Items Similar to Marilyn Platinums #35
Want more images or videos?
Request additional images or videos from the seller
Lawrence SchillerMarilyn Platinums #351962
1962
About the Item
Edition 72/75
Lawrence Schiller only remembers the 60s in this way: Fast. As in: Blur. Which is, for those who lived through it, as accurate a description as one is likely to find about the decade that began with optimism and ended in chaos. It was ten years of turmoil and exploration. And through this turbulent and tumultuous decade, it often seemed that whenever a headline-making news event occurred, Lawrence Schiller was there. Schiller was not just lucky to be in the right place at the right time; he was prescient. He was there to cover the event, to add to it, to help us see it, to aid its meaning and its depth. "It was a time in which things happened awfully fast," Schiller says of the decade. "It was a wild, wild period; an uncontrolled period. I don’t think you had any sense of perspective in the 60s. You had to wait and look back at it, because it was a period in which things were happening that had no rhyme or reason to it. But by the end of the ‘60s I had covered so many stories, had so many magazine covers, I had somehow become part of that decade’s history. And I already had my eye on the future."
- Creator:Lawrence Schiller (1936, American)
- Creation Year:1962
- Dimensions:Height: 30 in (76.2 cm)Width: 40 in (101.6 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Palm Desert, CA
- Reference Number:
Lawrence Schiller
The themes of celebrity and scandal anchor much of Lawrence Schiller’s diverse body of work, which spans from photography and nonfiction writing to directing Oscar-winning films including Butch Cassidy and the Sundance Kid (1969) and The Man Who Skied Down Everest (1972). Schiller achieved early success as a photojournalist, publishing photographs of movie stars, athletes, and politicians in magazines and newspapers worldwide. Schiller’s most iconic images capture a nude Marilyn Monroe filming a pool scene for the motion picture Something’s Got to Give, just a few months before her death in 1962. In addition to his memoir Marilyn & Me (2012), Schiller has published eleven books over the course of his career, many with his lifelong collaborator Norman Mailer.
About the Seller
4.8
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Established in 1996
1stDibs seller since 2011
101 sales on 1stDibs
Typical response time: 6 hours
- ShippingRetrieving quote...Ships From: Palm Desert, CA
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- Marilyn 12, No. 37, Black and White Photograph of Marilyn MonroeBy Lawrence SchillerLocated in Palm Desert, CAThis is a black and white portrait of Marilyn Monroe with sparklers photographed by Lawrence Schiller in 1962. Edition 72/75 Lawrence Schiller only remembers the 60s in this way: Fa...Category
1960s Post-War Photography
MaterialsPlatinum
- Marilyn 12, No. 17By Lawrence SchillerLocated in Palm Desert, CAMarilyn Monroe (splash), Something's Got To Give, May 23, 1962 Edition 6 of 15Category
1960s Post-War Photography
MaterialsPlatinum
- Marilyn MonroeLocated in Palm Desert, CAA photograph by Lawrence Schiller. ""Marilyn Monroe"" is a nude, figurative vintage silver gelatin photograph in black and white by American Post-War artist Lawrence Schiller. Lawrence Schiller only remembers the 60s in this way: Fast. As in: Blur. Which is, for those who lived through it, as accurate a description as one is likely to find about the decade that began with optimism and ended in chaos. It was ten years of turmoil and exploration. And through this turbulent and tumultuous decade, it often seemed that whenever a headline-making news event occurred, Lawrence Schiller was there. Schiller was not just lucky to be in the right place at the right time; he was prescient. He was there to cover the event, to add to it, to help us see it, to aid its meaning and its depth. ""It was a time in which things happened awfully fast,"" Schiller says of the decade. ""It was a wild, wild period; an uncontrolled period. I don’t think you had any sense of perspective in the 60s. You had to wait and look back at it, because it was a period in which things were happening that had no rhyme or reason to it. But by the end of the ‘60s I had covered so many stories, had so many magazine covers, I had somehow become part of that decade’s history. And I already had my eye on the future."" When Lawrence Schiller got the assignment from the French magazine, Paris Match to photograph Marilyn Monroe on the 20th Century Fox set of Something’s Got to Give, he thought nothing of it. It wasn’t to be a private, studio shoot. He wasn’t going to set up lights, create backgrounds, or use a tripod. Just another assignment, he figured. Monroe by then was firmly established as a figment in the imagination of most young men. The orphan Norma Jean had recreated herself as the blonde bombshell Marilyn Monroe. She’d appeared in twenty-nine films by the time Schiller photographed her in black and white and color in May, 1962. The world was unprepared for the moment when Marilyn jumped in the swimming pool in a flesh-colored bikini and came up out of the water au natural. She was all smiles and in her element: the sex goddess...Category
Mid-20th Century Post-War Black and White Photography
MaterialsSilver Gelatin
- Barbra Streisand (photo session)Located in Palm Desert, CAA photograph by Lawrence Schiller. “Barbra Streisand (photo session)” is a figurative photograph, vintage silver gelatin photograph in black and white by American artist Lawrence Sch...Category
Mid-20th Century Post-War Portrait Photography
MaterialsSilver Gelatin
- Barbra Streisand (in her hotel room)Located in Palm Desert, CAA photograph by Lawrence Schiller. “Barbra Streisand (in her hotel room)” is a figurative photograph, vintage silver gelatin photograph in black and white by American artist Lawrence Schiller. The artwork is signed on the verso. Lawrence Schiller only remembers the 60s in this way: Fast. As in: Blur. Which is, for those who lived through it, as accurate a description as one is likely to find about the decade that began with optimism and ended in chaos. It was ten years of turmoil and exploration. And through this turbulent and tumultuous decade, it often seemed that whenever a headline-making news event occurred, Lawrence Schiller was there. Schiller was not just lucky to be in the right place at the right time; he was prescient. He was there to cover the event, to add to it, to help us see it, to aid its meaning and its depth. "It was a time in which things happened awfully fast," Schiller says of the decade. "It was a wild, wild period; an uncontrolled period. I don’t think you had any sense of perspective in the 60s. You had to wait and look back at it, because it was a period in which things were happening that had no rhyme or reason to it. But by the end of the ‘60s I had covered so many stories, had so many magazine covers, I had somehow become part of that decade’s history. And I already had my eye on the future." When Lawrence Schiller got the assignment from the French magazine, Paris Match to photograph Marilyn Monroe on the 20th Century Fox set of Something’s Got to Give, he thought nothing of it. It wasn’t to be a private, studio shoot. He wasn’t going to set up lights, create backgrounds, or use a tripod. Just another assignment, he figured. Monroe by then was firmly established as a figment in the imagination of most young men. The orphan Norma Jean had recreated herself as the blonde bombshell Marilyn Monroe. She’d appeared in twenty-nine films by the time Schiller photographed her in black and white and color in May, 1962. The world was unprepared for the moment when Marilyn jumped in the swimming pool in a flesh-colored bikini and came up out of the water au natural. She was all smiles and in her element: the sex goddess...Category
Mid-20th Century Post-War Portrait Photography
MaterialsSilver Gelatin
- Paul Newman and Robert Redford, Butch Cassidy and the Sundance KidLocated in Palm Desert, CAA photograph by Lawrence Schiller. “Paul Newman and Robert Redford, Butch Cassidy and the Sundance Kid” is a vintage silver gelatin photograph in black and white by American artist L...Category
Mid-20th Century Post-War Portrait Photography
MaterialsSilver Gelatin
You May Also Like
- Watching the horse races with binoculars, Deauville, FranceBy Robert CapaLocated in Los Angeles, CARobert Capa (born Endre Ernő Friedmann October 22, 1913 – May 25, 1954) was a Hungarian–American war photographer and photojournalist. He is considered by some to be the greatest com...Category
1950s Post-War Black and White Photography
MaterialsSilver Gelatin
- Jerry, ProvincetownLocated in London, GBSilver print, titled (verso) by Paul Cadmus, 11cm x 13cm, (33cm x 38cm framed). the work is framed behind museum quality non-reflective UV glass. In 1937, the painters, Paul Cadmus...Category
1940s Post-War Figurative Photography
MaterialsSilver Gelatin
- Rufuse VeilBy Hendrik KerstensLocated in Morton Grove, ILC- Print A very rare photograph by Hendrik Kerstens. Edition of 6 Perfect condition and beautifully framed. "In 1995, Hendrik Kerstens picked up his camera to document the fleeting ...Category
Early 2000s Post-War Figurative Photography
MaterialsPhotographic Paper
- Elephants Walking Through Grass, Amboseli – Nick Brandt, Elephants, PhotographyBy Nick BrandtLocated in Zurich, CHNICK BRANDT (*1966, England) Elephants Walking Through Grass, Amboseli 2008 Platinum print Image 58.42 x 106.68 cm (23 x 42 in.) Sheet 76 x 111.2 cm (29 7/8 x 43 3/4 in.) Edition of ...Category
Early 2000s Contemporary Figurative Photography
MaterialsPlatinum
- BalenciagaBy David BaileyLocated in London, GBPlatinum palladium print, framed, Signed by the artist, on verso Image: 40.6 x 40.6 cm (sheet: 57 x 57 cm), Framed: 60.5 x 60.5 cm Edition of 10 David Bailey is a renowned British...Category
1960s Modern Figurative Photography
MaterialsPlatinum
- Orb WeaverBy David JohndrowLocated in Dallas, TXEdition of 15 Signed, titled, dated and print type. Platinum palladium print Paper size: 13 1/4 x 11 3/4 in., Image size: 10 x 10 in. While integrating photography and his passion ...Category
21st Century and Contemporary Contemporary Black and White Photography
MaterialsPlatinum
Recently Viewed
View AllRead More
Penelope Gottlieb’s Comic-Style Painting Is a Requiem for a Vanished Flower
This piece may look like Pop art fun, but embedded within is a message of a planet on the brink.
10 Reasons Art Collectors Are Obsessed with Andy Warhol
More than three decades after his death, the prolific Pop artist and cultural icon's body of work continues to captivate. Here's a primer of some of his most notable motifs and mediums.
More Ways To Browse
At 35
Vintage War Photography
Retro Back To The Future Art
Live Aid
Lawrence Schiller Marilyn
Vintage 1969 Image
Black And White Vintage Images
Contemporary Women Art
Large Print Photography
Vintage Colour Photography
Unique Photo
Signed David
Space Photography
Iconic Photography
Blue Photo
Intimate Art
On Runing
Vintage Black White Photographs