Jack Meier Gallery Abstract Paintings

“Cloud over colors” Mixed media on canvas 20" x 20" Harmony and Contrast by Mexican artist Nancy Rullan. Artist Statement :This is a piece that represents harmony and contrast for...

“Ephemeral Window” Mixed media on canvas 20" x 20" This artwork symbolizes change and transformation, as it represents the ephemeral nature of life and the importance of adapting t...

“Broken Cloud” Mixed media on canvas Atmosphere Mexican Artist Bound by Rules 20" x 20" This artwork represents creativity, as it can be seen as pieces of a puzzle that need to b...

“Suspended Cloud” Mixed media on canvas Atmosphere Mexican Artist Bound by Rules 24" x 24" This painting by Mexican artist Nancy Rullan explores the feeling of being restricted or...

Pondering Acrylic on Canvas Contemporary Abstract Texas Artist, Blues, 48x36 is an contemporary abstract painting by Texan artist Eleanor McCarthy. Eleanor McCarthy uses acrylic ...

Danger is Contemporary Representational Art of a Canadian Landscape with a twist of Abstract. Gallery Wrapped. “Whatever my particular aim is, atmosphere is a constant when concei...

Sky a Muse for the Sea I employs exuberant impassioned colors laid on a canvas in an Abstract style. The artist finds inspiration in her abstract paintings in the coastlines of Cal...

Clowning Around is a 12" x 12" drip painting by Texan artist Marthann Masterson. Clowning Around is acrylic on canvas. It is finished on the sides so there is no need for a frame co...

Living The Good Life Drip Painting Contemporary Abstract Acrylic on Canvas Living the Good Life is an contemporary abstract acrylic drip painting by Marthann Masterson. It is 24"...

A Ray of Light is a new painting by Marthann Masterton completed in her Houston studio. It is 48" x 36" , acrylic on canvas. They say that if you do what you love, you’ll never work...

Florabundance Acrylic on Canvas Contemporary Abstract 40" x 40" Water ...

Eastern Glades#7 Acrylic on Canvas Contemporary Abstract 36" x 24" Inspiration for Eastern Glades #7 ...

Good Times Drip Painting Abstract Plethora of Colors Contemporary Art Good Time is a new acrylic drip painting by Houston artist Marthann Masterson completed in April 2025 in her ...

Woodland Waltz Acrylic on Canvas Bright Colors New Work 2025 36" x 36" Gallery Wrapped Woodland Waltz is a contemporary abstract painting by Texan artist Eleanor McCarthy. It can also be described as a abstract landscape or floral painting. Eleanor McCarthy uses acrylic paints on canvas to create the soothing colors in her new contemporary paintings that were just painted in 2025. LOOK FOR SHIPPING DISCOUNT QUOTE WHEN YOU CHECK OUT. Every client sees a different image when looking at Florescence She is inspired by the scenery of Texas, Southwestern Colorado, and Europe. Eleanor has recently begun to pursue non-representational painting and has enjoyed exploring the process of abstraction in creating new works of art. She has added acrylic painting and mixed media application to her artworks. Also shown is Florescence which is 36" x 30". Eleanor graduated from Tulane University with a BA in Sociology and from Southern Methodist University School of Law with a JD. Eleanor began to pursue painting after her children went to college. She has studied with Nancy Paris Pruden in Houston for the last 20 years and for two years with Arielle Masson at the Glassell School of Art. Eleanor has furthered her training with painting workshops in Texas, Colorado and Washington State under Mitch Albala, Jeanne Mackenzie, Joshua Been...

Florescence Acrylic on Canvas Bright Floral Colors New Work 2025 40" x 36" Gallery Wrapped Florescence is an contemporary abstract painting by Texan artist Eleanor McCarthy. It can also be described as a abstract landscape or floral painting. Eleanor McCarthy uses acrylic paints on canvas to create the soothing colors in her new contemporary paintings that were just painted in 2025. LOOK FOR SHIPPING DISCOUNT QUOTE WHEN YOU CHECK OUT. Every client sees a different image when looking at Florescence She is inspired by the scenery of Texas, Southwestern Colorado, and Europe. Eleanor has recently begun to pursue non-representational painting and has enjoyed exploring the process of abstraction in creating new works of art. She has added acrylic painting and mixed media application to her artworks. Also shown is Woodland Waltz which is 36" x 36" Eleanor graduated from Tulane University with a BA in Sociology and from Southern Methodist University School of Law with a JD. Eleanor began to pursue painting after her children went to college. She has studied with Nancy Paris Pruden in Houston for the last 20 years and for two years with Arielle Masson at the Glassell School of Art. Eleanor has furthered her training with painting workshops in Texas, Colorado and Washington State under Mitch Albala, Jeanne Mackenzie, Joshua Been...

Remembering Success 48”x48” Oil on Canvas Abstract Art Red Bold Colors. As life often does, the life of Marilyn Biles has come full circle since her life as a fashion illustrat...

Approaching Autumn 54 x 48 abstract oil on canvas Colors $4600 Seasons As life often does, the life of Marilyn Biles has come full circle since her life as a fashion illustratio...

Pewter Wash 48”x48” Oil on Canvas Abstract Art Soothing Colors Gray Tones As life often does, the life of Marilyn Biles has come full circle since her life as a fashion illustrati...

Shangri-La 54”x48” Oil on Canvas Abstract Art Bold Colors Red Shapes As life often does, the life of Marilyn Biles has come full circle since her life as a fashion illustration stu...

Overlapping Blue w/ Orange 47 x 47 Abstract Art Bold Colors $4400 Shapes Other painting by Marilyn Biles shown in images As life often does, the life of Marilyn Biles has come f...

As life often does, the life of Marilyn Biles has come full circle since her life as a fashion illustration student at Moore College of art in Philadelphia. Marilyn also had the gre...

As life often does, the life of Marilyn Biles has come full circle since her life as a fashion illustration student at Moore College of art in Philadelphia. Marilyn also had the grea...

Eastern Glades#6 Acrylic on Canvas Contemporary Abstract 36" x 24" Inspiration for Eastern Glades #6 is from the Memorial Park Conservancy Also shown are other paintings by Eleanor McCarthy. Commissions available. As the first significant project of Memorial Park Conservancy's 10-year plan, Clay Family...

Autumn Gathering Acrylic on Canvas Contemporary Abstract 36" x 24" Inspiration for Autumn Gathering is from the Memorial Park Conservancy. Also shown are other paintings by Eleanor McCarthy. Commissions available. As the first significant project of Memorial Park Conservancy's 10-year plan, Clay Family...

Eastern Glades VIII Acrylic on Canvas Contemporary Abstract 30" x 30" Inspiration for Eastern Glades VIII Acrylic on Canvas Contemporary Abstract 30 x 30" is from the Memorial Park Conservancy. Also shown are other paintings by Eleanor McCarthy. Commissions available. As the first significant project of Memorial Park Conservancy's 10-year plan, Clay Family...

Mario González (MALLO) Spring Garden 8 Oil on Canvas Abstract Floral Cuban Artist Balance 26" x 24" Look for Free Shipping at Checkout Stains of color and loose brushstrokes make ...

Eastern Glades Series 4 Acrylic on Canvas Contemporary Abstract 36" x 36" Inspiration for Eastern Glades 4 is from the Memorial Park Conservancy in Houston, Texas As the first significant project of Memorial Park Conservancy's 10-year plan, Clay Family Eastern Glades is another beautiful location for Houstonians to enjoy nature at its finest. Inspired by the original 1930s master plan by landscape architects Hare & Hare, Memorial Park's Eastern Glades section adds nearly 100 acres of open space for recreation, relaxation or quiet reflection. Eleanor McCarthy uses acrylic paints on canvas to create the soothing colors in her new contemporary paintings that were just painted in 2024. Every client sees a different image in her new series of paintings being produced in 2024. The Clay Family Eastern Glades is named after the family of third- and fourth-generation Houstonians Emily and Robert Clay, who donated $10 million toward the park's capital campaign in 2018. If you've never visited or it's been a while, keep reading to learn more about this 100-acre open space located in one of Houston's best green spaces—complete with natural habitats and Hines Lake. The Eastern Glades Series is gallery wrapped so there is no need for a frame. Eleanor McCarthy is inspired by the scenery of Texas, Southwestern Colorado, and Europe. Eleanor has recently begun to pursue non-representational painting and has enjoyed exploring the process of abstraction in creating new works of art. She has added acrylic painting and mixed media application to her artworks. Eleanor graduated from Tulane University with a BA in Sociology and from Southern Methodist University School of Law with a JD. Eleanor began to pursue painting after her children went to college. She has studied with Nancy Paris Pruden in Houston for the last 20 years and for two years with Arielle Masson at the Glassell School of Art. Eleanor has furthered her training with painting workshops in Texas, Colorado and Washington State under Mitch Albala, Jeanne Mackenzie, Joshua...

Mario González (MALLO) Spring Garden 6 Oil on Canvas Abstract Floral Cuban Artist 29" x 27" Cuban Artist Stains of color and loose brushstrokes make...

Mario González (MALLO) Spring Garden 5 Oil on Canvas Abstract Floral Cuban Artist 26" x23" Balance Cuban Artist Stains of color and loose brushstrok...

Mario González (MALLO) Spring Garden Series 5 40" x 32" oil on canvas Cuban Artist Stains of color and loose brushstrokes make up a type of contemp...

Mario González MALLO) Spring Garden 3 Series 26" x 23" oil on canvas Cuban Artist Stains of color and loose brushstrokes make up a type of contempora...

Mario González (MALLO) Spring Garden 2 Series 23" x 23" oil on canvas Cuban Artist Stains of color and loose brushstrokes make up a type of contempor...

Mario González (MALLO) Spring Garden Series Cuban Artist Stains of color and loose brushstrokes make up a type of contemporary landscape, in which it b...

Look for Free Shipping at Checkout Through The Reeds Creation Date: 2023 Medium: oil on linen Size: 16 x 32 x 1.5 in Framed Size: 17.5 x 33.5 x 2 in All the botanicals in this seri...

LOOK FOR FREE SHIPPING AT CHECKOUT Late Summer Celebration Creation Date: 2023 Medium: Oil on linen Size: 30 x 30 x 1.5 in Framed Size: 31 x 31 x 2.5 in All the botanicals in this ...

On the Wild Mustard Field Creation Date: 2018 Medium: Oil On Canvas Size: 16 x 32 x 1.5 in Framed Size: 17.5 x 33.5 x 2.25 in Notice the house at the top right of On the Wild Mustard...

Blackland Blues Creation Date: 2023 Medium: Flashe and oil on Linen Size: 30 x 30 x 1.5 in Framed Size: 31.5 x 31.5 x 2 in LOOK FOR FREE SHIPPING AT CHECKOUT All the botanicals in ...

Cobalt Migration Creation Date: 2019 Medium: Oil on Canvas Size: 36 x 36 in Framed Size: 37.5 x 37.5 x 2 in All the botanicals in this series are Texas wildflowers found all over th...

Glow by Texas artist Julie England is an Oil on Yupo paper. The size of Glow is 7″ x 9 1/2″” Image 9 3/4″ x 12 1/8″ Frame Art is floated in gallery frame with OP3 plexi glazing....

Flower Power is an contemporary abstract painting by Texan artist Eleanor McCarthy. It can also be described as a abstract still-life painting if you see the white brush strokes as flowers. Eleanor McCarthy uses acrylic paints on canvas to create the soothing colors in her new contemporary paintings that were just painted in 2024. Every client sees a different image in her new series of paintings being produced in 2024. Flower Power by Eleanor McCarthy is gallery wrapped so there is no need for a frame. Eleanor McCarthy is inspired by the scenery of Texas, Southwestern Colorado, and Europe. Eleanor has recently begun to pursue non-representational painting and has enjoyed exploring the process of abstraction in creating new works of art. She has added acrylic painting and mixed media application to her artworks. Eleanor graduated from Tulane University with a BA in Sociology and from Southern Methodist University School of Law with a JD. Eleanor began to pursue painting after her children went to college. She has studied with Nancy Paris Pruden in Houston for the last 20 years and for two years with Arielle Masson at the Glassell School of Art. Eleanor has furthered her training with painting workshops in Texas, Colorado and Washington State under Mitch Albala, Jeanne Mackenzie, Joshua Been, LaNell Arndt, John Lasater, Qiang Huang, Derek Penix, Julie Schumer and Adele Sypesteyn...

Mid-Summer Dance Cheryl D. McClure acrylic on canvas 40 x 40 x 1.5 in To make my paintings I have come to the realization that I use what I call the ‘Three I’s” of INFLUENCES, INTUITION. and INTENT. Like a lot of artists, McClure’s interest in art developed early in childhood. She recalls, “When I was eight years old, I begged my dad to let me take an after-school painting class. I was shocked when I got there and found out they were painting with paint by number kits. I did not want to do that. I hate coloring inside the lines. So, the teacher allowed me to look for images to use as inspiration. In my memory, I think the first one must have been a reproduction of a Cezanne landscape. I just did what I did all on my own, but I loved mixing colors. Then my dad died, and we moved from Oklahoma to Texas. Sadly, I never really did anything else until I was in my twenties. I then took up painting again all on my own and trying to learn from other artists demonstrating their painting techniques and taking workshops. I have been painting ever since, more than forty years.” She continues, “For many years I only painted with acrylics or mixed media collage. In 2005, I also started painting with encaustic and have gone back to using oil paint again. I suppose acrylic remains my dominant medium. Mixing it up now and then keeps me on my toes and is a great way to learn. Each medium can teach you certain aspects of painting others do not. Each medium has its strengths and weaknesses depending on what you want to express. You can learn from all. I did not love watercolor because it took too much pre-planning. But I learned a lot about negative shapes and composition. I learned a lot with pastel and charcoal about making marks. By working back and forth with different media, I am growing as a painter.” If I used only intent, I would more than likely be disappointed because my imagined intent is always elusive. I get more than I imagined by not setting too many rules about how to get there. Using all of these factors, I can use the knowledge of formal issues that comes from viewing a lot of art and, also, from being in the studio making art all of the time. Using that comprehension of formal design as an aid to intuitively know what is the right relationship of color, mark, space, etc. is the intent. Intention is necessary to direct you to explore the former two. Intention also demands you delve more into your own reasons for making art. 2020 University of Texas, College of Pharmacy Partnership Exhibit, Tyler, TX Beauty of Art and Medicine IV, Rogers Nursing and Health Sciences Building, Tyler Junior College, Tyler, TX Stable, Cerulean Gallery, Dallas, TX 2019 Mississippi Art Colony Fall Travel Show, juror, Stanley Kurth Small Works, Gallery Mack, Seattle, WA 2017 Black Tie (optional), Invitational, Adam Peck Gallery, Provincetown, Mass. Mississippi Art Colony Fall Travel Show, David Hornung, juror, Meridian Museum of Art, Meridian, Miss., Southern Cultural Arts Center, Vicksburg, Miss., Museum of the Mississippi Delta, Greenwood, Miss. You Name It, Cerulean Gallery, Amarillo, Texas 2016 N° 10, Invitational, Adam Peck Gallery, Provincetown, Mass. 2015 One + One, Invitational, A Gallery Art, Provincetown, Mass. 2014 East Texas Regional Artists, Longview Museum of Fine Arts, Longview Texas (4 person) Mississippi Art Colony Fall Travel Show, Jenene Nagy, juror (Mary C. O’Keefe Center for the Arts, Ocean Springs, Miss., Meridian Museum of Art, Meridian, Miss., Wm. Carey College, Hattiesburg, Miss.) 2013 Texas Rugged and Shiny. LuminArte Gallery, Dallas, Texas SEVEN, International Encaustic Conference, Provincetown, Mass., Shawn Hill, juror RED, A Gallery, Provincetown, Mass. Texas Women with Brushes, Jack Meier Gallery, Houston, Texas (2 person) 2012 EncaustiCon 2012, Gallery Nord, San Antonio, TX, Paula Berg Owen, juror WAX: Contemporary Art Works, Pajaro Valley Arts Council, Watsonville, CA Wise Earth: Land and Art, Wise Earth Gallery, Denton, TX, curator, Katy Crocker Continuum 2012, VamArt, Inc., Metuchen, NJ 2011 One Foot of Wax, North Lake College, Irving, TX Mississippi Art Colony Travel Show, Guild Hardy Architects Purchase Award, Sheri Fleck Rieth, juror Hunting Art Prize Finalist *Paintings, DCL, Tyler, TX 2010 Fusion, PFAMily Arts Gallery, Plano, TX Melting Point, Arts Centre of Plano, Plano, TX *Influenced by the Land, Encaustic Center, Richardson, TX Hive, Cole Art Center, Nacogdoches, TX 2009 Uncommon Composites, Cerulean Gallery, Dallas, TX Meltdown, Art Hotel Gallery, Dallas, TX Global Swarming, TX Discovery Gardens Gallery, Dallas, TX Encaustic Methods, Tarrant County Community College, Arlington, TX The Alchemy of Encaustic, Ann Dean Turk Gallery, Kilgore College, Kilgore, TX 2008 Coming Home, Longview Museum of Fine Arts, Longview, TX Some Like It Hot, Bath House Cultural Art Center, Dallas, TX Texas Artists Museum, Port Arthur, TX, Firehouse Gallery, Fort Worth, TX 2007 Landscapes, Longview Museum of Fine Arts, Longview, TX *Little Pieces of Land, Joyous Lake Gallery, Pinetop-Lakeside, AZ Mississippi Art Colony Travel Show, Meridian Art Museum, Meridian, MS East – West, Meeting in the Middle, Hilligoss Galleries, Chicago, IL 2006 Artist Residency, Centre d’Art Contemporain (Cat’Art) Sainte Colombe sur lâ Hers, France Mixed Media Invitational, Longview Museum of Fine Arts, Longview, TX 2005 Dance with the Imagination, 3 artists, West End Gallery, Winston-Salem, NC Southwestern Water Society Signature Members Show, Irving Art Center, Irving, TX, Marcie Inman juror of awards, Honorable Mention 2004 East Texas Regional Exhibit, Longview Museum of Fine Art, Longview, TX; juror, David Band Traveling the Carolinas, National Association Of Women Artists Mississippi Art Colony Travel Show, Spring, Joseph A Smith, juror Artist Career Training 1st National Juried Exhibition, 2nd place Award, jurors, Geoffrey Gorman...

Erick Sandlin is a self-taught artist who works exclusively with spray paint. He lives in the Heights in Houston, Texas, by way of Texarkana, College Station...

Give Us A Moment by Erick Sandlin is a Diptych which is made up of Two Panels 40" x 15 " which combined make the painting 40" x 30" Erick Sandlin works with Spray Paint on Canvas to create Give Us a Moment hich was just completed in November 2023 for an exhibition. Other workls by artist Erick Sandlin can be found on 1stdibs. Erick Sandlin is a self-taught artist who works exclusively with spray paint. He lives in the Heights in Houston, Texas, by way of Texarkana, College Station...

Both Sides of A Smile is a 36" x 24" abstract just completed in 2023 for an exhibition in Houston. Both Sides of A Smile is spray paint on canvas. The sides are finished so there is no need for a frame aka gallery wrapped. Other paintings that are in the exhibition can be seen on 1stdibs. Erick Sandlin is a self-taught artist who works exclusively with spray paint. He lives in the Heights in Houston, Texas, by way of Texarkana, College Station...

Both Sides of the Gerund by Erick Sandlin is an Abstract/Canvas Spray Paint work of art that is 40" x 40" . THere is no need for a frame because the painting is finished on the sides aka gallery wrapped. What's a gerund? A gerund is the noun form of a verb that ends in -ing. For example, playing, dancing, eating. Right away this is confusing for students, as they are used to seeing that form as the continuous/progressive form of the verb (“she is eating”, “they were dancing”). Erick Sandlin is a self-taught artist who works exclusively with spray paint. He lives in the Heights in Houston, Texas, by way of Texarkana, College Station...

New York City Taxi is an oil painting in the style of Contemporary Abstract Impressionism . This painting was done from the artist' trip to NYC several years ago. It started as a ...

Sky a Muse for the Sea I I employs exuberant impassioned colors laid on a canvas in an Abstract style. Also shown are other available works available works available on 1stdibs by C...

LOST AND FOUND is a contemporary abstract painting by Texan artist Eleanor McCarthy. Eleanor McCarthy uses acrylic paints on canvas to create the soothing colors in her new contemporary abstract paintings that were just painted in 2023. LOOK FOR SHIPPING DISCOUNT QUOTE WHEN YOU CHECK OUT. Some clients see hidden florals and plants in the contemporary paintings of Eleanor McCarthy. Lost and Found is a gallery wrapped painting and the sides are painted . There is no need for a frame. She is inspired by the scenery of Texas, Southwestern Colorado, and Europe. Eleanor has recently begun to pursue non-representational painting and has enjoyed exploring the process of abstraction in creating new works of art. She has added acrylic painting and mixed media application to her artworks. Eleanor graduated from Tulane University with a BA in Sociology and from Southern Methodist University School of Law with a JD. Eleanor began to pursue painting after her children went to college. She has studied with Nancy Paris Pruden in Houston for the last 20 years and for two years with Arielle Masson at the Glassell School of Art. Eleanor has furthered her training with painting workshops in Texas, Colorado and Washington State under Mitch Albala, Jeanne Mackenzie, Joshua Been, John Lasater, Qiang Huang, Derek Penix, Julie Schumer and Adele Sypesteyn...

Celadon Sea Gyre is part of C. Ellen Hart’s The Bayou Reflections Series which investigates reflections on my local waterways. An arm of White Oak Bayou meanders across the foot o...

This new floral diptych was painted in 2021 in the artist's studio in Havana .Each piece is 26 x 24 x 1. Floral brings out the tropical colors that ar...

LOOK FOR FREE SHIPPING AT CHECKOUT Deborah Wage paint mainly in oils and encaustic, occasionally watercolor. She is a representational artist which rende...

Erick Sandlin is a self-taught artist who works exclusively with spray paint. He lives in the Heights in Houston, Texas, by way of Texarkana, College Station...

Garden Dance is an contemporary abstract painting by Texan artist Eleanor McCarthy. It can also be described as a abstract floral painting. Eleanor McCarthy uses acrylic paints on canvas to create the soothing colors in her new contemporary paintings that were just painted in 2023. LOOK FOR SHIPPING DISCOUNT...

Celadon Sea Celadon Sea is part of C. Ellen Hart’s Reflection Series. The works feature reflections found on the surfaces of water and glass. She seeks out images that commonly ...

Song of Summer is an contemporary abstract painting by Texan artist Eleanor McCarthy. This is part of the "Song" series of paintings. Eleanor McCarthy uses acrylic paints on canvas to create the soothing colors in her new contemporary paintings that were just painted in 2022. LOOK FOR SHIPPING...

These are three bird paintings by Chilean artist Viviana Ovanda.The framed size on the first 2 is 9 x 9. The size on the third on is 8 x 9. These were ...

Finding My Way 3 Cheryl D. McClure oil on wood panel 30 x 30 x 2 Inv #: 821 Price $3,300 To make my paintings I have come to the realization that I use what I call the ‘Three I’s” of INFLUENCES, INTUITION. and INTENT. Like a lot of artists, McClure’s interest in art developed early in childhood. She recalls, “When I was eight years old, I begged my dad to let me take an after-school painting class. I was shocked when I got there and found out they were painting with paint by number kits. I did not want to do that. I hate coloring inside the lines. So, the teacher allowed me to look for images to use as inspiration. In my memory, I think the first one must have been a reproduction of a Cezanne landscape. I just did what I did all on my own, but I loved mixing colors. Then my dad died, and we moved from Oklahoma to Texas. Sadly, I never really did anything else until I was in my twenties. I then took up painting again all on my own and trying to learn from other artists demonstrating their painting techniques and taking workshops. I have been painting ever since, more than forty years.” She continues, “For many years I only painted with acrylics or mixed media collage. In 2005, I also started painting with encaustic and have gone back to using oil paint again. I suppose acrylic remains my dominant medium. Mixing it up now and then keeps me on my toes and is a great way to learn. Each medium can teach you certain aspects of painting others do not. Each medium has its strengths and weaknesses depending on what you want to express. You can learn from all. I did not love watercolor because it took too much pre-planning. But I learned a lot about negative shapes and composition. I learned a lot with pastel and charcoal about making marks. By working back and forth with different media, I am growing as a painter.” If I used only intent, I would more than likely be disappointed because my imagined intent is always elusive. I get more than I imagined by not setting too many rules about how to get there. Using all of these factors, I can use the knowledge of formal issues that comes from viewing a lot of art and, also, from being in the studio making art all of the time. Using that comprehension of formal design as an aid to intuitively know what is the right relationship of color, mark, space, etc. is the intent. Intention is necessary to direct you to explore the former two. Intention also demands you delve more into your own reasons for making art. 2020 University of Texas, College of Pharmacy Partnership Exhibit, Tyler, TX Beauty of Art and Medicine IV, Rogers Nursing and Health Sciences Building, Tyler Junior College, Tyler, TX Stable, Cerulean Gallery, Dallas, TX 2019 Mississippi Art Colony Fall Travel Show, juror, Stanley Kurth Small Works, Gallery Mack, Seattle, WA 2017 Black Tie (optional), Invitational, Adam Peck Gallery, Provincetown, Mass. Mississippi Art Colony Fall Travel Show, David Hornung, juror, Meridian Museum of Art, Meridian, Miss., Southern Cultural Arts Center, Vicksburg, Miss., Museum of the Mississippi Delta, Greenwood, Miss. You Name It, Cerulean Gallery, Amarillo, Texas 2016 N° 10, Invitational, Adam Peck Gallery, Provincetown, Mass. 2015 One + One, Invitational, A Gallery Art, Provincetown, Mass. 2014 East Texas Regional...

Mid-Summer, Johnson Creek 2 Cheryl D. McClure oil on wood panel 34 x 34 x 1 may be 36 x 36 x 1.5 in Inv #: 821 Price $3,600 To make my paintings I hav...

Finding My Way 1 Cheryl D. McClure oil on paper on wood panel 20 x 20 x 2 in Inv #: 794 Price $1800 To make my paintings I have come to the realization that I use what I call the ‘Three I’s” of INFLUENCES, INTUITION. and INTENT. Like a lot of artists, McClure’s interest in art developed early in childhood. She recalls, “When I was eight years old, I begged my dad to let me take an after-school painting class. I was shocked when I got there and found out they were painting with paint by number kits. I did not want to do that. I hate coloring inside the lines. So, the teacher allowed me to look for images to use as inspiration. In my memory, I think the first one must have been a reproduction of a Cezanne landscape. I just did what I did all on my own, but I loved mixing colors. Then my dad died, and we moved from Oklahoma to Texas. Sadly, I never really did anything else until I was in my twenties. I then took up painting again all on my own and trying to learn from other artists demonstrating their painting techniques and taking workshops. I have been painting ever since, more than forty years.” She continues, “For many years I only painted with acrylics or mixed media collage. In 2005, I also started painting with encaustic and have gone back to using oil paint again. I suppose acrylic remains my dominant medium. Mixing it up now and then keeps me on my toes and is a great way to learn. Each medium can teach you certain aspects of painting others do not. Each medium has its strengths and weaknesses depending on what you want to express. You can learn from all. I did not love watercolor because it took too much pre-planning. But I learned a lot about negative shapes and composition. I learned a lot with pastel and charcoal about making marks. By working back and forth with different media, I am growing as a painter.” If I used only intent, I would more than likely be disappointed because my imagined intent is always elusive. I get more than I imagined by not setting too many rules about how to get there. Using all of these factors, I can use the knowledge of formal issues that comes from viewing a lot of art and, also, from being in the studio making art all of the time. Using that comprehension of formal design as an aid to intuitively know what is the right relationship of color, mark, space, etc. is the intent. Intention is necessary to direct you to explore the former two. Intention also demands you delve more into your own reasons for making art. 2020 University of Texas, College of Pharmacy Partnership Exhibit, Tyler, TX Beauty of Art and Medicine IV, Rogers Nursing and Health Sciences Building, Tyler Junior College, Tyler, TX Stable, Cerulean Gallery, Dallas, TX 2019 Mississippi Art Colony Fall Travel Show, juror, Stanley Kurth Small Works, Gallery Mack, Seattle, WA 2017 Black Tie (optional), Invitational, Adam Peck Gallery, Provincetown, Mass. Mississippi Art Colony Fall Travel Show, David Hornung, juror, Meridian Museum of Art, Meridian, Miss., Southern Cultural Arts Center, Vicksburg, Miss., Museum of the Mississippi Delta, Greenwood, Miss. You Name It, Cerulean Gallery, Amarillo, Texas 2016 N° 10, Invitational, Adam Peck Gallery, Provincetown, Mass. 2015 One + One, Invitational, A Gallery Art, Provincetown, Mass. 2014 East Texas Regional...

Finding My Way 2 Cheryl D. McClure oil on paper on wood panel 20 x 20 x 0 in Inv #: 795 Price $1800 To make my paintings I have come to the realization that I use what I call the ‘Three I’s” of INFLUENCES, INTUITION. and INTENT. Like a lot of artists, McClure’s interest in art developed early in childhood. She recalls, “When I was eight years old, I begged my dad to let me take an after-school painting class. I was shocked when I got there and found out they were painting with paint by number kits. I did not want to do that. I hate coloring inside the lines. So, the teacher allowed me to look for images to use as inspiration. In my memory, I think the first one must have been a reproduction of a Cezanne landscape. I just did what I did all on my own, but I loved mixing colors. Then my dad died, and we moved from Oklahoma to Texas. Sadly, I never really did anything else until I was in my twenties. I then took up painting again all on my own and trying to learn from other artists demonstrating their painting techniques and taking workshops. I have been painting ever since, more than forty years.” She continues, “For many years I only painted with acrylics or mixed media collage. In 2005, I also started painting with encaustic and have gone back to using oil paint again. I suppose acrylic remains my dominant medium. Mixing it up now and then keeps me on my toes and is a great way to learn. Each medium can teach you certain aspects of painting others do not. Each medium has its strengths and weaknesses depending on what you want to express. You can learn from all. I did not love watercolor because it took too much pre-planning. But I learned a lot about negative shapes and composition. I learned a lot with pastel and charcoal about making marks. By working back and forth with different media, I am growing as a painter.” If I used only intent, I would more than likely be disappointed because my imagined intent is always elusive. I get more than I imagined by not setting too many rules about how to get there. Using all of these factors, I can use the knowledge of formal issues that comes from viewing a lot of art and, also, from being in the studio making art all of the time. Using that comprehension of formal design as an aid to intuitively know what is the right relationship of color, mark, space, etc. is the intent. Intention is necessary to direct you to explore the former two. Intention also demands you delve more into your own reasons for making art. 2020 University of Texas, College of Pharmacy Partnership Exhibit, Tyler, TX Beauty of Art and Medicine IV, Rogers Nursing and Health Sciences Building, Tyler Junior College, Tyler, TX Stable, Cerulean Gallery, Dallas, TX 2019 Mississippi Art Colony Fall Travel Show, juror, Stanley Kurth Small Works, Gallery Mack, Seattle, WA 2017 Black Tie (optional), Invitational, Adam Peck Gallery, Provincetown, Mass. Mississippi Art Colony Fall Travel Show, David Hornung, juror, Meridian Museum of Art, Meridian, Miss., Southern Cultural Arts Center, Vicksburg, Miss., Museum of the Mississippi Delta, Greenwood, Miss. You Name It, Cerulean Gallery, Amarillo, Texas 2016 N° 10, Invitational, Adam Peck Gallery, Provincetown, Mass. 2015 One + One, Invitational, A Gallery Art, Provincetown, Mass. 2014 East Texas Regional...