H. Gallery Chairs

These “Ekerö” chairs are often compared to Axel Einar Hjorth’s Utö model, and not without a reason. These models are often mentioned together thanks to their material and visual rese...

This pair of chairs might seem bold and rugged at first glance, however, at closer inspection, it is clear that the design is very well-thought-out; the lines are precisely sculpted,...

Three legs, a seating and a backrest are the basic principles to form the base for each chair of the “P60” series. During the creation process, each piece gets its own, unique charac...

Three legs, a seating and a backrest are the basic principles to form the base for each chair of the “P60” series. During the creation process, each piece gets its own, unique charac...

Mid-Century Modern furniture have been mainly designed for the urban home in mind. With sleek outlines, sculptural details and strong design sensibility with timeless flair, furnitur...

Designed in 1946 by Norwegian designers, Adolf Relling & Frederik Kayser, these so called “Kaminstolen” are a distinct pair thanks to their peculiar frame. The name can be roughly translated as “fireplace or stove chair”. Besides the unique look, these chairs’ manufacturer is also noteworthy as many of the Norwegian classic furniture pieces from the 1950s and 60s first saw the light of day at the furniture factory Arnestad bruk in Vollen. The fireplace chair as an expression refers to all kinds of chairs placed in front of fireplaces, connected by a single shared characteristic: their comfort. Here, comfort refers to both the ergonomic and visual aspect. Fireplace chairs usually come in pairs and feature an upholstered body designed for relaxing. The wooden frames are very precisely crafted, showcasing the exciting angles and forms predominantly on the arms. At the same time, while there are numerous sharp angles and corners, the chairs still exude a cosy and welcoming appearance which is a result of the smoothed edges of the arms and legs. Both Relling and Kayser were of great importance for the functionalist furniture...

In 1944, Niels Otto Møller founded J.L. Møllers Møbelfabrik in Denmark, a company that has received many awards, including the Danish Furniture Prize in 1974 and 1981. Møller is an important representative of Danish postwar design and had always been committed to excellence and the use of the finest materials. Clean, simple designs and the quality of materials and workmanship are why Nordic design is timeless. This “model 67” chair...

This so-called “tête a tête” bench from Tibet is a truly unique and historic piece. Furniture from Tibet generally brings to mind hand-painted wooden creations with religious and folk patterns and exceptional craftsmanship. This love seat from the 1800s is a much less decorated, but nonetheless an amazing piece to behold. There are two types of love seats, this form is known as a tête-à-tête, courting...

This chair was originally designed by the Dutch Benedictine monk and architect, Dom Hans van der Laan for the Abbey Church of St. Benedictusberg located near the Dutch town of Vaals. This easy chair is in an untouched condition. It was made of pinewood and feature copper nails, giving this piece an understated, rustic look. The chair was entirely painted grey, including the nails. The main focus of van der Laan’s design was functionality and rationality, which is reflected in the openings on the sides and on the back that serves the purpose of joining multiple pieces together. This chair is a beautiful piece of Dutch design history. Although Dom van der Laan left a small body of work behind, his legacy is highly regarded in the world of architecture. The St. Benedictusberg Abbey in Vaals and its interior quickly became his masterpiece at the age of 53. Condition: In good vintage condition. Wear consistent with age and use. Item has some small marks and scratches. Dimensions: 21.2 in W x 20.8 in D x 37.4 in H 54 cm W x 53 cm D x 95 cm H About the designer: Dom Hans van der Laan (1904-1991) was the ninth of the eleven recorded children of Leiden architect Leo van der...

This Howard Keith “Bambino” armchair is a piece of history of a company, HK Furniture, and mid-century English design. By absorbing creative influences from abroad, but formulating a distinctive home-grown approach, Howard Keith was among the British designers to pioneer the use of new materials and manufacturing techniques, whilst maintaining links with the vernacular tradition. The Bambino chair...

This sculptural chair by French designer, Alain Gaubert is an eye-catching nod to minimalist design. The construction is as ingeniously simple as it is visually striking. The chair is made of solid oak, and each was crafted using just two planes that intersect at the base. The exquisitely spare design of this “Africanist” chair...

The "Stora Kraal" easy chair was originally designed by Kerstin Hörlin-Holmquist in 1952, and was quickly incorporated into Nordiska Kompaniet’s famous Tri...

Kaare Klint’s “KK47000” Safari chair is a refined version of the chairs brought on an African safari by an American cinematographer and his wife. Klint noticed the chairs in the couple’s photos, and they were most likely based on Roorkhee Chairs, the seminal pieces of British campaign furniture used by the military...

The Baule Tribe from the Ivory Coast of West Africa is well-known for their artistic tribal art, sculptures, and furniture. With a rich cultural history, their creations are also full of history both visually and in their execution. This beautiful pair of chairs is the visual epitome of the tribe’s talents. The thin, wooden yokes...

This elemental chair and table are a beautiful example of the collaboration between Dutch designer Tom Bruinsma and Mobach ceramics. These fully glazed...