Le Trianon Furniture

Michael Young American, 1952-1993 “Site Terra Firma” Soil, sand, acrylic, resin on canvas 32 by 32 in. Circa 1990 Michael Young Biography: 1952...

A Rare Louis XV Walnut Parquetry Slant Front Desk of interesting and unsual proportions. 18th Century Height 40 in. Width 42 in. Depth 24 in. Provenance: Private Collection, Sa...

An Important 19th Century Neoclassic Gilt Bronze & Crystal Chandelier
 Russian
19th Century 
Eight light chandelier with gilt bronze swans Height 48 in. Diameter 36 in. P...

Walter Firle German, 1859-1929 “La Lecture” Oil on canvas 40 ½ by 53 ½ in. W/frame 44 ½ by 57 ½ in. Studied: With A.Dressler in Breslau, then at the M...

Theodore Alexander Weber German, 1838-1907 “Harbor Scene” Oil on canvas 22 by 36 in. W/frame 28 by 42 in. Studied: Under Wilhelm Krause in Berlin, 1854; Eugene Isabey, P...

Robert Gallon British, 1845-1925 “Waiting for the Catch” Oil on canvas 30 by 50 in. W/frame 36 by 56 in. This artist, well known, and justly appreciated by the British Pu...

A Brass-Mounted Rosewood Campaign Armchair Signed and Dated 1909 The turned collapsible frame with leather seat and footrest, the back stretcher wi...

A Fine Louis XVI Kingwood with Tulipwood & Purplewood Inlaid Commode 18th Century Stamped Crepi Francois Crepi maitre 1778 Reference: Similar Commode, Versailles Illustr...

A Fine Pair of Louis XV Beechwood Fauteuils a la Reine Mid 18th Century Stamped Nicolas Blanchard, maitre in 1771 Each with a cartouche shaped upholstered backrest, the top rail car...

Virginia Webb American, B. 1920 “Narayama II” Large Pastel on Paper 49 by 37 in. W/frame 60 by 48 in. Art N9

A Set of Eight Italian Painted & Parcel Gilt Fauteuils Circa 1830 Upholstered in white silk Height 42 in. Width 25 in. Depth 22 in. Seat Height 18 in. Provenance: Private Coll...

Each with a molded hooped backrest with pierced splat, the padded serpentine seat raised on fluted straight legs

A Rare & Unusual Gothic Revival Revolving Rent Table 19th Century Height 30 in. Diameter 48 in. Tab. INV. 88

A Rare 18th Century Walnut Center Table Possibly Iberian The rectangular top over a carved frieze with two drawers resting on a joined stretcher base Height 28 ½ in. Width 43 in...

A Fine George III Giltwood Mirror 18th Century the rectangular mirror plates surrounded by a carved motif frame with a central eagle flanked with flowering garlands and on either s...

A Fine Louis XVI Parisian Mahogany Marble Top Commode 18th Century The molded rectangular grey marble top above three drawers with bronze handles and escutcheons ,on square legs ...

Michael Gloeckner American, 1915-1989 Pale Flower Oil on canvas Dated 1971 20 by 18 in. W/frame 25 by 23 in. Michael lived in NYC, he also had a home and studio in West Cornwall, ...

Gabriel Godard French, Born 1933 Arbres Rouges Oil on canvas Signed lower right & dated 1966 60 by 60 in. W/frame 61 by 61 in. Gabriel Godard was born on April 28, 1933 in Delouz...

A Rare & Important Renaissance Revival Copper & Brass Mounted with Malachite Top Jewelry Box on Stand Elkington & Co., England Date...

A Fine Venetian Rococo Polychrome Open Armchair 18th Century With upholstered back and seat on cabriole legs ending in scrolled toes Height 41 ½ in. width 29 in. Depth 21 in. C...

An Important Pair of a Italian Neoclassical Painted & Parcel Gilt Marquises First Quarter 19th Century Lombardy, Italy The back rest with paneled top rail decorated with swans flan...

An Important Italian Neoclassical Painted & Parcel Gilt Canapé First Quarter 19th Century Lombardy, Italy The back rest with paneled top rail decorated with swans flanking a founta...

A Fine Regence Polychrome Console Table First Quarter of the 18th Century The rectangular marble top with rounded corners and molded edge above a shell and foliate scroll carved cab...

A Baroque Giltwood & Polychrome Mirror Late 17th Century The arched rectangular later mirror plate flanked by two putti and carved flowering motif along the sides and the...

An unusual Louis XV Mahogany Buffet with Bois Citronnier Panels The interior revealing two drawers and shelving Bordeaux,France ,possibly made for the English Trade 18th Century ...

Ronaldo de Juan Argentina, 1930-1989 “Untitled, New York” Large Acrylic on canvas 72 by 50 in. W/frame 73 by 51 in. Signed and dated 1971 on reverse Titled New York on reverse S...

A Fine French Empire Mahogany Music Stand 19th Century The adjustable top with swan carvings on the side with gilt bronze mounts over a tripod base ...

Vladimir Ilich Teniaev Russian, Born 1965 “Gone Fishing” Oil on canvas Circa 1995 32 ½ by 56 ½ in. W/frame 38 by 62 in. Vladimir Ilich Teni...

A Fine Early Louis XV Walnut Fauteuil 18th Century Attributed Pierre Nogaret Maitre June 1745 Height 41 in Width 26 in Depth 22 in Cha51

A Fine French Gilt Bronze Gueridon with Malachite-Top By Henry Dasson , 1825-1896 Circa 1870’s The circular Malachite top on incurved supports terminating in rams’ heads and join...

A Pair of Regency Cream, Black and Gilt-Japanned Display Cabinets Late 18th Century/Early 19th Century Provenace; Doris Duke Collection Each wi...

A Fine Irish Mahogany Marble Top Console Table 18th Century With a rectangular marble insert over a finely carved frieze, all resting on cabriole legs ending in pad feet. He...

A Fine German Baroque Walnut & Parquetry Commode Circa 1680-1720 The serpentine top with various wood parquetry designs throughout over a sh...

An Important Giltwood Mirror Pama ,Italy 18th Century Provenance:Private collection,PARIS Le Trianon The rectangular plate surrounded by carved scrolls, the crest section is car...

A FRENCH ORMOLU-MOUNTED INLAID KINGWOOD & MARBLE-TOP PETIT COMMODE, BY PAUL SORMANI, LAST QUARTER 19TH CENTURY A rectangular marble top over two drawers with ormolu mounts ove...

An American Carved Walnut Stand With Marble Top Mid 19th Century The circular top carved with foliage with a marble insert on a tripod base ending in scrolled feet Height 34 in. ...

A Regence Carved Stained Beechwood Canapé 18th Century With a serpentine rocaille-carved crestrail, with winged sides and scrolling arm supports, with a similarly carved serpent...

An Italian Polychrome Faux-Marble Top Neoclassic Commode 18th Century The faux-marble top above three drawers all resting on tapering legs. decorated throughout with great detail. ...

A Fine Rococo Giltwood Mirror Italy 18th Century The oblong arched mirror plate within a molded frame carved with C-scrolls and foliage, surmounted with an elaborate crest with a face above and a central mask below Height 61 in. Width 37 in. Provenance: Private Collection, Tuxedo Park...

An Important Neoclassical Lacquered & Parcel Gilt Console Florence, Italy 18th Century The spetacular & wonderful sienna veneered marble top abo...

Each with a molded cornice above a pair of diamond mullioned glazed doors opening to a shelf, over two a pair of drawers, raised on square legs headed by pierced brackets, painted wi...

An Italian Walnut & Veneer Credenza 18thcentury & later The rectangular moulded top above two short panelled drawers with knob handles, and a pair of doors with rosette-car...

An Important Neoclassical Giltwood Console Roma,Italy 18th Century The mottled grey rectangular marble above an egg and dart edge, the guilloche frieze with a central rosette, on r...

A Fine Louis XV Ormolu mounted Tulipwood, Kingwood & Parquetry Collectors Cabinet Mid 18th Century Attributed to Jean-François Oeben The shaped marble top over a shaped cabinet with tulipwood, kingwood & parquetry throughout, with tambour shutters revealing a re-fitted interior with 6 graduating drawers, all over four cariole legs ending in gilt bronze sabots. Height 41 in. Width 38 in. Depth 20 in. Jean-François Oeben, ébéniste du roi in 1754 and maître in circa 1761. Jean-François Oeben was a sub-tenant of charles-joseph boulle (1688–1751) in the galleries of the louvre from 1751, and in 1754 was granted lodgings at the gobelins and then at the arsenal in 1756. he was appointed ebéniste du roi in 1754 and was therefore able to work outside guild restrictions. he was a protégé of the marquise de pompadour, the marquis de marigny and the duc de choiseul. his identifiable works span less than ten years. his earliest pieces are in the louis xv style (e.g. small table, 1756–8; munich, residenzmus.), and he seems even to have completed some pieces started by jean-pierre latz (e.g. pair of corner cupboards...

A Rare French Marble Relief of PuttiFragment Late 17th Century Century Height 14 in. Width 33 in. Carved throughtout with three putti figures Provenance: Private Collector, Bor...

A “Grand Tour” Cast Iron Etruscan Vase 19th Century Depicting classical Greek figures, with ring handles with a leaf motif on each side. Height 20 in. Vas INV. 9

A Fine Louis XVI Marble & Gilt Bronze Clock 18th Century Signed Corrier A Paris A large Louis XVI ormolu French clock by Corrier à Paris. The symmetrical case has numer...

A Rare Regency Walnut X Frame Window Seat Possibly Russian Early 19th Century With carved eagle heads over a X stretcher with guilloche carvings and a central medallion. Height 27...

Henri Verge Sarrat French, 1880-1966 “Port Vendres” Oil on canvas Signed & dated 1930 24 by 29 in. W/frame 32 by 37 in. Henri exhibited often in Paris at the Salons ...

With a later round decorated top over three carved figures each with a symbol on each side, ending with paw feet on a later triangular plinth, decoration refraiched, The six symbols...

Itzhak Ofer (Polish, 1910-1988), sculpture, mahogany, “embracing couple”, signed on base, "OFER", 25" h. x 12 1/2" w. x 9 1/2" d. including base. Itzhak Ofer was a Sculptor. b. 1910, Poland. Immigrated 1935. Studies: 1941-45 American University, Cairo, plastic arts and drama. Prize: 1968 Public Council of Culture and Art for Best Play. 1981 Initiated and directed a competition of Environmental Sculpture, Ramat Gan...

18 ft. 8 in. by 16 ft. 8 in.

A Fine Pair of French Bronze Classical Figures Now Mounted as Lamps By Louis Valentin Elias Roberts French 1821-1874 Signed. L.V.E. Robert, each a ...

The rectangular top over a frieze, all resting on a joint stretcher base

The shaped marble top above a bombe case with ormolu mounts, highly decorated throughout with marquetry with three drawers, on short cabriole legs. Provenance: Private collection...

The oblong hinged top with outset rounded corners opening to a baize lined playing surface inset with counter wells, above a conforming frieze fitted with a small drawer, raised on s...

A Pair White Lacquered & Brass Accents Cabinets by John Stuart Circa 1970’s Height 27 ½ in. Width 24 ½ in. Depth 17 in. Conceived by the renown furniture designer John...

Max Schnitzler American, 1903-1999 “Abstract Expressionist Painting” Impasto on board Signed lower left 20 by 24 in. W/frame 26 by 30 in. Excerpt...

RICHARD HENNESSY AMERICAN, b. 1941 ?Abstract, Untitled? Oil on canvas Signed and dated 1976 on verso 32 1/2 by 30 in. Provenance: From the estate of Christopher Scott, acquired from the artist. Note: Christopher Scott was a painter who was best known as curator/gadfly Henry, Geldzahler's partner. This relationship was immortalized in one of David Hockney's best portraits of 1969. EDUCATION: EASTMAN SCHOOL OF MUSIC, 1954-59 COLUMBIA COLLEGE, B.A., 1963 INSTITUTE OF FINE ARTS, NEW YORK UNIVERSITY, 1963-66 PUBLIC COLLECTIONS ALBRIGHT KNOX ART GALLERY, BUFFALO, NEW YORK AMERICAN TELEPHONE AND TELEGRAPH BROOKLYN MUSEUM, BROOKLYN, NEW YORK CARNEGIE MUSEUM, PITTSBURGH, PENNSYLVANIA CENTRO CULTURAL, MUSEO CONTEMPORANEO, MEXICO CITY COPLAND HOUSE, CORTLANDT MANOR, NEW YORK DAYTON ART INSTITUTE, DAYTON, OHIO DOW JONES HEALTH SCIENCE CENTER, UNIVERSITY OF TEXAS, SAN ANTONIO HECKSHER MUSEUM OF ART, HUNTINGTON, NEW YORK I. T. & T. ITALIAN RELIEF FUND J.P.MORGAN CHASE JACK S. BLANTON MUSEUM,UNIVERSITY OF TEXAS, AUSTIN METROPOLITAN MUSEUM OF ART, NEW YORK MOMA/P.S.1, STAIRWELL MURAL NEW YORK UNIVERSITY, NEW YORK PHILADELPHIA MUSEUM OF ART, PENNSYLVANIA PHOENIX ART MUSEUM, PHOENIX, ARIZONA READER'S DIGEST SAMUEL P. HARN MUSEUM, UNIVERSITY OF FLORIDA AT GAINESVILLE SAN FRANCISCO MUSEUM OF MODERN ART SHEPHERD SCHOOL OF MUSIC, RICE UNIVERSITY, HOUSTON SHIMIZU CONSTRUCTION, TOKYO SOLOMON R. GUGGENHEIM MUSEUM, NEW YORK THE COMMODITIES CORPORATION, TRINITY UNIVERSITY, SAN ANTONIO, TX THE LANNAN FOUNDATION, LOS ANGELES, CALIFORNIA THE WADSWORTH ATHENEUM, HARTFORD, CONNECTICUT WESTINGHOUSE CORPORATION WHITNEY MUSEUM OF AMERICAN ART, NEW YORK AWARDS 2008 THE POLLOCK-KRASNER FOUNDATION 1988 THE POLLOCK-KRASNER FOUNDATION 1987 THE ANN AND ERLO VAN WAVEREN FOUNDATION 1983 INGRAM MERRILL FOUNDATION SOLO EXHIBITIONS 2008 CARRIE HADDAD GALLERY HUDSON, NY 1991 MARGULIES/TAPLIN GALLERY BAY HARBOR ISLANDS, FL 1989 BALL STATE UNIVERSITY MUNCIE, IN 1986 NINA FREUDENHEIM GALLERY BUFFALO 1986 JOHN GOOD GALLERY NEW YORK 1985 GETLER/PALL/SAPER GALLERY NEW YORK 1983 HAMILTON GALLERY NEW YORK 1982 HAMILTON GALLERY NEW YORK 1981 IVORY KIMPTON GALLERY SAN FRANCISCO 1980 HAMILTON GALLERY NEW YORK 1978 ROBERT MILLER GALLERY NEW YORK 1976 OLIVER BERNIER, INC. NEW YORK 1976 GREY ART GALLERY, NYU NEW YORK RETROSPECTIVE EXHIBITION 1976 OLIVIER BERNIER, INC. NEW YORK 1970 TIBOR DE NAGY GALLERY NEW YORK 1969 OLIVIER BERNIER, INC. NEW YORK GROUP EXHIBITIONS 2007 VILLE DE REIMS GLOBAL BOOKS: LES LIVRES D'ARTISTE DE GERVAIS JASSAUD 2006 WEBER FINE ART GREENWICH, CT MY FRIENDS-THEIR VISION 2006 SNUG HARBOR CULTURAL CENTER STATEN ISLAND, NY ABSTRACT LANDSCAPES 2000 THE HECKSCHER MUSEUM OF ART HUNTINGTON, NY AARON COPLAND?S AMERICA 1997 ESPACE CULTUREL DE TINQUEUX FRANCE LA TENTATION DU LIVRE 1992 COLUMBIA UNIVERSITY NEW YORK THE ARTIST, THE WRITER AND THE BOOK DESIGN (ARTISTS'S BOOKS FROM COLLECTIF GÉNÉRATION) 1992 MARGULIES/TAPLIN GALLERY MIAMI GROUP SHOW 1991 NINA FREUDENHEIM GALLERY BUFFALO RICHARD HENNESSY AND JEFFREY WASSERMAN 1991 ANDRE EMMERICH GALLERY NEW YORK ABSTRACT PAINTING: THE 90'S 1991 FRENCH CULTURAL SERVICES NEW YORK LIVRES D'ARTISTES OF COLLECTIF GÉNÉRATION 1991 SAMUEL P. HARN MUSEUM, UNIVERSITY OF FLORIDA AT GAINESVILLE GAINESVILLE, FL CONTEMPORARY ART 1990 MARTA CERVERA GALLERY NEW YORK THE PAINTER AND HIS OCCASION, CURATED BY ALAN JONES...

RICHARD HENNESSY AMERICAN, b. 1941 "THE SUMMER OF OUR CONTENT" "Large" Oil on canvas Signed and dated 1980 on verso 60 by 72 ½ in. Provenance: From the estate of Christopher Scott, acquired from the artist. Note: Christopher Scott was a painter who was best known as curator/gadfly Henry, Geldzahler's partner. This relationship was immortalized in one of David Hockney's best portraits of 1969. EDUCATION: EASTMAN SCHOOL OF MUSIC, 1954-59 COLUMBIA COLLEGE, B.A., 1963 INSTITUTE OF FINE ARTS, NEW YORK UNIVERSITY, 1963-66 PUBLIC COLLECTIONS ALBRIGHT KNOX ART GALLERY, BUFFALO, NEW YORK AMERICAN TELEPHONE AND TELEGRAPH BROOKLYN MUSEUM, BROOKLYN, NEW YORK CARNEGIE MUSEUM, PITTSBURGH, PENNSYLVANIA CENTRO CULTURAL, MUSEO CONTEMPORANEO, MEXICO CITY COPLAND HOUSE, CORTLANDT MANOR, NEW YORK DAYTON ART INSTITUTE, DAYTON, OHIO DOW JONES HEALTH SCIENCE CENTER, UNIVERSITY OF TEXAS, SAN ANTONIO HECKSHER MUSEUM OF ART, HUNTINGTON, NEW YORK I. T. & T. ITALIAN RELIEF FUND J.P.MORGAN CHASE JACK S. BLANTON MUSEUM,UNIVERSITY OF TEXAS, AUSTIN METROPOLITAN MUSEUM OF ART, NEW YORK MOMA/P.S.1, STAIRWELL MURAL NEW YORK UNIVERSITY, NEW YORK PHILADELPHIA MUSEUM OF ART, PENNSYLVANIA PHOENIX ART MUSEUM, PHOENIX, ARIZONA READER'S DIGEST SAMUEL P. HARN MUSEUM, UNIVERSITY OF FLORIDA AT GAINESVILLE SAN FRANCISCO MUSEUM OF MODERN ART SHEPHERD SCHOOL OF MUSIC, RICE UNIVERSITY, HOUSTON SHIMIZU CONSTRUCTION, TOKYO SOLOMON R. GUGGENHEIM MUSEUM, NEW YORK THE COMMODITIES CORPORATION, TRINITY UNIVERSITY, SAN ANTONIO, TX THE LANNAN FOUNDATION, LOS ANGELES, CALIFORNIA THE WADSWORTH ATHENEUM, HARTFORD, CONNECTICUT WESTINGHOUSE CORPORATION WHITNEY MUSEUM OF AMERICAN ART, NEW YORK AWARDS 2008 THE POLLOCK-KRASNER FOUNDATION 1988 THE POLLOCK-KRASNER FOUNDATION 1987 THE ANN AND ERLO VAN WAVEREN FOUNDATION 1983 INGRAM MERRILL FOUNDATION SOLO EXHIBITIONS 2008 CARRIE HADDAD GALLERY HUDSON, NY 1991 MARGULIES/TAPLIN GALLERY BAY HARBOR ISLANDS, FL 1989 BALL STATE UNIVERSITY MUNCIE, IN 1986 NINA FREUDENHEIM GALLERY BUFFALO 1986 JOHN GOOD GALLERY NEW YORK 1985 GETLER/PALL/SAPER GALLERY NEW YORK 1983 HAMILTON GALLERY NEW YORK 1982 HAMILTON GALLERY NEW YORK 1981 IVORY KIMPTON GALLERY SAN FRANCISCO 1980 HAMILTON GALLERY NEW YORK 1978 ROBERT MILLER GALLERY NEW YORK 1976 OLIVER BERNIER, INC. NEW YORK 1976 GREY ART GALLERY, NYU NEW YORK RETROSPECTIVE EXHIBITION 1976 OLIVIER BERNIER, INC. NEW YORK 1970 TIBOR DE NAGY GALLERY NEW YORK 1969 OLIVIER BERNIER, INC. NEW YORK GROUP EXHIBITIONS 2007 VILLE DE REIMS GLOBAL BOOKS: LES LIVRES D'ARTISTE DE GERVAIS JASSAUD 2006 WEBER FINE ART GREENWICH, CT MY FRIENDS-THEIR VISION 2006 SNUG HARBOR CULTURAL CENTER STATEN ISLAND, NY ABSTRACT LANDSCAPES 2000 THE HECKSCHER MUSEUM OF ART HUNTINGTON, NY AARON COPLAND’S AMERICA 1997 ESPACE CULTUREL DE TINQUEUX FRANCE LA TENTATION DU LIVRE 1992 COLUMBIA UNIVERSITY NEW YORK THE ARTIST, THE WRITER AND THE BOOK DESIGN (ARTISTS'S BOOKS FROM COLLECTIF GÉNÉRATION) 1992 MARGULIES/TAPLIN GALLERY MIAMI GROUP SHOW 1991 NINA FREUDENHEIM GALLERY BUFFALO RICHARD HENNESSY AND JEFFREY WASSERMAN 1991 ANDRE EMMERICH GALLERY NEW YORK ABSTRACT PAINTING: THE 90'S 1991 FRENCH CULTURAL SERVICES NEW YORK LIVRES D'ARTISTES OF COLLECTIF GÉNÉRATION 1991 SAMUEL P. HARN MUSEUM, UNIVERSITY OF FLORIDA AT GAINESVILLE GAINESVILLE, FL CONTEMPORARY ART 1990 MARTA CERVERA GALLERY NEW YORK THE PAINTER AND HIS OCCASION, CURATED BY ALAN JONES...