with Senator Inouye on many occasions hosting events at our gallery and in Washington D.C in support of the formation of the Smithsonian’s National Museum of the American Indian in Washington, D.C. and other causes supporting Native Americans. Allan Houser is shown below presenting his sculpture “Swift Messenger” to Senator Inouye in Washington, D.C.. This sculpture was eventually given to the National Museum of the American Indian, Smithsonian’s permanent collection. It is now currently on loan and on display in the Oval Office. President Biden’s selection of artwork continues our gallery’s and Allan’s connection to the White House from our time working with Allan Houser from 1974 until his passing in 1994. “It was important for President Biden to walk into an Oval that looked like America and started to show the landscape of who he is going to be as president,” Ashley Williams...

Desert Breeze, Sculpture by Allan Houser Haozous, Bronze, Cloaked Figures,Apache Allan Houser was represented by Glenn Green Galleries (formerly known a...

Breaking Bronze, abstract painting by Brenda Kingery, Chickasaw, large, tan, red Cahoon Museum of American Art With a mature looseness and freedom tha...

Shared Dreams, stone, sculpture, by Allan Houser, Texas steatite, mother, child signed by the artist at the base of the child's blanket Allan Houser (Haozous), Chiricahua Apache 191...

Silver Cloud, by Glenn Green, painting, blue, silver, red, abstract, textured

The Dream, by Melanie Yazzie, Navajo, painting, vertical, turtle, blue, green As a printmaker, painter, and sculptor, my work draws upon my rich Diné (Navajo) heritage. The work I m...

Grandmother, by Melanie Yazzie, sculpture, edition, aluminum, red, abstract limited edition of 40. Available in red or silver. Inquire with the gallery for additional color options...

Morning Song, by Melanie Yazzie, work on paper, monotype, female, red, blue

Travel In Dreams, by Melanie Yazzie, work on paper, abstract, yellow, green

She Speaks To Me, by Melanie Yazzie, monotype, abstract, red, blue, framed

Apache Mountain Spirit Dancer 1, bronze sculpture, multicolored patina Goseyun cast and fabricated bronze sculpture depicting an Apache Mountain Spiri...

Apache Mountain Spirit Dancers, lithograph, black & white, Allan Houser hand pulled black and white lithograph edition printed in Santa Fe, New Mexico L...

Grandmother, Melanie Yazzie, red sculpture, abstract, Navajo, outdoor, indoor Melanie Yazzie GRANDMOTHER 60" fabricated aluminum © 2018 60...