Lions Gallery Portrait Paintings

'Maggie with Helmet' 2012 Oil on canvas Verso: Hand signed and dated on canvas. Dimensions: 24" h x 20" w. Frame: 25.5" h 21.5" w Provenance: Property of a Southampton, NY collection Richard Butler (Post-war and Contemporary artist) studied painting at the Epsom School of Art and Design (now University for the Creative Arts). In school he was exposed to radical developments taking hold in the artworld including Andy Warhol, Jasper Johns, David Hockney and Francis Bacon and the emerging British pop art of Richard Hamilton and Peter Blake. He later turning to silkscreen printmaking. But like many famous rockers, from Keith Richards and Roger Waters to Tupac Shakur and Lady Gaga, Butler began making music in art school, and art was a passion that never went away. Shortly after graduating from the art school, in 1977, Richard Butler became a founder and singer/songwriter for the British post-punk / new wave rock and roll band "The Psychedelic Furs". Quickly gaining commercial success, his musical career kept him away from painting throughout the 80s and the 90s. In early 2000s, Richard Butler returned to painting and started exhibiting his art in the U.S. and Europe. He prefers to call himself a painter who sings, rather than a singer who paints. He was influenced by Anselm Kiefer and Francesco Clemente and became friends with Julian Schnabel. With his daughter, Maggie Mozart Butler, as his muse, he produces expressionistic portraits of pensive female subjects, who serve as ciphers for himself. As he describes, “In a way I think all of my paintings are self-portraits in that, though the face I am painting may not be my own, the feeling I get back from the painting is certainly an important element of my own psyche.” His work is a sort of dark moody expressionism with nods towards Lucien Freud. He lives and works in Connecticut. He has had solo exhibitions in New York City, Miami and Florence, Italy. One of his works, Girl with a Map, has been used as a CD's cover art. Selected Solo Exhibitions 2020 Richard Butler: Amnesiac Hostess, Waltman Ortega Fine Art, Miami, Florida, USA 2017 101/EXHIBIT, La Peer Drive, West Hollywood, Los Angeles, California, USA 2015 naturalhistory ,Freight+Volume (Allen St.) ,Lower East Side, New York, USA Selected Group Exhibitions 2025 Summer Sale, Galerie Olivier Waltman, Paris Saint-Germain, 6e, Paris, France The Rhythm. Vibratory Shock of Being, Galerie Olivier Waltman, Paris Marais...

King and queen with clowns and jesters. Bold, colorful, expressionist masterful painting. Jonah Kinigstein (b. 1923) is an American Postwar & Contemporary painter. He works in a fig...

Jonah Kinigstein (b. 1923) is an American Postwar & Contemporary painter. He works in a figurative expressionist style. His works are featured in the Smithsonian American Art Museum,...

Rare one of a kind Pop Art portrait painting of 80s and 90s pop icon Fabio done in silkscreen enamel oil on canvas. this is not numbered and is believed to be unique. Steven Alan Ka...

A sensitive portrait beautifully rendered in watercolor and gouache. Mid century. I am guessing from the 1940s it is not dated. Robert Philipp (February 2, 1895 – November 22, 1981)...

MALCAH ZELDIS ''Circus, Fire Eaters'', 1989, gouache on paper Hand signed and dated bottom center, titled in pencil on paper verso Paper 12''h, 9''w. Provenance: Estate of Laura Fisher...

MALCAH ZELDIS (American-Israeli, b. 1931) Moses and the burning bush, 1982, gouache on paper, Hand signed and dated lower middle. Paper 9''h, 11-3/4''w. Framed 14.5 X 17.5 Provenance: Estate of Laura...

MALCAH ZELDIS (American-Israeli, b. 1931), ''David and Saul'', 1982, Gouache on paper Hand signed and dated lower right, titled in pencil on paper verso. Provenance: Estate of Laura Fisher...

Jonah Kinigstein "Death of a Clown" Large Oil on Board Painting of macabre circus scene with clowns Hand signed lower left and signed and titled verso Frame: 55 X 43 Image: 48 X 36 ...

Jossi Stern Hungarian Israeli 1923- 1992) Untitled (Figures, Chassidic Family, Father and Sons), Oil on canvas, Hand signed lower right, Provenance: gallery label (Safrai Art Gall...

Kiddush Levanah oil painting Hand signed A. Gruenstein. It is not dated or titled. Pre War European Chasidic Rabbis Kiddush Levana (Blessing on seeing the new moon) German Judaica ...

Itamar Siani, Yemenite Israeli (Born 1941) Oil on Canvas "Portrait of a Seated Woman" Hand signed lower left Dimensions: 26.25" x 17.75". Frame measures 38.25" x 30" Itamar Sian...

Framed 32 x 26 image 22 x 16 Charles Levier (1920-2004) He was born in 1920 of a French father and American mother in Corsica. He held a fascination with color and form that led him...

This depicts Middle Eastern jewish men of Sefardic descent. At least one appears to be a Rabbi. ALBERT GOLDMAN Born in Alexandria, Egypt in 1922, Albert Goldman started drawing and ...

Framed 20.5 x 18 image 14.5 x 12 Heinz Hugo Erich Elsas, (German-Brazilian 1925-1994) later known as Harry Elsas. Muralist, writer, designer best known as a painter. Born in 1925 in Stuttgart, Germany, 1n 1936 At the age of 14 he moved with his family to Sao Paulo, Brazil fleeing from World War II and of the persecution of the Jews. A self taught artist he was influenced by the Flemish artists, his work reveals remarkable influence of Brueghel and Hieronymus Bosch. He worked in the workshop of Portinari, participating in the Tiradentes mural. His work went through a post-Expressionist phase, culminating in the adoption of cubism and is characterized by the habit of creating a three-dimensional structure before painting a picture. In 1945, he was working with Lasar Segall...

Rabbis, Jewish Scholars over collaged Hebrew text Dimensions: framed 37.5 X 25.25 canvas 24 X 36 inches Moshe Katz ( Romanian, Israeli ) Moshe Katz was born March 2 1937 in Buchar...

Jean Jansem (Hovhannes Semerdjian) 1920-2013 Hand signed upper left corner Dimensions: 14 X 9.5 Framed 21 X 16.75 Jean Jansem (Hovhannes Semerdjian) 1920-2013 Bursa, Ottoman Turki...

Framed 26 x 13 image 20 x 6.5 inches. YITSKHOK LIKHTENSHTEYN (ISAAC LICHTENSTEIN) (1888-1981) (Icchok, Izrael) was born in Lodz, Poland. Initially he was studying at Yehuda Pen s...

Swing Jazz Quartet. Satchmo, Louis Armstrong! Oil Painting on board. Hand signed and dated 1974 Malcah Zeldis (born Mildred Brightman; 1931) is an American folk art painter. She is ...

The painting is signed Sykes and dated 1960 lower right. It has "Maltby Sykes, 1911- for Leon" written on the stretcher verso It is a Surrealist Folk Art figure of an African woman oil painting...

WEISBUCH, Claude. Oil on Canvas Framed size: 39” H x 28” W Canvas, without frame: 32” high x 21 ¼” wide. Carved wooden frame with antique gold-leaf finish Claude Weisbuch, 1927-2014 French painter, draftsman and engraver. He studied at the Ecole des Beaux-Arts (School of Fine Arts) in Nancy and upon graduation became a professor of engraving at the Ecole des Beaux-Arts de of St. Etienne. His first solo exhibition was in 1957. In 1968 , he became a full member of the Society of French Painters-Engravers . In 1997 he was awarded the Legion of Honor His work is essentially devoted to engraving, by which he likes to translate, thanks to the line, the life, movement and character of his characters: Punchinels, harlequins, musicians or equestrian scenes. He practices various techniques ( lithography, drypoint etching etc.) that he puts to use in the illustration of bibliophile books. Claude Weisbuch is also a painter and draftsman. His favorite colors are ochres, browns and whites, with which he seeks to introduce the effects of light by compositions where the line and finesse of the drawing preserve the life found in his engravings. His precise and dynamic line delivers a moving and swirling work on themes he loves: theater, opera, equestrian, musicians, card players, Kabuki dancers and many portraits. His works have the appearance of unfinished sketches mixing few colors but a great vivacity of the line. He illustrated many limited edition signed fine art books. Alon with Christo, Arman and Cesar he is considered among the great post war French artists of the last generation. Exhibitions 1957: Saint Placide Gallery, paintings and engravings 1958: Galerie de Presbourg, Paris, paintings - Saint Placide Gallery, Paris, paintings - Galerie des Arts, Nancy, etchings 1960: Galerie Hervé, "Extraordinary Pantomimes", Paris, paintings 1961: Salon of the young painting and painters witnesses of their time 1962: O'Hanna Gallery, London , paintings 1963: Galerie Hervé, "Portrait Of Man", Paris, Paintings - Nichido Gallery, Tokyo, Paintings 1965: Hervé Gallery, "100 Drawings", Paris Dresdener Gallery, Toronto, paintings 1966: Dantesca Gallery, Turin , paintings, engravings, drawings 1968: New Vision Gallery, Paris, engravings 1969: Galerie Hervé, Paris, paintings - Galerie Reflets, Brussels , prints, paintings - Galerie Dresder, Montreal , paintings 1970: Taménaga Gallery, Tokyo, paintings - Sagot Gallery - The Garrec, Paris, etchings - Museum of Modern Art of the City of Paris ARC, Paris, prints 5 1971: War Gallery, Avignon , etchings Biennial of Engraving, Epinal 1972: Dantesca Gallery, Turin Festival, Sarlat , paintings 1973: Wayss Gallery, Nancy , paintings, engravings, drawings Auguste Comte Gallery, Lyon , paintings, engravings, drawings Taménaga Gallery, Tokyo, paintings - New Vision Gallery, "Homage to Rembrandt", Paris, etchings 1974: Esthetika Gallery, Kortrijk, engravings - Galerie Hervé Odermatt, Paris, paintings Ésthetika Gallery, Kurne, prints - Galerie Wayss, Nancy, engravings, drawings, pastels Dietesheim Gallery, Neuchâtel , engravings - Grafikhuset Gallery, Stockholm , prints, drawings 1975: Schwarzer Gallery, Vienna , engravings, paintings, drawings Fogola Gallery, Turin, drawings, pastels Sotheby-Parke Benett, Munich, engravings, drawings Hervé Odermatt Gallery, Paris, drawings Joly Gallery, Washington , engraving 1976: Taménaga Gallery, Tokyo, paintings - Wayss Gallery, Nancy, engravings, drawings - Tabula Gallery, Tübingen, engravings, drawings - New Vision Gallery, "The horse-The painter and his model", Paris, drawings, engravings 1977: Grafikhuset, Futura, Stockholm - Jivô Gallery, Vänersborg Pigalle Gallery, Norrköping Celsius Gallery, Uppsala Möbius Gallery, Gothenburg - New Vision Gallery, Jerusalem - Cultural Center of Sainte-Menehould Castle, retrospective, engravings 1978: David Barnett Gallery, Milwaukee , engravings, drawings Orangery Gallery, Cologne , engravings, drawings, pastels Grafikhuset Futura, Stockholm, paintings, drawings Les Cordeliers, Châteauroux, engravings, drawings, paintings House of Culture, Montbéliard, engravings House of Culture, Chelles , engravings, paintings, drawings 1979: L'Empreinte Gallery, Strasbourg, prints, drawings - Galerie Reflets, Brussels, prints, drawings - Galerie Bon à tirer, Los Angeles , prints, pastels 1980: Hervé Odermatt Gallery, Paris, "Calligraphy of the figure", paintings - E. Gollon Gallery, Saint-Paul-de-Vence 1981: European Biennale of Engraving, Baden-Bade Galerie The Art Shop, Nice Galerie Hélène Trintignant, Montpellier Martine Remy Gallery, Strasbourg 1982: Vallen Gallery, Stockholm - Sagot Gallery - The Garrec, Paris - Taménaga Gallery, Tokyo, paintings - New Vision Gallery, Tokyo, Nagoya, Osaka, etchings 1983: Hélène Trintignant Gallery, Montpellier 1984: Perrine Museum, Laval , etchings - Music Festival, Quimper , etchings Etchings, Moscow - Presence Gallery, Brussels, paintings, etchings 1985: Galerie Moyon-Avenard, Nantes, paintings - Taménaga Gallery, Paris, paintings - New Otani Hotel, Ōsaka, realization of murals 1986: Taménaga Gallery, Tokyo, paintings - Greenhouse of the School of Fine Arts, Saint-Étienne , paintings, engravings 1988: Retrospective paintings, Château de Chenonceau Retrospective engravings, Artothèque Museum Montpellier Taménaga Gallery, Paris, drawings, pastels New Vision Gallery, Tokyo, engravings 1989: Galerie Taménaga, Paris, paintings Exit of the book Weisbuch , texts of Jean-Denis Bredin of the French Academy, preface by Jean-Marie Tasset. 1990: Taménaga Gallery, Paris, paintings 1992: Retrospective, Sarlat - Taménaga Gallery, Paris, drawings 1993: Taménaga Gallery, Tokyo and Osaka 1994: Paintings for the second international meetings of the cello ensemble, Beauvais - Elegance Gallery, Taipei - Sanbi Gallery, Tokyo, graphic works - Mitsukoshi, Tōkyō 1995: Taménaga Gallery, Ōsaka - Exhibition of the Gobelins Municipal Circle, Paris 13 th 1996: 2nd Music Trades Fair, Premonstratensian Abbey , Pont-à-Mousson , paintings - Ginza Spring, Tokyo, paintings - New Otani Museum, Tokyo, paintings 1997: Galerie Raugraff, Nancy, paintings, pastels, drawings, engravings, lithographs - Theater Gallery, Besançon, paintings, drawings, engravings, lithographs 1999: A retrospective "Weisbuch, 50 years of prints", 230 works exhibited in Strasbourg under the direction of its publisher, L'Estampe Éditions 3 - Taménaga Gallery, Paris, Tōkyō 2000: Retrospective Château de Vascœuil , by L'Estampe - Theater Gallery, Besançon , paintings, drawings, engravings, pastels, lithographs - Retrospective Chamber of Commerce, Strasbourg - engravings (retrospective), Jacques Brel cultural center, Thionville - engravings (retrospective ), chamber of commerce, Nancy 2001: Retrospective Orangerie of Madame Élisabeth, Versailles , paintings 2002: Taménaga Gallery "Movements", Paris 2003: L'Estampe Gallery, in partnership with the Theater Gallery - prints and paintings, Besançon 2004: Taménaga Gallery "Prometheus presenting the secret of fire to humans", Paris Crid'Art Gallery, L'Estampe Gallery, Amnéville-les-Thermes , paintings, prints, drawings, prints - Galerie des Arts, Nîmes , paintings 2010: Galerie125, Argancy , recent works, exhibition of 100 recent works by the artist. 2012: Exhibition at the Château de Malbrouck . More than 150 works by the artist. Organized by the General Council of Moselle and L'Estampe (editor Claude Weisbuch). 2012: Print, Strasbourg, paintings, engravings, drawings 2012: Exhibition at the House of wines of Graves de Podensac in Gironde. 150 works by the artist Event organized by Course N ° 3. 2013: Galerie125, Argancy, "Weisbuch, major works", exhibition of drawings, engravings, lithographs and oils on canvas 2014: Galerie125, Argancy, "Weisbuch, from 1947 to 1960", exhibition of 100 ancient engravings...

"Selbstportrait Und Der Sonne" This work is part of a series of alligator paintings Brock made in 2007. All are painted in a somewhat similar and b...

David Pryor Adickes American (b. 1927) John F. Kennedy bas-relief plaster relief sculpture in artists frame incised signature lower center. with gold stars. Deep relief, approximatel...

Folk art, Naive, Latin American art , Family portrait in the style of a Chinese ancestor portrait. Maria Teresa Vieco is a Colombian artist born in 1953 in Bogota. She studied at th...

Abram Tromka was born May 1, 1896 in Poland. At the age of seven he immigrated with his family to the United States, settling in New York City. It was on the boat coming to New York ...

Frame is 12 X 10. Canvas is 9.5 X 7.5 Calogero was born August 20, 1922 in Catania, Sicily. Self-taught Surreal Artist First exhibitions in 1945 in Sicily and Rome were very successful. He arrived in Paris in 1947 and studied at the Ecole des Beaux Arts. He is best known for his Surrealism and genre works. His paintings are dreamlike and visionary. They travel to an infinite space created by the artist through his memories, the sky and the sea so dear to him. In his paintings there are a few common themes: the masks with their dual dimensions that hide or shows only what you want, the profiles of the women, and the horsemen, drawn as the Sicilian tradition requires. He exhibited at the Gallery Hervé in 1951 and the following year he went to New York to present his show, then in 1953 he was invited to Los Angeles, where he returned two years later, and from where he regularly exhibited his works, and San Francisco. In 1954, Maximilien Gauthier devoted a book to him published by "The Gemini." The first exhibition in Japan was in 1965. He was awarded the Grand Silver Medal by the City of Paris in 1957. Calogero had countless exhibitions in Paris, in the fifties, plus the American exhibitions in New York (Associated American Artists, 1952), Los Angeles (James Vigevano Galleries, 1953) and then later in Japan and in major galleries in Italy. He lived and worked for many years in Paris and Italy. He died in 2001. Galerie Hervè, Parigi 1950. Associated American Artists - New York 1952. James Vigevano Galleries, Los Angeles 1953. Galerie Madsen, Parigi 1954/1960. Antologica, Tokyo 1965. Galleria La Robinia, Palermo 1969. Florida Gallery, Chicago 1970. Galleria Il Cavalletto, Catania 1971. Galleria De Rosa, Milano 1972. Galleria Pinacoteca, Roma; L'Incontro, Taranto 1973. Galleria Idea-Bellini, Firenze; David Galleries, Bari; Palazzo Melloni, L'incontro, Bologna; Galleria Schettini, Milano; Galleria Pinacoteca, Roma; Galleria La Meridiana, Verona; Pier della Francesca, Arezzo 1974. Galleria L'isolotto, Napoli; Pinacoteca, Roma; Galleria del Corso, Latina 1975. Galleria Michelangelo, Firenze; Pinacoteca, Roma 1977. Galleria Robert Philip, Parigi 1978. Galleria d'Arte Pinacoteca, Roma 1979. Centro L'Esagono, Lecce; Graziani Gallery, New York 1981. Chiesa di S. Silvestro, Tuscania; Museo d'Arte Moderna, Sessa Aurunca 1982. Galerie Hervè, Parigi 1983. Galleria l'Angolo, Catania; Galleria Arte Spazio, Sassari; Centro Il Faro, Taranto 1987. Galleria L'Esagono, Lecce 1988.Galerie Molière, Parigi; Nihon Garo, Nagoya, Giappone; Minako H. Gallery, Tokyo; Galleria del Viale Jonio, Catania 1989. Art Expo, New York; Axis Gallery, San Francisco; Galerie Axe, Parigi; Galerie Molière, Parigi 1990. Antologica, Palazzetto dell'Arte, Foggia; Galleria d'Arte Pinacoteca, Roma; Sinagrarte 91, Sinagra, Messina; La Magia di Taormina, Palazzo Corvaja, Taormina; Galleria Buonarroti, Siracusa 1991. Galleria Arte Oggi, Reggio Calabria; Galleria del Corso, Latina; Galleria Arte Spazio, Sassari; Galleria Art Gallery, Gela 1992. Galleria Profili d'Arte, Catania 1993. Europ'Art 94, Ginevra; Galleria Antarte, Messina 1994. Galleria Agorà, Palermo 1995. Comune di Aci Castello, Palazzo Russo, Aci Castello, Catania; Galleria Arte Spazio, Sassari 1996. Art Gallery, Gela; Chiesa di San Leonardo, Tuscania 1997. Pinacoteca Galleria Donini, Roma 1998. Galleria Perlini Arte, Reggio Calabria; Galleria Il Castello, Rovigo; Galleria Profili d'Arte, Catania; Pinacoteca Galleria Donini, Roma 1999. Gallery Robert Philippe: Jean Calogero, Alexandre Grig, Linda le Kinff, Jacques Lefort...

Oil on board, 1978. It depicts an abstracted portrait of a military man in an army uniform with medals. It is signed by the artist verso. Dimensions: sight size-22 inches tall X 19...

Michael Boulet (France b. 1938-), Oil on canvas Hand signed lower right "Le Patinette de Bâle" Frame: 28" X 33" Image: 20" X 24" Michel Boulet was born in 1938 in Marseille, Franc...

Richard Judson Zolan (1931-2001) "Be Calm" A sailor girl (or sailor boy) with a toy boat in a pond. Oil painting on canvas, hand signed upper left, Dimensions 40 x 30”, framed to...

Lazzaro Donati (Italian, 1926-1977), Framed oil painting "La Ragazza Ungherese" The Hungarian Girl. Dated 1961. Framed: 36.25 x 28.5 inches. In good condition. Lazzaro Donati was b...

Konstanty Szewczenko (1910-1991), signed oil Judaica Oil Painting, Chassidic Rebbe, Polish. Frame: 17 X 15.25 Image: 11.5 X 9.5 Konstantin Shevchenko studied at the Institute of Fine Arts in Warsaw in the years 1927 - 1928. Then, in 1932 he studied painting under the guidance of Kowarski and Pruszkowski at the Warsaw Academy of Fine Arts. Practiced easel painting, mostly judaic hassidic rabbi portraits, genre scenes. Among others, a portrait Moscicki, Rydz - Rydz, and after the war Rokossowski.He worked as a set designer. In the years 1934 - 1935 was production designer Variety Theatre. He collaborated with publishing houses with illustrations. He exhibited in Warsaw, Poland, Vienna, Austria and New York. In 1947 he took part in Exhibition Independent Artists Group) and abroad (solo exhibition at the Gallery G. Tomalsky in New York, 1964) . He is one of many great Jewish Polish artists that included Leopold Gottlieb, Maurycy Gottlieb, Henryk Hechtkopf, Leopold Pilichowski, Isidor Kaufmann, Lazar krestin, Alois Heinrich Priechenfried and Itshak Holtz. His works are in the collection of the Museum of the Polish Army. He was an Polish, Austro-Hungarian painter of Jewish themes...

Pierre Henry (1924 - 2015) Hand signed lower right. Dimensions: (Frame) H 39" x W 33" ; (Painting) H 31.5" x W 25.5" Oil on board painting depicting two people, a man holding a gu...

Frame: 27 X 21 Image: 23.5 X 17.5 Barry Leighton-Jones was born in London, England in 1932 and is a direct descendant of the Victorian artist and President of the Royal Academy, Lor...

Michel Rodde (1913-2009) Oil on Canvas Painting Portrait of a woman: "La Dame a la Fleur Blanche" Hand signed lower right. Provenance: Findlay Galleries, New York with gallery stamp...

Peter Tunney (b. 1961) Audrey Hepburn 2015 Acrylic paint Hand-pulled silkscreen with hand coloring on archival museum board. 40 x 32-1/4 inches (101.6 x 81.9 cm) (sheet) Hand signed and dated in ink lower right This is from a series titled The movie stars. Each is a unique silkscreen based on a licensed photograph of a movie actor. Each is unique due to the colors and patterns created by the artist on the photo image. Audrey is a unique, hand-pulled silkscreen on hand painted archival museum board Peter Tunney (b. 1961) is a legitimate force of nature with boundless creative energy, spreading his positive messages in unconventional ways and delivering works of art to a worldwide collector base. He creates in almost every medium: paint, collage, wood, photography, found objects, and discarded materials. Peter Tunney is an American visual artist, publisher, art dealer, socialite and former Wall Street executive. He currently lives and works between New York City and Miami, Florida. Tunney first made his fortune investing in biotechnology stocks on Wall Street. He then went onto found for the now closed SoHo gallery "The time is Always Now" where for nine years he showed a vast collection of work by the famed wildlife and fashion photographer Peter Beard, some of which was created on site. In 1994 Tunney was featured on Lifestyles of the Rich and Famous, as profiled by Robin Leach, and mentioned as one of the worlds most eligible bachelors. Later Beard and Tunney had a dramatic falling out. A tumultuous period followed leading to Tunney's living in the nightclub Crobar while doing a performance piece and eventually to rehab. Today Tunney is a visual artist who works in the genre of neo-pop and whose work has been compared to that of Mel Bochner and Christopher Wool. Tunney is also known for his "Tunney Money" a system of art given in place of cash relinquished. one of his more high profile works so far was a billboard he did in the New York City borough of the Bronx alongside the Major Deegan Expressway which spelled out "GRATTITUDE" (in all capital letters with an extra T added on for emphasis) a word which Tunney has articulated frequently in his visual works. Tunney is also known for his surfboards which he turns into artworks often with his sayings such as "City of Dreams" or the aforementioned "GRATTITUDE" embellished onto them rendering the pieces of sports equipment works of art. In 2009 Tunney was commissioned by now Senior advisor to the President of the United States Jared Kushner (for whom Tunney had previously created a stencil overlay taken from his work "Don't Panic" for Kushner's newspaper The New York Observer) to establish an immersive work called "The Experiment" in the lobby of Kushner's fifth avenue sky scraper 666 Fifth Avenue. In the Wynwood section of Miami he opened a gallery dedicated to his work called the "Peter Tunney Experience". Now forthcoming with the kickoff of the new NFL season at Hard Rock Stadium, home of the Miami Dolphins in Miami Gardens, Florida, is a large scale multiple mural project mostly of bright colorful abstract works some with a tip of the hat to Football, a project which arose out of a dialogue between Tunney, Jessica Goldman Srebnick (CEO of Goldman Global Arts and daughter of the late famed real estate developer, preservationist and arts visionary Tony Goldman) and the Dolphins. Among the artists whose efforts are included in the body of work are; Assume Vivid Astro Focus...

Peter Tunney (b. 1961) Marlon Brando 2015 Acrylic paint Hand-pulled silkscreen with hand coloring on archival museum board. 40 x 32-1/4 inches (101.6 x 81.9 cm) (sheet) Hand signed and dated in ink lower right This is from a series titled The movie stars. Each is a unique silkscreen based on a licensed photograph of a movie actor. Each is unique due to the colors and patterns created by the artist on the photo image. Brando is a unique, hand-pulled silkscreen on hand painted archival museum board Peter Tunney (b. 1961) is a legitimate force of nature with boundless creative energy, spreading his positive messages in unconventional ways and delivering works of art to a worldwide collector base. He creates in almost every medium: paint, collage, wood, photography, found objects, and discarded materials. Peter Tunney is an American visual artist, publisher, art dealer, socialite and former Wall Street executive. He currently lives and works between New York City and Miami, Florida. Tunney first made his fortune investing in biotechnology stocks on Wall Street. He then went onto found for the now closed SoHo gallery "The time is Always Now" where for nine years he showed a vast collection of work by the famed wildlife and fashion photographer Peter Beard, some of which was created on site. In 1994 Tunney was featured on Lifestyles of the Rich and Famous, as profiled by Robin Leach, and mentioned as one of the worlds most eligible bachelors. Later Beard and Tunney had a dramatic falling out. A tumultuous period followed leading to Tunney's living in the nightclub Crobar while doing a performance piece and eventually to rehab. Today Tunney is a visual artist who works in the genre of neo-pop and whose work has been compared to that of Mel Bochner and Christopher Wool. Tunney is also known for his "Tunney Money" a system of art given in place of cash relinquished. one of his more high profile works so far was a billboard he did in the New York City borough of the Bronx alongside the Major Deegan Expressway which spelled out "GRATTITUDE" (in all capital letters with an extra T added on for emphasis) a word which Tunney has articulated frequently in his visual works. Tunney is also known for his surfboards which he turns into artworks often with his sayings such as "City of Dreams" or the aforementioned "GRATTITUDE" embellished onto them rendering the pieces of sports equipment works of art. In 2009 Tunney was commissioned by now Senior advisor to the President of the United States Jared Kushner (for whom Tunney had previously created a stencil overlay taken from his work "Don't Panic" for Kushner's newspaper The New York Observer) to establish an immersive work called "The Experiment" in the lobby of Kushner's fifth avenue sky scraper 666 Fifth Avenue. In the Wynwood section of Miami he opened a gallery dedicated to his work called the "Peter Tunney Experience". Now forthcoming with the kickoff of the new NFL season at Hard Rock Stadium, home of the Miami Dolphins in Miami Gardens, Florida, is a large scale multiple mural project mostly of bright colorful abstract works some with a tip of the hat to Football, a project which arose out of a dialogue between Tunney, Jessica Goldman Srebnick (CEO of Goldman Global Arts and daughter of the late famed real estate developer, preservationist and arts visionary Tony Goldman) and the Dolphins. Among the artists whose efforts are included in the body of work are; Assume Vivid Astro Focus...

"Simchat Torah" by Jonah Kinigstein Large Oil on Board Painting of Rabbi Frame: 46 X 32 Image: 39 X 25.5 Jonah Kinigstein (b. 1923) is an American Postwar & Contemporary painter. H...

IDF Tzahal Fighter Pilots Dimensions: framed 31 X 25.25 canvas 30 X 24 inches Moshe Katz ( Romanian, Israeli ) Moshe Katz was born March 2 1937 in Bucharest, Romania. With his pa...

framed sight size 10 x 13.5 inches painting, framed to 15 x 19. Impressionistic Realistic portrait of an older rabbi visiting the marketplace. Children playing. Here the artist conveys a sense of quiet grandeur through the eyes of his subject and the way it's rendered. following a distinguished lineage of Jewish genre...

Lazzaro Donati (Italian, 1926-1977), "Signora dal Cappello," oil on panel, signed lower left, signed, titled and dated verso, overall (with frame): 22.5"h x 24.5"w Lazzaro Donati wa...

Genre: Modern Subject: Fiddler on the roof, Shtetl matchmaker Medium: Oil Surface: Board, size includes artist decorated frame Country: United States The imagery of Maurice Kish (18...

Shaul Victor, (1947-2016), Russian American Israeli artist, paints vivid Judaica/Israel scenes and portraits. Shaul Victor, painter. Born in Russia in 1947, immigrated to Israel in ...

Older, realistic portrait of an older Jewish shtetl tailor by Polish artist. Here the artist conveys a sense of quiet grandeur through the eyes of his subject and the way it's rendered. Part of a distinguished European lineage of Jewish genre...

This is a bright, colorful oil painting of a Hasidic Musician in the the holy city of Jerusalem, Israel 1972, Oil on canvas, 29 X 26 inches Hand signed and dated. George Cheme...

Large magnificent colorful Ruth Schloss oil painting of a child with a wagon with a doll or a baby in a carriage stroller.. Signed in Hebrew size measures 31x43 with frame , 23x35.25 without the frame. (this is being sold unframed). Ruth Schloss (22 November 1922 – 2013) was an Israeli painter and illustrator who mainly depicted neglected scenes such as Arabs, transition camps, children and women at eye-level as egalitarian, socialist view via social realism style painting and drawing. Schloss became Israeli painting’s sensitive, conscious, remembering eye. Ruth Schloss was born on 22 November 1922, in Nuremberg, Germany, to Ludwig and Dian Schloss, as the second of three daughters of bourgeois assimilationist Jewish family well-integrated into German culture. As the Nazis came into power in 1933, her family immigrated to Israel in 1937, and settled in Kfar Shmaryahu, then an agricultural settlement. Schloss studied at the Department of Schloss graphic design at "Bezalel" from 1938 to 1942 alongside Friedel Stern and Joseph Hirsch. She was a realistic painter who focused on disadvantaged people in the society and social matters as an egalitarian. Her realism was thus an “inevitable realism,” motivated by an inner necessity: the need to observe reality as it is. Her painting repeatedly addressed the door pulled from its frame, employing drawing’s unique ability to stop time and prolong the image’s persistence in the retina, she repeatedly committed to paper - in a matter-of-fact, non-evasive manner devoid of mystery – man’s tendency to generate chaos, suffering and pain. Throughout her life, Schloss remained minimalist. Painting about human fate was the main subject of her artworks. Her natural inclination was to describe the darker aspect of human existence. 1930s The Schloss household was characterized by open, liberal spirit, in keeping with the parents’ progressive views. It deeply influenced Ruth’s mental development, as she learned to tie culture and art with sensitivity towards the weak and underprivileged. In Jerusalem, she joined a commune of Hashomer Hatzair in which she shaped her socialist views, which she maintained throughout her long career. 1940s In this period she mainly depicted landscapes of kibbutz and wretched women living hard life, children in huger, older people, refugees. After completing her art studies, Schloss joined a training group at Kibbutz Merhavia in 1942, and after two years moved to Karkur region, the nucleus established Kibutz Lehavot Habashan in the Upper Galilee. Through this time, she fell in love with the surroundings and drew landscapes. They are simple and direct with fresh, lucid lines. These paintings were selected as the main works of her first exhibition in 1949. In early 1945, Schloss started to draw illustrations in the children’s magazine Mishmar Leyeladim, and designed the logo of Al Hamishmar, the paper’s new name in 1948. In 1948, upon the founding of Mapam (United Workers’ Party), she designed her party’s emblem, which became a well-known icon. She kept working as an illustrator for Mishmar Layeladim until 1949. "Mor the Monkey" project yielded financial profits and this income was used for a study trip to Paris for two years. She was succesfull as illustrator however, she had inner conflicts of her identity as witnessed painter toward neglected class in Israeli society. First Exhibition at Mikra-Studio Gallery, 1949 She presented forty drawings on paper in her first solo exhibition, representing a selection of the themes of kibbutz landscape, its lifestyle. Schloss confidently proposed her direction through simplicity without using colors in her drawings. 1950s Between 1949 and 1951, she studied at the Académie de la Grande Chaumière in Paris. She began working in oils, with which she continued throughout the 1960s. The exhibition “Back from Paris” opened in November 1951 at Mikra-Studio Gallery . In 1951 she married Benjamin Cohen, who served as chairman of the national leadership of Hashomer Hatzair Workers Party in Tel Aviv. He was a theoretician and a man of principle, highly esteemed by its leaders who became a professor of history at Tel Aviv University. In 1953, following the Mordechai Oren affair and the publication of Moshe Sneh 's followers from Kibbutz Artzi, she and her husband left the kibbutz and moved to the agricultural farm, Kfar Shmaryahu, where she lived until her death. At a certain point in Israeli history, segments of the socialist movement felt that Israel should become part of the Communist bloc, rather than seek the support of the western world. Because the Schloss couple support of Moshe Sneh’s left-wing party, they had to leave the kibbutz. She loved to depict ordinary women as figurative on her painting without hiding or making up anything. The poet Natan Zach wrote about her works in 1955: “Her motto remains that which has been all these years: life as it is, without bluffing." Schloss’s “Pietà” (1953) became a universal cry expressing the pain of mothers on either side of the divide. In the late 1950s, she was the mother of two daughters. When she drew her daughters, unlike the universal babies she depicted, naked and with clenched fists, the painting of her children employed babyish sweetness to the full in a quiet, peaceful and heart-stirring filling rather than urgency. She also painted children in the transition camp and Jaffa in the 1950s and 1960s. 1960s-1980s – The period of Studio in Jaffa Schloss painted at a studio in Jaffa from 1962 till 1983. In this time, she turned her interest to people around her more than kibbutz – the children, mothers, and poor workers, the alleys and houses. She opened the space to the street and its dwellings, built interactions around it, and was nurtured by the presence of the outside in her work. 1960s Schloss familiarized to an Arab woman, Nabava, lived in poor. Schloss returned to painting images of old people later, and she called her painting figurative elderly people in the old age homes “waiting”. In the late 1960s, Ruth discovered acrylic paint and never turn back to oil painting. In 1965 Schloss devoted a series “Area 9 (1965)”, dedicated to the demolition of Israeli-Arab houses and the expropriation of the land, and carried a definite socio-political messages. The series was exhibited at Beit Zvi, Ramat Gan, in 1966. She was the only artist who addressed the result of the Six-Day War immediately afterward. In 1968, Schloss and Gansser-Markus presented “Drawing of War” in Zurich gallery. She expressed the war as an ultimate expression of destruction and ruin, regardless of victors and vanquished. 1970s In late 1970s Schloss began printing the selected photograph directly on the canvas, posterior reworking it in acrylic. She decided to print her work at Har-El Printers in Jaffa, and these became the surface of her painting. This technique was mainly adopted in two large series: Anne Frank (1979-1980) and Borders (1982). Through this technique she placed the figure of elder Frank next to that of the famous young Frank, and released it at the exhibition at Bet Ariela Cultural Center, Tel Aviv, in 1981. The series touched upon the Nazi Holocaust. 1980s The Lebanon War raised the question of “The Good Fence” and the effect of the war. She dedicated a large series Boarders, one of the most powerful image linked to the series is the figure of Yemenite woman raising her hand. She was the first to raise the Black Panthers demonstration to the level of a social icon. In the 1980s and again in 2000, the Intifada uprisings also led Schloss to the easel to render a good number of representational and symbolic works that in their way denounced Israel's political and military actions. 1990s – 2000s Ruth Schloss never had an exhibition in a major Israeli museum. Her works were presented in private galleries and small museums. The main museums, the Tel Aviv Museum of Art and the Israel Museum, included her works only in group exhibitions, and only in 1991 was her retrospective exhibited at the Herzliya Museum. In the 2000s, Schloss’s metaphors turned into animal kingdom and Bedouins in the south. A huge rhinoceros, birds of prey, and other "bad animals," as Cohen Evron, daughter of Ruth, calls them and "I connected this to the Nazis," said Schloss. Schloss' work after she didn't find human expression able to transmit the endless cruelty she saw in Israel's political mentality. Schloss also continued to follow and collect documentary photographs of destructions of houses from the war, the Intifada, the sequence of her work about ruin from 1949 to 2005, was a cumulative testimony about the painful history of Israel and Palestine. In 2006, a large retrospective exhibition of her work was presented at the Museum of Art in Ein Harod, curated by Tali Tamir. Education 1938-41 Bezalel Art Academy, Jerusalem, with Mordecai Ardon 1946 painting course for Kibbutz Artzi artists with Yohanan Simon and Marcel Janco 1949-51 Académie de la Grande Chaumière, Paris Awards and recognition 1965 Silver Medal, International exhibition in Leipzig, Germany 1977 Artist-in-Residence, The Cité Internationale Universitaire de Paris Selected solo exhibitions 2004 “Micha...

This is a signed portrait painting done in an outsider, folk art, expressionist style. This one looks like a Chassidic Breslov Hasidic man. it is signed in Hebrew, also marked with a Jewish star. this is from a collection of works by the same hand. they are all signed. Some have markings to the back of the paper. they have some age to them. They bear similarities to artists as dissimilar as Moshe Tamir, Mane Katz and an Israeli version of Purvis Young. In this piece the artist choice of colors is muted yet powerful. Israel has had a Vibrant Folk Art, Naive art scene for a long time now, artists like Yisrael Paldi, Nahum Guttman, Reuven Rubin and even Yefim Ladyzhensky...

This is a signed portrait painting done in an outsider, folk art, expressionist style. it is signed in Hebrew, also marked with a Jewish star. this is from a collection of works by the same hand. they are all signed. Some have markings to the back of the paper. they have some age to them. They bear similarities to artists as dissimilar as Moshe Tamir, Mane Katz and an Israeli version of Purvis Young. In this piece the artist choice of colors is muted yet powerful. Israel has had a Vibrant Folk Art, Naive art scene for a long time now, artists like Yisrael Paldi, Nahum Guttman, Reuven Rubin and even Yefim Ladyzhensky had naive periods. The most well know of the strict naive artists are Shalom of Safed, Irene Awret, Gabriel Cohen, Natan Heber, Michael Falk and Kopel Gurwin. Naïve art is any form of visual art that is created by a person who lacks the formal education and training that a professional artist undergoes (in anatomy, art history, technique, perspective, ways of seeing). Unlike folk art, naïve art does not necessarily evince a distinct cultural context or tradition. Naïve art is recognized, and often imitated, for its childlike simplicity and frankness. Paintings of this kind typically have a flat rendering style with a rudimentary expression of perspective. One particularly influential painter of "naïve art" was Henri Rousseau (1844–1910), a French Post-Impressionist who was discovered by Pablo Picasso. Naïve art is often seen as outsider art that is by someone without formal (or little) training or degree. While this was true before the twentieth century, there are now academies for naïve art. Naïve art is now a fully recognized art genre, represented in art galleries worldwide. Museums devoted to naïve art now exist in Kecskemét, Hungary; Riga, Latvia; Jaen, Spain; Rio de Janeiro, Brasil; Vicq France and Paris. "Primitive art" is another term often applied to art by those without formal training, but is historically more often applied to work from certain cultures that have been judged socially or technologically "primitive" by Western academia, such as Native American, sub saharan African or Pacific Island art (see Tribal art). This is distinguished from the self-conscious, "primitive" inspired movement primitivism. Another term related to (but not completely synonymous with) naïve art is folk art. There also exist the terms "naïvism" and "primitivism" which are usually applied to professional painters working in the style of naïve art (like Paul Gauguin, Mikhail Larionov, Paul Klee). At all events, naive art can be regarded as having occupied an "official" position in the annals of twentieth-century art since - at the very latest - the publication of the Der Blaue Reiter, an almanac in 1912. Wassily Kandinsky and Franz Marc, who brought out the almanac, presented 6 reproductions of paintings by le Douanier' Rousseau (Henri Rousseau), comparing them with other pictorial examples. However, most experts agree that the year that naive art was "discovered" was 1885, when the painter Paul Signac became aware of the talents of Henri Rousseau and set about organizing exhibitions of his work in a number of prestigious galleries. The Earth Group (Grupa Zemlja) were Croatian artists, architects and intellectuals active in Zagreb from 1929 to 1935. The group included the painters Krsto Hegedušić, Edo Kovačević, Omer Mujadžić, Kamilo Ružička, Ivan Tabaković, and Oton Postružnik, the sculptors Antun Augustinčić, Frano Kršinić, and the architect Drago Ibler. Art brut, primitive art, primitive, art naïf, naïve art. Outsider art. A term applied to Yugoslav (Croatian) naive painters working in or around the village of Hlebine, near the Hungarian border, from about 1930. Some of the best known naive artists are Dragan Gaži, Ivan Generalić, Josip Generalić, Krsto Hegedušić, Mijo Kovačić, Ivan Lacković-Croata, Franjo Mraz, Ivan Večenaj and Mirko Virius. Camille Bombois (1883–1970) Ferdinand Cheval, known as 'le facteur Cheval' (1836–1924) Henry Darger (1892–1973) L. S. Lowry (1887–1976) Grandma Moses, Anna Mary Robertson (1860–1961) Nikifor (1895–1968) Poland, Horace Pippin (1888–1946) Jon Serl (1894-1993) United States Alfred Wallis (1855–1942) Scottie Wilson (1890–1972) Gesner Abelard (b. 1922) Jan Balet (1913–2009) Michel Delacroix (b. 1933) France Howard Finster (1916–2001) Ivan Rabuzin (1921–2008) Spontaneous Art Museum in Brussels Art en Marge Museum in Brussels MADmusée in Liege International Museum of Naive Art of Brazil in Cosme Velho, Rio de Janeiro Gallery Jacques Ardies in São Paulo Musée international d'art naïf de Magog in Magog Croatian Museum of Naïve Art in Zagreb Gallery of Croatian Naïve Art...

This is a signed portrait painting done in an outsider, folk art, expressionist style. it is signed in Hebrew, also marked with a Jewish star. this is from a collection of works by the same hand. they are all signed. Some have markings to the back of the paper. they have some age to them. They bear similarities to artists as dissimilar as Moshe Tamir, Mane Katz and an Israeli version of Purvis Young. In this piece the artist choice of colors is muted yet powerful. Israel has had a Vibrant Folk Art, Naive art scene for a long time now, artists like Yisrael Paldi, Nahum Guttman, Reuven Rubin and even Yefim...

This is a signed portrait painting done in an outsider, folk art, expressionist style. it is signed in Hebrew, also marked with a Jewish star. this is from a collection of works by the same hand. they are all signed. Some have markings to the back of the paper. they have some age to them. They bear similarities to artists as dissimilar as Moshe Tamir, Mane Katz and an Israeli version of Purvis Young. In this piece the artist choice of colors is muted yet powerful. Israel has had a Vibrant Folk Art, Naive art scene for a long time now, artists like Yisrael Paldi, Nahum Guttman, Reuven Rubin and even Yefim Ladyzhensky had naive periods. The most well know of the strict naive artists are Shalom of Safed, Irene Awret, Gabriel Cohen, Natan Heber, Michael Falk and Kopel Gurwin. Naïve art is any form of visual art that is created by a person who lacks the formal education and training that a professional artist undergoes (in anatomy, art history, technique, perspective, ways of seeing). Unlike folk art, naïve art does not necessarily evince a distinct cultural context or tradition. Naïve art is recognized, and often imitated, for its childlike simplicity and frankness. Paintings of this kind typically have a flat rendering style with a rudimentary expression of perspective. One particularly influential painter of "naïve art" was Henri Rousseau (1844–1910), a French Post-Impressionist who was discovered by Pablo Picasso. Naïve art is often seen as outsider art that is by someone without formal (or little) training or degree. While this was true before the twentieth century, there are now academies for naïve art. Naïve art is now a fully recognized art genre, represented in art galleries worldwide. Museums devoted to naïve art now exist in Kecskemét, Hungary; Riga, Latvia; Jaen, Spain; Rio de Janeiro, Brasil; Vicq France and Paris. "Primitive art" is another term often applied to art by those without formal training, but is historically more often applied to work from certain cultures that have been judged socially or technologically "primitive" by Western academia, such as Native American, sub saharan African or Pacific Island art (see Tribal art). This is distinguished from the self-conscious, "primitive" inspired movement primitivism. Another term related to (but not completely synonymous with) naïve art is folk art. There also exist the terms "naïvism" and "primitivism" which are usually applied to professional painters working in the style of naïve art (like Paul Gauguin, Mikhail Larionov, Paul Klee). At all events, naive art can be regarded as having occupied an "official" position in the annals of twentieth-century art since - at the very latest - the publication of the Der Blaue Reiter, an almanac in 1912. Wassily Kandinsky and Franz Marc, who brought out the almanac, presented 6 reproductions of paintings by le Douanier' Rousseau (Henri Rousseau), comparing them with other pictorial examples. However, most experts agree that the year that naive art was "discovered" was 1885, when the painter Paul Signac became aware of the talents of Henri Rousseau and set about organizing exhibitions of his work in a number of prestigious galleries. The Earth Group (Grupa Zemlja) were Croatian artists, architects and intellectuals active in Zagreb from 1929 to 1935. The group included the painters Krsto Hegedušić, Edo Kovačević, Omer Mujadžić, Kamilo Ružička, Ivan Tabaković, and Oton Postružnik, the sculptors Antun Augustinčić, Frano Kršinić, and the architect Drago Ibler. Art brut, primitive art, primitive, art naïf, naïve art. Outsider art. A term applied to Yugoslav (Croatian) naive painters working in or around the village of Hlebine, near the Hungarian border, from about 1930. Some of the best known naive artists are Dragan Gaži, Ivan Generalić, Josip Generalić, Krsto Hegedušić, Mijo Kovačić, Ivan Lacković-Croata, Franjo Mraz, Ivan Večenaj and Mirko Virius. Camille Bombois (1883–1970) Ferdinand Cheval, known as 'le facteur Cheval' (1836–1924) Henry Darger (1892–1973) L. S. Lowry (1887–1976) Grandma Moses, Anna Mary Robertson (1860–1961) Nikifor (1895–1968) Poland, Horace Pippin (1888–1946) Jon Serl (1894-1993) United States Alfred Wallis (1855–1942) Scottie Wilson (1890–1972) Gesner Abelard (b. 1922) Jan Balet (1913–2009) Michel Delacroix (b. 1933) France Howard Finster (1916–2001) Ivan Rabuzin (1921–2008) Spontaneous Art Museum in Brussels Art en Marge Museum in Brussels MADmusée in Liege International Museum of Naive Art of Brazil in Cosme Velho, Rio de Janeiro Gallery Jacques Ardies in São Paulo Musée international d'art naïf de Magog in Magog Croatian Museum of Naïve Art in Zagreb Gallery of Croatian Naïve Art...

This is a signed portrait painting done in an outsider, folk art, expressionist style. it is signed in Hebrew, also marked with a Jewish star. this is from a collection of works by the same hand. they are all signed. Some have markings to the back of the paper. they have some age to them. They bear similarities to artists as dissimilar as Moshe Tamir, Mane Katz and an Israeli version of Purvis Young. In this piece the artist choice of colors is muted yet powerful. Israel has had a Vibrant Folk Art, Naive art scene for a long time now, artists like Yisrael Paldi, Nahum Guttman, Reuven Rubin and even Yefim Ladyzhensky had naive periods. The most well know of the strict naive artists are Shalom of Safed, Irene Awret, Gabriel Cohen, Natan Heber, Michael Falk and Kopel Gurwin. Naïve art is any form of visual art that is created by a person who lacks the formal education and training that a professional artist undergoes (in anatomy, art history, technique, perspective, ways of seeing). Unlike folk art, naïve art does not necessarily evince a distinct cultural context or tradition. Naïve art is recognized, and often imitated, for its childlike simplicity and frankness. Paintings of this kind typically have a flat rendering style with a rudimentary expression of perspective. One particularly influential painter of "naïve art" was Henri Rousseau (1844–1910), a French Post-Impressionist who was discovered by Pablo Picasso. Naïve art is often seen as outsider art that is by someone without formal (or little) training or degree. While this was true before the twentieth century, there are now academies for naïve art. Naïve art is now a fully recognized art genre, represented in art galleries worldwide. Museums devoted to naïve art now exist in Kecskemét, Hungary; Riga, Latvia; Jaen, Spain; Rio de Janeiro, Brasil; Vicq France and Paris. "Primitive art" is another term often applied to art by those without formal training, but is historically more often applied to work from certain cultures that have been judged socially or technologically "primitive" by Western academia, such as Native American, sub saharan African or Pacific Island art (see Tribal art). This is distinguished from the self-conscious, "primitive" inspired movement primitivism. Another term related to (but not completely synonymous with) naïve art is folk art. There also exist the terms "naïvism" and "primitivism" which are usually applied to professional painters working in the style of naïve art (like Paul Gauguin, Mikhail Larionov, Paul Klee). At all events, naive art can be regarded as having occupied an "official" position in the annals of twentieth-century art since - at the very latest - the publication of the Der Blaue Reiter, an almanac in 1912. Wassily Kandinsky and Franz Marc, who brought out the almanac, presented 6 reproductions of paintings by le Douanier' Rousseau (Henri Rousseau), comparing them with other pictorial examples. However, most experts agree that the year that naive art was "discovered" was 1885, when the painter Paul Signac became aware of the talents of Henri Rousseau and set about organizing exhibitions of his work in a number of prestigious galleries. The Earth Group (Grupa Zemlja) were Croatian artists, architects and intellectuals active in Zagreb from 1929 to 1935. The group included the painters Krsto Hegedušić, Edo Kovačević, Omer Mujadžić, Kamilo Ružička, Ivan Tabaković, and Oton Postružnik, the sculptors Antun Augustinčić, Frano Kršinić, and the architect Drago Ibler. Art brut, primitive art, primitive, art naïf, naïve art. Outsider art. A term applied to Yugoslav (Croatian) naive painters working in or around the village of Hlebine, near the Hungarian border, from about 1930. Some of the best known naive artists are Dragan Gaži, Ivan Generalić, Josip Generalić, Krsto Hegedušić, Mijo Kovačić, Ivan Lacković-Croata, Franjo Mraz, Ivan Večenaj and Mirko Virius. Camille Bombois (1883–1970) Ferdinand Cheval, known as 'le facteur Cheval' (1836–1924) Henry Darger (1892–1973) L. S. Lowry (1887–1976) Grandma Moses, Anna Mary Robertson (1860–1961) Nikifor (1895–1968) Poland, Horace Pippin (1888–1946) Jon Serl (1894-1993) United States Alfred Wallis (1855–1942) Scottie Wilson (1890–1972) Gesner Abelard (b. 1922) Jan Balet (1913–2009) Michel Delacroix (b. 1933) France Howard Finster (1916–2001) Ivan Rabuzin (1921–2008) Spontaneous Art Museum in Brussels Art en Marge Museum in Brussels MADmusée in Liege International Museum of Naive Art of Brazil in Cosme Velho, Rio de Janeiro Gallery Jacques Ardies in São Paulo Musée international d'art naïf de Magog in Magog Croatian Museum of Naïve Art in Zagreb Gallery of Croatian Naïve Art...

This is a signed portrait painting done in an outsider, folk art, expressionist style. it is signed in Hebrew, also marked with a Jewish star. this is from a collection of works by the same hand. they are all signed. Some have markings to the back of the paper. they have some age to them. They bear similarities to artists as dissimilar as Moshe Tamir, Mane Katz and an Israeli version of Purvis Young. In this piece the artist choice of colors is muted yet powerful. Israel has had a Vibrant Folk Art, Naive art scene for a long time now, artists like Yisrael Paldi, Nahum Guttman, Reuven Rubin and even Yefim Ladyzhensky had naive periods. The most well know of the strict naive artists are Shalom of Safed, Irene Awret, Gabriel Cohen, Natan Heber, Michael Falk and Kopel Gurwin. Naïve art is any form of visual art that is created by a person who lacks the formal education and training that a professional artist undergoes (in anatomy, art history, technique, perspective, ways of seeing). Unlike folk art, naïve art does not necessarily evince a distinct cultural context or tradition. Naïve art is recognized, and often imitated, for its childlike simplicity and frankness. Paintings of this kind typically have a flat rendering style with a rudimentary expression of perspective. One particularly influential painter of "naïve art" was Henri Rousseau (1844–1910), a French Post-Impressionist who was discovered by Pablo Picasso. Naïve art is often seen as outsider art that is by someone without formal (or little) training or degree. While this was true before the twentieth century, there are now academies for naïve art. Naïve art is now a fully recognized art genre, represented in art galleries worldwide. Museums devoted to naïve art now exist in Kecskemét, Hungary; Riga, Latvia; Jaen, Spain; Rio de Janeiro, Brasil; Vicq France and Paris. "Primitive art" is another term often applied to art by those without formal training, but is historically more often applied to work from certain cultures that have been judged socially or technologically "primitive" by Western academia, such as Native American, sub saharan African or Pacific Island art (see Tribal art). This is distinguished from the self-conscious, "primitive" inspired movement primitivism. Another term related to (but not completely synonymous with) naïve art is folk art. There also exist the terms "naïvism" and "primitivism" which are usually applied to professional painters working in the style of naïve art (like Paul Gauguin, Mikhail Larionov, Paul Klee). At all events, naive art can be regarded as having occupied an "official" position in the annals of twentieth-century art since - at the very latest - the publication of the Der Blaue Reiter, an almanac in 1912. Wassily Kandinsky and Franz Marc, who brought out the almanac, presented 6 reproductions of paintings by le Douanier' Rousseau (Henri Rousseau), comparing them with other pictorial examples. However, most experts agree that the year that naive art was "discovered" was 1885, when the painter Paul Signac became aware of the talents of Henri Rousseau and set about organizing exhibitions of his work in a number of prestigious galleries. The Earth Group (Grupa Zemlja) were Croatian artists, architects and intellectuals active in Zagreb from 1929 to 1935. The group included the painters Krsto Hegedušić, Edo Kovačević, Omer Mujadžić, Kamilo Ružička, Ivan Tabaković, and Oton Postružnik, the sculptors Antun Augustinčić, Frano Kršinić, and the architect Drago Ibler. Art brut, primitive art, primitive, art naïf, naïve art. Outsider art. A term applied to Yugoslav (Croatian) naive painters working in or around the village of Hlebine, near the Hungarian border, from about 1930. Some of the best known naive artists are Dragan Gaži, Ivan Generalić, Josip Generalić, Krsto Hegedušić, Mijo Kovačić, Ivan Lacković-Croata, Franjo Mraz, Ivan Večenaj and Mirko Virius. Camille Bombois (1883–1970) Ferdinand Cheval, known as 'le facteur Cheval' (1836–1924) Henry Darger (1892–1973) L. S. Lowry (1887–1976) Grandma Moses, Anna Mary Robertson (1860–1961) Nikifor (1895–1968) Poland, Horace Pippin (1888–1946) Jon Serl (1894-1993) United States Alfred Wallis (1855–1942) Scottie Wilson (1890–1972) Gesner Abelard (b. 1922) Jan Balet (1913–2009) Michel Delacroix (b. 1933) France Howard Finster (1916–2001) Ivan Rabuzin (1921–2008) Spontaneous Art Museum in Brussels Art en Marge Museum in Brussels MADmusée in Liege International Museum of Naive Art of Brazil in Cosme Velho, Rio de Janeiro Gallery Jacques Ardies in São Paulo Musée international d'art naïf de Magog in Magog Croatian Museum of Naïve Art in Zagreb Gallery of Croatian Naïve Art...

This is a signed portrait painting done in an outsider, folk art, expressionist style. it is signed in Hebrew, also marked with a Jewish star. this is from a collection of works by the same hand. they are all signed. Some have markings to the back of the paper. they have some age to them. They bear similarities to artists as dissimilar as Moshe tamir, Mane Katz and an Israeli version of Purvis Young. In this piece the artist choice of colors is muted yet powerful. Israel has had a Vibrant Folk Art, Naive art scene for a long time now, artists like Yisrael Paldi, Nahum Guttman, Reuven Rubin and even Yefim Ladyzhensky had naive periods. The most well know of the strict naive artists are Shalom of Safed, Irene Awret, Gabriel Cohen, Natan Heber, Michael Falk and Kopel Gurwin. Naïve art is any form of visual art that is created by a person who lacks the formal education and training that a professional artist undergoes (in anatomy, art history, technique, perspective, ways of seeing). Unlike folk art, naïve art does not necessarily evince a distinct cultural context or tradition. Naïve art is recognized, and often imitated, for its childlike simplicity and frankness. Paintings of this kind typically have a flat rendering style with a rudimentary expression of perspective. One particularly influential painter of "naïve art" was Henri Rousseau (1844–1910), a French Post-Impressionist who was discovered by Pablo Picasso. Naïve art is often seen as outsider art that is by someone without formal (or little) training or degree. While this was true before the twentieth century, there are now academies for naïve art. Naïve art is now a fully recognized art genre, represented in art galleries worldwide. Museums devoted to naïve art now exist in Kecskemét, Hungary; Riga, Latvia; Jaen, Spain; Rio de Janeiro, Brasil; Vicq France and Paris. "Primitive art" is another term often applied to art by those without formal training, but is historically more often applied to work from certain cultures that have been judged socially or technologically "primitive" by Western academia, such as Native American, sub saharan African or Pacific Island art (see Tribal art). This is distinguished from the self-conscious, "primitive" inspired movement primitivism. Another term related to (but not completely synonymous with) naïve art is folk art. There also exist the terms "naïvism" and "primitivism" which are usually applied to professional painters working in the style of naïve art (like Paul Gauguin, Mikhail Larionov, Paul Klee). At all events, naive art can be regarded as having occupied an "official" position in the annals of twentieth-century art since - at the very latest - the publication of the Der Blaue Reiter, an almanac in 1912. Wassily Kandinsky and Franz Marc, who brought out the almanac, presented 6 reproductions of paintings by le Douanier' Rousseau (Henri Rousseau), comparing them with other pictorial examples. However, most experts agree that the year that naive art was "discovered" was 1885, when the painter Paul Signac became aware of the talents of Henri Rousseau and set about organizing exhibitions of his work in a number of prestigious galleries. The Earth Group (Grupa Zemlja) were Croatian artists, architects and intellectuals active in Zagreb from 1929 to 1935. The group included the painters Krsto Hegedušić, Edo Kovačević, Omer Mujadžić, Kamilo Ružička, Ivan Tabaković, and Oton Postružnik, the sculptors Antun Augustinčić, Frano Kršinić, and the architect Drago Ibler. Art brut, primitive art, primitive, art naïf, naïve art. Outsider art. A term applied to Yugoslav (Croatian) naive painters working in or around the village of Hlebine, near the Hungarian border, from about 1930. Some of the best known naive artists are Dragan Gaži, Ivan Generalić, Josip Generalić, Krsto Hegedušić, Mijo Kovačić, Ivan Lacković-Croata, Franjo Mraz, Ivan Večenaj and Mirko Virius. Camille Bombois (1883–1970) Ferdinand Cheval, known as 'le facteur Cheval' (1836–1924) Henry Darger (1892–1973) L. S. Lowry (1887–1976) Grandma Moses, Anna Mary Robertson (1860–1961) Nikifor (1895–1968) Poland, Horace Pippin (1888–1946) Jon Serl (1894-1993) United States Alfred Wallis (1855–1942) Scottie Wilson (1890–1972) Gesner Abelard (b. 1922) Jan Balet (1913–2009) Michel Delacroix (b. 1933) France Howard Finster (1916–2001) Ivan Rabuzin (1921–2008) Spontaneous Art Museum in Brussels Art en Marge Museum in Brussels MADmusée in Liege International Museum of Naive Art of Brazil in Cosme Velho, Rio de Janeiro Gallery Jacques Ardies in São Paulo Musée international d'art naïf de Magog in Magog Croatian Museum of Naïve Art in Zagreb Gallery of Croatian Naïve Art...

Oil Painting Portrait of Ashcan Artist John Sloan. Signed I. Holtz. The youngest of four children, Holtz was born and spent his early childhood in Skierniewice, Poland, a small town near Warsaw. His father was a hat maker and a furrier. In 1935, prior to World War II, when Holtz was ten years old, his family moved to Jerusalem, Israel, where they settled in the Geula neighborhood near Meah Shearim. Itzhak Holtz's passion for art began early. When he was five years old, in Poland, his father first drew a picture of a horse and sled in the snow for him. The young Holtz looked at the drawing and studied it in wonderment. From that moment on, Holtz remembers, he constantly begged his father to draw for him. His enthusiasm for art grew and Holtz longed to study art. In 1945, he enrolled at the Bezalel Academy of Art and Design in Jerusalem, where he primarily studied lettering and poster work in a program geared toward commercial art Holtz became interested in painting, prompting him to move to New York City in 1950 to study at the Art Students League of New York under Robert Brackman and Harry Sternberg, and then at the National Academy of Design under Robert Philipp. Holtz has stated that his artwork, which primarily but not exclusively, depict scenes of Jewish spirituality and tradition, is driven by his Orthodox Jewish beliefs: "You have to live that religious life to fully capture it on canvas." He has been classified in the school of genre painting, often depicting street scenes of ordinary people in everyday Jewish life in the back alleys and markets of Jerusalem neighborhoods such as Me'ah Shearim and Geula; and in New York neighborhoods and hamlets such as Monsey, Boro Park and Williamsburg. Along with street scenes, his work includes portraits of scribes, tailors, cobblers and fishmongers, and images such as shtetls, lighthouses, and wedding scenes. He started out painting mostly portraits in order to support his family, before expanding to include street scenes. His beloved subject matter is painting scenes of Jewish life, his childhood memories when his mother took him along shopping for the Sabbath to the markets of Meah Shearim, has left a deep impression on him and influenced many of his works. Holtz has experimented in the abstract, but then reverted to representational and figurative art to which he devoted himself exclusively. His Israeli street scenes are said to combine “an affectionate recollection of the past with the brilliance of the color of modern Israel.” Holtz has stated that he struggled at first when he arrived to the USA because of financial reasons and because he only knew Polish, Yiddish and Hebrew, but then made good ties with his instructor who greatly influenced him Robert Philipp who helped him make friends and referred him to paint portraits. Examples of Holtz's work throughout the years include: Yerusalem Wedding (2010), depicting a Chuppa in Jerusalem on early evening, oil on canvas; The Funeral(1966), depicting five stoic Hasidim carrying a body on a bier over to a gravesite, with the people behind them crying, in charcoal on paper and oil on canvas; Rejoicing (1974), an image of religious men dancing, in felt pen and marker on paper; and the oil painting Shamash Learning in Shul (2003), a portrait of a pious Jew studying the Talmud inside a claustrophobic synagogue scene. Throughout the years Holtz has created hundreds of works in many art mediums, including, genre scenes, portraits, still lifes and landscape scenery, his works are sought after by art collectors worldwide, and he has been called the greatest living Jewish artist. It is said that no artist ever explored the Jewish subject like Holtz. Today some of his oil paintings have been commanding over $100,000. Holtz creates his scenes after researching locations, and often uses locals as models. He paints slowly and with great care, but with a swift Impressionistic style. The people in his portraits and scenes are generally more cheerful and optimistic than standard portraits of Hassidic individuals. He paints oils and watercolors, and also does felt pen, pastel, marker, ink and charcoal drawings, as well as woodcuts. His oil paintings typically have a brown hue, while his work with felt pen is often in sepia tones, and on some of his works he used very bright colors, with a strong emphasis on the interplay of light and shadow. He is heavily influenced by the ancient staircases and alleyways of Jerusalem, with its modest religious population, which has made a strong impression on him in his youth, the streets of Tzfat, and the works of Rembrandt, Johannes Vermeer and Peter Bruegel, as well as Jewish artists Moritz Daniel Oppenheim...

Hank Laventhol (1927–2001) was an American painter and master print maker. He worked in painting, graphics, sculpture and photography. Associated with ...

Very vibrant, dynamic orchestra scene reminiscent of the work of Mopp (Max Oppenheim) David Aronson, (1923-2015) son of a rabbi, was born in Lithuania in 1923 and immigrated to America at the age of five. He settled in Boston, Massachusetts where he studied at the school of the Museum of Fine Arts under Karl Zerbe, a German painter well known in the early 1900s. Aronson later taught at the school of the Museum of Fine Arts for fourteen years and founded the School of Fine Art at Boston University where he is today a professor emeritus. An internationally renowned sculptor & painter, Aronson has won acclaim for his interpretation of themes from the Hebrew Talmud and Kabala. His best known works include bronze castings, encaustic paintings, and pastels. His work is included in many important public and private collections, and has been shown in several museum retrospectives around the country. He is considered to be one of the most important 20th century American artists. At twenty-two David Aronson had his first one-man show at New York's Niveau Gallery. The next year, six of his Christological paintings were included in the Fourteen Americans exhibition at Manhattan's Museum of Modern Art where Aronson’s work was included alongside abstract expressionists Arshile Gorky, Robert Motherwell and Isamu Noguchi. In the 1950s, Aronson turned more toward his Jewish heritage for the inspiration for his art. Folklore as well as Kabalistic and other transcendental writings influenced his work greatly. The Golem (a legendary figure, brought to life by the Maharal of Prague out of clay to protect the Jewish community during times of persecution) and the Dybbuk (an evil spirit that lodges itself in the soul of a living person until exorcised) frequently appear in his work. In the sixties, Aronson turned to sculpture. His work during this period is best exemplified by a magnificent 8’ x 4’ bronze door which now stands at the entrance to Frank Lloyd Wright's Johnson Foundation Conference Center for the Arts in Racine, Wisconsin. In the seventies and eighties, Aronson continued his work in pastel drawings, paintings, and sculptures, often exploring religion and the frailties of man's nature. During this time, in addition to a traveling retrospective exhibition and many one-man shows in New York, Los Angeles, Chicago, and Boston at the Pucker-Safrai Gallery on Newbury Street, Aronson won many awards and became a member of the National Academy of Design in New York. Two years ago he retired from teaching to work full-time in his studio in Sudbury, Massachusetts. included in the catalog Contemporary Religious Imagery in American Art Catalog for an exhibition held at the Ringling Museum of Art, March 1-31, 1974. Artists represented: David Aronson, Leonard Baskin, Max Beckmann, Hyman Bloom, Fernando Botero, Paul Cadmus, Marvin Cherney, Arthur G. Dove, Philip Evergood, Adolph Gottlieb, Jonah Kinigstein, Rico Lebrun, Jack Levine, Louise Nevelson, Barnett Newman, Abraham Rattner, Ben Shahn, Mark Tobey, Max Weber, William Zorach and others. Selected Awards 1990, Certificate of Merit, National Academy of Design 1976, Purchase Prize, National Academy of Design 1976, Joseph Isidore Gold Medal, National Academy of Design 1976, Purchase Prize in Drawing, Albrecht Art Museum 1975, Isaac N. Maynard Prize for Painting, National Academy of Design 1973, Samuel F. B. Morse Gold Medal, National Academy of Design 1967, Purchase Prize, National Academy of Fine Arts 1967, Adolph and Clara Obrig Prize, National Academy of Design 1963, Gold Medal, Art Directors Club of Philadelphia 1961, 62, 63, Purchase Prize, National Institute of Arts and Letters 1960, John Siimon Guggenheim Fellowship 1958, Grant in Art, National Institute of Arts and Letters 1954, First Prize, Tupperware Annual Art Fund Award 1954, Grand Prize, Third Annual Boston Arts Festival 1953, Second Prize, Second Annual Boston Arts Festival 1952, Grand Prize, First Annual Boston Arts Festival 1946, Traveling Fellowship, School of the Museum of Fine Arts 1946, Purchase Prize, Virginia Museum of Fine Arts 1944, First Popular Prize, Institute of Contemporary Art 1944, First Judge's Prize, Institute of Contemporary Art Selected Public Collections Art Institute of Chicago Virginia Museum of Fine Arts Bryn Mawr College Brandeis University Tupperware Museum, Orlando, Florida DeCordova Museum Museum of Modern Art Print Collection, New York Atlanta University Atlanta Art...

framed 36 X 28 board 30 X 21.75 Sandu Liberman (Romanian-Israeli) was born in Yasi, Romania in 1923. between 1946 and 1953 he took part in the state art shows in Bucharest. in 1952 ...

Rare Pre World War II (Pre Holocaust) Judaica Art. European Judaic art from this period is exceedingly rare. Polczer was an Hungarian artist, his foundations of painting were taught by a painter Bertalan Karlovszky. His works were exhibited in the National Salon and the Art Hall from 1928. His works are held by the Hungarian National Gallery. In his later years he worked in the United States, he was working in New Orleans, Louisiana in the late 1960s. Known for his Jewish genre scenes, Chess scenes and other early 20th Century salon style nude paintings. In the tradition of Moritz Oppenheim...

Bernard Gussow 1881 -1957 Bernard Gussow was active/lived in New York, New Jersey / Russian Federation. Bernard Gussow is known for genre, landscape, figure, interior paintings. Ber...

Bears old label verso from Raydon Gallery in New York city. Aronson, David 1923- David Aronson, son of a rabbi, was born in Lithuania in 1923 and immigrated to America at the age of ...

Realistic portrait of an old Jewish shtetl type pulpit rabbi by a Polish artist. Here the artist conveys a sense of quiet grandeur through the eyes of his subject and the way it's rendered. Part of a distinguished European lineage of Jewish genre...