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"Villa Piedimonte, Bologna" Bruno Burattini, circa 1918 Landscape Of Villa
Located in New York, NY
Bruno Burattini
Villa Piedimonte, Bologna, circa 1918
Inscribed verso
Oil on board
13 3/4 x 18 inches
Category
20th Century Impressionist Landscape Paintings
Materials
Oil, Board
"Factories on The River" Charles Vezin, Impressionist Industrialization
By Charles Vezin
Located in New York, NY
Charles Vezin
Factories on The River
Signed lower right
Oil on canvas board
12 x 13 15/16 inches
After spending half his years as a partner in a highly profitable wholesale dry-goo...
Category
Early 20th Century American Impressionist Figurative Paintings
Materials
Canvas, Oil, Board
"False Faces" Sonia Gechtoff, circa 1950 Social Commentary Realist Painting
By Sonia Gechtoff
Located in New York, NY
Sonia Gechtoff
False Faces, circa 1950-52
Signed lower right
Oil on canvas
30 x 22 1/4 inches
Sonia Gechtoff was born in Philadelphia to Ethel "Etya" and ...
Category
1950s Realist Figurative Paintings
Materials
Canvas, Oil
"Untitled" Albert Heckman, Modernist Saturated Blue and Yellow Still Life
By Albert Heckman
Located in New York, NY
Albert Heckman
Untitled, circa 1950
Signed lower right
Oil on canvas
18 x 24 inches
Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at the art world in 1915 after graduating from high school and landing a job at the Meadville Post Office. In 1917, at the age of 24, Heckman enrolled part-time in Teachers' College, Columbia University's Fine Arts Department to begin his formal art education. He worked as a freelance ceramic and textile designer and occasionally as a lecturer at the Metropolitan Museum of Art. In the early 1920s, at the age of almost 30, he graduated with a Bachelor of Arts degree from Columbia Teachers College. He was especially impacted by his instructor at Columbia, Arthur Wesley Dow.
After graduating, he was hired by the Teachers' College as a Fine Arts instructor. He stayed with Columbia Teachers' College until 1929, when he left to attend the Leipzig Institute of Graphic Arts in Leipzig, Germany. Isami Doi (1903-1965), who was born in Hawaii, was arguably his most impressive student at Columbia. Doi is now regarded as one of the most prominent artists hailing from Hawaii. Heckman became an active member and officer of the Keramic Society and Design Guild of New York in the 1920s as part of his early commercial art career. The Society's mission was to share knowledge and showcase textile and ceramic design exhibits.
In 1922, Heckman married Florence Hardman, a concert violinist. Mrs. Heckman's concert schedule during the 1920s kept Albert and Florence Heckman apart for a significant portion of the time, but they spent what little time they had together designing and building their Woodstock, New York, summer house and grounds. A small house and an acre of surrounding land on Overlook Mountain, just behind the village of Woodstock, were purchased by Albert and Florence Heckman at the time of their marriage. Their Woodstock home, with its connections, friendships, and memories, became a central part of their lives over the years, even though they had an apartment in New York City.
Heckman's main artistic focus shifted to the house on Overlook Mountain and the nearby towns and villages, Kingston, Eddyville, and Glasco. After returning from the Leipzig Institute of Graphic Arts in 1930, Mr. Heckman joined Hunter College as an assistant professor of art. He worked there for almost thirty years, retiring in 1956. Throughout his tenure at Hunter, Mr. Heckman and his spouse spent the summers at their Woodstock residence and the winters in New York City. They were regular and well-known guests at the opera and art galleries in New York. Following his retirement in 1956, the Heckmans settled in Woodstock permanently, with occasional trips to Florida or Europe during the fall and winter. Mr. Heckman's close friends and artistic career were always connected to Woodstock or New York City. He joined the Woodstock art group early on and was greatly influenced by artists like Paul and Caroline Rohland, Emil Ganso, Yasuo Kuniyoshi, Andre Ruellan, and her husband, Jack...
Category
1950s Modern Interior Paintings
Materials
Oil, Canvas
"Untitled" Albert Heckman, circa 1950 Modernist Colorful Still Life With Fruit
By Albert Heckman
Located in New York, NY
Albert Heckman
Untitled, circa 1950
Signed lower right
Oil on canvas
24 x 30 inches
Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at the art world in 1915 after graduating from high school and landing a job at the Meadville Post Office. In 1917, at the age of 24, Heckman enrolled part-time in Teachers' College, Columbia University's Fine Arts Department to begin his formal art education. He worked as a freelance ceramic and textile designer and occasionally as a lecturer at the Metropolitan Museum of Art. In the early 1920s, at the age of almost 30, he graduated with a Bachelor of Arts degree from Columbia Teachers College. He was especially impacted by his instructor at Columbia, Arthur Wesley Dow.
After graduating, he was hired by the Teachers' College as a Fine Arts instructor. He stayed with Columbia Teachers' College until 1929, when he left to attend the Leipzig Institute of Graphic Arts in Leipzig, Germany. Isami Doi (1903-1965), who was born in Hawaii, was arguably his most impressive student at Columbia. Doi is now regarded as one of the most prominent artists hailing from Hawaii. Heckman became an active member and officer of the Keramic Society and Design Guild of New York in the 1920s as part of his early commercial art career. The Society's mission was to share knowledge and showcase textile and ceramic design exhibits.
In 1922, Heckman married Florence Hardman, a concert violinist. Mrs. Heckman's concert schedule during the 1920s kept Albert and Florence Heckman apart for a significant portion of the time, but they spent what little time they had together designing and building their Woodstock, New York, summer house and grounds. A small house and an acre of surrounding land on Overlook Mountain, just behind the village of Woodstock, were purchased by Albert and Florence Heckman at the time of their marriage. Their Woodstock home, with its connections, friendships, and memories, became a central part of their lives over the years, even though they had an apartment in New York City.
Heckman's main artistic focus shifted to the house on Overlook Mountain and the nearby towns and villages, Kingston, Eddyville, and Glasco. After returning from the Leipzig Institute of Graphic Arts in 1930, Mr. Heckman joined Hunter College as an assistant professor of art. He worked there for almost thirty years, retiring in 1956. Throughout his tenure at Hunter, Mr. Heckman and his spouse spent the summers at their Woodstock residence and the winters in New York City. They were regular and well-known guests at the opera and art galleries in New York. Following his retirement in 1956, the Heckmans settled in Woodstock permanently, with occasional trips to Florida or Europe during the fall and winter. Mr. Heckman's close friends and artistic career were always connected to Woodstock or New York City. He joined the Woodstock art group early on and was greatly influenced by artists like Paul and Caroline Rohland, Emil Ganso, Yasuo Kuniyoshi, Andre Ruellan, and her husband, Jack...
Category
1950s Modern Interior Paintings
Materials
Canvas, Oil
"Glasco Landscape" Albert Heckman, circa 1940 New York Modernist Landscape
By Albert Heckman
Located in New York, NY
Albert Heckman
Glasco Landscape, circa 1940
Signed lower right
Oil on canvas
25 1/4 x 39 1/2 inches
Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at the art world in 1915 after graduating from high school and landing a job at the Meadville Post Office. In 1917, at the age of 24, Heckman enrolled part-time in Teachers' College, Columbia University's Fine Arts Department to begin his formal art education. He worked as a freelance ceramic and textile designer and occasionally as a lecturer at the Metropolitan Museum of Art. In the early 1920s, at the age of almost 30, he graduated with a Bachelor of Arts degree from Columbia Teachers College. He was especially impacted by his instructor at Columbia, Arthur Wesley Dow.
After graduating, he was hired by the Teachers' College as a Fine Arts instructor. He stayed with Columbia Teachers' College until 1929, when he left to attend the Leipzig Institute of Graphic Arts in Leipzig, Germany. Isami Doi (1903-1965), who was born in Hawaii, was arguably his most impressive student at Columbia. Doi is now regarded as one of the most prominent artists hailing from Hawaii. Heckman became an active member and officer of the Keramic Society and Design Guild of New York in the 1920s as part of his early commercial art career. The Society's mission was to share knowledge and showcase textile and ceramic design exhibits.
In 1922, Heckman married Florence Hardman, a concert violinist. Mrs. Heckman's concert schedule during the 1920s kept Albert and Florence Heckman apart for a significant portion of the time, but they spent what little time they had together designing and building their Woodstock, New York, summer house and grounds. A small house and an acre of surrounding land on Overlook Mountain, just behind the village of Woodstock, were purchased by Albert and Florence Heckman at the time of their marriage. Their Woodstock home, with its connections, friendships, and memories, became a central part of their lives over the years, even though they had an apartment in New York City.
Heckman's main artistic focus shifted to the house on Overlook Mountain and the nearby towns and villages, Kingston, Eddyville, and Glasco. After returning from the Leipzig Institute of Graphic Arts in 1930, Mr. Heckman joined Hunter College as an assistant professor of art. He worked there for almost thirty years, retiring in 1956. Throughout his tenure at Hunter, Mr. Heckman and his spouse spent the summers at their Woodstock residence and the winters in New York City. They were regular and well-known guests at the opera and art galleries in New York. Following his retirement in 1956, the Heckmans settled in Woodstock permanently, with occasional trips to Florida or Europe during the fall and winter. Mr. Heckman's close friends and artistic career were always connected to Woodstock or New York City. He joined the Woodstock art group early on and was greatly influenced by artists like Paul and Caroline Rohland, Emil Ganso, Yasuo Kuniyoshi, Andre Ruellan, and her husband, Jack...
Category
1940s American Modern Figurative Paintings
Materials
Canvas, Oil
"Garage in Provincetown" Joseph Solman, Urban Landscape by Expressionist Artist
By Joseph Solman
Located in New York, NY
Joseph Solman
Garage in Provincetown
Signed with initials lower right
Graphite on paper
8 7/8 x 11 7/8 inches
Joseph Solman was born in 1909 in Vitebsk, in what is now Belarus, the...
Category
20th Century Abstract Expressionist Figurative Paintings
Materials
Paper, Graphite
"Chateau" European School, Castle Above Mountainous European Landscape Panting
Located in New York, NY
European School
Chateau
Oil on wood
9 5/8 x 7 1/2 inches
Category
19th Century Realist Figurative Paintings
Materials
Wood, Oil
"Nymphs in a Landscape" Narcisse Diaz de la Peña, 19th Century Idyllic Landscape
Located in New York, NY
Narcisse Diaz de la Peña
Nymphs in a Landscape
Estate sale seal lower left
Oil on board
9 1/4 x 11 1/4 inches
Narcisse Diaz de la Peña was born in 1808 in...
Category
19th Century Romantic Figurative Paintings
Materials
Oil, Board
"Into the Woods" Henry Prellwitz, Lyrical Woman In Wooded Landscape Painting
By Henry Prellwitz
Located in New York, NY
Henry Prellwitz
Into the Woods
Oil on board
11 1/2 x 8 3/4 inches
Henry Prellwitz studied art at the Art Students League of New York, where his chief mentor was Thomas Wilmer Dewing; he later became its director.[3] He also studied at the Académie Julian in Paris.
In 1892, he set up his studio in the Holbein Studios building on West 55th Street in Manhattan, where his future wife, the artist Edith Mitchill, also had a studio. They married in 1894 and had a son, Edwin.
By the mid 1890s, he was teaching portrait painting at the Pratt Institute, where one of his students was the Cubist artist Max Weber.
In 1899, Henry and Edith moved to the north shore of Peconic Bay on Long Island, where their artist friends Irving Ramsay Wiles and Edward August Bell were already established. They painted plein air paintings and also worked in adjoining studios at High House, their Peconic Bay home.
Prellwitz painted Impressionist and Tonalist waterscapes of Peconic Bay and allegorical figure paintings such as the 1904 Lotus and Laurel. He exhibited mainly on the east coast and at expositions like the St. Louis World's Fair, where he won a silver medal. He won the Third Hallgarten Prize from the National Academy of Design (NAD) in 1893 for The Prodigal Son, and his Venus won the Thomas B. Clarke Prize at the 1907 NAD exhibition for the best figure composition by an American citizen painted in the United States.
Both Prellwitzes disappeared into obscurity for several decades after their deaths in the early 1940s. Rediscovered in the 1980s, they have been called one of the best-kept secrets in art...
Category
Early 20th Century Modern Figurative Paintings
Materials
Oil, Board
$3,600 Sale Price
20% Off
"Lady in a Interior" Addison Thomas Millar, 19th Century American Genre Painting
By Addison Thomas Millar
Located in New York, NY
Addison Thomas Millar
Lady in a Interior
Oil on canvas board
14 x 10 inches
Millar's father emigrated to the United States from Scotland in 1845. He grew up in Warren, Ohio. During his primary education, he took some painting lessons from John Bell, a local landscape painter.
In his late teens, he won three consecutive awards from The Youth's Companion, in their annual art contests. This prompted his parents to allow him to go to Cincinnati to take formal lessons from the genre painter, De Scott...
Category
19th Century American Impressionist Figurative Paintings
Materials
Canvas, Oil, Board
"Fishing in Autumn" Frederick Dickinson Williams, Early 20th Century Landscape
Located in New York, NY
Frederick Dickinson Williams
Fishing in Autumn, 1914
Signed and dated lower left
Oil on board
9 1/4 x 6 7/8 inches
Frederick Dickinson W...
Category
1910s Academic Figurative Paintings
Materials
Board, Oil
"Ploughing on the Hillside" Jean-Charles Cazin, Plein Air Landscape Sketch
By Jean-Charles Cazin
Located in New York, NY
Jean-Charles Cazin
Ploughing on the Hillside
Signed lower left
Oil on board
6 1/2 x 6 inches
The son of a well-known doctor, FJ Cazin, he was born at Samer, Pas-de-Calais. After st...
Category
Mid-19th Century Tonalist Animal Paintings
Materials
Oil, Canvas
$1,600 Sale Price
20% Off
"Rowboat in a Summer Landscape" George Bacon Wood, Pleine Air Landscape
Located in New York, NY
George Bacon Wood
Rowboat in a Summer Landscape
Signed lower left
Oil on wood panel
6 1/4 x 8 inches
Born in Philadelphia, landscape painter George Bacon Wood, Jr., studied at the ...
Category
Late 19th Century Academic Figurative Paintings
Materials
Oil, Wood Panel
"The Riverbank" Charles Sprague Pearce, American Impressionist Boat Sketch
By Charles Sprague Pearce
Located in New York, NY
Charles Sprague Pearce
The Riverbank, circa 1900
Signed lower left, inscribed verso
Oil on canvas
7 1/2 x 5 1/2 inches
Charles Sprague Pearce made a successful career painting high...
Category
Early 1900s American Impressionist Figurative Paintings
Materials
Canvas, Oil
"A Sunny Corner" Eugenie M. Heller, Impressionist Garden Landscape In Bloom
Located in New York, NY
Eugenie M. Heller
A Sunny Corner, circa 1900
Signed lower right
Oil on board
10 1/2 x 8 1/2 inches
Eugenie M. Heller (1867 - 1952) was active/lived in New York, Massachusetts.
Heller studied with Weir, Whistler, Amen-Jean, Grasset and Rodin. Eugenie Heller...
Category
Early 1900s American Impressionist Figurative Paintings
Materials
Oil, Board
"Tree in Winter" Delos Palmer Jr, Sketch of Tree 20th Century Impressionist Work
Located in New York, NY
Delos Palmer Jr.
Tree in Winter
Signed lower left
Oil on Masonite
10 x 8 inches
Delos Palmer, Jr. was born January 26, 1890 in New York City. His father was Dr. Delos Palmer, a socially prominent Park Avenue dentist. His mother was Jennifer Emma Banta. His parents were both born in NYC, where they married in 1880 and had five children. There had three sons and two daughters. He was the fourth born. They lived in a private townhouse at 48 West 50th Street, with a cook, a waitress, and a nurse to assist in his father's dental practice on the ground floor.
They lived a privileged life and the children all went to the best private schools. He graduated high school in June of 1908.
He studied at The Art Students League from 1911 to 1915 with the renowned American Impressionist, George Bellows. According to the artist, "Bellows was a good influence on me. He taught me how to paint what I see and what I feel!"
In 1916 Palmer moved to the historic Holbein Studios at 139 West 55th Street. He worked there until 1920, when he moved to the more fashionable Greenwich Village, where he became a successful society portraitist.
He was 27 years old during the Great War, so he was not selected for military service.
In 1923 Palmer began to sell interior story illustrations to Metropolitan Magazine, The Saturday Evening Post, and Liberty.
In 1924 he married Helen Smith Romme and moved to Stamford, CT, where they raised a daughter and two step-sons.
The fateful market crash of 1929 ended Palmer's high society portrait business, but he soon found work through his contacts at Liberty magazine's MacFadden Publishing, which also produced several crime and detective magazines such as Master Detective and True Detective.
He then began to paint pulp covers for Dime Mystery, Clues, Frontier Stories, Action Stories, Western Trails, All Star Adventure, Complete Western Book...
Category
Early 20th Century American Impressionist Figurative Paintings
Materials
Masonite, Oil
$1,200 Sale Price
20% Off
"Pueblo Indians, Taos, New Mexico" Georgina Klitgaard, Modernist Figures
By Georgina Klitgaard
Located in New York, NY
Georgina Klitgaard
Pueblo Indians, Taos, New Mexico
Signed lower right
Oil on canvas
18 x 24 inches
Georgina Klitgaard’s art has sometimes gotten lost in the critical propensity to...
Category
Mid-20th Century American Modern Landscape Paintings
Materials
Canvas, Oil
"Color Sketch, Shakespeare Garden" Jennie Brownscombe, circa 1890 Impressionism
Located in New York, NY
Jennie Brownscombe
Color Sketch, Shakespeare Garden, c. 1890s
Signed lower left
Oil on board
7 1/8 x 9 1/4 inches
The artist was born in a log cab...
Category
1890s American Impressionist Figurative Paintings
Materials
Board, Oil
"Untitled" Larry Calcagno, Trompe-l'œil Mixed-Media Minimalist Composition
By Larry Calcagno
Located in New York, NY
Larry Calcagno
Untitled
Mixed media on canvas
36 x 23 1/3 inches
Lawrence Calcagno, better known as Larry, was an artist who gained notoriety during t...
Category
20th Century Modern Figurative Paintings
Materials
Canvas, Mixed Media
"The Humber River" George Ennis, Intense Color American Modernist Landscape
Located in New York, NY
George Ennis
The Humber River
Signed lower left
Oil on canvas
20 x 24 inches
Ennis studied at Washington University in St. Louis and at the Chase School. He was a member of the Fed...
Category
Early 20th Century American Modern Landscape Paintings
Materials
Canvas, Oil
"Market Scene, North Africa" Martha Walter, Female Impressionist Scene of Market
By Martha Walter
Located in New York, NY
Martha Walter
Market Scene, North Africa
Signed lower right
Watercolor on paper
9 x 9 inches
Martha Walter was best known as a painter of colorful beach scenes and landscapes. Infl...
Category
Early 20th Century Impressionist Figurative Paintings
Materials
Paper, Watercolor
"Mothers and Children, North Africa" Martha Walter, Impressionist Watercolor
By Martha Walter
Located in New York, NY
Martha Walter
Mothers and Children, North Africa
Signed lower right
Watercolor on paper
6 1/2 x 7 1/2 inches
Martha Walter was best known as a painter of colorful beach scenes and ...
Category
Early 20th Century American Impressionist Figurative Paintings
Materials
Paper, Watercolor
"Woman Reading in an Interior" Vaclav Vytlacil, Loose Brushwork Portrait
By Vaclav Vytlacil
Located in New York, NY
Vaclav Vytlacil
Woman Reading in an Interior, circa 1915
Signed lower right
Oil on canvas
16 x 20 inches
As a child, Vytlacil had taken art classes at the Art Institute of Chicago....
Category
1910s Impressionist Interior Paintings
Materials
Canvas, Oil
"Marblehead Harbor, Grey Day" John Rettig, 1919 Marine Landscape Work
Located in New York, NY
John Rettig
Marblehead Harbor, Grey Day, 1919
Signed and dated lower right
Oil on academy board
15 x 18 inches
Dubbed as the “Wizard of Scenic Creation”, John Rettig was best known...
Category
1910s American Impressionist Figurative Paintings
Materials
Oil, Illustration Board
"Gloucester Boats" Frederick Mulhaupt, Impressionist Gloucester Scene
Located in New York, NY
Frederick John Mulhaupt
Gloucester Boats
Signed lower left
Oil on board
12 x 16 inches
Born in Rock Port, Missouri, in 1871, Mulhaupt studied...
Category
Early 20th Century American Impressionist Figurative Paintings
Materials
Oil, Board
"Floral Still Life with Two Apples" Hayley Lever, Modernist Still Life Painting
By Hayley Lever
Located in New York, NY
Hayley Lever
Floral Still Life with Two Apples
Signed lower right
Oil on canvas
20 x 16 inches
Hayley Lever’s versatility has worked against his posthumous reputation. He was never...
Category
Early 20th Century Modern Still-life Paintings
Materials
Canvas, Oil
"Desert" Georgina Klitgaard, Modernist Desert Landscape With Waning Moon
By Georgina Klitgaard
Located in New York, NY
Georgina Klitgaard
Desert
Signed lower right
Oil on canvas
18 x 30 inches
Georgina Klitgaard’s art has sometimes gotten lost in the critical propensity to assign artists to members...
Category
1940s Modern Landscape Paintings
Materials
Oil
"Spanish Moss, Georgia" Georgina Klitgaard, Modernist Southern Flora Painting
By Georgina Klitgaard
Located in New York, NY
Georgina Klitgaard
Spanish Moss, Georgia
Signed lower right
Oil on artist's board
12 x 16 inches
Georgina Klitgaard’s art has sometimes gotten lost in the critical propensity to as...
Category
Mid-20th Century American Modern Landscape Paintings
Materials
Canvas, Oil
"Catskill Mountains" Georgina Klitgaard, Country Landscape Modernist Hills
By Georgina Klitgaard
Located in New York, NY
Georgina Klitgaard
Catskill Mountains
Signed lower right
Oil on canvas
24 x 30 inches
Georgina Klitgaard’s art has sometimes gotten lost in the critical propensity to assign artist...
Category
Early 20th Century American Modern Figurative Paintings
Materials
Canvas, Oil
"Washington Square Park" Georgina Klitgaard, People in Cityscape Modernist Scene
By Georgina Klitgaard
Located in New York, NY
Georgina Klitgaard
Washington Square Park, New York
Oil on canvas
25 1/2 x 31 inches
Georgina Klitgaard’s art has sometimes gotten lost in the critical propensity to assign artists...
Category
Early 20th Century American Modern Figurative Paintings
Materials
Canvas, Oil
"Bearsville, New York" Georgina Klitgaard, Modernist New York Wooded Landscape
By Georgina Klitgaard
Located in New York, NY
Georgina Klitgaard
Bearsville, New York
Signed lower right
Oil on canvas
26 1/4 x 32 inches
Georgina Klitgaard’s art has sometimes gotten lost in the critical propensity to assign ...
Category
Early 20th Century American Modern Figurative Paintings
Materials
Canvas, Oil
"Central Park South" Georgina Klitgaard, Female Modernist New York Cityscape
By Georgina Klitgaard
Located in New York, NY
Georgina Klitgaard
Central Park South
Signed lower right
Oil on canvas
40 1/2 x 28 inches
Georgina Klitgaard’s art has sometimes gotten lost in the critical propensity to assign ar...
Category
Early 20th Century American Modern Landscape Paintings
Materials
Oil
"Fodder Stacks, Bearsville" Georgina Klitgaard, Modernist Country Landscape
By Georgina Klitgaard
Located in New York, NY
Georgina Klitgaard
Fodder Stacks, Bearsville
Signed lower right
Oil on canvas
24 x 30 inches
Georgina Klitgaard’s art has sometimes gotten lost in the critical propensity to assign...
Category
Early 20th Century American Modern Landscape Paintings
Materials
Canvas, Oil
"Arroyo Seco, New Mexico" Georgina Klitgaard, Modernist Southwest Oil Landscape
By Georgina Klitgaard
Located in New York, NY
Georgina Klitgaard
Arroyo Seco, New Mexico
Signed lower right
Oil on canvas
28 x 42 inches
Georgina Klitgaard’s art has sometimes gotten lost in the critical propensity to assign a...
Category
1940s American Modern Figurative Paintings
Materials
Canvas, Oil
"Notes XXI" Calvert Coggeshall, Abstract Expressionism Hardedge Vertical Stripes
Located in New York, NY
Calvert Coggeshall
Notes XXI, 1973
Signed, titled, and dated on the reverse
Japanese pigment on canvas
29 x 29 inches
Calvert Coggeshall worked as ...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Canvas, Acrylic
"Harvard vs Yale" Charles Green Shaw, Football, Ivy League Sports, Abstract
By Charles Green Shaw
Located in New York, NY
Charles Green Shaw
Harvard vs. Yale, 1944
Signed and dated on the reverse
Oil on canvasboard
9 x 12 inches
Provenance:
Harvey and Francois Rambach, New Jersey
Private Collection, California
Washburn Gallery, New York
D. Wigmore Fine Art, New York
Private Collection, New York
Charles Green Shaw, born into a wealthy New York family, began painting when he was in his mid-thirties. A 1914 graduate of Yale, Shaw also completed a year of architectural studies at Columbia University. During the 1920s Shaw enjoyed a successful career as a freelance writer for The New Yorker, Smart Set and Vanity Fair, chronicling the life of the theater and café society. In addition to penning insightful articles, Shaw was a poet, novelist and journalist. In 1927 he began to take a serious interest in art and attended Thomas Hart Benton's class at the Art Students League briefly in New York. He also studied privately with George Luks, who became a good friend. Once he had dedicated himself to non-traditional painting, Shaw's writing ability made him a potent defender of abstract art.
After initial study with Benton and Luks, Shaw continued his artistic education in Paris by visiting numerous museums and galleries. From 1930 to 1932 Shaw's paintings evolved from a style imitative of Cubism to one directly inspired by it, though simplified and more purely geometric. Returning to the United States in 1933, Shaw began a series of abstracted cityscapes of skyscrapers he called Manhattan Motifs which evolved into his most famous works, the shaped canvases he called Plastic Polygons.
The 1930s were productive years for Shaw. He showed his paintings in numerous group exhibitions, both in New York and abroad, and was also given several one-man exhibitions. Shaw had his first one-man exhibition at the Valentine Dudensing Gallery in New York in 1934, which included 25 Manhattan Motif paintings and 8 abstract works. In the spring of 1935 Shaw was introduced to Albert Gallatin and George L.K. Morris. Gallatin was so impressed with Shaw's work, he broke a policy against solo exhibitions at his museum, the Gallery of Living Art, and offered Shaw an exhibition there. In the summer of 1935 Shaw traveled to Paris with Gallatin and Morris who provided introductions to many great painters. Shaw regularly spent time with John Ferren and Jean Hélion. The following year Gallatin organized an exhibition called Five Contemporary American Concretionists at the Reinhardt Gallery that included Shaw, Ferren, and Morris, Alexander Calder, and Charles Biederman...
Category
1940s Abstract Geometric Landscape Paintings
Materials
Oil, Board
$28,000 Sale Price
20% Off
"Notes XX" Calvert Coggeshall, Abstract Expressionism Hard-edge Vertical Stripes
Located in New York, NY
Calvert Coggeshall
Notes XX, 1970
Signed, titled, and dated on the reverse
Acrylic on canvas
30 1/4 x 30 1/4 inches
Calvert Coggeshall worked as an...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Canvas, Acrylic
"Notes I" Calvert Coggeshall, Abstract Expressionism Hard-edge Vertical Stripes
Located in New York, NY
Calvert Coggeshall
Notes I, 1970-80
Signed, titled, and dated on the reverse
Acrylic on canvas
65 x 67 inches
Calvert Coggeshall worked as an abstr...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Canvas, Acrylic
"Untitled" Calvert Coggeshall, Abstract Expressionism Hard-edge Stripes
Located in New York, NY
Calvert Coggeshall
Untitled, circa 1975
Oil on canvas
50 x 40 inches
Calvert Coggeshall worked as an abstract painter and interior designer primari...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Canvas, Acrylic
"Untiled" Edward Zutrau, 1963 Intense Color Abstract Expressionist Painting
Located in New York, NY
Edward Zutrau
Untiled, 4/1963
Signed and dated on stretcher bar
Oil on linen
35 1/2 x 51 inches
Edward Zutrau is among the American artists who worked within the whirlwind of diver...
Category
1960s Abstract Expressionist Abstract Paintings
Materials
Canvas, Oil
"Kamakura" Edward Zutrau, 1963 Abstract Expressionist Chromatic Composition
Located in New York, NY
Edward Zutrau
Kamakura, 5/1963
Signed, dated and titled on verso
Oil on linen
38 1/2 x 51 1/2 inches
Edward Zutrau is among the American artists who worked within the whirlwind of ...
Category
1960s Abstract Expressionist Abstract Paintings
Materials
Linen, Oil
"Illumination" Calvert Coggeshall, Abstract Expressionism, Hard-edge Stripes
Located in New York, NY
Calvert Coggeshall
Illumination, 1973
Signed, titled, and dated on the reverse
Acrylic on canvas
65 x 67 inches
Calvert Coggeshall worked as an abs...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Canvas, Acrylic
"Untitled" Edward Zutrau, 1957 Blue And Green Abstract Expressionist Work
Located in New York, NY
Edward Zutrau
Untitled, 1957
Oil on linen
44 x 60 1/2 inches
Edward Zutrau is among the American artists who worked within the whirlwind of diverse abstraction that blossomed in th...
Category
1950s Abstract Expressionist Abstract Paintings
Materials
Linen, Oil
"Untitled" Edward Zutrau, 1963 Post-Painterly Abstract Expressionist Painting
Located in New York, NY
Edward Zutrau
Untitled, 1963
Signed and dated on stretcher verso "5/63"
Oil on canvas
8 3/4 x 10 3/4 inches
Edward Zutrau is among the American artists who worked within the whirlw...
Category
1960s Abstract Expressionist Abstract Paintings
Materials
Canvas, Oil
"Untitled" Edward Zutrau, 1963 Post-Painterly Abstraction Expressionist Work
Located in New York, NY
Edward Zutrau
Untitled, 2/17/1963
Signed and dated on verso
Oil on linen
25 1/2 x 21 inches
Edward Zutrau is among the American artists who worked within the whirlwind of diverse a...
Category
1960s Abstract Expressionist Abstract Paintings
Materials
Linen, Oil
"Untitled" Edward Zutrau, Mid Century Abstract Expressionist Colorist Painting
Located in New York, NY
Edward Zutrau
Untitled
Signed and dated on stretcher
Oil on linen
26 x 31 1/2 inches
Edward Zutrau is among the American artists who worked within the whirlwind of diverse abstract...
Category
Mid-20th Century Abstract Expressionist Abstract Paintings
Materials
Linen, Oil
"Meridian" Calvert Coggeshall, Abstract Expressionism Hard-edge Vertical Stripes
Located in New York, NY
Calvert Coggeshall
Meridian, 1974
Signed, titled, and dated on the reverse
Acrylic on canvas
67 x 45 inches
Calvert Coggeshall worked as an abstrac...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Canvas, Acrylic
"A Stripe" Calvert Coggeshall, Abstract Expressionism, Hard-edge Vertical Lines
Located in New York, NY
Calvert Coggeshall
A Stripe, 1971
Signed, titled, and dated on the reverse
Acrylic on canvas
30 x 30 inches
Calvert Coggeshall worked as an abstrac...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Canvas, Acrylic
"Untitled" Calvert Coggeshall, Abstract Expressionism, Black, Grey, and White
Located in New York, NY
Calvert Coggeshall
Untitled, 1958
Oil on Canvas
38 H. x 36 W. inches
Provenance:
The artist's estate
Calvert Coggeshall worked as an abstract painter and interior designer primarily in Maine and New York City. From 1951 to 1978, he exhibited regularly with the Betty Parsons Gallery, and later with its successor, the Jack Tilton Gallery.
Born in Whitesboro, New York, Coggeshall started his career as an interior designer, working on commissions for clients in the New York City area. He later consulted on the interior designs for Henry Dreyfuss' line of cruise/cargo ships called American Export, popular from the 1940s through the 1960s. In the 1940s, he also worked with inventor Arthur Young to design interiors for the first full-sized scale of Bell helicopter models...
Category
1950s Abstract Abstract Paintings
Materials
Canvas, Oil
"Newton’s Farm" Georgina Klitgaard, Modernist Hazy Autumn Landscape Painting
By Georgina Klitgaard
Located in New York, NY
Georgina Klitgaard
Newton’s Farm
Signed lower right
Oil on canvas
24 1/2 x 30 1/2 inches
Georgina Klitgaard’s art has sometimes gotten lost in the critical propensity to assign art...
Category
Early 20th Century American Modern Figurative Paintings
Materials
Canvas, Oil
"Truck Gardens" Georgina Klitgaard, Modernist Country Landscape With Train
By Georgina Klitgaard
Located in New York, NY
Georgina Klitgaard
Truck Gardens
Signed lower right
Oil on canvas
26 x 36 inches
Georgina Klitgaard’s art has sometimes gotten lost in the critical propensity to assign artists to ...
Category
Early 20th Century American Modern Figurative Paintings
Materials
Canvas, Oil
"Fodder Stacks, Bearsville" Georgina Klitgaard, Modernist Agricultural Landscape
By Georgina Klitgaard
Located in New York, NY
Georgina Klitgaard
Fodder Stacks, Bearsville
Signed lower right
Oil on canvas
18 x 22 inches
Georgina Klitgaard’s art has sometimes gotten lost in the critical propensity to assign...
Category
Early 20th Century American Modern Landscape Paintings
Materials
Canvas, Oil
"Johnny Walker’s Place" Georgina Klitgaard, 1929 American Modernist Landscape
By Georgina Klitgaard
Located in New York, NY
Georgina Klitgaard
Johnny Walker’s Place, circa 1929
Signed lower right
Oil on canvas
34 x 42 inches
Georgina Klitgaard’s art has sometimes gotten lost in the critical propensity t...
Category
1920s American Modern Figurative Paintings
Materials
Oil
"Fruit" Georgina Klitgaard, Apples and Pears Still Life, Woodstock Female Artist
By Georgina Klitgaard
Located in New York, NY
Georgina Klitgaard
Apples and Pears Still Life
Signed lower right
Oil on canvas
8 x 10 inches
Georgina Klitgaard’s art has sometimes gotten lost in the critical propensity to assign artists to membership in one school or another. Unfortunately for her posthumous reputation, Klitgaard defied easy characterization. She was a U.S. modernist, working in both oil and watercolors, but never abandoned figurative painting. She made her reputation in landscape but also excelled in portraits, flower studies, and even cityscapes. Yet despite Klitgaard’s ambiguous status in art history, her paintings continue to fascinate viewers attracted to the unsteady ground between twentieth-century realism and expressionism.
Georgina Klitgaard (née Berrian) was born in Spuyten Duyvil, New York (now part of the Bronx); the Berrians had lived in the area since at least the U.S. Revolution. After graduating from Barnard College, she studied art at the National Academy of Design. In 1919 she married Kay Klitgaard, a Danish artist and writer. The next year, her life took a decisive turn when the couple visited friends in Woodstock, NY—about 120 miles north of New York City--and fell in love with the area.
In 1906, L. Birge Harrison helped found the Art Students League Summer School in Woodstock and the area became a magnet for landscape painters. The Klitgaards bought a house in 1922 on a steep ledge at the end of Cricket Ridge, high above Bearsville, which provided panoramic vistas overlooking the Catskill Mountains and the Hudson Valley. Klitgaard joined the artists’ colony in the area, which at the time included artists Ernest Fiene and Katherine Schmidt.
Klitgaard exhibited widely and her career slowly developed momentum. She was a regular contributor at Whitney Museum shows from 1927 to 1944. In 1929, she exhibited a painting entitled “Carousel” in the Whitney Studio Club’s famous exhibition “Circus in Paint.” Gertrude Vanderbilt Whitney acquired five paintings by Klitgaard in the early 1930s and served as a significant patron for the artist. Klitgaard s New York dealer, Frank Rehn...
Category
Early 20th Century Modern Still-life Paintings
Materials
Canvas, Oil
"Pueblo Indians, Taos, New Mexico, " Georgia Klitgaard, Southwest Landscape
By Georgina Klitgaard
Located in New York, NY
Georgina Klitgaard
Pueblo Indians, Taos, New Mexico
Signed lower right
Oil on canvas
18 x 24 inches
Georgina Berrian was born in Spuyten Duyvil, New York in 1893. She was educated a...
Category
Mid-20th Century Modern Landscape Paintings
Materials
Canvas, Oil
$5,200 Sale Price
20% Off
"Winter Landscape with Stream" Carl Rudolph Krafft, Early 20th Century Landscape
By Carl Rudolph Krafft
Located in New York, NY
Carl Rudolph Krafft
Winter Landscape with Stream
Signed lower right and with thumbprint
Oil on canvas
25 x 30 inches
Carl Rudolph Krafft was born in 1884 in Reading, Ohio, and his ...
Category
Early 20th Century American Impressionist Figurative Paintings
Materials
Canvas, Oil
"View of Arizona Desert near Wickenberg" Will Foote, Impressionist Western Scene
Located in New York, NY
Will Foote
View of Arizona Desert near Wickenberg, circa 1927
Signed lower center; titled and dated on the reverse
Oil on artist's board
12 x 16 inches
Foote was born on June 29, 1874 in Grand Rapids, Michigan, and died on January 27, 1965, in Sarasota, Florida. He was in Old Lyme, 1901-65; and in Cos Cob, 1903.
Will Howe Foote was one of the earliest artists at Old Lyme and one who adopted the town as home. He first went there the summer of 1901 with his uncle, William H. Howe, a painter of cattle, who had been told about the beauties of the countryside by Henry Ward Ranger. Foote had himself heard of Old Lyme when he had met Clark Voorhees in France. He and his uncle were both from Grand Rapids, Michigan, where Foote's father was an executive in the furniture industry that made the city famous. Encouraged to be an artist by his father, he began his professional training at the Art Institute of Chicago in 1894. He became friends there with a fellow Michigan student, Frederick Frieseke, who would study with him again at the Art Students League in New York, where Foote worked in 1895-96 under H. Siddons Mowbray and Kenyon Cox.
In 1897 he and Frieseke went to the Academic Julian in Paris, where Foote studied under Jean-Paul Laurens and Benjamin Constant. He was at Julian's until 1900, except for an Italian trip, summers at Laren, Holland, or Etaples, France, and a short period at Whistler's school in Paris. He exhibited twice at the Old Salon, and when he returned to the United States in 1900, he had a one-man exhibition in his hometown.
Will Howe Foote's paintings were well received on his return from abroad. He exhibited frequently at the National Academy of Design and became an associate member in 1910. His awards included a bronze medal at the St. Louis Exposition in 1904 and a silver medal at the Panama-Pacific Exposition in San Francisco in 1915.
Once he visited Old Lyme, Foote returned every summer. In 1902 he was hired as assistant to Frank DuMond at the Lyme Summer School of Art, which was sponsored by the Art Students League of New York. Sometime in 1903 he also taught a session in Cos Cob. After 1906, when the League moved its Lyme classes to Woodstock, New York, Foote continued in Old Lyme as a private instructor.
In 1907 he was married to Helen Kirtland Freeman, whom he had met a year or two earlier when she had come to the Lyme art colony as a student of Henry Rankin Poore. Fellow artist William Chadwick was best man at the wedding. The Footes began building a house on Sill Lane in Old Lyme and upon its completion in 1909 spent every spring, summer and fall there, where Foote devoted full time to painting. The Gregory Smiths, old friends from Grand Rapids, arrived in Old Lyme in 1910 and became neighbors. Foote's early works in Connecticut, such as A Summer's Night reflect the artist's interest in soft, atmospheric scenes dominated by a single, overriding tone. The arrival of Childe Hassam and Walter Griffin...
Category
1920s American Impressionist Figurative Paintings
Materials
Oil, Board
"Rockport Harbor" Kathryn E. Cherry, Female American Impressionist Landscape
Located in New York, NY
Kathryn E. Cherry
Rockport Harbor
Signed lower right
Oil on canvas board
10 1/2 x 12 inches
Kathryn Cherry was an influential St. Louis painter, ceramicist, designer, and art educa...
Category
Early 20th Century American Impressionist Figurative Paintings
Materials
Oil, Illustration Board
"Forest Landscape" John F. Carlson, circa 1925 American Impressionist Landscape
By John F. Carlson
Located in New York, NY
John F. Carlson
Forest Landscape, circa 1925
Signed lower right
Watercolor on paper
Sight 21 x 24 1/2 inches
The native Swede John Fabian Carlson became a household name in New Yor...
Category
1920s American Impressionist Landscape Paintings
Materials
Paper, Watercolor
