Howgego Historic & Modern Tapestries

The embroidered appliques in fine silk and gold and silver threadwork with coloured glass, sequins and mirror simulating jewels in deep relief worked onto the original red velvet tex...

A rare, late-18th century, silk, embroidered, double hemisphere, world map, blackwork, sampler, showing the tracks of captain cook’s three voyages - Illustrating public understanding of the world in the late-18th century and the recent discoveries of the time delineating the tracks of Captain Cook’s three voyages. - Shows the incentive for further exploration during the 19th century as no mass is indicated within the southern polar region, the interior portions of western North America, Africa, and Australia are still relatively void of detail even though California is no longer shown as an island. - Includes beautifully worked allegories of the four continents Asia, the Americas, Africa & Europe, a cartouche being supported by two angels and a compass - The cream, silk ground is finely embroidered with a variety of stiches in black, silk threads emulating the black ink on maps. -“Recent international conflicts and voyages by Captain Cook and others made the study of geography exciting at the time this map was made. Elaborate embroidered maps...

-Attractive tapestry unusually depicting a large Baroque country house or mansion with turrets in the background -The four exotic birds in the foregro...

John Piper (British,1903-1992) : Stones of bath, blue screenprinted fabric, by Sandersons, London, 1962 In the late 1950's to the early 60's there was interest in painterly textiles...

JOHN PIPER CH (BRITISH,1903-1992) :CHIESA DELLA SALUTE, VENICE Screenprinted fabric, printed by Sandersons, 1959 In the late 1950's to the early 60's there was interest in painterly textiles that demonstrated the unique potential of screen printing, with its ability to capture the quality of brush-stroked colour "The monumental grandeur of many artists' textiles in the early 1960's was necessary if they were to work in the large scale architectural interiors of the era which witnessed a rapid growth in new public buildings, all which required furnishing with suitably prestigious fabrics". The painterly design is one of five fabrics designed by John Piper (1902-1993) for A Century of Sanderson 1860-1960, Sanderson's prestigious Centenary Collection. This study of the Chiesa della Salute church in Venice was taken from Piper's 1959 travels when he was commissioned by the Arthur Jeffress Gallery in London. He then regularly made paintings of the city, and drew illustrations for an edition of Adrian Stokes...

- Exceptionally rare pair of large, Rococo Chinoiserie blue & white cotton bed curtains. Measures: 4ftwide 7ft9"hig. - Chinoiserie was the height of fashion during the Rococo and these hangings would have been a luxury item, making a exotic statement in the bedroom. They have been used as wall hangings for the last 35 years. - From a private collection, purchased 35 years ago from a set of six removed from a Chateau in France. One was purchased by Nina Campbell...

Spetchley park, Bargello, silk, bed curtains adapted into wall hangings in the 19th century • The use of silk, patterning and size suggests that these striking Bargello hangings were almost certainly conceived as bed curtains. In the Green Chamber at Parham House the State Bed is hung with Bargello curtains, pelmets and valences c1620. Like the Parham bed curtains, the Spetchley Park bed curtains have two horizontal pattern repeats in each drop. Needless to say, surviving bed curtains from this period are exceptionally rare as they had value as hangings and for upholstering domestic objects when removed from the bed. • The Spetchley Park bed curtains are really beautiful and luxurious. They were made as elite objects and have not lost their gravitas or their character and charm. • The Spetchley Park bed curtains were adapted into wall hangings in the 19th century. They are versatile and could easily be reinstated as curtains or panels within larger curtains. • Bargello work has a classic timeless quality to it and blends with most decorative schemes whether period or contemporary Each panel is made from two sections of bargello. The step (pattern) comprising two rows of short vertical stitches over two threads of graduating numbers of stitches up and down with two rows of long vertical stiches over six threads of graduating numbers of stitches up and down. Worked in graduating shades of blue, green, brown, red, tan and ivory silks on a hessian ground. The four edges of each hanging are faced with a 19th century, dusky pink fan...

Exceptionally rare, Italian, 17th century, green and ivory, damask, linen, woven bedcover - Made as a luxury item in the mid-17th century, woven with a damask pattern characteristic...

The gilded, stylised scrolling foliage design is embossed into the grey leather enhancing the effect of the relief. The eighteen panels were pressed from moulding blocks which were m...