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Marilla Palmer "Hibiscus and Zebra Butterfly" Mixed Media on Paper
By Marilla Palmer
Located in New York, NY
"After years of nature-based artwork, in Spring 2020 I became an Anthomaniac. Covid was raging in NYC so I retreated with my family Northwest Connecticut. Nature, for so many of us, ...
Category
2010s Mixed Media
Materials
Sequins, Mixed Media, Watercolor
Marilla Palmer "Irises and Sequins" Mixed Media on Paper
By Marilla Palmer
Located in New York, NY
"After years of nature-based artwork, in Spring 2020 I became an Anthomaniac. Covid was raging in NYC so I retreated with my family Northwest Connecticut. Nature, for so many of us, ...
Category
2010s Mixed Media
Materials
Sequins, Mixed Media, Watercolor
Marilla Palmer "Morning Glory and Echinacea" Mixed Media on Paper
By Marilla Palmer
Located in New York, NY
"After years of nature-based artwork, in Spring 2020 I became an Anthomaniac. Covid was raging in NYC so I retreated with my family Northwest Connecticut. Nature, for so many of us, ...
Category
2010s Mixed Media
Materials
Sequins, Mixed Media, Watercolor
Marilla Palmer "A Delicate Droop" Mixed Media on Paper
By Marilla Palmer
Located in New York, NY
"After years of nature-based artwork, in Spring 2020 I became an Anthomaniac. Covid was raging in NYC so I retreated with my family Northwest Connecticut. Nature, for so many of us, ...
Category
2010s Mixed Media
Materials
Sequins, Mixed Media, Watercolor
Marilla Palmer "Blue Star Symmetry" Mixed Media on Paper
By Marilla Palmer
Located in New York, NY
"After years of nature-based artwork, in Spring 2020 I became an Anthomaniac. Covid was raging in NYC so I retreated with my family Northwest Connecticut. Nature, for so many of us, ...
Category
2010s Mixed Media
Materials
Watercolor, Sequins, Mixed Media
Marilla Palmer "Begonia and Abutilon" Mixed Media on Paper
By Marilla Palmer
Located in New York, NY
"After years of nature-based artwork, in Spring 2020 I became an Anthomaniac. Covid was raging in NYC so I retreated with my family Northwest Connecticut. Nature, for so many of us, ...
Category
2010s Mixed Media
Materials
Sequins, Watercolor, Digital
Marilla Palmer "Begonia and Abulition" Pressed Flowers and Mixed Media on Paper
By Marilla Palmer
Located in New York, NY
"After years of nature-based artwork, in Spring 2020 I became an Anthomaniac. Covid was raging in NYC so I retreated with my family Northwest Connecticut. Nature, for so many of us, ...
Category
2010s Mixed Media
Materials
Paper, Watercolor
Ana Zanic "Reef W-2022-12-14" Abstract Watercolor on Paper Painting
By Ana Zanic
Located in New York, NY
"My art practice is an exploration of the formal visual elements, as well as my personal feelings, through an intuitive, spontaneous process.
Often reminiscent of imaginary landsca...
Category
2010s Abstract Drawings and Watercolors
Materials
Paper, Watercolor
Ana Zanic "Reef W-2022-12-15" Abstract Watercolor on Paper Painting
By Ana Zanic
Located in New York, NY
"My art practice is an exploration of the formal visual elements, as well as my personal feelings, through an intuitive, spontaneous process.
Often reminiscent of imaginary landsca...
Category
2010s Abstract Drawings and Watercolors
Materials
Paper, Watercolor
Ana Zanic "Blush Nebula W-2022-12-17" Abstract Watercolor on Paper Painting
By Ana Zanic
Located in New York, NY
"My art practice is an exploration of the formal visual elements, as well as my personal feelings, through an intuitive, spontaneous process.
Often reminiscent of imaginary landsca...
Category
2010s Abstract Drawings and Watercolors
Materials
Paper, Watercolor
Arielle Zamora "Six And Six" Acrylic and Joint Compound on Panel
Located in New York, NY
Arielle Zamora they/them (b.1990) is a Portland, Oregon-based painter and printmaker. Their painting practice features layers of paint and joint compound as an exploration of line an...
Category
2010s Abstract Paintings
Materials
Acrylic, Panel
Arielle Zamora "in the sand at dawn" Acrylic and Joint Compound on Panel
Located in New York, NY
Arielle Zamora they/them (b.1990) is a Portland, Oregon-based painter and printmaker. Their painting practice features layers of paint and joint compound as an exploration of line an...
Category
2010s Abstract Paintings
Materials
Acrylic, Panel
Tamar Zinn "Dancing in forgotten spaces 4" Abstract Oil Painting on Paper
By Tamar Zinn
Located in New York, NY
"Atmospheric ambiguity and a love of structure are long-time preoccupations and both are central to my work. Driven by a persistent curiosity to see where the work will lead me, I wo...
Category
2010s Abstract Paintings
Materials
Paper, Oil
Tamar Zinn "Unseen Voices 2" Abstract Oil Painting on Paper
By Tamar Zinn
Located in New York, NY
"Atmospheric ambiguity and a love of structure are long-time preoccupations and both are central to my work. Driven by a persistent curiosity to see where the work will lead me, I wo...
Category
2010s Abstract Paintings
Materials
Paper, Oil
Tamar Zinn "Unseen Voices 4" Abstract Oil Painting on Paper
By Tamar Zinn
Located in New York, NY
"Atmospheric ambiguity and a love of structure are long-time preoccupations and both are central to my work. Driven by a persistent curiosity to see where the work will lead me, I wo...
Category
2010s Abstract Paintings
Materials
Paper, Oil
Tamar Zinn "Unseen Voices 5" Abstract Oil Painting on Paper
By Tamar Zinn
Located in New York, NY
"Atmospheric ambiguity and a love of structure are long-time preoccupations and both are central to my work. Driven by a persistent curiosity to see where the work will lead me, I wo...
Category
2010s Abstract Paintings
Materials
Paper, Oil
Tamar Zinn "Unseen Voices 6" Abstract Oil Painting on Paper
By Tamar Zinn
Located in New York, NY
"Atmospheric ambiguity and a love of structure are long-time preoccupations and both are central to my work. Driven by a persistent curiosity to see where the work will lead me, I wo...
Category
2010s Abstract Paintings
Materials
Paper, Oil
Tamar Zinn "Dancing in forgotten spaces 1" Abstract Oil Painting on Paper
By Tamar Zinn
Located in New York, NY
"Atmospheric ambiguity and a love of structure are long-time preoccupations and both are central to my work. Driven by a persistent curiosity to see where the work will lead me, I wo...
Category
2010s Abstract Paintings
Materials
Paper, Oil
Tamar Zinn "Dancing in forgotten spaces 2" Abstract Oil Painting on Paper
By Tamar Zinn
Located in New York, NY
"Atmospheric ambiguity and a love of structure are long-time preoccupations and both are central to my work. Driven by a persistent curiosity to see where the work will lead me, I wo...
Category
2010s Abstract Paintings
Materials
Paper, Oil
Tamar Zinn "Dancing in forgotten spaces 3" Abstract Oil Painting on Paper
By Tamar Zinn
Located in New York, NY
"Atmospheric ambiguity and a love of structure are long-time preoccupations and both are central to my work. Driven by a persistent curiosity to see where the work will lead me, I wo...
Category
2010s Abstract Paintings
Materials
Oil, Paper
Peter Stephens "Rio" Acrylic and Collage on Wood
By Peter Stephens
Located in New York, NY
"I marvel at the fundamental forces of nature, the laws that determine the structure and behavior of matter, the ways and means of how the world looks the way it does.
This interest in the science of the natural world led me to read deeply into the physics behind mechanisms of pattern generation. My painting language is based in these wonderments of systems and outcomes and the mathematics that describe them.
These new paintings take form with an underlying grid of commercial paint sample cards. This allows me a spontaneous, interchangeable surface to explore color relationships and interactions within given parameters. The layers of acrylic matrix elements come next, all handwork applied line by line. As with numbers in equations, the quantities, sequences, repetitions, and rhythms all contribute to a rich optical blend of color combinations. A given set of colors results in an exponential number of different perceptions. Along with these pure abstractions of form and color come cultural references to histories of art and design with immediate associations to sumptuous textiles and complex architectural mosaics.
The evolution of this work is ongoing, it will change and develop as each new mutation moves the morphology forward. These paintings are not illustrations of specific laws that shape the universe and ourselves but an artist’s answer to their implicit resonances. The paintings translate scientific inspirations into a visual, multilayered landscape that in layer after layer enfold one gradient of reality on another." - Peter Stephens
Category
2010s Abstract Paintings
Materials
Acrylic, Wood
Peter Stephens "Quandrivium 49" Acrylic and Collage on Paper
By Peter Stephens
Located in New York, NY
"I marvel at the fundamental forces of nature, the laws that determine the structure and behavior of matter, the ways and means of how the world looks the way it does.
This interest in the science of the natural world led me to read deeply into the physics behind mechanisms of pattern generation. My painting language is based in these wonderments of systems and outcomes and the mathematics that describe them.
These new paintings take form with an underlying grid of commercial paint sample cards. This allows me a spontaneous, interchangeable surface to explore color relationships and interactions within given parameters. The layers of acrylic matrix elements come next, all handwork applied line by line. As with numbers in equations, the quantities, sequences, repetitions, and rhythms all contribute to a rich optical blend of color combinations. A given set of colors results in an exponential number of different perceptions. Along with these pure abstractions of form and color come cultural references to histories of art and design with immediate associations to sumptuous textiles and complex architectural mosaics.
The evolution of this work is ongoing, it will change and develop as each new mutation moves the morphology forward. These paintings are not illustrations of specific laws that shape the universe and ourselves but an artist’s answer to their implicit resonances. The paintings translate scientific inspirations into a visual, multilayered landscape that in layer after layer enfold one gradient of reality on another." - Peter Stephens
Category
2010s Mixed Media
Materials
Paper, Acrylic
Peter Stephens "Quandrivium 50" Acrylic and Collage on Paper
By Peter Stephens
Located in New York, NY
"I marvel at the fundamental forces of nature, the laws that determine the structure and behavior of matter, the ways and means of how the world looks the way it does.
This interest in the science of the natural world led me to read deeply into the physics behind mechanisms of pattern generation. My painting language is based in these wonderments of systems and outcomes and the mathematics that describe them.
These new paintings take form with an underlying grid of commercial paint sample cards. This allows me a spontaneous, interchangeable surface to explore color relationships and interactions within given parameters. The layers of acrylic matrix elements come next, all handwork applied line by line. As with numbers in equations, the quantities, sequences, repetitions, and rhythms all contribute to a rich optical blend of color combinations. A given set of colors results in an exponential number of different perceptions. Along with these pure abstractions of form and color come cultural references to histories of art and design with immediate associations to sumptuous textiles and complex architectural mosaics.
The evolution of this work is ongoing, it will change and develop as each new mutation moves the morphology forward. These paintings are not illustrations of specific laws that shape the universe and ourselves but an artist’s answer to their implicit resonances. The paintings translate scientific inspirations into a visual, multilayered landscape that in layer after layer enfold one gradient of reality on another." - Peter Stephens
Category
2010s Mixed Media
Materials
Paper, Acrylic
Peter Stephens "Quandrivium 51" Acrylic and Collage on Paper
By Peter Stephens
Located in New York, NY
"I marvel at the fundamental forces of nature, the laws that determine the structure and behavior of matter, the ways and means of how the world looks the way it does.
This interest in the science of the natural world led me to read deeply into the physics behind mechanisms of pattern generation. My painting language is based in these wonderments of systems and outcomes and the mathematics that describe them.
These new paintings take form with an underlying grid of commercial paint sample cards. This allows me a spontaneous, interchangeable surface to explore color relationships and interactions within given parameters. The layers of acrylic matrix elements come next, all handwork applied line by line. As with numbers in equations, the quantities, sequences, repetitions, and rhythms all contribute to a rich optical blend of color combinations. A given set of colors results in an exponential number of different perceptions. Along with these pure abstractions of form and color come cultural references to histories of art and design with immediate associations to sumptuous textiles and complex architectural mosaics.
The evolution of this work is ongoing, it will change and develop as each new mutation moves the morphology forward. These paintings are not illustrations of specific laws that shape the universe and ourselves but an artist’s answer to their implicit resonances. The paintings translate scientific inspirations into a visual, multilayered landscape that in layer after layer enfold one gradient of reality on another." - Peter Stephens
Category
2010s Mixed Media
Materials
Paper, Acrylic
Peter Stephens "Quandrivium 52" Acrylic and Collage on Paper
By Peter Stephens
Located in New York, NY
"I marvel at the fundamental forces of nature, the laws that determine the structure and behavior of matter, the ways and means of how the world looks the way it does.
This interest in the science of the natural world led me to read deeply into the physics behind mechanisms of pattern generation. My painting language is based in these wonderments of systems and outcomes and the mathematics that describe them.
These new paintings take form with an underlying grid of commercial paint sample cards. This allows me a spontaneous, interchangeable surface to explore color relationships and interactions within given parameters. The layers of acrylic matrix elements come next, all handwork applied line by line. As with numbers in equations, the quantities, sequences, repetitions, and rhythms all contribute to a rich optical blend of color combinations. A given set of colors results in an exponential number of different perceptions. Along with these pure abstractions of form and color come cultural references to histories of art and design with immediate associations to sumptuous textiles and complex architectural mosaics.
The evolution of this work is ongoing, it will change and develop as each new mutation moves the morphology forward. These paintings are not illustrations of specific laws that shape the universe and ourselves but an artist’s answer to their implicit resonances. The paintings translate scientific inspirations into a visual, multilayered landscape that in layer after layer enfold one gradient of reality on another." - Peter Stephens
Category
2010s Mixed Media
Materials
Paper, Acrylic
Peter Stephens "Quandrivium 53" Acrylic and Collage on Paper
By Peter Stephens
Located in New York, NY
"I marvel at the fundamental forces of nature, the laws that determine the structure and behavior of matter, the ways and means of how the world looks the way it does.
This interest in the science of the natural world led me to read deeply into the physics behind mechanisms of pattern generation. My painting language is based in these wonderments of systems and outcomes and the mathematics that describe them.
These new paintings take form with an underlying grid of commercial paint sample cards. This allows me a spontaneous, interchangeable surface to explore color relationships and interactions within given parameters. The layers of acrylic matrix elements come next, all handwork applied line by line. As with numbers in equations, the quantities, sequences, repetitions, and rhythms all contribute to a rich optical blend of color combinations. A given set of colors results in an exponential number of different perceptions. Along with these pure abstractions of form and color come cultural references to histories of art and design with immediate associations to sumptuous textiles and complex architectural mosaics.
The evolution of this work is ongoing, it will change and develop as each new mutation moves the morphology forward. These paintings are not illustrations of specific laws that shape the universe and ourselves but an artist’s answer to their implicit resonances. The paintings translate scientific inspirations into a visual, multilayered landscape that in layer after layer enfold one gradient of reality on another." - Peter Stephens
Category
2010s Mixed Media
Materials
Paper, Acrylic
Peter Stephens "Quandrivium 54" Acrylic and Collage on Paper
By Peter Stephens
Located in New York, NY
"I marvel at the fundamental forces of nature, the laws that determine the structure and behavior of matter, the ways and means of how the world looks the way it does.
This interest in the science of the natural world led me to read deeply into the physics behind mechanisms of pattern generation. My painting language is based in these wonderments of systems and outcomes and the mathematics that describe them.
These new paintings take form with an underlying grid of commercial paint sample cards. This allows me a spontaneous, interchangeable surface to explore color relationships and interactions within given parameters. The layers of acrylic matrix elements come next, all handwork applied line by line. As with numbers in equations, the quantities, sequences, repetitions, and rhythms all contribute to a rich optical blend of color combinations. A given set of colors results in an exponential number of different perceptions. Along with these pure abstractions of form and color come cultural references to histories of art and design with immediate associations to sumptuous textiles and complex architectural mosaics.
The evolution of this work is ongoing, it will change and develop as each new mutation moves the morphology forward. These paintings are not illustrations of specific laws that shape the universe and ourselves but an artist’s answer to their implicit resonances. The paintings translate scientific inspirations into a visual, multilayered landscape that in layer after layer enfold one gradient of reality on another." - Peter Stephens
Category
2010s Mixed Media
Materials
Paper, Acrylic
Martina Nehrling "East of the Sun 3" Abstract Acrylic Painting on Montval Paper
By Martina Nehrling
Located in New York, NY
"Seduced by the formal complexity of color, I revel in its emotive slipperiness and enjoy mining its controversial decorativeness. The inextricability of these aspects unique to col...
Category
2010s Abstract Paintings
Materials
Paper, Acrylic
Martina Nehrling "East of the Sun 1" Abstract Acrylic Painting on Montval Paper
By Martina Nehrling
Located in New York, NY
"Seduced by the formal complexity of color, I revel in its emotive slipperiness and enjoy mining its controversial decorativeness. The inextricability of these aspects unique to col...
Category
2010s Abstract Paintings
Materials
Paper, Acrylic
Martina Nehrling "Family Stories" Abstract Acrylic Painting on Montval Paper
By Martina Nehrling
Located in New York, NY
"Seduced by the formal complexity of color, I revel in its emotive slipperiness and enjoy mining its controversial decorativeness. The inextricability of these aspects unique to col...
Category
2010s Abstract Paintings
Materials
Paper, Acrylic
Martina Nehrling "Lattice 4" Abstract Acrylic Painting on Montval Paper
By Martina Nehrling
Located in New York, NY
"Seduced by the formal complexity of color, I revel in its emotive slipperiness and enjoy mining its controversial decorativeness. The inextricability of these aspects unique to col...
Category
2010s Abstract Paintings
Materials
Paper, Acrylic
Martina Nehrling "Lattice 3" Abstract Acrylic Painting on Montval Paper
By Martina Nehrling
Located in New York, NY
"Seduced by the formal complexity of color, I revel in its emotive slipperiness and enjoy mining its controversial decorativeness. The inextricability of these aspects unique to col...
Category
2010s Abstract Paintings
Materials
Paper, Acrylic
Martina Nehrling "Lattice 2" Abstract Acrylic Painting on Montval Paper
By Martina Nehrling
Located in New York, NY
"Seduced by the formal complexity of color, I revel in its emotive slipperiness and enjoy mining its controversial decorativeness. The inextricability of these aspects unique to col...
Category
2010s Abstract Paintings
Materials
Paper, Acrylic
Deborah Dancy "Discovery" Oil on Canvas Abstract Painting
By Deborah Dancy
Located in New York, NY
"I work abstractly because I am interested in its ability to operate in a realm in which beauty and tension simultaneously exist without explanation or narrative. It’s my intention t...
Category
2010s Abstract Paintings
Materials
Canvas, Oil
Steven Baris "Never the Same Space Twice E13" Oil on Canvas Abstract Painting
By Steven Baris
Located in New York, NY
"A common thread connecting the separate but related groups of paintings and constructions is my obsession with the spatial and temporal disjunctions that we are experiencing in our ...
Category
2010s Abstract Paintings
Materials
Canvas, Oil
Steven Baris "Dys:Equilibria E5" Oil on Canvas Abstract Painting
By Steven Baris
Located in New York, NY
"A common thread connecting the separate but related groups of paintings and constructions is my obsession with the spatial and temporal disjunctions that we are experiencing in our ...
Category
2010s Abstract Paintings
Materials
Canvas, Oil
Steven Baris "Dys:Equilibria E9" Oil on Canvas Abstract Painting
By Steven Baris
Located in New York, NY
"A common thread connecting the separate but related groups of paintings and constructions is my obsession with the spatial and temporal disjunctions that we are experiencing in our ...
Category
2010s Abstract Paintings
Materials
Canvas, Oil
Steven Baris "Jump Cut E18" Oil on Canvas Abstract Painting
By Steven Baris
Located in New York, NY
"A common thread connecting the separate but related groups of paintings and constructions is my obsession with the spatial and temporal disjunctions that we are experiencing in our ...
Category
2010s Abstract Paintings
Materials
Canvas, Oil
Steven Baris "Never The Same Space Twice E12" Oil on Canvas Abstract Painting
By Steven Baris
Located in New York, NY
"A common thread connecting the separate but related groups of paintings and constructions is my obsession with the spatial and temporal disjunctions that we are experiencing in our ...
Category
2010s Abstract Paintings
Materials
Canvas, Oil
Marilla Palmer "The Innocence of Flowers" Pressed Flowers & Mixed Media on Paper
By Marilla Palmer
Located in New York, NY
"After years of nature-based artwork, in Spring 2020 I became an Anthomaniac. Covid was raging in NYC so I retreated with my family Northwest Connecticut. Nature, for so many of us, ...
Category
2010s Mixed Media
Materials
Sequins, Watercolor, Digital, Thread
Marilla Palmer "Love in the Anthropocene" Pressed Flowers & Mixed Media on Paper
By Marilla Palmer
Located in New York, NY
"After years of nature-based artwork, in Spring 2020 I became an Anthomaniac. Covid was raging in NYC so I retreated with my family Northwest Connecticut. Nature, for so many of us, ...
Category
2010s Mixed Media
Materials
Fabric, Paper, Sequins, Glitter, Watercolor, Digital
Marilla Palmer "Post Sublime" Pressed Flowers and Mixed Media on Paper
By Marilla Palmer
Located in New York, NY
"After years of nature-based artwork, in Spring 2020 I became an Anthomaniac. Covid was raging in NYC so I retreated with my family Northwest Connecticut. Nature, for so many of us, ...
Category
2010s Mixed Media
Materials
Foil
Marilla Palmer "Facing the Sun" Pressed Flowers and Mixed Media on Paper
By Marilla Palmer
Located in New York, NY
"After years of nature-based artwork, in Spring 2020 I became an Anthomaniac. Covid was raging in NYC so I retreated with my family Northwest Connecticut. Nature, for so many of us, ...
Category
2010s Mixed Media
Materials
Fabric, Paper, Watercolor, Digital
Marilla Palmer "Giotto's Pink" Pressed Flowers and Mixed Media on Paper
By Marilla Palmer
Located in New York, NY
"After years of nature-based artwork, in Spring 2020 I became an Anthomaniac. Covid was raging in NYC so I retreated with my family Northwest Connecticut. Nature, for so many of us, ...
Category
2010s Mixed Media
Materials
Watercolor, Digital, Silk, Paper, Sequins
Susan English "Light to Light" Tinted Polymer on Dibond Panel
By Susan English
Located in New York, NY
"Over the past decade, I have developed a process of pouring layers of tinted polymer on panel that has expanded the breadth of what I can achieve with color and surface in my abstra...
Category
2010s Abstract Paintings
Materials
Acrylic Polymer, Panel
Susan English "WOY 26-20 No. 21" Tinted Polymer on Yupo Paper
By Susan English
Located in New York, NY
"Over the past decade, I have developed a process of pouring layers of tinted polymer on panel that has expanded the breadth of what I can achieve with color and surface in my abstra...
Category
2010s Abstract Paintings
Materials
Acrylic Polymer, Synthetic Paper
Sara MacCulloch "Sunset at the big house" Oil on Panel Landscape Painting
By Sara MacCulloch
Located in New York, NY
"The landscape has always been important to me. In my childhood, I spent all summer, every summer, as well as almost every weekend throughout the year, at several different family h...
Category
2010s Landscape Paintings
Materials
Panel, Oil
Sara MacCulloch "Charlotte's Garden" Oil on Canvas Landscape Painting
By Sara MacCulloch
Located in New York, NY
"The landscape has always been important to me. In my childhood, I spent all summer, every summer, as well as almost every weekend throughout the year, at several different family h...
Category
2010s Landscape Paintings
Materials
Canvas, Oil
Sara MacCulloch "Inlet" Oil on Canvas Landscape Painting
By Sara MacCulloch
Located in New York, NY
"The landscape has always been important to me. In my childhood, I spent all summer, every summer, as well as almost every weekend throughout the year, at several different family h...
Category
2010s Landscape Paintings
Materials
Canvas, Oil
Sara MacCulloch "Painting porch at the big house" Landscape Oil Painting
By Sara MacCulloch
Located in New York, NY
"The landscape has always been important to me. In my childhood, I spent all summer, every summer, as well as almost every weekend throughout the year, at several different family h...
Category
2010s Landscape Paintings
Materials
Oil, Panel
Sara MacCulloch "Summer Fields" Oil on Canvas Landscape Painting
By Sara MacCulloch
Located in New York, NY
"The landscape has always been important to me. In my childhood, I spent all summer, every summer, as well as almost every weekend throughout the year, at several different family h...
Category
2010s Landscape Paintings
Materials
Canvas, Oil
Sara MacCulloch "Wildflowers in Castine" Oil on Canvas Landscape Painting
By Sara MacCulloch
Located in New York, NY
"The landscape has always been important to me. In my childhood, I spent all summer, every summer, as well as almost every weekend throughout the year, at several different family h...
Category
2010s Landscape Paintings
Materials
Canvas, Oil
Sara MacCulloch "Great Spruce Head" Oil on Panel Landscape Painting
By Sara MacCulloch
Located in New York, NY
"The landscape has always been important to me. In my childhood, I spent all summer, every summer, as well as almost every weekend throughout the year, at several different family h...
Category
2010s Landscape Paintings
Materials
Oil, Panel
Nancy Cohen "Hackensack Border" Paper Pulp on Handmade Paper
By Nancy Cohen
Located in New York, NY
"Line is the operative formal element in the work shown here, but there are many other lines in play. Pieces walk a line between drawings that might be tapestries or sculptures or p...
Category
2010s Abstract Drawings and Watercolors
Materials
Paper, Handmade Paper
Nancy Cohen "Dangle" Paper Pulp on Handmade Paper
By Nancy Cohen
Located in New York, NY
"Line is the operative formal element in the work shown here, but there are many other lines in play. Pieces walk a line between drawings that might be tapestries or sculptures or p...
Category
2010s Abstract Drawings and Watercolors
Materials
Paper, Handmade Paper
Nancy Cohen "Blown Again" Paper Pulp on Handmade Paper
By Nancy Cohen
Located in New York, NY
"Line is the operative formal element in the work shown here, but there are many other lines in play. Pieces walk a line between drawings that might be tapestries or sculptures or p...
Category
2010s Abstract Drawings and Watercolors
Materials
Paper, Handmade Paper
Nancy Cohen "Connective Tissue" Paper Pulp on Handmade Paper
By Nancy Cohen
Located in New York, NY
"Line is the operative formal element in the work shown here, but there are many other lines in play. Pieces walk a line between drawings that might be tapestries or sculptures or p...
Category
2010s Abstract Drawings and Watercolors
Materials
Paper, Handmade Paper
Nancy Cohen "Breathing Room" Paper Pulp on Handmade Paper
By Nancy Cohen
Located in New York, NY
"Line is the operative formal element in the work shown here, but there are many other lines in play. Pieces walk a line between drawings that might be tapestries or sculptures or p...
Category
2010s Abstract Drawings and Watercolors
Materials
Handmade Paper, Paper
Nancy Cohen "Section" Paper Pulp on Handmade Paper
By Nancy Cohen
Located in New York, NY
"Line is the operative formal element in the work shown here, but there are many other lines in play. Pieces walk a line between drawings that might be tapestries or sculptures or p...
Category
2010s Abstract Drawings and Watercolors
Materials
Paper, Handmade Paper
Nancy Cohen "Sight Lines" Paper Pulp on Handmade Paper
By Nancy Cohen
Located in New York, NY
"Line is the operative formal element in the work shown here, but there are many other lines in play. Pieces walk a line between drawings that might be tapestries or sculptures or p...
Category
2010s Abstract Drawings and Watercolors
Materials
Handmade Paper, Paper
