Robin Rhode

Wall of Water by Robin Rhode (figure with water droplet)

2015

This archival pigment print on Canson paper comes directly from the publisher, Lincoln Center Editions. It is signed and numbered en verso by the artist. It is in excellent condition and has never been framed. Carrie Mae Weems (b. 1953) is an American artist whose extensive body of work investigates cultural identity, sexism, class, political systems, and the consequences of power. Weems is widely recognized for her revolutionary approach to the expression of narratives about women, people of color and working-class communities, “conjuring lush art...

"Early American, Still Life with Balsam Apples" (2010) was commissioned to celebrate Lincoln Center’s 50th anniversary. The work is a part of Core’s ongoing Early American series, which began in 2007. In this series Core takes the works of 19th century still life artist Raphaelle Peale...

This archival pigment print has hand applied glitter and features a dancer leaping under illuminated chandeliers inside the Crush Room at the Royal Opera House...

A colorful arrangement of pink, red and purple flowers. Note: This screen print is unframed. An image of a framed impression is for reference only. Gary Bukovnik is an internationa...

One photograph on rag paper, 2006, signed in pencil, dated 2005, from the edition of 54, sheet: 704 by 856 mm, 27 3/4 by 33 5/8 inches. Printed by Chad Kleitsch, New York, published ...

This signed and numbered limited edition print was commissioned by Lincoln Center for the Performing Arts in 2012. This impression has never been framed and is in excellent condition. Note: Framed image is for reference purposes only. Artist's Statement: "When I was asked to make a print to benefit Lincoln Center I was both honored and intimidated. I was reminded of my moving to New York City in 1997. My student loans had yet to kick in and I was so broke that I really couldn’t afford much of a night on the town. So instead, as an alternative, I’d meet friends outside of Lincoln Center. There we’d spend a few hours socializing and drinking alongside the lights, on marble steps and by the fountain. I always remember that time. "When I begin to make a work of art I begin with the concept. I play word games and I try to loosen up my associations and assumptions. I make visual and verbal connections. Sometimes these are very personal and frustratingly obscure and sometimes more public. In this case I got stuck on cheese. Why cheese? I remember noticing when I moved to New York that people in New York (at least in the art world) loved cheese. Whatever the event or occasion there it was. And someone was always explaining what he or she liked about this or that particular cheese. I’m a natural mimic and so I paid attention, it comes from moving around a lot. From being the 'new kid.' So I kept mental notes on what was 'good' and more importantly what was 'bad.' You can tell a lot about a person by their opinions on cheese. (The truth is I’m not a huge fan of cheese. I believe I have a lactose intolerance.) So all this is to say in my mind it’s forever linked with connoisseurship and culture. I know these days things have changed. But much of my art concerns itself with outdated notions of 'fancy.' The status symbols of the past I knew when it felt like it mattered. I’m aware that my insecurities are what drove me forward. But that’s one way to learn. You could say the print is of artisanal cheeses—aspirational cheeses. "And then there’s the fun part—adding the text. Which is like my last word on the my artwork; the punch line—the commentary—the poetry. I had a number of ideas but I went with this one—Immature, Artist. Because artists take time. And some of us need reminding." -Matthew Brannon, December 1, 2012 Permanent Collections: Museum of Modern Art, New York, NY, Whitney Museum of American Art, New York, NY, Rennie Collection, Vancouver, Canada, Ringler Collection, Zurich, Switzerland, Rubell Family Collection, Miami, FL, MADRE Museum, Naples, Italy, The Hammer Museum, Los Angeles, CA The Museum of Modern Art, New York, NY, The Alfond Collection of Contemporary Arts, Cornell Fine Arts Museum, Rollins College...

Limited Edition Signed, Titled, and Numbered by Henry Diltz

Limited Edition Signed, Titled, and Numbered by Henry Diltz

Limited Edition Signed, Titled, and Numbered by Henry Diltz

Jefferson Airplane on stage at Woodstock in 1969 Limited Edition Photograph by Henry Diltz, the official photographer for Woodstock 1969.

16x20" Limited Edition Signed, Titled, and Numbered by Henry Diltz

Limited Edition Signed, Titled, and Numbered by Henry Diltz