Greenwich Oriental Antiques More Asian Art, Objects and Furniture

A wonderful Japanese Buddhist portable traveling zushi shrine altar with Amida Buddha (Amitabha) concealed inside the folded wood doors. This work dat...

A late Qing Dynasty period giltwood architectural panel on red ground, with floral motifs, set in new frame. Delve into the rich tapestry of the late Qing Dynasty period with this gi...

A wonderful, brightly coloured and somewhat rare fully intact Japanese Buddhist monk/ priest's Kesa ceremonial silk robe. Kesa (which came from the Chinese word "kasaya") robes have been handmade/handstitched by monks/priests as an act of devotion as ceremonial robes for centuries in various Asian cultures (Japanese, Chinese, Korean, Vietnamese, Indian, etc). The kesa is a rectangular garment designed to be worn over the left shoulder (see example image). The robes are made (often in a patchwork column pattern ranging from five, seven, nine or more pannels) specifically for fully ordained Buddhist monks, priests and nuns and are made from donations of exquisite textiles from wealthy patrons of Japanese Buddhist temples. The robes were used in daily ceremonies, temple gatherings, and private meditation. Antique Kesa robes...

A Tibetan Thangka Buddhist painting hand-painted on canvas, created for the veneration of the Three Great Bodhisattvas. Embrace the rich tradition of Tibetan Buddhism with this vibra...

Tang Dynasty (618 - 907) Sancai glazed pottery horse TL Tested The cream-glazed horse is naturalistically modelled standing on a rectangular base, with the mane, tail and hooves highlighted in amber glaze. The head is gracefully curved to the left, with a green and amber glazed saddle and blanket and foliate-shaped plaques detailed with moulded toads suspending from the trappings. Measures: Height: 14.24 Inches (36.2 cm) Width: 15.5 Inches (39.35 cm) Depth: 6 Inches (15.2 cm) Provenance: An English private collection, acquired in Hong Kong in the 1980s A Certificate of Authenticity will accompany this item along with a lucite base. Condition; Excellent with one repair to right side saddle blanket. Some remaining frustrations throughout with areas of oxidation and a fine craquelure throughout. A formidable piece that presents beautifully. Notes: The present sancai horse...

Magnificent Prancing Horse in Orange Terracotta with Traces of Yellow Painting. With its Anterior right Leg raised. TL Test by ASA Francine Maurer Laboratory. It was during the "gol...

A very nice blockprint 30-5-18-pm-3341 Condition / Overall Condition Perfect. Size frame: 242x 274mm. Period 19th century Meiji Periode (1867-1912)

Magnificent standing horse in orange terracotta and traces of painting. With a finely decorated saddle and with the mane and tail hair braided. TL Test by Ralph Kotalla Lab NE: 09K12...

Chinese framed print detail of larger painting. Expertly framed with double mats of linen and simulated bamboo featuring gold leaf edging on both mats. "Han-Kan Bringing Tribute" New...

Tang Equestrian with detachable rider 12h Early Tang unglazed pottery is characterized by its realism and elegant shape of the horse. This equestrian has a detachable female rider. ...

A stunning antique Tibetan Thangka with an embroidered border, circa mid to late 19th Century. It depicts Yamantaka or Vajrabhairava, a wrathful manifestation of Manjusri, the bodhisattva of wisdom, and in other contexts functions as a dharmapala, or 'Dharma-protector'. The buffalo head deity Vajrabhairava is one of the three principal meditation deities of the Gelug School. He is shown with nine faces in the Yab Yum...

Evolving from the Korean tradition of tomb mural painting came the Buddhist practice of “taenghwa,” or hanging-painting, a form of religious painting that included hanging scrolls, framed paintings and wall murals. Influenced by Chinese and Central Asian Buddhist art...