Lincoln Center Editions Photography

An epic pictorial history of the City by the Bay Starting with an early picture of a gang of badass gold prospectors who put this beautiful Northern California city on the map, this ambitious and immersive photographic history of San Francisco takes a winding tour through the city from the mid–nineteeth century to the present day. Enjoy eye-catching views of the city’s most enduring landmarks and symbols: the Golden Gate Bridge, Chinatown, the picturesque trams that wind up and down the famously steep hills, the popular waterfront, its beautiful bay, and its spectacular cityscapes and vistas. San Francisco’s counterculture movements that shaped our collective consciousness are also featured prominently: the beats of North Beach, the hippies of Haight-Ashbury, the gay communities of Castro, and the Black Panthers of neighboring Oakland. Some of the city’s most famous residents also make appearances: Robin Williams, The Grateful Dead, Angela Davis...

A set of nine black and white photographs by Richard Heeps. They can be hung in a grid, or spaced out throughout your interior. Richard Heeps, primarily known as a colour photographe...

Space, Ibiza, The Balearic Islands. The neon sign of the iconic Ibiza super club Space, photographed during its final year of existence. The neon lights of bold graphic typography po...

A set of nine black and white photographs by Richard Heeps. They can be hung in a grid, or spaced out throughout your interior. Richard Heeps, primarily known as a colour photographe...

Artist: Richard Prince Title: Untitled (from Upstate) Year: 1998 Medium: Ektacolor photograph on Kodak Professional paper Edition: 8; signed, dated and numbered (verso) Sheet: 20 x 24 inches (50.8 x 61 cm) Frame: Yes Certificate of Authenticity included This early, vintage work from 1998 by Richard Prince is part of his "Upstate" series. In 1996 Richard Prince moved to upstate New York and began a new series of creative investigations. After almost two decades of making work derived from images and phrases that already exist in popular culture, he took his camera outside and photographed the banal details of his everyday environment. Although this could be viewed as a radical departure, to Prince there is no essential difference between making photos of other photos and making photos of the world at large. He is always paying attention to what is around him with intense scrutiny. On one level, the "Upstate" photos chronicle a landscape of economic decline in an unremarkable semirural area. Pictures of above-ground swimming pools and melancholy images of abandoned-looking basketball hoops perched on the edge of overgrown fields suggest a region cut off from the cultural mainstream. However, Prince finds quiet moments of beauty in these overlooked and undervalued features of the landscape. The "Upstate" series typifies Prince's process of making art through the reproduction and displacement of pop culture iconography, often with a touch of mordant humor, an approach that has been deeply influential in the development of appropriation art since the 1960s, and which has invited comparisons between Prince and contemporaries such as Barbara Kruger, Sherrie Levine, and Jack Goldstein...

RINKO KAWAUCHI (*1972, Japan) Untitled, from the series 'Cui Cui' 2005 C–type print Sheet 30,5 x 25,4 cm (12 x 10 in.) Frame 31,5 x 26,5 x 2,5 cm Edition of 6; Ed. no. 4/6 Kawauchi,...

All That Glitters is Not Golden (Blue), from the Heidler & Heeps Tape Collection - The B Sides. The Heidler & Heeps collaborations are creative representations of Natasha Heidler and...

In 1911 Porfirio Díaz was exhiled to Paris from Mexico, this is a rare photograph shot in Paris as a Daguerrotype, later on an intenegative was done to...

'Under the boardwalk, down by the sea' - one of Richard's favourite songs by The Drifters, that this photo is not only named after, but really emulates. T...

This floral photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century. With a burst of light coming from the left irradiating a white flower in a blue china porcelain vase...

'Alpha', from Samuel Field's Personal Computer Series. Photographed at the Cambridge Centre for Computing History, home to 800 Historic Computers. This collection is a fabulous remi...

Archival pigment print Signed, titled, dated, and numbered, verso 20 x 24 inches (Edition of 10) 30 x 36 inches (Edition of 5) 40 x 48 inches (Edition of 5) This artwork is offer...