Heather James Fine Art Figurative Photography
to
3
9
4
1
Overall Width
to
Overall Height
to
13
1
1
3
12
1
1
10
4
13
8
7
5
5
5
3
3
2
2
2
2
2
1
1
1
1
1
1
1
9
3
1
3
1
1
10
1
14
Marilyn Monroe
Located in Palm Desert, CA
A photograph by Lawrence Schiller. ""Marilyn Monroe"" is a nude, figurative vintage silver gelatin photograph in black and white by American Post-War artist Lawrence Schiller. Lawrence Schiller only remembers the 60s in this way: Fast. As in: Blur. Which is, for those who lived through it, as accurate a description as one is likely to find about the decade that began with optimism and ended in chaos. It was ten years of turmoil and exploration. And through this turbulent and tumultuous decade, it often seemed that whenever a headline-making news event occurred, Lawrence Schiller was there. Schiller was not just lucky to be in the right place at the right time; he was prescient. He was there to cover the event, to add to it, to help us see it, to aid its meaning and its depth. ""It was a time in which things happened awfully fast,"" Schiller says of the decade. ""It was a wild, wild period; an uncontrolled period. I don’t think you had any sense of perspective in the 60s. You had to wait and look back at it, because it was a period in which things were happening that had no rhyme or reason to it. But by the end of the ‘60s I had covered so many stories, had so many magazine covers, I had somehow become part of that decade’s history. And I already had my eye on the future.""
When Lawrence Schiller got the assignment from the French magazine, Paris Match to photograph Marilyn Monroe on the 20th Century Fox set of Something’s Got to Give, he thought nothing of it. It wasn’t to be a private, studio shoot. He wasn’t going to set up lights, create backgrounds, or use a tripod. Just another assignment, he figured. Monroe by then was firmly established as a figment in the imagination of most young men. The orphan Norma Jean had recreated herself as the blonde bombshell Marilyn Monroe. She’d appeared in twenty-nine films by the time Schiller photographed her in black and white and color in May, 1962. The world was unprepared for the moment when Marilyn jumped in the swimming pool in a flesh-colored bikini and came up out of the water au natural. She was all smiles and in her element: the sex goddess...
Category
Mid-20th Century Post-War Black and White Photography
Materials
Silver Gelatin
$28,000 Sale Price
20% Off
After Hours
By Marilyn Minter
Located in Palm Desert, CA
"After Hours" is a photograph by Marilyn Minter and is a chromogenic print. The framed photograph measures 87 1/2 x 57 3/4 x 2 in. The piece is edition 1 of 3. The work is part of her "Dirty" series.
Marilyn Minter was born in Shreveport, Louisiana in 1948 and raised in Florida. As a student at the University of Florida...
Category
2010s Photorealist Abstract Photography
Materials
C Print
Satiric Dancer
By Andre Kertesz
Located in Palm Desert, CA
"Satiric Dancer" is a photograph by Andre Kertesz. The photograph is signed verso, "Paris 1926, A. Kertesz". The framed piece measures 18 1/4 x 15 1/4 x 3/4 in.
Kertész's work was i...
Category
1920s Modern Figurative Photography
Materials
Silver Gelatin
Marilyn 12, No. 17
By Lawrence Schiller
Located in Palm Desert, CA
Marilyn Monroe (splash), Something's Got To Give, May 23, 1962
Edition 6 of 15
Category
1960s Post-War Photography
Materials
Platinum
Marilyn 12, No. 29
Located in Palm Desert, CA
A photograph by Lawrence Schiller. “Marilyn 12, No. 29” is a chromogenic print in color by American artist Lawrence Schiller. The artwork is unsigned and editioned 72/75.
Lawrence Sc...
Category
Mid-20th Century Post-War Figurative Photography
Materials
Color
$14,400 Sale Price
20% Off
Elliott Gould, Donald Sutherland, Jo Anne Pflug
Located in Palm Desert, CA
A photograph by Lawrence Schiller. “Elliott Gould, Donald Sutherland, Jo Anne Pflug” is a vintage silver gelatin photograph in black and white by Ame...
Category
Mid-20th Century Post-War Figurative Photography
Materials
Silver Gelatin
Paul Newman and Robert Redford, Butch Cassidy and the Sundance Kid
Located in Palm Desert, CA
A photograph by Lawrence Schiller. “Paul Newman and Robert Redford, Butch Cassidy and the Sundance Kid” is a vintage silver gelatin photograph in black and white by American artist L...
Category
Mid-20th Century Post-War Portrait Photography
Materials
Silver Gelatin
Barbra Streisand (photo session)
Located in Palm Desert, CA
A photograph by Lawrence Schiller. “Barbra Streisand (photo session)” is a figurative photograph, vintage silver gelatin photograph in black and white by American artist Lawrence Sch...
Category
Mid-20th Century Post-War Portrait Photography
Materials
Silver Gelatin
Paul Newman in the motion picture "Cool Hand Luke"
Located in Palm Desert, CA
A photograph by Lawrence Schiller. “Paul Newman in the motion picture "Cool Hand Luke” is a figurative, silver gelatin photograph in black and white by ...
Category
Mid-20th Century Post-War Portrait Photography
Materials
Silver Gelatin
Robert Kennedy, San Diego
Located in Palm Desert, CA
A photograph by Lawrence Schiller. “Robert Kennedy, San Diego” is a figurative photograph, vintage silver gelatin photograph in black and white by American artist Lawrence Schiller. The artwork is signed on the verso.
Lawrence Schiller only remembers the 60s in this way: Fast. As in: Blur. Which is, for those who lived through it, as accurate a description as one is likely to find about the decade that began with optimism and ended in chaos. It was ten years of turmoil and exploration. And through this turbulent and tumultuous decade, it often seemed that whenever a headline-making news event occurred, Lawrence Schiller was there. Schiller was not just lucky to be in the right place at the right time; he was prescient. He was there to cover the event, to add to it, to help us see it, to aid its meaning and its depth. "It was a time in which things happened awfully fast," Schiller says of the decade. "It was a wild, wild period; an uncontrolled period. I don’t think you had any sense of perspective in the 60s. You had to wait and look back at it, because it was a period in which things were happening that had no rhyme or reason to it. But by the end of the ‘60s I had covered so many stories, had so many magazine covers, I had somehow become part of that decade’s history. And I already had my eye on the future."
When Lawrence Schiller got the assignment from the French magazine, Paris Match to photograph Marilyn Monroe on the 20th Century Fox set of Something’s Got to Give, he thought nothing of it. It wasn’t to be a private, studio shoot. He wasn’t going to set up lights, create backgrounds, or use a tripod. Just another assignment, he figured. Monroe by then was firmly established as a figment in the imagination of most young men. The orphan Norma Jean had recreated herself as the blonde bombshell Marilyn Monroe. She’d appeared in twenty-nine films by the time Schiller photographed her in black and white and color in May, 1962. The world was unprepared for the moment when Marilyn jumped in the swimming pool in a flesh-colored bikini and came up out of the water au natural. She was all smiles and in her element: the sex goddess...
Category
Mid-20th Century Post-War Figurative Photography
Materials
Silver Gelatin
Barbra Streisand (in her hotel room)
Located in Palm Desert, CA
A photograph by Lawrence Schiller. “Barbra Streisand (in her hotel room)” is a figurative photograph, vintage silver gelatin photograph in black and white by American artist Lawrence Schiller. The artwork is signed on the verso.
Lawrence Schiller only remembers the 60s in this way: Fast. As in: Blur. Which is, for those who lived through it, as accurate a description as one is likely to find about the decade that began with optimism and ended in chaos. It was ten years of turmoil and exploration. And through this turbulent and tumultuous decade, it often seemed that whenever a headline-making news event occurred, Lawrence Schiller was there. Schiller was not just lucky to be in the right place at the right time; he was prescient. He was there to cover the event, to add to it, to help us see it, to aid its meaning and its depth. "It was a time in which things happened awfully fast," Schiller says of the decade. "It was a wild, wild period; an uncontrolled period. I don’t think you had any sense of perspective in the 60s. You had to wait and look back at it, because it was a period in which things were happening that had no rhyme or reason to it. But by the end of the ‘60s I had covered so many stories, had so many magazine covers, I had somehow become part of that decade’s history. And I already had my eye on the future."
When Lawrence Schiller got the assignment from the French magazine, Paris Match to photograph Marilyn Monroe on the 20th Century Fox set of Something’s Got to Give, he thought nothing of it. It wasn’t to be a private, studio shoot. He wasn’t going to set up lights, create backgrounds, or use a tripod. Just another assignment, he figured. Monroe by then was firmly established as a figment in the imagination of most young men. The orphan Norma Jean had recreated herself as the blonde bombshell Marilyn Monroe. She’d appeared in twenty-nine films by the time Schiller photographed her in black and white and color in May, 1962. The world was unprepared for the moment when Marilyn jumped in the swimming pool in a flesh-colored bikini and came up out of the water au natural. She was all smiles and in her element: the sex goddess...
Category
Mid-20th Century Post-War Portrait Photography
Materials
Silver Gelatin
Barbra Streisand (fur hat)
Located in Palm Desert, CA
A photograph by Lawrence Schiller. “Barbra Streisand (fur hat)” is a figurative photograph, vintage silver gelatin photograph in black and white by American artist Lawrence Schiller. The artwork is signed on the verso.
Lawrence Schiller only remembers the 60s in this way: Fast. As in: Blur. Which is, for those who lived through it, as accurate a description as one is likely to find about the decade that began with optimism and ended in chaos. It was ten years of turmoil and exploration. And through this turbulent and tumultuous decade, it often seemed that whenever a headline-making news event occurred, Lawrence Schiller was there. Schiller was not just lucky to be in the right place at the right time; he was prescient. He was there to cover the event, to add to it, to help us see it, to aid its meaning and its depth. "It was a time in which things happened awfully fast," Schiller says of the decade. "It was a wild, wild period; an uncontrolled period. I don’t think you had any sense of perspective in the 60s. You had to wait and look back at it, because it was a period in which things were happening that had no rhyme or reason to it. But by the end of the ‘60s I had covered so many stories, had so many magazine covers, I had somehow become part of that decade’s history. And I already had my eye on the future."
When Lawrence Schiller got the assignment from the French magazine, Paris Match to photograph Marilyn Monroe on the 20th Century Fox set of Something’s Got to Give, he thought nothing of it. It wasn’t to be a private, studio shoot. He wasn’t going to set up lights, create backgrounds, or use a tripod. Just another assignment, he figured. Monroe by then was firmly established as a figment in the imagination of most young men. The orphan Norma Jean had recreated herself as the blonde bombshell Marilyn Monroe. She’d appeared in twenty-nine films by the time Schiller photographed her in black and white and color in May, 1962. The world was unprepared for the moment when Marilyn jumped in the swimming pool in a flesh-colored bikini and came up out of the water au natural. She was all smiles and in her element: the sex goddess...
Category
Mid-20th Century Post-War Portrait Photography
Materials
Silver Gelatin
$16,000 Sale Price
20% Off
Marilyn 12, No. 37, Black and White Photograph of Marilyn Monroe
By Lawrence Schiller
Located in Palm Desert, CA
This is a black and white portrait of Marilyn Monroe with sparklers photographed by Lawrence Schiller in 1962. Edition 72/75
Lawrence Schiller only remembers the 60s in this way: Fa...
Category
1960s Post-War Photography
Materials
Platinum
Marilyn Platinums #35
By Lawrence Schiller
Located in Palm Desert, CA
Edition 72/75
Lawrence Schiller only remembers the 60s in this way: Fast. As in: Blur. Which is, for those who lived through it, as accurate a description as one is likely to find...
Category
1960s Post-War Photography
Materials
Platinum
Related Items
Torero Back
By Michael Crouser
Located in New York, NY
Toned gelatin silver print
Signed, titled, dated, and numbered, recto
14 x 11 inches, sheet
(Edition of 25)
20 x 16 inches, sheet
(Edition of 25)
24 x 20 inches, sheet
(Edition of...
Category
1990s Other Art Style Black and White Photography
Materials
Silver Gelatin
Tina Turner at hungry-i, San Francisco, 1967
By Baron Wolman
Located in Westwood, NJ
A very special Platinum Palladium artist proof (AP) print of Tina Turner performing at the Hungry-i in San Francisco on November 23rd 1967 which was to became the cover of Rolling S...
Category
Late 20th Century Contemporary Black and White Photography
Materials
Platinum
The Rolling Stones I - black and white photography
By Phillip Townsend
Located in New York, NY
This photo was taken a few minutes before the Stones appeared on 'Thank Your Lucky Stars' at ATV studios in Birmingham in 1963. This was their first TV appearance and Phillip caught ...
Category
1960s Modern Black and White Photography
Materials
Silver Gelatin
$2,000 Sale Price
20% Off
H 27.56 in W 37.41 in D 0.4 in
Elephants Walking Through Grass, Amboseli – Nick Brandt, Elephants, Photography
By Nick Brandt
Located in Zurich, CH
NICK BRANDT (*1966, England)
Elephants Walking Through Grass, Amboseli
2008
Platinum print
Image 58.42 x 106.68 cm (23 x 42 in.)
Sheet 76 x 111.2 cm (29 7/8 x 43 3/4 in.)
Edition of ...
Category
Early 2000s Contemporary Figurative Photography
Materials
Platinum
$141,434
H 29.93 in W 43.78 in
He Exudes a Powerful Fragrance Like Horses Do
By Bill Costa
Located in New York, NY
Gelatin silver print (Edition of 5)
Signed and numbered, verso
This artwork is offered by ClampArt, located in New York City.
Category
Late 20th Century Other Art Style Nude Photography
Materials
Silver Gelatin
Slim Aarons Estate Print - Dali And Gala 1955 - Oversize
By Slim Aarons
Located in London, GB
Dali And Gala
Spanish artist Salvador Dali (1904 – 1989) enjoying a cup of coffee with his wife Gala (1894 – 1982) on a terrace at the Ritz Hotel, Madrid.
Paper size 20 x 20" inch...
Category
1950s Modern Figurative Photography
Materials
Black and White, Silver Gelatin
"Carol McCallson Scavullo Taylor, East Hampton" figurative, photograph, cat
By Francesco Scavullo
Located in Sag Harbor, NY
A black and white photograph of the artist's wife, fashion model, Caroll McCallson, and their cat in their home in East Hampton. Matted and framed under glass.
Category
20th Century Contemporary Figurative Photography
Materials
Silver Gelatin, Photographic Paper
'Quiet Moment' (Limited Edition)
By Edward Feingersh
Located in London, GB
'Quiet Moment' by Ed Feingersh
Actress Marilyn Monroe relaxes on a couch in her hotel room at the Ambassador Hotel on March 24, 1955 in New York City, New York.
A beautiful and mor...
Category
1950s Modern Black and White Photography
Materials
Silver Gelatin
After Callahan
By Chuck Samuels
Located in New York, NY
Gelatin silver print (Edition of 20)
Signed and numbered on label, verso
From the series, "Before the Camera"
This artwork is offered by ClampArt, located in New York City.
Chuck S...
Category
1990s Contemporary Nude Photography
Materials
Silver Gelatin
George Platt Lynes Vintage 1949 Photograph #1 of dancer Francisco Moncion
By George Platt Lynes
Located in Glenford, NY
George Platt Lynes Photograph #1 of dancer Francisco Moncion 1949.
George Platt Lynes rare original vintage 1949 gelatin silver photogra...
Category
1940s Post-War Photography
Materials
Silver Gelatin
$1,200
H 9.5 in W 7.75 in D 0.07 in
Bryce - In Celebration of Pride Month
By Sebastian Perinotti
Located in New Orleans, LA
Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community.
THIS VINTAGE SILVER GELATIN PRINT IS FROM AN EDITION OF 3, Bryce was taken in Osaka, Japan at Abeno Harukas, Japan’s tallest building. The photograph was shot on 35mm film on a Contax T3
Sebastian...
Category
2010s Photorealist Nude Photography
Materials
Silver Gelatin
George Platt Lynes Vintage 1949 Photograph #9 of dancer Francisco Moncion
By George Platt Lynes
Located in Glenford, NY
George Platt Lynes Photograph #9 of dancer Francisco Moncion 1949.
George Platt Lynes rare original vintage 1949 gelatin silver photograph of dancer Francisco Moncion. Stamped on verso - GEORGE PLATT LYNES. Photo is 7 3/4 x 9 1/2 inches, glossy finish in excellent condition.
This photograph is #9 from a collection of 12 different poses in this series taken in Platt Lynes's NYC studio in 1949 (as per the NY Public Library archives). The cloud backdrop is recognizable in other Platt Lynes photographs. Moncion was a personal friend of Platt Lynes and this photograph is from Moncion's personal photographic collection.
George Platt Lynes (1907–1955), was a gregarious American portrait, dance, fashion, and male nude photographer whose career spanned the late 1920s through the early 1950s. From age eighteen, Lynes entered the cosmopolitan world of the American expatriate community in Paris when he became acquainted with the salon of Gertrude Stein and Alice B. Toklas. He began photographing authors like Stein, Jean Cocteau, André Gide, and Colette and soon established himself as one of the premier fashion photographers in the Condé Nast stable, documenting the ballet companies of George Balanchine/Lincoln Kirstein, and pursuing a private obsession with seductive images of young male nudes rarely published in his lifetime. Platt Lynes photographs are in the collections of every major art museum and university archive including the Metropolitan Museum of Art, Museum of Modern Art, Yale Art Museum, and the Smithsonian.
Francisco Moncion (July 6, 1918 – April 1, 1995) was a charter member of the New York City Ballet. Over the course of his forty year career, choreographers George Balanchine, and Jerome Robbins in the New York City Ballet created 22 major roles for Moncion including the Dark Angel in Orpheus, Death in La Valse, Prince Ivan in Firebird, and the Boy in Afternoon of a Faun. He was also a choreographer and a talented painter who exhibited alongside Miro, Picasso and Carrado Cagli. Moncion was a popular model for many famed mid-century (late 1930s, 1940s - 1950s) figure photographers including Platt Lynes, Carl van Vechten, Maurice Seymour...
Category
1940s Post-War Photography
Materials
Silver Gelatin
$1,200
H 9.5 in W 7.75 in D 0.07 in