Green Square Copenhagen Ceramics

Hydria vase Borrowing the generous silhouette of amphoras from ancient Greece, this stunning ceramic vase results from a painstaking artisan crafting pr...

Magma pen holder A movement frozen in time like the magma solidifed in obisidian. Result of a sudden break in the heating process followed by a fast cooling down of the piece, thi...

This Pickling Jar was once used to pickle eggs and features a wonderful array of hand-painted motifs which include birds, foliage and other subtle symbols and patterning. The hand-pa...

Antique Chinese Qing dynasty (1644-1911) late 19th century bottle vase. The vase with a red crackle glaze to the outisde and a cream crackle glaze to the interior. The vase of bottle...

This finely glazed ginger jar or vase in powder blue made in the early first quarter of the 19th century exhibits the best of Chinese monochrome porcelains...

Akuma No Me vases A combination of crackle', burnt effect and copper, derived from the raku techinque , underline the fleeting nature of the subject that has a particular effect d...

Decisione vase Metal and ceramics are combined together in this stunning result of a modern raku bowl where the different materials shine on their own and where metallic and crack...

A sublime Chinese celadon glazed shallow dish or charger, Qing Dynasty, mid 18th century, China. Beautifully glazed, with a carved decoration of a group of lotus, leaves, stalks and blossoms. The interior wall with radiating S-shaped lines, a motif that is repeated on the wide rim of the dish. The back undecorated. Glazed all-over with an even bright celadon glaze, with some attractive areas of crackle. Ex. Butterfield's, San Francisco. Plate stand for display...

Cratere Vase Named after the Italian for crater, the design of this handcrafted ceramic bowl flaunts a singular design of speckles and crackles. The white look on the interior - a...

A fantastic pair of Chinese molded and glazed biscuit porcelain vases with leaping dragon fish or makara, late Qing dynasty, circa 1900. The vases of balu...

A gorgeous Chinese monochrome red flambé glazed bottle vase, called a tianqiuping, Qing Dynasty, late 19th century. The voluptuous body o...

A sublime and rare pair of Chinese white glazed porcelain figures of Guanyin, attributed to Tang Ying (1682 - 1756), Qing Dynasty, Qianlong Period, China. This ethereal pair of white glazed porcelain figures depict the revered Buddhist Goddess of Mercy, Guanyin. Guanyin is portrayed standing, wearing heavy robes that drape beautifully around her figure. Bare feet peek out from under the hem of the robes. Her hair piled in a high chignon and covered by a cowl. The treatment of the hair, finely textured, unglazed, and with remnants of darker pigment, is typical of works by Tang Yin (1682 - 1756), who was the head of the imperial porcelain works at Jingdezhen. Guanyin's beatific face is set in a serene smile, with a small, flat nose, and downcast, heavily lidded, almond shaped eyes. A simple beaded necklace graces her chest. Her hands held out, and may have once held attributes. The hands were originally removable, but have since been permanently attached. The figures crafted of a fine porcelain and glazed all over in a supple white glaze. One figure bears a label from the Rafi Mottahedeh collection to the back. Provenance: Chinese Porcelain Company...