Chinoiserie Toile Hangings Curtains French Blue & White Rococo

Exceptionally rare, Italian, 17th century, green and ivory, damask, linen, woven bedcover - Made as a luxury item in the mid-17th century, woven with a damask pattern characteristic...

An exceptional, museum quality, ottoman, baroque, gold velvet bedspread, hanging, bedcover or table cloth embroidered with gold threadwork and embelli...

Spetchley park, Bargello, silk, bed curtains adapted into wall hangings in the 19th century • The use of silk, patterning and size suggests that these striking Bargello hangings were almost certainly conceived as bed curtains. In the Green Chamber at Parham House the State Bed is hung with Bargello curtains, pelmets and valences c1620. Like the Parham bed curtains, the Spetchley Park bed curtains have two horizontal pattern repeats in each drop. Needless to say, surviving bed curtains from this period are exceptionally rare as they had value as hangings and for upholstering domestic objects when removed from the bed. • The Spetchley Park bed curtains are really beautiful and luxurious. They were made as elite objects and have not lost their gravitas or their character and charm. • The Spetchley Park bed curtains were adapted into wall hangings in the 19th century. They are versatile and could easily be reinstated as curtains or panels within larger curtains. • Bargello work has a classic timeless quality to it and blends with most decorative schemes whether period or contemporary Each panel is made from two sections of bargello. The step (pattern) comprising two rows of short vertical stitches over two threads of graduating numbers of stitches up and down with two rows of long vertical stiches over six threads of graduating numbers of stitches up and down. Worked in graduating shades of blue, green, brown, red, tan and ivory silks on a hessian ground. The four edges of each hanging are faced with a 19th century, dusky pink fan...

The mentmore towers, stateroom curtains magnificent & exceptionally rare set of three, massive, Gothic Revival, silk velvet, rust coloured, embossed & gilt embroidered & applique curtains Exceptional Provenance : The Staterooms, Mentmore Towers, Baron Mayer Amschel de Rothschild, Mentmore Towers. Bernard Nevill (1930-2019), Fonthill, Wiltshire acquired from the Mentmore sale Sotheby Parke Bernet, Mentmore House, May 1977 Ilustrated World of Interiors, Positively Victorian, 20.02.02 The silk velvet embossed...

Each with a damask pattern of scrolling foliage, peonies, tulips and fruit. Massive pattern repeat, see image. Original braid. Cleaned and conserved. Measures: Two height 315 cm., 124 in., width 107 cm., 42 in., One height 295 cm, 116 in., width 109.5 cm., 43 in., From the collection of the 1st Viscount Cowdray, Cowdray Park, Sussex, supplied by Lengyon & Co, circa 1910. Francis Lenyon, Lenyon & Co, Lenyon & Morant Born in England in 1877, Lenyon was trained as a cabinetmaker and studied at the South Kensington Museum in London. By 1900, he found work with Art Workshops, Ltd., and soon after with Charles Duveen, son of Sir Joseph Duveen. Employed by C.J. Charles for several years, Lenyon became well-known as cabinetmaker to England's aristocracy. He opened his own firm, Lenyon & Co., in 1904, and in 1912 merged with Morant & Co., to become Lenyon & Morant, holding royal warrants under four successive British kings. In 1910, Lenyon made his first visit to the United States to supervise the interior decoration of Whitlaw Reid, and soon opened a New York branch of his firm. As in England, Lenyon 's American clients were wealthy and sophisticated and relied on Lenyon to furnish authentic and reproduction interiors in period styles. In the 1930s, Lenyon was hired by Nelson Rockfeller to serve as a major consultant to the reconstruction of Colonial Williamsburg in Virginia, and selected all the furnishings for the Governor's Palace there. Lenyon was widely known for his expertise in 17th and 18th century British furniture...

John Piper (British,1903-1992) : Stones of bath, blue screenprinted fabric, by Sandersons, London, 1962 In the late 1950's to the early 60's there was interest in painterly textiles...

French vintage flower printed linen and cotton curtains Dimensions : Hanging length 96" Width (each) 47" One curtain is made up of thre...

Naomi Clark paints abstract, vibrant, amoeba-like shapes in single solid colors on silk noil fabric to create Amoeba Curtains fabric. Sold by the yard (36" x 55"), these curtains can...

Naomi Clark paints abstract, vibrant, amoeba-like shapes in single solid colors on silk noil fabric to create Amoeba curtains fabric. Sold by the yard (36" x 55"), these curtains can...

Naomi Clark paints abstract, vibrant, amoeba-like shapes in single solid colors on silk noil fabric to create Amoeba Curtains Fabric. Sold by the yard (36" x...

Made in 2013 by Naomi Clark Wool blanket with dye, paint and appliqué Naomi Clark’s Quilt Paintings are made from vintage camp blankets culled f...

Brightly-coloured vintage French tapestry palace interior scene with fountains, arches and flowers etc.