Lions Gallery Photography

Gerard Joseph Malanga (born March 20, 1943) is an American poet, photographer, filmmaker, curator and archivist. Malanga was born in the Bronx in 1943, the only child of Italian immigrant parents. In 1959, at the beginning of his senior year at the School of Industrial Art in Manhattan, Malanga became a regular on Alan Freed's The Big Beat, televised on Channel 5 (WNEW) in New York City. He graduated from high school with a major in Advertising Design (1960). He was introduced to poetry by his senior class English teacher, poet Daisy Aldan, who had a profound influence on his life and work from then on. He enrolled at the University of Cincinnati's College of Art & Design (1960), and was mentored by the poet, Richard Eberhart who was the university's resident poet for 1961. He dropped out at the end of the Spring semester. In the fall of 1961, Malanga was admitted to Wagner College in Staten Island on a fellowship anonymously donated for the express purpose of advancing his creative abilities as a poet and artist. At Wagner he befriended one of his English professors, Willard Maas, and his wife Marie Menken...

Gerard Joseph Malanga (born March 20, 1943) is an American poet, photographer, filmmaker, curator and archivist. Malanga was born in the Bronx in 1943, the only child of Italian immigrant parents. In 1959, at the beginning of his senior year at the School of Industrial Art in Manhattan, Malanga became a regular on Alan Freed's The Big Beat, televised on Channel 5 (WNEW) in New York City. He graduated from high school with a major in Advertising Design (1960). He was introduced to poetry by his senior class English teacher, poet Daisy Aldan, who had a profound influence on his life and work from then on. He enrolled at the University of Cincinnati's College of Art & Design (1960), and was mentored by the poet, Richard Eberhart who was the university's resident poet for 1961. He dropped out at the end of the Spring semester. In the fall of 1961, Malanga was admitted to Wagner College in Staten Island on a fellowship anonymously donated for the express purpose of advancing his creative abilities as a poet and artist. At Wagner he befriended one of his English professors, Willard Maas, and his wife Marie Menken...

Signed with initial. Hatay is a visual artist, a healer and a former Rock and Roll photojournalist. Born in Scotland of a Hungarian physicist/inventor and an English art dealer, she grew up in an international environment. Her father encouraged original thinking and experimentation; her mother nourished her creativity and her intuitive skills. Leaving her home in Schaffhausen, Switzerland, for Munich, Germany, she apprenticed to Bauhaus photographer Frl. Berthe Himmler. The next step was New York City where Hatay began to freelance in all aspects of photography. It was when she photographed Jimi Hendrix at Madison Square Garden on May 18, 1969 and was inspired by his music that she got a chance to spread her wings artistically. She was initially inspired by his energy, his vision and his originality. "Jimi Hendrix was absolutely amazing - it is not possible to put words to the Experience. He was, and still is, unique. I didn't know at the time I photographed him that he was interested in his music being a healing power. I learned a lot about this aspect of Hendrix about ten years later when I met people who knew him. When they heard how much I was interested in the healing aspects of his music, they shared their stories with me. I used some of this information in my two books, Jimi Hendrix, The Spirit Lives On and Jimi Hendrix, Reflections and Visions". Nona's experimental techniques were used in her photographs on many other Rock stars, such as Tina Turner, James Brown, and Frank Zappa. She had a major exhibit of her work in Paris. ORIGINAL PHOTO ART one of a kind - experimental & hand painted...

Dennis Hopper, (American, 1936-2010) Mixed media sculpture "Outmolding Older Concepts (Wilhold Up the Mirror)", 1961, photo and assemblage, Ace gallery and Easy Rider Production labels verso 27"h x 40"w x 5"d. There is broken mirror glued into the wooden collage box with the ceramic head that is attached to the front. I assume that is how it was made. Provenance: Estate of Pentti Kouri, NYC; Ace Gallery, Los Angeles; Exhibited MOCA, Los Angeles, 2010 From a 1997 interview with Hopper where he references this piece "Right now it's very intense. I had a show that travelled Germany, about 15 different museums. Sunday we go to Denmark; I'm showing the early assemblage I did in 1961 which was the signal for conceptual art. I'm just two days there, then I'm going to Venice to meet Julian Schnabel - Count Volpe's given us a place to paint in Giudecca. Then I'm going to Documenta in Germany to hang another show, then I go back to LA on the 21st and start a film on the 23rd." Notes/Literature: Dr. Pentti Kouri(1949-2009) was a Finnish economist and venture capitalist with partner George Soros. He built his prestigious art collection with the goal of opening a private art foundation focused on his interests in Minimalism, Arte Povera, Conceptual and Text-based art. He was a member of the Board of Trustees of Dia Art Foundation, and on the boards of Tate, London and the Guggenheim Museum, New York. In addition, a portion of his collection forms the core of the Kiasma Museum of Contemporary Art in Helsinki, Finland Hopper made his film debut alongside James Dean in 1955's Rebel Without a Cause. Both lost souls from dysfunctional households, they gravitated to each other, smoked dope and took joy rides. When Dean died, Hopper saw himself as the natural inheritor of his rebellious mantle and, revelling in his nickname of "Dennis the Menace", gave it to Hollywood with both barrels; so they dropped him. Dennis didn't make another Hollywood movie for seven years. Frustrated by the deliberate stifling of his film career, Dennis turned to art and photography for creative stimulus, beginning with abstract subjects such as landscapes. His cutting-edge conceptual art became established round the world, with exhibitions in major cities. At home in the dining room stood one particularly interesting work, a white plastic box, eight feet long, that had an aluminium shaft sticking out of it, and two very large balls. It was called The Perpetual Erection Machine. Before Tracy Emin and Damien Hirst, there was Dennis. In 1961, Hopper took part in an international photography competition in Australia with a contribution of five abstract photos, which he called Pieces. He won first place. Soon after, Hopper married Hayward, daughter of the film producer Leland Hayward, whose credits include The Sound of Music and South Pacific. The wedding party of Hopper and Hayward was held in August at the apartment of actress Jane Fonda, a childhood friend of Hayward, who introduced Hopper to her younger brother Peter Fonda. Their daughter Marin was born in 1961, and they moved to Bel Air, California. Soon afterward the famous Bel Air fire destroyed their home, including approximately three-hundred Abstract Expressionist works and hundreds of pages of poetry that Hopper had begun in the mid-1950s. Hopper and his actor friends Dean Stockwell and Russ Tamblyn were close to many artists in California, especially assemblage artists Edward Kienholz...

20X 16 sheet. signed, dated and titled. Deaccessioned from the Readers Digest magazine corporate collection. MARNA CLARKE EDUCATION BA degree in mathematics, University of North Carolina, Chapel Hill Studied Photography at Hartford Art School; University of Connecticut, Storrs; and International Center of Photography, New York City GRANTS Individual Artists Grant, Connecticut Commission on the Arts (1987) COLLECTIONS Aetna Insurance Company, Hartford, CT Bibliothèque Nationale de France, Paris, France Reader’s Digest, Pleasantville, New York Sol LeWitt Collection, Chester, CT PUBLICATIONS 2014 Feature Shoot 2014 Huffington Post, Arts & Culture 2010 Our World, PhotoAlliance, San Francisco, CA (2010) West Marin Review (2008) For Kids’ Sake, Photographic Resource Center, Boston, MA (1985) The Best of Photojournalism/10, Running Press (1985) New American Nudes, Morgan & Morgan (1981) PHOTOGRAPHY-RELATED WORK Adjunct Instructor of Photography, Hartford Art School, U. of Hartford (1991, 1987-88) Regular contributor (Profile feature), Hartford Monthly magazine (1988) Regular contributor to Northeast (the Sunday magazine of The Hartford Courant) Work also appeared in Connecticut Magazine and New England Monthly (1982-85) Board of Directors, CT Art Directors Club (1984-85) Internship at Light Gallery in NYC (1980) SELECTED EXHIBITIONS Keeping the Channel Open, Annex Gallery, Gallery Route One, Point Reyes, CA (2017-18) Home exhibition at SFO Airport, one of 14 finalists (2018) Seeing Red exhibition, Gray Loft Gallery, Oakland, CA (2018) (Juried by Ann Jastrab) Annual Juried Show, Marin Society of Artists (2017) First Place Tine As We Know It, Gallery Route One, Point Reyes, CA (2015-2016). Solo exhibition. Mini Show, Bolinas Museum, Bolinas, CA (2015) Geography of Hope, Pt Reyes...

Genre: Contemporary Subject: People Medium: Digital, Print Surface: Metal Country: United States This extra large montage of photographs is mounted onto aluminum from Ken Gonzales-Day's dysmorphologies series. Ken Gonzales-Day's interdisciplinary and conceptually grounded projects consider the history of photography, the construction of race, and the limits of representational systems ranging from the lynching photograph to museum display. The Searching for California Hang Trees series offered a critical look at the legacies of landscape photography in the West while his most recent project considers the sculptural depiction of race. Profiled began as an exploration of the influence of eighteenth century "scientific" thought on twenty-first century institutions ranging from the museum to the prison and extended to the sculpture and portrait bust collections of several major museums including: The J. Paul Getty Museum; The Field Museum, Chicago; The Museum of Man, San Diego; L'École des beaux-arts,Paris. The Bode Museum, Berlin, Park Sanssouci, Potsdam; The National Museum of Natural History, Paris; The Yale Center for British Art, New Haven; among others. Gonzales-Day lives in Los Angeles and is Chair of the Art Department at Scripps College. Fellowships and Grants Chercheur Accueilli, Institut National d'Histoire de l'Art (INHA); COLA Individual Artist Award; Art Mattes Grant; Mid-Career Award, California Communtiy Foundation; Durfee Fondation ACG; Graves Award for the Humanities; Visiting Scholar/Artist-in-Residence, Getty Research Institute; Senior Fellow, American Art Museum and National Portrait Gallery of the Smithsonian Institution; Fellow, Rockefeller Foundation Study and Conference Center, Bellagio, Italy; Van Lier Fellow, ISP, Whitney Museum of American Art; Rotary International. Select Solo Exhibitions Luis De Jesus Los Angeles; Galerie Steph, Singapore; The Vincent Price Museum, LA; Fred Torres Collaborations, NYC; Tufts University, Medford, MA; Las Cienegas Projects, L.A.; UCSD Art Gallery, La Jolla, CA; Steve Turner Contemporary, L.A.; LAXART, L.A.; CUE Art Foundation, NY, NY; Pomona College Museum of Art, Claremont, CA; Susanne Vielmetter Projects, L. A.; Cristinerose Gallery, NY, NY; White Columns, NY, NY, among others. Select Group Exhibitions Our America: The Latino presence in American Art, Smithsonian Institution; MDE11, Medellin, Colombia; COLA 2011, at LAMAG, Los Angeles; Spy Numbers, Palais de Tokyo, Paris;How Many Billboards, MAK Center, W.H.; State of Mind, MoPA, San Diego; Phantom Sightings, LACMA, L.A.(traveled); Encuentro Hemispherico, Bogota; Under Erasure, Temple Bar Gallery and Studios, Dublin; Under Pain of Death, Austrian Cultural Forum, NYC;ArtMediaPolitique, DIX291, Paris; Viva Mexico, Zacheta National Gallery, Warsaw (traveled); Past Over, Steve Turner Contemporary, L.A.; Crimes of Omission, ICA Philadelphia; Exile of the Imaginary, Generali Foundation, Vienna; Civil Restitutions, Thomas Dane Gallery...

Marcus Leatherdale (1952 - 2022) Silver gelatin print with copper leaf mount 1987 Titled: High Priest. From the Demigod series. Hand signed and dated and bears artist studio stamp verso. Provenance: Greathouse Gallery (with label & information verso) Edition: 1 of 10. Dimensions mage measures 12" x 5", total measurements are 24" x 13" Marcus Leatherdale was a Canadian portrait photographer. Marcus Andrew Leatherdale was born on 18 September 1952, in Montreal, Canada, to Jack Leatherdale, a veterinarian, and Grace Leatherdale, a homemaker. He attended the San Francisco Art Institute. Leatherdale arrived in New York City in 1978, where he attended the School of Visual Arts. started his career in New York City during the early eighties, setting up a studio on Grand Street. Leatherdale first served as Robert Mapplethorpe office manager for a while and was photographed in the nude by the master, grabbing a rope with his right hand and holding a rabbit in his left. Thereafter he worked as an assistant curator to Sam Wagstaff. He soon became a darling of the then vibrant club scene and the fashionable media: Interview, Details, The New Yorker, Vanity Fair, and Elle Decor presented his work. Later on he was featured in artsy publications as Artforum, Art News, and Art in America. Leatherdale was the Cecil Beaton of downtown New York, He photographed a not-yet-famous club kid named Madonna in her ripped jeans and his denim vest. The performance artist Leigh Bowery was majestic in a tinseled mask, a corset and a merkin. Andy Warhol was a Hamlet in a black turtleneck. Susanne Bartsch, the nightlife impressaria, was a towering presence in red leather. He documented the New York City lifestyle, the extraordinary people of Danceteria and Club 57 where he staged his first exhibits in 1980. Leatherdale was an acute observer of the New York City of the nineteen eighties. His models were the unknown but exceptional ones – like Larissa, Claudia Summers or Ruby Zebra – or well known artists – like Madonna, Keith Haring, Andy Warhol, Winston Tong and Divine, Trisha Brown, Lisa Lyon, Andrée Putman, Kathy Acker and Sydney Biddle Barrows, otherwise known as the Mayflower Madam, Jodie Foster, and fellow photographer John Dugdale. He Married Claudia Summers, theirs was not a traditional marriage, but they were best friends, and he was Canadian, so it made life easier if they wed. His boyfriend for a time was Robert Mapplethorpe, whose photography studio Mr. Leatherdale also managed. He and Mapplethorpe were a striking pair, dressed like twins in leather and denim, their faces as if painted by Caravaggio, and they often photographed each other. Jean-Michel Basquiat was often hanging out there, playing his bongo drums; so were friends like Cookie Mueller, the doomed, gimlet-eyed author and Details magazine contributor who was for a time Mapplethorpe’s and Ms. Summers’ drug dealer, and Kathy Acker, the performance artist and novelist. For quite a while Leatherdale remained in Mapplethorpe's shadow, but was soon discovered as a creative force in his own right by Christian Michelides, the founder of Molotov Art Gallery in Vienna. Leatherdale flew to Vienna, presented his work there and was acclaimed by public and press. This international recognition paved his way to museums and permanent collections such as the Rheinisches Landesmuseum Bonn, the Art Institute of Chicago, the Australian National Gallery in Canberra, the London Museum in London, Ontario, and Austria's Albertina. He was included in the MoMA exhibit New York/New Wave along with Kenny Scharf, William Burroughs, John Crash Matos, Larry Clark, Nan Goldin, Lawrence Weiner and Stephen Sprouse. Above all, his arresting portraits of New York City celebrities in the series Hidden Identities aroused long-lasting interest amongst curators and collectors. In 1993, Leatherdale began spending half of each year in India's holy city of Banaras. Based in an ancient house in the centre of the old city, he began photographing the diverse and remarkable people there, from the holy men to celebrities, from royalty to tribals, carefully negotiating his way among some of India's most elusive figures to make his portraits. From the outset, his intention was to pay homage to the timeless spirit of India through a highly specific portrayal of its individuals. His pictures include princesses and boatmen, movie stars and circus performers, and street beggars and bishops, mothers and children in traditional garb. Leatherdale explored how essentially unaffected much of the country was by the passage of time; and it has been remarked upon that this approach is distinctly post-colonial. In 1999, Leatherdale relocated to Chotanagpur (Jharkhand) where he focusing upon the Adivasis. Later Serra da Estrela in the mountains of central Portugal became his second home base. Leatherdale's matte printing techniques, which adapt nineteenth-century processes and employ half black, half sepia colorations, reinforce the timelessness of his subjects. Tones and matte surfaces effectively differentiate his portraits from the easy slickness of fashion photography. In 2019, Mr. Leatherdale compiled his work from 80s in a book entitled “Out of the Shadows”, written with Claudia Summers. During his time in New York City, he dated Robert Mapplethorpe, whose photography studio Leatherdale managed. His partner of two decades, Jorge Serio, died in July 2021 Major exhibitions 1980 Urban Women, Club 57, NYC 1980 Danceteria, NYC 1981 Stilvende, NYC 1982 The Clock Tower, PS1, NYC 1982 544 Natoma Gallery, San Francisco 1982 Eiko And Koma, Stilvende, NYC 1983 Form And Function Gallery, Atlanta 1983 Galerie in der GGK Wien, Vienna, Austria 1983 The Ring, Vienna (organized by Molotov) 1983 London Regional Art Gallery, London, Ontario, Canada 1984 Performance, Greathouse Gallery, NYC 1984 Social Segments, Grey Art Gallery, NYU 1984 Rheinisches Landesmuseum, Bonn 1985 Ritual, Greathouse Gallery, NYC 1985 Artinzer, Munich 1985 Leatherdale/Noguchi, Gallery 291, Atlanta 1985 Paul Cava Gallery, Philadelphia 1986 Poison Ivy, Greathouse Gallery, NYC 1986 Wessel O’Connor Gallery, Rome 1986 Hidden Identities, Michael Todd Gallery, Palladium, NYC 1987 Demigods, Greathouse Gallery, NYC 1987 Collier Gallery, Scottsdale, Arizona 1987 Tunnel Gallery, NYC 1988 Claus Runkel Fine Art Ltd., London, UK 1988 Madison Art Center, Madison 1989 Wessel-O’Connor Gallery, NYC 1989 Summer Night Festival, Onikoube, Sendai 1990 Bent Sikkema Fine Art, NYC 1990 Fahey-Klein Gallery, Los Angeles 1990 Faye Gold Gallery, Atlanta 1990 Mayan Theatre, Los Angeles 1991 Runkel Hue-Williams Gallery, London 1991 Galerie Michael Neumann, Düsseldorf 1991 Arthur Rogers Gallery, New Orleans 1992 Arthur Rogers, NYC 1992 Galerie Del Conte, Milwaukee 1993 Galerie Bardamu, NYC 1996 Fayf Gold Gallery, Atlanta 1996, 1997, 1998, 1999 Bridgewater/Lustberg, NYC 1998 Rai Krishna Das...

From his show Hashish at Michael Steinberg Gallery (bearing their label verso) Reviewed by Roberta Smith in the New York Times. Abstract Expressionism meets graffiti photography. Cy Twombly in cyberspace. Existential physics. The trajectories of car bombs. These phrases came to mind at the show of Dennis Balk's new work, made during the last three years while he lived in Bahrain and traveled primarily in the Middle East. The show is dominated by black-on-white gestural drawings on canvas from Mr. Balk's Faith Thumbnail series. Full of graphic and even painterly nuance, they turn out to have been made completely on the computer. In a smaller room, the Exhausted and Ideographic series features gaudy, vertiginous digital mixes of colorful photographs. Originally a performance artist, he became known in the art world in the early 1990s for improvisational diagrams that brought different historical narratives into collision. One work in his solo debut at American Fine Arts in SoHo in 1992 charted the lives of Ho Chi Minh and Abraham Lincoln -- both fathers of their countries in different ways -- across white paper napkins. His 2003 exhibition at that gallery was titled ''Particles + Waves With Plausibility,'' as is a recent book of his work. Dennis Balk is an educator, visual artist, writer, media designer and playwright based primarily in New York. Balk has an MFA Degree from California Institute of the Arts. Throughout the 90s and 00s he was an Art Director and media designer for television, outdoor, print and emerging tech and social/ media at; Arnell/ Bickford Associates, Frankfurt Gipps Balkind, Foote Cone & Belding and McCann Erickson, New York. At Amster Yard, the conceptual agency within McCann Worldwide, Balk was involved in concepting high-profile campaigns that ran both domestically and internationally. As an interactive and exhibition designer, Balk has designed significant exhibition work for; Princeton University (The Firestone Library), The National Building Museum (Washington DC), The Jewish Museum (New York) and The United States Holocaust Memorial Museum (Washington DC) in conjunction with the offices of James Ingo Freed. Balk has taught and lectured at a variety of Universities, most recently; UCLA in the Department of New Genres, the Università IUAV di Venezia, Yale University, Otis College of Art and Design- Public Practice MFA and as Coordinator of the Department of Fine Arts/ Computer Graphics at the New York Institute of Technology, Bahrain Campus. Since the late 80s his art work has addressed, in multiple formats (including several productions of his plays), the conditions of narrative and the narrative aspects of historicizing the present. His work has been exhibited internationally and reviewed extensively including; Artforum, Filosofia e Questioni Pubbliche, Bookforum, Art in America, Paper Magazine and The New York Times. While in New York, his primary gallery representation was with the seminal gallery, American Fine Arts. In February 2009, INOVA at the University of Wisconsin-Milwaukee presented the early work survey titled, “Dennis Balk - Early Work 1890-2090”. His recent publications include; “Dennis Balk/1890-2090” (2010-channel 171), “Dennis Balk The Arabian Gulf” (2010-channel 171), “ash” (2009-channel 171), “Colin de Land, American Fine Arts” (2008-powerhouse books), and “particles + waves with plausibility” (2006-powerhouse books). SELECTED BIBLIOGRAPHY 2011 Jack Bankowsky, Rosetta Brooks, Ingrid Schaffner, Nicholas Frank, Christina Valentine, Dennis Balk, Jennifer Bolande...

From his show Hashish at Michael Steinberg Gallery (bearing their label verso) Reviewed by Roberta Smith in the New York Times. Abstract Expressionism meets graffiti photography. Cy Twombly in cyberspace. Existential physics. The trajectories of car bombs. These phrases came to mind at the show of Dennis Balk's new work, made during the last three years while he lived in Bahrain and traveled primarily in the Middle East. The show is dominated by black-on-white gestural drawings on canvas from Mr. Balk's Faith Thumbnail series. Full of graphic and even painterly nuance, they turn out to have been made completely on the computer. In a smaller room, the Exhausted and Ideographic series features gaudy, vertiginous digital mixes of colorful photographs. Originally a performance artist, he became known in the art world in the early 1990s for improvisational diagrams that brought different historical narratives into collision. One work in his solo debut at American Fine Arts in SoHo in 1992 charted the lives of Ho Chi Minh and Abraham Lincoln -- both fathers of their countries in different ways -- across white paper napkins. His 2003 exhibition at that gallery was titled ''Particles + Waves With Plausibility,'' as is a recent book of his work. Dennis Balk is an educator, visual artist, writer, media designer and playwright based primarily in New York. Balk has an MFA Degree from California Institute of the Arts. Throughout the 90s and 00s he was an Art Director and media designer for television, outdoor, print and emerging tech and social/ media at; Arnell/ Bickford Associates, Frankfurt Gipps Balkind, Foote Cone & Belding and McCann Erickson, New York. At Amster Yard, the conceptual agency within McCann Worldwide, Balk was involved in concepting high-profile campaigns that ran both domestically and internationally. As an interactive and exhibition designer, Balk has designed significant exhibition work for; Princeton University (The Firestone Library), The National Building Museum (Washington DC), The Jewish Museum (New York) and The United States Holocaust Memorial Museum (Washington DC) in conjunction with the offices of James Ingo Freed. Balk has taught and lectured at a variety of Universities, most recently; UCLA in the Department of New Genres, the Università IUAV di Venezia, Yale University, Otis College of Art and Design- Public Practice MFA and as Coordinator of the Department of Fine Arts/ Computer Graphics at the New York Institute of Technology, Bahrain Campus. Since the late 80s his art work has addressed, in multiple formats (including several productions of his plays), the conditions of narrative and the narrative aspects of historicizing the present. His work has been exhibited internationally and reviewed extensively including; Artforum, Filosofia e Questioni Pubbliche, Bookforum, Art in America, Paper Magazine and The New York Times. While in New York, his primary gallery representation was with the seminal gallery, American Fine Arts. In February 2009, INOVA at the University of Wisconsin-Milwaukee presented the early work survey titled, “Dennis Balk - Early Work 1890-2090”. His recent publications include; “Dennis Balk/1890-2090” (2010-channel 171), “Dennis Balk The Arabian Gulf” (2010-channel 171), “ash” (2009-channel 171), “Colin de Land, American Fine Arts” (2008-powerhouse books), and “particles + waves with plausibility” (2006-powerhouse books). SELECTED BIBLIOGRAPHY 2011 Jack Bankowsky, Rosetta Brooks, Ingrid Schaffner, Nicholas Frank, Christina Valentine, Dennis Balk, Jennifer Bolande...

From his show Hashish at Michael Steinberg Gallery (bearing their label verso) Reviewed by Roberta Smith in the New York Times. Abstract Expressionism meets graffiti photography. Cy Twombly in cyberspace. Existential physics. The trajectories of car bombs. These phrases came to mind at the show of Dennis Balk's new work, made during the last three years while he lived in Bahrain and traveled primarily in the Middle East. The show is dominated by black-on-white gestural drawings on canvas from Mr. Balk's Faith Thumbnail series. Full of graphic and even painterly nuance, they turn out to have been made completely on the computer. In a smaller room, the Exhausted and Ideographic series features gaudy, vertiginous digital mixes of colorful photographs. Originally a performance artist, he became known in the art world in the early 1990s for improvisational diagrams that brought different historical narratives into collision. One work in his solo debut at American Fine Arts in SoHo in 1992 charted the lives of Ho Chi Minh and Abraham Lincoln -- both fathers of their countries in different ways -- across white paper napkins. His 2003 exhibition at that gallery was titled ''Particles + Waves With Plausibility,'' as is a recent book of his work. Dennis Balk is an educator, visual artist, writer, media designer and playwright based primarily in New York. Balk has an MFA Degree from California Institute of the Arts. Throughout the 90s and 00s he was an Art Director and media designer for television, outdoor, print and emerging tech and social/ media at; Arnell/ Bickford Associates, Frankfurt Gipps Balkind, Foote Cone & Belding and McCann Erickson, New York. At Amster Yard, the conceptual agency within McCann Worldwide, Balk was involved in concepting high-profile campaigns that ran both domestically and internationally. As an interactive and exhibition designer, Balk has designed significant exhibition work for; Princeton University (The Firestone Library), The National Building Museum (Washington DC), The Jewish Museum (New York) and The United States Holocaust Memorial Museum (Washington DC) in conjunction with the offices of James Ingo Freed. Balk has taught and lectured at a variety of Universities, most recently; UCLA in the Department of New Genres, the Università IUAV di Venezia, Yale University, Otis College of Art and Design- Public Practice MFA and as Coordinator of the Department of Fine Arts/ Computer Graphics at the New York Institute of Technology, Bahrain Campus. Since the late 80s his art work has addressed, in multiple formats (including several productions of his plays), the conditions of narrative and the narrative aspects of historicizing the present. His work has been exhibited internationally and reviewed extensively including; Artforum, Filosofia e Questioni Pubbliche, Bookforum, Art in America, Paper Magazine and The New York Times. While in New York, his primary gallery representation was with the seminal gallery, American Fine Arts. In February 2009, INOVA at the University of Wisconsin-Milwaukee presented the early work survey titled, “Dennis Balk - Early Work 1890-2090”. His recent publications include; “Dennis Balk/1890-2090” (2010-channel 171), “Dennis Balk The Arabian Gulf” (2010-channel 171), “ash” (2009-channel 171), “Colin de Land, American Fine Arts” (2008-powerhouse books), and “particles + waves with plausibility” (2006-powerhouse books). SELECTED BIBLIOGRAPHY 2011 Jack Bankowsky, Rosetta Brooks, Ingrid Schaffner, Nicholas Frank, Christina Valentine, Dennis Balk, Jennifer Bolande...

Photo is 9X13.5 (image size), 16X20 is the mat. Mounted to original mat. Vintage photograph. Marion Post (June 7, 1910 – November 24, 1990), later Marion Post Wolcott, was a noted American photographer who worked for the Farm Security Administration during the Great Depression documenting poverty and deprivation. Marion Post was born in New Jersey on June 7, 1910. Her parents split up and she was sent to boarding school, spending time at home with her mother in Greenwich Village when not at school. Here she met many artists and musicians and became interested in dance. She studied at The New School. Post trained as a teacher, and went to work in a small town in Massachusetts. Here she saw the reality of the Depression and the problems of the poor. When the school closed she went to Europe to study with her sister Helen. Helen was studying with Trude Fleischmann, a Viennese photographer. Marion Post showed Fleischmann some of her photographs and was told to stick to photography. Marion Post Wolcott with Rolleiflex and Speed Graphic in hand in Montgomery County, Maryland. While in Vienna she saw some of the Nazi attacks on the Jewish population and was horrified. Soon she and her sister had to return to America for safety. She went back to teaching but also continued her photography and became involved in the anti-fascist movement. At the New York Photo League she met Ralph Steiner and Paul Strand who encouraged her. When she found that the Philadelphia Evening Bulletin kept sending her to do "ladies' stories," Ralph Steiner took her portfolio to show Roy Stryker, head of the Farm Security Administration, and Paul Strand wrote a letter of recommendation. Stryker was impressed by her work and hired her immediately. Post's photographs for the FSA often explore the political aspects of poverty and deprivation. They also often find humour in the situations she encountered. In 1941 she met Leon Oliver Wolcott, deputy director of war relations for the U. S. Department of Agriculture under Franklin Roosevelt. They married, and she continued her assignments for the FSA, but resigned shortly thereafter in February 1942. She found it difficult to fit in her photography around raising a family and a great deal of traveling and living overseas. In the 1970s, a renewed interest in Wolcott's images among scholars rekindled her own interest in photography. In 1978, Wolcott mounted her first solo exhibition in California, and by the 1980s the Smithsonian and the Metropolitan Museum of Art began to collect her photographs. The first monograph on her work was published in 1983. She was an advocate for women's rights; in 1986, Wolcott said: "Women have come a long way, but not far enough. . . . Speak with your images from your heart and soul" (Women in Photography Conference, Syracuse, N.Y.) She and other FSA WPA photographers, including Esther Bubley...

Photographers Label verso. Kipton C. Kumler. 1976 Near Bamiyan Afghanistan. 7 1/2" x 9 1/2" sight size. A native of Shaker Heights, Ohio, Kumler earned a bachelor’s degree in electrical engineering at Cornell. His mother’s graduation gift was a summer in France. “That experience opened up the world to me,” he says with a trace of emotion. Later, while friends volunteered for the Peace Corps, Kumler signed on with the Navy Officer Candidate School and spent nine months patrolling Vietnamese rivers with US Army’s Special Forces. In 1967, he was back at Cornell finishing a master’s degree, then business school, which led to 10 years at Arthur D. Little. Select Exhibitions SEVEN PHOTOGRAPHERS: THE DELAWARE VALLEY with George Tice, Sandy Noyes, Kipton Kumler, Wendy MacNeil, Stephen Shore, John McWilliams and Goodwin Harding. State Museum, Cultural Center, W. State Street, Trenton. New Jersey. The BostonPhoto-Documentary Project Chris Enos, Kipton Kumler, Eugene Richards, John Rizzo, Sage Sohier, Jim Stone Cronin Gallery Houston showed with Elliot Porter...

This large format 20 x 24 Polaroid photograph is a self portrait of the photographer David Chack. This is a one-of-a- kind, " instant" color photograph. The process uses a multi-laye...

Meschac Gaba (Benin, 1961- ) Artist with American Inspiration: 4 World Financial Center, 2004, Meschac Gaba, pigmented inkjet print, Hand signed, dated and inscribed '15 des 30 Artiste d'inspiration Americaine' verso. Dimensions: approximately 17 1/2 x 42 1/2 in. (sheet), 19 x 44 in. (frame) Meshac Gaba employs an intervention on an American dollar bill in Artist with American Inspiration: 4 World Financial Center, swapping out our stately eagle for his smiling face portrait. One of Gaba’s sculptures appears on the left as well. Meschac Gaba (born 1961) is a Beninese conceptual artist based in Rotterdam and Cotonou. His installations of everyday objects whimsically juxtapose African and Western cultural identities and commerce. He is best known for The Museum of Contemporary African Art 1997–2002, an autobiographical 12-room installation acquired and displayed by the Tate Modern in 2013. He has also exhibited at the Studio Museum in Harlem and at the 2003 Venice Biennale. Meshac Gaba was born in Cotonou, Benin, in 1961. He had drifted from his training as a painter until a bag of decommissioned money cut into confetti led him to make paintings with the material. 1981-1985 He was a student at the artist studio of Zossou Gratien, Cotonou, Benin. Gaba became known for his installations of everyday objects that whimsically juxtapose African and Western cultural identities and commerce. He held a residency at the Amsterdam Rijksakademie in 1996 for two years. In the absence of opportunities to display his work in the city, he set out over the next five years to make his own museum. This piece became his seminal The Museum of Contemporary African Art 1997–2002, which consists of 12 rooms (some based on museum function and others personal) filled with objects made by Gaba. Throughout the exhibition ran a vein of confessional narrative about the artist's art travails between Africa and Europe The wedding room, which he made while in love, holds mementos as museum artifacts from Gaba's wedding to the Dutch curator Alexandra van Dongen in 2000 at the Amsterdam Stedelijk Museum. The Library room holds art...

Genre: Contemporary Subject: Landscape Medium: Photograph Country: France 16 X 22.5 without frame Animalia, Insect Butterfly Photograph Élisabe...

Genre: Contemporary Subject: Landscape Medium: Photograph Country: France 16 X 22.5 without frame Animalia, Insect Butterfly Photograph Élisabe...

Genre: Contemporary Subject: Landscape Medium: Photograph Country: France 16 X 22.5 without frame Animalia, Insect Butterfly Photograph Élisabeth Montagnier was born in Algeria. S...

Size is without frame. French Burgundy wine country farmhouse yard scene with flowers. Frank Gohlke (born April 3, 1942) is an American landscape photographer. He has been awarded ...

In this holographic collage the artist, and inventor Thomas Cvetkovich uses a method of recording an object image of a first hologram as a second hologram is provided. This holographic method is known as compact holographic human interface, and was invented by him. Reconstructed images of holograms, in this case a fish, a banyan leaf and flora and fauna abstract forms, generally become visible when illuminated by a source of light having an angle of reconstruction. Thse are created with laser and computer technology. An artile in Life magazine was all it took it took to influence Tom Cvetkovich's career path, one that has brought his Youngstown company, Chromagem, an international clientele. It focused on new technology that linked the use of lasers in producing holograms, three-dimensional and free-standing images. Reminiscing on Chromagem's past work, Cvetkovich said, One of the things we're most proud of is a series of U.S. postage stamps, achievement in space. We did three stamps for that. We've done postage stamps for Canada, the German government. We've also done work for Moet & Chandon, the champagne; Estee Lauder; and the cover of the 'Star Trek Generations' box set. Over the past two Christmases, Chromagem created a special variety of Reynolds Wrap that features snowflake holograms stamped on the entire roll. Cvetkovich created his first hologram when he was a student at Kent State University in 1974. He took science and art classes to gain the knowledge on how to make the creations running through his head and onto a sketchpad into a fully realized form. "I'm coming at it, primarily, from an art background, but with some science background." He continued his studies at Lake Forest College. It was the first place in the world to offer a workshop in holography. I was there for their third year. Combining art, science Next, he earned a master's degree from the Art Institute of Chicago. The Art Institute was just starting a holography lab. Actually, I had to build my own because theirs wasn't ready. When I was going to college, I would do a math class and then make art. I could tell I was using different parts of my brain. Over the years, Cvetkovich has developed a mental truce between the creative and scientific sides of his brain. At this point, it's more of a craft, he said. I don't rely on a lot of math or science at all. I try to keep abreast at what's being invented, what new...

This is an aerial view photograph. As an aerial photographer, MacLean aims to portray the history and evolution of the land from vast agricultural patterns to city grids, recording changes brought about by human intervention and natural processes. Alex S. MacLean (born 1947) is an American photographic artist who is best known for his aerial photographs. His photographs have portrayed the history and evolution of the land from vast agricultural patterns to city grids, recording changes brought about by human intervention and natural processes. MacLean graduated from Harvard College...

Sorry for the reflection on the plexi. In the early 1980s, the Polaroid Foundation invited Hungarian-born painter and photographer György Kepes (1906-2001) to use the 20x24 Polaroid camera. The resulting carefully staged compositions summarize many of his artistic concerns, employing such objects as prisms, flowers, and graphic papers to manipulate the effects of light and form. György Kepes 1906-2001 was a Hungarian-born painter, photographer, designer, educator, and art theorist. After emigrating to the U.S. in 1937, he taught design at the New Bauhaus (later the School of Design, then Institute of Design, then Illinois Institute of Design or IIT) in Chicago. In 1967 He founded the Center for Advanced Visual Studies at the Massachusetts Institute of Technology (MIT) where he taught until his retirement in 1974. Kepes was born in Selyp, Hungary. His younger brother was Imre Kepes, ambassador in Argentina, father of András Kepes journalist, documentary filmmaker and author. At age 18, he enrolled at the Royal Academy of Fine Arts in Budapest, where he studied for four years with Istvan Csok, a Hungarian impressionist painter. In the same period, he was also influenced by the socialist avant-garde poet and painter Lajos Kassak. Kepes gave up painting temporarily and turned instead to filmmaking. In 1930, he settled in Berlin, where he worked as a publication, exhibition and stage designer. Around this time, he designed the dust jacket for Gestalt psychologist Rudolf Arnheim's famous book, Film als Kunst (Film as Art), one of the first published books on film theory. In Berlin, he was also invited to join the design studio of Laszlo Moholy-Nagy, the Hungarian photographer who had taught at the Dessau Bauhaus. When, in 1936, Moholy relocated his design studio to London, Kepes joined him there as well. Kepes was lured to Brooklyn College by Russian-born architect Serge Chermayeff, who had been appointed chair of the Art Department in 1942. There he taught graphic artists such as Saul Bass. In 1944, he published Language of Vision, an influential book about design and design education. In part, the book was important because it predated three other influential texts on the same subject: Paul Rand, Thoughts on Design (1946), László Moholy-Nagy, Vision in Motion (1947), and Rudolf Arnheim, Art and Visual Perception (1954). In 1947, Kepes accepted an invitation from the School of Architecture and Planning at MIT to initiate a program there in visual design, a division that later became the Center for Advanced Visual Studies (c1968). Some of the Center's early fellows included artists Otto Piene, Vassilakis Takis, Jack Burnham, Wen-Ying Tsai, Stan Vanderbeek, Maryanne Amacher, Joan Brigham, Lowry Burgess, Peter Campus, Muriel Cooper, Douglas Davis, Susan Gamble, Dieter Jung, Piotr Kowalski, Charlotte Moorman, Antoni Muntadas, Yvonne Rainer, Keiko Prince, Alan Sonfist, Aldo Tambellini, Joe Davis, Bill Seaman, Tamiko Thiel, Alejandro Sina, Don Ritter, Luc Courchesne, and Bill Parker...

body of work: “Sentiment and Vagrancy” series: “Dresden Pre Occupation” medium: Ink Jet print on Arches size: 28″ h x 30″ w Kevin Hanley was born 1969 in Sumter, South Carolina and received a Master of Fine Art from Art Center College of Design and a Bachelor of Fine Art from Otis Parsons College. Hanley is a multimedia artist and an associate professor at Art Center College of Design who also works professionally in TV broadcast and graphic design. He currently works and lives in Los Angeles. His International group exhibitions include: "The 50th International Art Exhibition, La Biennale di Venezia," Venice, Italy, "Site Santa Fe Second Biennale," Santa Fe, New Mexico, "Index," MOCA, Los Angeles and "Delta," Musee d’Art Moderne, Paris, France. His solo exhibitions include: ACME, Los Angeles, I-20, New York, Taka Ishii Gallery, Tokyo and Galerie Christian Nagel, Cologne. Articles and reviews on Hanley's work have appeared in Artforum, Contemporary, Flash Art, Frieze, Kultureflash, The Los Angeles Times and The New York Times. Selected Exhibitions: Seams Like Sometimes, ACME., Los Angeles, CA 15 year...

photo is 9X13.5 (image size), 16X20 is the mat. Mounted to original mat. Vintage photograph. Main Street, Winchester, Virginia. February, 1940. Arthur Rothstein ( 1915 – 1985) was an American photographer. Rothstein is recognized as one of America’s premier photojournalists. During a career that spanned five decades, he provoked, entertained and informed the American people. His photographs ranged from a hometown baseball game to the drama of war, from struggling rural farmers to US Presidents. Rothstein was born in Manhattan, New York City, and he grew up in the Bronx. He was a graduate of Columbia University, where he was a founder of the University Camera Club and photography editor of the Columbian. Following his graduation from Columbia during the Great Depression, Rothstein was invited to Washington DC by one of his professors at Columbia, Roy Stryker. Rothstein had been Stryker's student at Columbia University in the early 1930s. Stryker hired Rothstein to set up the darkroom for Stryker's Photo Unit of the Historical Section of the Resettlement Administration (RA). Perhaps Rothstein's most famous photo...

Genre: Photographic Subject: Hollywood actor Medium: Photograph, Gelatin Silver Print Surface: Photographic Paper Country: United States Fred W. McDarrah, 1926-2007 Veteran Village Voice photographer Fred W. McDarrah Over a 50-year span, McDarrah documented the rise of the Beat Generation, the city’s postmodern art movement, its off-off-Broadway actors, troubadours, politicians, agitators and social protests. Fred captured Jack Kerouac frolicking with women at a New Year’s bash in 1958, Andy Warhol adjusting a movie-camera lens in his silver-covered factory, and Bob Dylan offering a salute of recognition outside Sheridan Square near the Voice’s old office. Not just a social chronicler, McDarrah was a great photo-journalist. For years, McDarrah was the Voice's only photographer and, for decades, he ran the Voice’s photo department, where he helped train dozens of young photographers, including James Hamilton, Sylvia Plachy, Robin Holland and Marc Asnin. His mailbox was simply marked "McPhoto." An exhibit of McDarrah’s photos of artists presented by the Steven Kasher Gallery in Chelsea was hailed by The New York Times as “a visual encyclopedia of the era’s cultural scene.” artists in their studios, (Alice Neel, Philip Guston, Stuart Davis, Robert Smithson, Jasper Johns, Franz Kline), actors (Dustin Hoffman, Robert De Niro on the set of “Taxi Driver”), musicians (Janis Joplin, Alice Cooper, Bob Dylan) and documentary images of early happenings and performances (Yayoi Kusama, Charlotte Moorman, Al Hansen...

Hatay is a visual artist, a healer and a former Rock and Roll photojournalist. Born in Scotland of a Hungarian physicist/inventor and an English art dealer, she grew up in an international environment. Her father encouraged original thinking and experimentation; her mother nourished her creativity and her intuitive skills. Leaving her home in Schaffhausen, Switzerland, for Munich, Germany, she apprenticed to Bauhaus photographer Frl. Berthe Himmler. The next step was New York City where Hatay began to freelance in all aspects of photography. It was when she photographed Jimi Hendrix at Madison Square Garden on May 18, 1969 and was inspired by his music that she got a chance to spread her wings artistically. She was initially inspired by his energy, his vision and his originality. "Jimi Hendrix was absolutely amazing - it is not possible to put words to the Experience. He was, and still is, unique. I didn't know at the time I photographed him that he was interested in his music being a healing power. I learned a lot about this aspect of Hendrix about ten years later when I met people who knew him. When they heard how much I was interested in the healing aspects of his music, they shared their stories with me. I used some of this information in my two books, Jimi Hendrix, The Spirit Lives On and Jimi Hendrix, Reflections and Visions". Nona's experimental techniques were used in her photographs on many other Rock stars, such as Tina Turner, James Brown, and Frank Zappa. She had a major exhibit of her work in Paris. ORIGINAL PHOTO ART one of a kind - experimental & hand painted...

Hatay is a visual artist, a healer and a former Rock and Roll photojournalist. Born in Scotland of a Hungarian physicist/inventor and an English art dealer, she grew up in an international environment. Her father encouraged original thinking and experimentation; her mother nourished her creativity and her intuitive skills. Leaving her home in Schaffhausen, Switzerland, for Munich, Germany, she apprenticed to Bauhaus photographer Frl. Berthe Himmler. The next step was New York City where Hatay began to freelance in all aspects of photography. It was when she photographed Jimi Hendrix at Madison Square Garden on May 18, 1969 and was inspired by his music that she got a chance to spread her wings artistically. She was initially inspired by his energy, his vision and his originality. "Jimi Hendrix was absolutely amazing - it is not possible to put words to the Experience. He was, and still is, unique. I didn't know at the time I photographed him that he was interested in his music being a healing power. I learned a lot about this aspect of Hendrix about ten years later when I met people who knew him. When they heard how much I was interested in the healing aspects of his music, they shared their stories with me. I used some of this information in my two books, Jimi Hendrix, The Spirit Lives On and Jimi Hendrix, Reflections and Visions". Nona's experimental techniques were used in her photographs on many other Rock stars, such as Tina Turner, James Brown, and Frank Zappa. She had a major exhibit of her work in Paris. ORIGINAL PHOTO ART one of a kind - experimental & hand painted...

Hatay is a visual artist, a healer and a former Rock and Roll photojournalist. Born in Scotland of a Hungarian physicist/inventor and an English art dealer, she grew up in an international environment. Her father encouraged original thinking and experimentation; her mother nourished her creativity and her intuitive skills. Leaving her home in Schaffhausen, Switzerland, for Munich, Germany, she apprenticed to Bauhaus photographer Frl. Berthe Himmler. The next step was New York City where Hatay began to freelance in all aspects of photography. It was when she photographed Jimi Hendrix at Madison Square Garden on May 18, 1969 and was inspired by his music that she got a chance to spread her wings artistically. She was initially inspired by his energy, his vision and his originality. "Jimi Hendrix was absolutely amazing - it is not possible to put words to the Experience. He was, and still is, unique. I didn't know at the time I photographed him that he was interested in his music being a healing power. I learned a lot about this aspect of Hendrix about ten years later when I met people who knew him. When they heard how much I was interested in the healing aspects of his music, they shared their stories with me. I used some of this information in my two books, Jimi Hendrix, The Spirit Lives On and Jimi Hendrix, Reflections and Visions". Nona's experimental techniques were used in her photographs on many other Rock stars, such as Tina Turner, James Brown, and Frank Zappa. She had a major exhibit of her work in Paris. ORIGINAL PHOTO ART one of a kind - experimental & hand painted...

Black & white vintage photo of Venice Italy in 1952 by American Abstract Expressionism artist Stanley Twardowicz (1917-2008). It depicts a reflection...

Provenance: Deaccessioned from a New York University. Condé + Beveridge Carole Condé and Karl Beveridge Condé born in Hamilton in 1940. Beveridge born in Ottawa in 1945. Both live an...

Referencing immigrants and the disabled. Social commentary conceptual artwork. Provenance: Deaccessioned from a New York University. Condé + Beveridg...

Provenance: Deaccessioned from a New York University. Condé + Beveridge Carole Condé and Karl Beveridge Condé born in Hamilton in 1940. Beveridge born in Ottawa in 1945. Both live ...

photo is 9X13.5 (image size), 16X20 is the mat. Mounted to original mat. Vintage photograph. Three young Grange members represent Flora, Ceres and Pamona in Fairfax, 1940. Arthur Rothstein ( 1915 – 1985) was an American photographer. Rothstein is recognized as one of America’s premier photojournalists. During a career that spanned five decades, he provoked, entertained and informed the American people. His photographs ranged from a hometown baseball game to the drama of war, from struggling rural farmers to US Presidents. Rothstein was born in Manhattan, New York City, and he grew up in the Bronx. He was a graduate of Columbia University, where he was a founder of the University Camera Club and photography editor of the Columbian. Following his graduation from Columbia during the Great Depression, Rothstein was invited to Washington DC by one of his professors at Columbia, Roy Stryker. Rothstein had been Stryker's student at Columbia University in the early 1930s. Stryker hired Rothstein to set up the darkroom for Stryker's Photo Unit of the Historical Section of the Resettlement Administration (RA). Perhaps Rothstein's most famous...

Russell Drisch is a photographer and painter who resided in Buffalo NY during the 1970s and 80s. Originally an actor, Drisch moved to Buffalo to play two seasons at Studio Arena Theater. During this time, his interest in photography overcame his love for theater. He left acting and opened Drisch Photography studio and Gallery West. His works has been exhibited in many different cities Such as New York and Toronto. They have been published in Time Magazine Aperture, 1977. Some of the photographers in this issue: Walter Chappell, Jerome Liebling, Russell Drisch, Brewster Ghiselin. Also there is an excerpt Eikoh Hosoe's seminal book Ordeal by Roses" with some text by Yukio Mishima...

Size: 30.5" x 38.5", 77 x 98 cm (sight); 40" x 48", 102 x 122 cm (frame). Paul Rowland- He is the one, that everybody knows about, Paul Rowland. A genius in the modeling industry, president of Ford Models New York, owner of Women Model Management & Supreme Management and photographer. Paul Rowland has more, than 20 years experiences in the industry. Paul Rowland was born in Arkansas in the USA. He left his home town and moved to New York City with the dream to become a painter. Not long after this he founded Women Management and Supreme Models. Paul Rowland founded Women Management in 1989. In his more than 15 years of professional experience, he has made transformation from model to founder of his own agency, and is credited for establishing a unique roster of talent known for personality and accessibility previously unseen in the business. He participated in the exhibition at Art Basel in 2008 In Fashion Photo features an exclusive collection of more than 250 contemporary works of photographic art by more than 35 of the world‟s leading icons in fashion photography. Representing more than 15 countries in five continents, some of the most globally esteemed names from the fashion photo world exhibited their work, including Slim Aarons, Miles Aldridge, Olivia Beasley, Michael Dweck, Arthur Elgort, Charles Frèger, Erwan Frotin, Alice Hawkins, Steve Hiett...

The size is as indicated here. the size on sticker is off. 1948 Born in Toyama Prefecture 1973 Dokuritsu Bijyutsu exhibition, Tokyo Metropolitan Art Museum Record of Awards 1977 Dai-ichi Bijyutsu Award at the Dai-ichi Bijyutsu Exhibition, Tokyo Metropolitan Art Museum in Tokyo 1979 Prefectural Assembly Chairman Award at Kanagawa Prefectural Art Exhibition, Kanagawa Prefectural Gallery in Kanagawa 1987 Special Honorable Prize at Ueno Royal Museum Grand Prize Exhibition, Ueno Royal Museum in Tokyo Silver Award at INF International Art Exhibition in Kobe, Japan and China 1988 Ceramic Art Award at the Contemporary Ceramic Art...

Gate Taught Version 1991. Large format silver gelatin photo. signed and dated. Zeke Berman’s still lifes are fabrications derived from the material of ordinary and intimate experience, reconstituted to satisfy the demands of improvised play, monocular vision, and the special characteristics of photographic description. They are concerned with the pictorial aspect of sculpture and the provisional nature of realistic indication. In the central tradition of still-life art, they aim to establish an unsuspected order in the congregation of unremarkable things. Since the late 1970's Zeke Berman has been making singular, studio-based photographs. These works reflect his long standing interest in visual cognition, optics and the intersection between sculpture, photography and drawing. The formal range of his work and his sculptural use of materials is varied, original and idiosyncratic. Berman’s work has been collected and exhibited in museums such as The Museum of Modern Art, The Metropolitan, Whitney, Art Institute of Chicago and LA County Museum. His work was featured in the first New Photography Exhibition, 1984, at MoMA. Awards include Guggenheim, NEA and NYFA Arts Fellowships. Berman lives and works in New York City. from MOMA A World of Its Own: Photographic Practices in the Studio examines the ways in which photographers and other artists using photography have worked and experimented within their studios, from photography’s inception to the present. Featuring both new acquisitions and works from the Museum’s collection that have not been on view in recent years, A World of Its Own brings together photographs, films, and videos by artists such as Berenice Abbott, Uta Barth, Zeke Berman, Karl Blossfeldt, Constantin Brancusi, Geta Brătescu, Harry Callahan, Robert Frank, Jan Groover, Barbara Kasten, Man Ray, Bruce Nauman, Paul Outerbridge, Irving Penn, Adrian Piper...

DANIEL J. MARTINEZ (American, b. 1955) Portrait of Two Girls Dye-destruction, circa 1995 Paper: 20 x 19-1/2 inches (50.8 x 49.5 cm) Image: 19-3/4 x 19-1/4 inches (50.2 x 48.9 cm) State: unmounted. in a matting. Daniel Joseph Martinez (born 1957), is a Los Angeles based contemporary artist. Daniel J. Martinez work can be found in public collections in the United States and abroad including the Whitney Museum of American Art in New York; Los Angeles County Museum of Art (LACMA); the Orange County Museum of Art, Newport Beach, California; Cisneros Fontanals Art Foundation, Miami, Florida; Museum of Fine Arts, Houston, Texas; and the Pace Foundation, San Antonio, Texas. Daniel Martinez has received two National Endowment for the Arts (NEA) Individual Artist Fellowships (1990–91, 1995–96) and an NEA Project Support Grant (1990); a Getty Center Foundation Individual Artist Fellowship (1997–98); a Pollock-Krasner Foundation Individual Artist Fellowship (2001–02); a California Arts Council Individual Artist Fellowship (2003–04); an ArtPace Foundation Fellowship (2005); a Peter Norton Family Foundation Project Support Grant (1991) and five Norton Foundation Artist Fellowships (1997–2001); the First Prize Grant Award of the Tijuana Biennial (2000); and a Flintridge Foundation Individual Artist Fellowship (2000–01). In 2007 Martinez was awarded the United States Artists Fellowship, and in 2008–09, he received the Rasmuson Foundation Alaska Artist in Residence Award in 2009, the Fellows of Contemporary Art Fellowship in 2009; and the 2010 FOCA Fellowship Artist Grant and exhibition. In 2014 Martinez was awarded the Alpert Award in the Arts from the Herb Alpert Foundation in collaboration with the California Institute of the Arts. In 2016, Martinez participated in the American Academy in Berlin Fellowship, Berlin, Germany. "In Conversation: Daniel Joseph Martinez with Phong Bui". The Brooklyn Rail. March 2008. "Karen Finley...

American artist and photographer, Sandra Haber, born 1956 Exhibited at MoMA, 1984

Sheila Metzner’s unique photographic style has positioned her as a contemporary master in the worlds of fine art, fashion, portraiture, still life and landscape photography. Looking at Metzner’s photographs is a captivating experience. Innocent, sensual, and sexual, each photo, regardless of subject, exhibits and elicits deep emotion. It is nearly impossible to just glance at Metzner’s photos; they beg to be studied. She says, “Photography in its most basic form is magic…This image, caught in my trap, my box of darkness, can live. It is eternal, immortal. The child in the image will not age as the living child will.” Sheila Schwartz was born in 1939 to an orthodox Jewish family in a poor section of Brooklyn. While attending the School of Industrial Art in Manhattan (now the High School of Art and Design), she was awarded the Mayor Robert F. Wagner scholarship to the college of her choice. She chose Pratt Institute, where she majored in visual communication. Her fondness for painting and sculpture also led her to study with abstract artists Jack Tworkov and James Brooks. After graduating in 1961, Sheila worked as an assistant to Lou Dorfsman at CBS Network Advertising. Five years later, she was hired by the Doyle Dane Bernbach advertising agency as its first female art director, and in 1968 she met and married director, creative director, and painter Jeffrey Metzner. While pregnant with their first child, she was riding in a cab with her mentor and friend, photographer Aaron Rose, discussing whether or not to give up her career in advertising. “He said, ‘You should be a photographer. You live like an artist. You have a good eye, you’d be good at it.’ ” Metzner started taking pictures, amassing them slowly over the next 13 years, while raising her and Jeffrey’s five children—Raven, Bega, Ruby, Stella and Louie. Jeffrey’s two daughters from a previous marriage, Evyan and Alison, were also a regular part of the family. “When they were really small, I’d be with them during the day, photographing and printing at night. At eight or nine in the evening, when they were all asleep, I’d take a shower to wake up and put on high heels and lipstick, which I wore then, to give me the feeling of being ready to work.” She continues, “My children never interfered. When I couldn’t travel because of them, I would find a place in upstate New York and call it Antarctica or Egypt. I found microcosms.” Nine years later, Metzner had accumulated a box of 22 pictures. One of them, a black-and-white photograph titled “Evyan, Kinderhook Creek,” caught the eye of John Szarkowski at the Museum of Modern Art, which he included in his famous and controversial exhibition “Mirrors and Windows: American Photography since 1960.” The New York Times art critic Hilton Kramer loved the picture and soon it became the dark-horse hit of the exhibition. Later that year, Metzner’s first solo show at the Daniel Wolf Gallery in New York drew record crowds. Metzner was now ready to work in color, but not just conventional color. Of her subjects, she once said, “If I use a rose, I want it to be the essential rose—the rose Beauty brought to her father from the Beast’s garden.” Now she aspired to an essential kind of color. “I wanted something that would last. I was looking for Fresson even though I didn’t know they existed.” The Fresson family works outside of Paris and specializes in a labor-intensive four-color “process de charbon” method, which they invented in 1895. Some prints can go up to seven colors, and are pigment prints, the only true archival color print. Metzner is one of just ten American photographers with whom they are willing to work. Fresson prints are the perfect complement to Metzner’s style—soft, sensuous, and grainy, the prints resemble paintings, with a finish which Metzner describes as “a glaze on fine porcelain. The moment I saw the neutral gray,” she adds, “I knew it was perfect.” In 1980 Metzner showed her Fresson color prints at her second solo exhibition at the Daniel Wolf Gallery. This show led to commissioned editorial work for such magazines as Vanity Fair, Vogue, and Rolling Stone. She secured an exclusive contract with Vogue for the next eight years. Metzner considers her portrait of actress Jeanne Moreau for Vanity Fair a turning point in her career. “It gave me a chance to show my work to a broader audience. I wasn’t just producing photographs for the art world.” Of Sheila’s foray into fashion, critic Carol Squiers says, “At a time when fashion photography was caught between sterility and the snapshot, Metzner created a sumptuous vision that stimulated the entire field.” Metzner also started doing commercial photography around this time. Her first client was Valentino, soon to be followed by Bloomingdale’s, Perry Ellis, Revlon, Shiseido, Saks Fifth Avenue, Paloma Picasso, Victoria’s Secret, Levi’s, Ralph Lauren, and fragrances for Chloe and Fendi (the Fendi campaign won a Fragrance Foundation Recognition Award). Her work also appeared on John Mellencamp...

This is an aerial view photograph. As an aerial photographer, MacLean aims to portray the history and evolution of the land from vast agricultural patterns to city grids, recording changes brought about by human intervention and natural processes. Alex S. MacLean (born 1947) is an American photographic artist who is best known for his aerial photographs. His photographs have portrayed the history and evolution of the land from vast agricultural patterns to city grids, recording changes brought about by human intervention and natural processes. MacLean graduated from Harvard College...

Mark Citret, American, b. 1949. "Third Story Arches", Fort Point, 1998 Silver gelatin print hand signed and editioned 1/45 in pencil along lower edge. Published: "Along the Way" Mark Citret, Published Custom & Limited Editions, San Francisco, 1999. Plate #23. Dimensions: Image area measures 8.25"h x 6.25"w., Frame measures 17.5 x 14.5 Mark Citret was born in 1949 in Buffalo, New York, and grew up in San Francisco. He began photographing seriously in 1968 and received both his BA and MA in Art from San Francisco State University. He has worked on many photographic projects over the course of his career and continues to do so. From 1973 to 1975 he lived in and photographed Halcott Center, a farming valley in New York's Catskill Mountains. In the mid to late 1980s, he produced a large body of work with the working title of "Unnatural Wonders", which is his personal survey of architecture in the national parks. He spent four years, 1990 to 1993, photographing "Coastside Plant", a massive construction site in the southwest corner of San Francisco. Since he moved to his current home in 1986, he has been photographing the ever-changing play of ocean and sky from the cliff behind his house. Currently, he is in the midst of a multi-year commission from the University of California San Francisco, photographing the construction of their 43 acre Mission Bay life-sciences campus. He has taught photography at the University of California Berkeley Extension since 1982 and the University of California Santa Cruz Extension since 1988, and for organizations such as the Center for Photography at Woodstock, the Ansel Adams Gallery, and Santa Fe Workshops.He was included in the Weston Gallery exhibition NIGHT VISION: PHOTOGRAPHING IN THE DARK works by: Berenice Abbott, Wynn Bullock, Mark Citret, Harold Davis, Robert Frank, Ernst Haas, Chip Hooper, Rolfe Horn, Dale Johnson, Robb Johnson, Michael Kenna, André Kertész, Bob Kolbrener, Paul Kozal, Sally Mann and Jerry Uelsmann and PATTERNS IN ARCHITECTURE works by Ansel Adams, Brett Weston, Edward Weston, Oliver Gagliani, Pirkle Jones...

Koo Stark Black and white silver gelatin portrait photograph of photographer Horst P. Horst, official 80th birthday image. Frame: 17 1/4 x 23 1/4 inches Sight: 10 1/4 x 13 1/4 inches Condition: Good. Kathleen Norris Stark (born April 26, 1956), better known as Koo Stark, is an American photographer and actress, known for her relationship with Prince Andrew. She is a patron of the Julia Margaret Cameron Trust, which runs the museum of the Victorian pioneer photographer. Early life and education Stark was born in New York. Her parents were Wilbur Stark, a writer and producer, and Kathi Norris, a writer and television presenter in New York City. She is the youngest of three children, the others being Pamela and Brad. At the time of her birth, the family was living in the city's Manhattan borough.[1] Her grandfather, Edwin Earl Norris, was a cabinetmaker and musician, playing the French horn and the viola in the Newark Symphony Orchestra. Her mother's family were Presbyterians.[2][3] After a divorce in the 1960s, her mother remarried.[4] Koo Stark attended the Hewitt School in New York and the Glendower Preparatory School in Kensington, London. After training at a stage school, she began her film acting career. (she acted in the original Star Wars!) Stark also began to work as a fashion model, particularly for Norman Parkinson. In February 1981, she was at the National Theatre as an understudy in the Edward Albee play Who's Afraid of Virginia Woolf? Stark has worked as a photographer since the 1980s, and may have been the first person to turn the tables on the pursuing paparazzi by taking photos of them. Prince Andrew has told how in 1983 a photographic printer, Gene Nocon, invited Stark to take photographs of people taking photos of her, for his exhibition, Personal Points of View, planned for October. She persuaded Nocon to include Andrew's work as well. Her early photographs led to a book deal, for which she took lessons from Norman Parkinson. She travelled to Tobago, where he lived, and he became her mentor. Her book Contrasts (1985) included about a hundred of her photographs. She went on to study the work of leading photographers, including Angus McBean, whom she met and photographed, developing her interests in photography to include reportage, portraits, landscapes, still life, and other work. The book Contrasts was launched at Hamiltons Gallery, London, in September 1985, at an exhibition of the same name. In 1994, the Gallery Bar at the Grosvenor House Hotel in Park Lane hosted an exhibition called 'The Stark Image', forty photographs by Stark, including several previously unpublished. In 1998, her work was featured at the Como Lario in Holbein Place, Belgravia. In July 2001 she had an exhibition called 'Stark Images" at the Fruitmarket Gallery in Edinburgh, duplicated from June to July 2001 at Dimbola Lodge on the Isle of Wight. A solo exhibition of portraits was at the Winter Gardens, Ventnor, from September to October 2010,[29] and another at Dimbola Lodge from February to April, 2011. On 22 April 1987, a charity auction at Christie's, St James's, for the Campaign to Protect Rural England, featured signed work by David Bailey, Patrick Lichfield, Don McCullin, Terence Donovan, Fay Godwin, Heather Angel, Clive Arrowsmith, Linda McCartney, Koo Stark, and fifteen others, Views by Stark, including some of Kirby Muxloe Castle, were in G. H. Davies's England's Glory (1987), a CPRE book launched at the same time. Pictures by Stark have appeared in Country Life and other magazines. Several of her portraits are in the National Portrait Gallery, and work is also in the collections of the Victoria and Albert Museum, both in London. A Leica user, Stark has said her camera transcends mere function and is a personal friend. A solo exhibition hosted by the Leica gallery in Mayfair in May 2017 was entitled Kintsugi, a Japanese word for a way of renovating things that have been broken. Stark explained the title: "Kintsugi is a way of learning to see individual beauty, and to appreciate the value of experience and honesty. It is the antithesis of digital, airbrushed, Photoshop-homogenised 'beauty'." In August the exhibition was repeated in Manchester, to mark the opening of a new Leica store there. Stark has been a practising Buddhist since meeting the Dalai Lama. She continues to live in London and is a member of the Chelsea Arts Club. She is a Patron of the Julia Margaret Cameron Trust, at Dimbola Lodge on the Isle of Wight, home of the Victorian pioneer photographer Julia Margaret Cameron. Stark met Prince Andrew in February 1981, and they were close for some two years, before and after his active service in the Falklands War. Tina Brown has claimed that this was Andrew's only serious love affair. In October 1982 they took a holiday together on the island of Mustique. According to Lady Colin Campbell, Andrew was in love, and the Queen was "much taken with the elegant, intelligent, and discreet Koo". However, in 1983, after 18 months of dating, they split up under pressure from the Queen. In 1997, Prince Andrew became the godfather of Stark's daughter, and in 2015, when the Prince was accused by Virginia Roberts over the Jeffrey Epstein connection, Stark came to his defence, stating that he was a good man and she could help to rebut the claims. Photographic exhibitions 'Contrasts', Hamiltons Gallery, Carlos Place, London, September 1985 'The Stark Image', Gallery Bar at Grosvenor House Hotel, London, 1994 'Stark Images', Dimbola Lodge, Isle of Wight, June to July 2001 'Stark Images', Fruitmarket Gallery, Market Street, Edinburgh, July 2001 'Portraits by Koo Stark', Winter Gardens, Ventnor, Isle of Wight, September to October 2010 'Koo Stark: Contrasts', Dimbola Lodge, Isle of Wight, February to April, 2011 'Kintsugi', Leica gallery, Bruton Place, Mayfair, May 2017 'Kintsugi', Leica store, Police Street, Manchester, August 2017 'Kintsugi Portraits', San Lorenzo, Beauchamp Place, London SW3, November 2017 Horst Paul Albert Bohrmann (1906 – 1999), who chose to be known as Horst P. Horst, was a German-American fashion and Fine Art photographer. The younger of two sons, Horst was born in Weißenfels-an-der-Saale, Germany, to Klara (Schönbrodt) and Max Bohrmann. His father was a successful merchant. In his teens, he met dancer Evan Weidemann at the home of his aunt, and this aroused his interest in avant-garde art. In the late 1920s, Horst studied at Hamburg Kunstgewerbeschule, leaving there in 1930 to go to Paris to study under the architect Le Corbusier. While in Paris, he befriended many people in the art community and attended many galleries. In 1930 he met Vogue photographer Baron George Hoyningen-Huene, a half-Baltic, half-American nobleman, and became his photographic assistant, occasional model, and lover. He traveled to England with him that winter. While there, they visited photographer Cecil Beaton, who was working for the British edition of Vogue. In 1931, Horst began his association with Vogue, publishing his first photograph in the French edition of Vogue in December of that year. It was a full-page advertisement showing a model in black velvet holding a Klytia scent bottle. His first exhibition took place at La Plume d'Or in Paris in 1932. It was reviewed by Janet Flanner in The New Yorker, and this review, which appeared after the exhibition ended, made Horst instantly prominent. Horst made a portrait of Bette Davis the same year, the first in a series of public figures he would photograph during his career. Within two years, he had photographed Noël Coward, Yvonne Printemps, Lisa Fonssagrives, Count Luchino Visconti di Modrone, Duke Fulco di Verdura, Baron Nicolas de Gunzburg, Princess Natalia Pavlovna Paley, Daisy Fellowes, Princess Marina of Greece and Denmark, Cole Porter, Elsa Schiaparelli, and others like Eve Curie. Horst rented an apartment in New York City in 1937, and while residing there met Coco Chanel, whom Horst called "the queen of the whole thing". He would photograph her fashions for three decades. He met Valentine Lawford, British diplomat in 1938, and they lived together until Lawford's death in 1991. Horst adopted a son, Richard J. Horst, whom they raised together. In 1941, Horst applied for United States citizenship. In 1942, he passed an Army physical, and joined the Army on July 2, 1943. On October 21, he received his United States citizenship as Horst P. Horst. He became an Army photographer, with much of his work printed in the forces' magazine Belvoir Castle. In 1945, he photographed United States President Harry S. Truman, with whom he became friends, and he photographed every First Lady in the post-war period at the invitation of the White House. In 1947, Horst moved into his house in Oyster Bay, New York. He designed the white stucco-clad building himself, the design inspired by the houses that he had seen in Tunisia during his relationship with Hoyningen-Huene. Horst is best known for his photographs of women and fashion, but is also recognized for his photographs of interior architecture, still lifes, especially ones including plants, and environmental portraits. One of the great iconic photos of the Twentieth-Century is "The Mainbocher Corset" with its erotically charged mystery, captured by Horst in Vogue’s Paris studio in 1939. Designers like Donna Karan continue to use the timeless beauty of "The Mainbocher Corset" as an inspiration for their outerwear collections today. His work frequently reflects his interest in surrealist style and surrealism and his regard of the ancient Greek ideal of physical beauty. Horst P Horst signed color photograph in color. Horst is listed as one of the best photographers ever along with Diane Arbus, Ansel Adams, and Robert Mapplethorpe His method of work typically entailed careful preparation for the shoot, with the lighting and studio props (of which he used many) arranged in advance. His instructions to models are remembered as being brief and to the point. His published work uses lighting to pick out the subject; he frequently used four spotlights, often one of them pointing down from the ceiling. Only rarely do his photos include shadows falling on the background of the set. Horst rarely, if ever, used filters. While most of his work is in black & white, much of his color photography includes largely monochromatic settings to set off a colorful fashion. Horst's color photography did include documentation of society interior design, well noted in the volume Horst Interiors. He photographed a number of interiors designed by Robert Denning and Vincent Fourcade of Denning & Fourcade and often visited their homes in Manhattan and Long Island. After making the photograph, Horst generally left it up to others to develop, print, crop, and edit his work. One of his most famous portraits is of Marlene Dietrich, taken in 1942. She protested the lighting that he had selected and arranged, but he used it anyway. Dietrich liked the results and subsequently used a photo from the session in her own publicity. In the 1960s, encouraged by Vogue editor Diana Vreeland, Horst began a series of photos illustrating the lifestyle of international high society which included people like: Consuelo Vanderbilt, Marella Agnelli, Gloria Guinness, Baroness Pauline de Rothschild and Baron Philippe de Rothschild, Helen of Greece and Denmark, Baroness Geoffroy de Waldner, Princess Tatiana of Sayn-Wittgenstein-Berleburg, Lee Radziwill, Duke of Windsor and Duchess of Windsor, Peregrine Eliot, 10th Earl of St Germans and Lady Jacquetta Eliot, Countess of St Germans, Antenor Patiño, Oscar de la Renta and Françoise de Langlade, Desmond Guinness and Princess Henriette Marie-Gabrielle von Urach, Andy Warhol, Nancy Lancaster...

Genre: Contemporary Subject: People Medium: Digital, Print Surface: Metal Country: United States Dimensions: 49 3/4" x 38 3/4" This extra large montage of photographs is mounted onto aluminum from Ken Gonzales-Day's dysmorphologies series. Ken Gonzales-Day's interdisciplinary and conceptually grounded projects consider the history of photography, the construction of race, and the limits of representational systems ranging from the lynching photograph to museum display. The Searching for California Hang Trees series offered a critical look at the legacies of landscape photography in the West while his most recent project considers the sculptural depiction of race. Profiled began as an exploration of the influence of eighteenth century "scientific" thought on twenty-first century institutions ranging from the museum to the prison and extended to the sculpture and portrait bust collections of several major museums including: The J. Paul Getty Museum; The Field Museum, Chicago; The Museum of Man, San Diego; L'École des beaux-arts,Paris. The Bode Museum, Berlin, Park Sanssouci, Potsdam; The National Museum of Natural History, Paris; The Yale Center for British Art, New Haven; among others. Gonzales-Day lives in Los Angeles and is Chair of the Art Department at Scripps College. Fellowships and Grants Chercheur Accueilli, Institut National d'Histoire de l'Art (INHA); COLA Individual Artist Award; Art Mattes Grant; Mid-Career Award, California Communtiy Foundation; Durfee Fondation ACG; Graves Award for the Humanities; Visiting Scholar/Artist-in-Residence, Getty Research Institute; Senior Fellow, American Art Museum and National Portrait Gallery of the Smithsonian Institution; Fellow, Rockefeller Foundation Study and Conference Center, Bellagio, Italy; Van Lier Fellow, ISP, Whitney Museum of American Art; Rotary International. Select Solo Exhibitions Luis De Jesus Los Angeles; Galerie Steph, Singapore; The Vincent Price Museum, LA; Fred Torres Collaborations, NYC; Tufts University, Medford, MA; Las Cienegas Projects, L.A.; UCSD Art Gallery, La Jolla, CA; Steve Turner Contemporary, L.A.; LAXART, L.A.; CUE Art Foundation, NY, NY; Pomona College Museum of Art, Claremont, CA; Susanne Vielmetter Projects, L. A.; Cristinerose Gallery, NY, NY; White Columns, NY, NY, among others. Select Group Exhibitions Our America: The Latino presence in American Art, Smithsonian Institution; MDE11, Medellin, Colombia; COLA 2011, at LAMAG, Los Angeles; Spy Numbers, Palais de Tokyo, Paris;How Many Billboards, MAK Center, W.H.; State of Mind, MoPA, San Diego; Phantom Sightings, LACMA, L.A.(traveled); Encuentro Hemispherico, Bogota; Under Erasure, Temple Bar Gallery and Studios, Dublin; Under Pain of Death, Austrian Cultural Forum, NYC;ArtMediaPolitique, DIX291, Paris; Viva Mexico, Zacheta National Gallery, Warsaw (traveled); Past Over, Steve Turner Contemporary, L.A.; Crimes of Omission, ICA Philadelphia; Exile of the Imaginary, Generali Foundation, Vienna; Civil Restitutions, Thomas Dane Gallery...

Deaccessioned from an important corporate collection. You (Five Children) From NY Times review: The large color photographs give no hint of their pains...

Ellen Brooks (born February 3, 1946) is an American photographer. She began her career on the West Coast, and is associated with the Los Angeles-based art community of the late 1960s and ‘70s. In 1982 she moved to New York, where her practice has since been based. Her work is known for its boundary-pushing forays into sculpture, and for her use of screens and image altering pro-filmic photographic processes. She has shown at the Museum of Modern Art (MOMA), the Whitney Museum of American Art, the Los Angeles Museum of Contemporary Art, and the Centre Pompidou, and has worked in the permanent collections of the MOMA, the Whitney, the National Museum of American Art, the Getty Museum, and others. Biography Ellen Brooks was born in Los Angeles, California. She received both her Bachelor’s degree and her Master’s degree in Fine Arts from the University of California, Los Angeles, in 1968 and 1971 respectively. Her early works dealt primarily with human figures, notably Beach Piece, an early work in which she employed the photographic medium to address issues of alienation versus bodily presence in space. The work, which featured larger-than-lifesize nude figures in various poses of recline, was installed on Venice Beach, from which the figures appeared to half-emerge from the sand. During her graduate studies she constructed a series of flats [Flats 1–5] which were shown at the Museum of Modern Art in the 1970 exhibition Photography Into Sculpture. The flats addressed similar issues of scale to Beach Piece from the opposite direction, incorporating the viewer’s vantage point from above to obfuscate the objects’ situation in space. Following her MFA she moved to San Francisco, where her use of the photograph continued a progression of investigations of scale and installation. Her next major work, Adolescent Piece, also used nude bodies. The work would subsequently be refabricated and reinstalled in several different forms at different scales over the next four decades, at University of Las Vegas, San Francisco Art Institute, and at the Los Angeles Institute of Contemporary Art. Its most recent iteration, at MOCA in 2011, employed the original process of 1976, using Xerox transfers from photographic contact sheets. This installation “constituted a ‘fourth generation’ of the photographs,” according to the artist. “The first generation was the negative; the second, the eight-by-10-inch contact sheet, the third, the machine copy of the contact sheet onto wax paper, and the fourth, the images glued onto the gallery walls.” The work garnered significant attention during several of its stagings, due to the relative unguardedness of its young, unclothed subjects, all between the ages of ten and fifteen. Tableaux In the late ‘70s and into the 1980s, Brooks worked on an extended series called Tableaux. Like the earlier flats, the Tableaux used the reduced scale of maquettes to stage film still-esque scenes of domestic interiors and dilemmas, often incorporating disarray or ambiguous circumstances within their three walls. Created using miniature...

A little boy who just received a penicillin shot. signed on back with studio stamp. along with an old description label. this is mounted to wood and not framed or behind glass. it has some wear and surface soiling but it is a lovely charming piece and shows well. Peter Merom ( Hebrew : פטר מירום, born 1919 ) is an Israeli photographer born in Germany. He specializes in landscape photography and landscape detail. He was born in Lower Silesia and in 1934 emigrated from Germany to the British Mandate Palestine , where he settled four years later in the kibbutz Chulata . In 1935 he bought the first compact camera and began to amateur photography. After working as a fisherman in the kibbutz, he began to photograph Lake Chulus and then recorded his desiccation in 1951 to 1958. He gained his first artistic education as a self-taught specialist literature, international magazines and photographic anniversaries. In 1957 he studied photography in France . In Paris, he worked in a printing works where many photographers, such as Henri Cartier-Bresson and other photographers, printed their photographs. At that time, he made a series of photos of The Dying Lake , which he presented at the Telaviv Museum of Art . In 1974 he stopped working as a photographer and began to produce and sell photographs from his archive printed on plywood. In 2000 he received an award from the Israeli Museum for a lifetime work in the field of photography. In 2010, he received the Israel prize for a photograph taken every five years. Education 1957 Photography...

Genre: Photographic Subject: Cityscape Medium: Silkscreen of Photograph Surface: Paper Country: United States Dimensions: 20.5" x 28" Street Art, Urban Jon Naar is a British-American author and photographer celebrated for his pioneering images of New York City graffiti in the 1970s. Still active in his nineties, Naar has had a multifaceted career as an intelligence officer in World War II; a globe-trotting executive during the postwar years; and an environmentalist, with nine published books to date. Born in London in 1920, Naar graduated at 15 from the private Mill Hill School. Too young to attend an English university, he crossed the Channel to study French and German at the Sorbonne. At this point, Naar had yet to develop a special interest in photography, but his artistic and design sensibilities were being shaped by his Parisian influences, particularly the street photographs of Brassaï. Four years later, his matriculation at the University of London cut short by the outbreak of World War II, Naar was conscripted. Thanks to prior experience in the Officers' Training Corps at Mill Hill, he would spend the next six years on intelligence work, including service with the British Special Operations Executive, on clandestine assignments that took him through the Middle East and Italy. At war's end, by-then Major Naar emigrated to New York City and secured American citizenship. Through the 1950s, armed with a Super Ikonta rangefinder camera and later a Praktica single-lens reflex, Naar was developing his eye as a "weekend" photographer, roving his Greenwich Village neighborhood and seeking out subject matter while on foreign corporate assignments. It was not until Naar's early forties, after influential photographers Nickolas Muray and André Kertész—both impressed by his hobbyist portfolio—offered encouragement, that he resolved to seek wider exposure as a photographer. A series of street scenes Naar shot in Mexico City in 1962 was featured in a 1963 solo exhibition in Coyoacan titled "El Ojo de un Estranjero." His 23-page photo essay on Germany, 20 years after the death of Adolph Hitler, appeared in the Italian design magazine Domus. New York Times critic Joseph Deschin, reviewing Naar's 1965 one-man show at New York University's Loeb Student Center, extolled his "flair for design and an eye for the unexpected, his pictures generate the kind of excitement that one associates with discovery of newness in the familiar." The striking image "Shadows of Children on Swings" was selected by Ivan Dmitri for the Metropolitan Museum's "Photography in the Fine Arts" exhibition, and for its permanent collection. Within the span of a few years, Naar had not only transformed himself into a professional photographer, but was in demand as a contributor to major publications like The New York Times, The Saturday Evening Post, Vogue, Fortune, Elle, and Schöner Wohnen. If Naar had a specialty at that time, it was photographing artists and architects amidst their creative (and created) surroundings. One of his earliest and most enduring images featured a young Andy Warhol sprawled on a red plush...

Contemporary Jewish artist Ken Goldman, born: 1960, Memphis Tenn. Education: Pratt Institute, Masters of industrial Design, 1985 Brooklyn College, B.A Fine Arts, 1981 Made Aliyah: 1985-member Kibbutz Shluchot Art in the collection of Mishkan LeOmanut Ein Harod Israel - Wolfson Museum Jerusalem Israel - Rodeph Shalom - Philadelphia Museum of Jewish Art Shows 2017 - Here Is Your Ketubbah Museum Of Art Ein Harod Israel 2016 - Ima Ilya – Hebrew University Gallery – Jerusalem Israel 2016 - It Was Evening it was Morning – Rishon Le Zion Community gallery Israel 2016 - Jerusalem Biennial select works Leichtag Foundation – San Diego 2015 - Some Body Jewish - solo show - Jewish Museum Of Philadelphia Congregation Rodeph Shalom - Philadelphia 2015 - Rooted in Time - Rishon LeZion City Gallery 2015 - Black and White - Neve Schechter Tel Aviv 2015 - Rooted - Manny Cantor Center - New York 2015 - To Forgive and Remember - Reshaping American Consciousness - Derfner Judaica Museum - New York 2015 - Magenim Jewish Cuts - En Harod Museum of Art Israel 2015 - Fields of Dreams - Living Shmita in the modern world - Yeshiva University Museum New York 2015 - The Second Jerusalem Biennial - The Fine Line- Achim Hasid Gallery - Jerusalem Israel 2015 - The Second Jerusalem Biennial - Ima Iyla'a- Hechal Shlomo Museum -Jerusalem Israel 2015 - Vashti The Untold Story -Neve Schechter Gallery Tel Aviv 2015 - Active Hands - Crafts by Soldiers - Craft in America Museum - California 2014 - Through the Others Eyes - Wolfson Museum - Jerusalem Israel 2014 - Off Label - The Laurie Tisch Gallery - New york - curated by Tobi Kahn 2013 - The first Biennial of Jewish art Jerusalem Israel 2013 - Golden Ghetto of Venice - competition- second prize 2013 - First Prize in Museum of Imajewnation Four Cups of Freedom competition 2012 - First Prize-Cover thy Head - Morris and Sally Justein Heritage Museum - Toronto, Canada 2012 - Portraits of Cain - Ben Gurion University gallery Chaim Maor curator 2010 - Zimmun - Mishkan Le Omanut Ein Harod Israel 2010 - Seduced by the Sacred - Charter Oak Foundation Hartford Ct 2007 - “Kabbalah dolls” chosen and marketed by F.A.O. Schwarz at annual toy auditions. 2006 - City of Jerusalem – competition- original succah model designs - “best in concept” 2003 - Temple Judea Museum - Judith Altman Memorial Judaica Competition - “It Holds Light”- finalist 2001 - “FromWithin” – solo exhibition Mishkan Le Omanut, Museum of Art, Ein Harod, Israel. 1999 – The Philip and Sylvia Spertus Judaica Prize – The Havdalah spice...

BIRNEY IMES, Mississippi, b. 1951 "Riverside Lounge, Shaw, 1986" Dimensions: Chromogenic print, 14" x 16.5" sight. Framed 21" x 25". Birney Imes (born 1951) is an American photographer. He is best known for his photographs of the American South, especially his home state of Mississippi. His work is exhibited in museums across the United States. Birney Imes III was born in 1951 in Columbus, Mississippi. His father, Vinton Birney Imes, Jr., owned the town newspaper, The Commercial Dispatch. His mother is Nancy McClanahan Imes. He attended desegregated public schools in Columbus and graduated from the University of Tennessee at Knoxville with a Bachelor of Arts degree in History in 1973. Growing up white in the South during the Civil Rights Movement helped shape his views on history and that is where his photography career originated from. Imes began photographing after graduation from college and is largely self-taught. In the mid-70s, he worked as a photographer for his family's newspaper in his hometown of Columbus. Later, he opened his own studio above the Princess Theater in Columbus. Along with his personal work, Imes shot commercial work for local clients and took assignments for magazines like Rolling Stone, The Village Voice and Texas Monthly. His work has been printed in both black and white silver gelatin and color photos. Birney Imes’ photography takes viewers inside pool halls, jazz spots, juke joints and dilapidated restaurants scattered across that rural Mississippi landscape. Drawing inspiration from the photographs of other Southern artists...

Genre: Contemporary Subject: Other Medium: Photograph Surface: Aluminum Country: France Dimensions: 19 3/4" x 19 3/4" Dimensions w/Frame: 19 3/4" x 19 3/4" Still life photograph, re...

Genre: Contemporary Subject: Nature Medium: Photograph Surface: Aluminum Country: France Dimensions: 19 3/4" x 19 3/4" Dimensions w/Frame: 19 3/4" x 19 3/4" Still life photograph, r...

A large scale Cibachrome photograph. An abstract work from the series titled, "Fairfax Ladies," (the historic old Jewish neighborhood of Los Angeles) produced 1983. The subject was created through by placing diaphanous fashion garments onto photo-sensitive paper, embellishing them with objects, paper bits, and flora, and layering in painterly surfaces with scratches, completely covering the image. The series won a prize in the BCibachrome competition (1985), sponsored by BC Space Gallery (Laguna Beach, CA), and was exhibited at "Robin Valle: From Darkroom to Digital, Works from 1974-2009," posthumously presented August 2009 at El Camino College Gallery (Torrance, CA). Work presented under plexiglass in a custom wood frame. Work Size: 39.5 x 29.5 in. Framed Dimensions: 43.5 X 33.5 X 2 in. Valle, Robin Joy (1953-2009) After receiving her BA from SMU and an MFA in Photo/Cinematography from the University of Illinois in 1977, she moved to Los Angeles. Valle exhibited her one-of-a-kind Cibachrome photographs at galleries and museums locally and nationally. In 1982, she was selected for the NEA funded, "Life in LA" project, sponsored by the Los Angeles Women's Building. Valle taught photography at many Southland colleges as well as the LA County High School for the Arts. She was one of the first LA based photographers to explore digital media, receiving an Innovative Instruction Grant from Chaffee College in 1989 to create their first photography class in digital media. In 1998 she became a member of the full-time faculty at El Camino College, where she was instrumental in developing the Digital Arts program. Her work ranged from Black and white photographs to colorful, intricately layered patterns that command the gallery walls. It isn’t surprising that she, along with fellow art instructor, Joyce Dalal, contributed largely to the ECC art department’s merge towards digital art. As one of the first local photographers to explore digital media, she was crucial to the development of the Digital Arts Program. Before computers became commonplace, Valle’s techniques show a digital influence. “Her work was always inventive”, said ECC art curator, Susanna Meiers. An effect that can easily be done now with a few mouse clicks on Adobe Photoshop, required a long process of rubbing dye into the actual photograph in the ’70s. Her methods of illustrating were just as unique as the topics themselves. Photographs of the violent Chinese protest at Tiananmen Square in 1989 where military response murdered protestors in large numbers included photographing images from her television screen. “Crime Stats/ Hollywood” was a theme she dedicated to the gang violence around her neighborhood in the early ’90s. With washed out gang members as the focal point, and graffiti as well as mapped out grids of Los Angeles as the backdrop, Valle’s layering, collage-like technique is continued on and more developed. “There is a fanciful, imaginary quality of her work,” said Meiers. From her quirky pieces of birds, zebras, and even dinosaurs enveloped in patterned, colorful, designs to her more serious themed feminist pieces, her eclectic, colorful style breaks through. Her feminism is on display in “Expectations” which illustrates women’s ability to “look good and produce children.” A bright human embryo steals your attention dead center, with a “June Cleaver” type 1950’s woman smirking at you from either side of it. A mustard yellow backdrop, brings the entire piece together illustrating society’s views of women as well as her playfulness as an artist. “Robin was terribly funny and had a laugh that would just set people off,” Meiers said. The art curator designed a section of the gallery similar to Valle’s apartment. A bright pink shelf...

Genre: Contemporary Subject: Other Medium: Photograph Surface: Photographic Paper Country: United States Dimensions w/Frame: 23 3/4" x 24 3/4" RICHARD ROSS New York City, NY USA, b. 1947 Richard Ross is an American photographer. He is best known for his body of work Architecture of Authority, which was published as a monograph by Aperture Foundation in 2007. In 2007 Ross was the recipient of a Guggenheim Fellowship to finish Architecture of Authority. EDUCATION 1973, University of Florida, Gainesville, Florida MFA 1967, University of Vermont, Burlington, Vermont, BA His latest project, Juvenile-in-Justice, produced with the support of the Annie E. Casey Foundation, documents juvenile detention and treatment in the U.S and will be shown at the Nevada Museum of Art in August 2012. Ross has exhibited his work extensively both nationally and internationally. Some of his solo exhibitions include ACME in Los Angeles (Architecture of Authority), Aperture Gallery in New York (Architecture of Authority), the National Building Museum in Washington D.C (Architecture of Authority), the Orange County Museum of Art (Gathering Light), the Santa Barbara Museum of Art (Gathering Light), and the Sonnenberg in Lucerne, Switzerland (Waiting for the End of the World). His work has also been included in group exhibitions at the Tate Modern in London, England (Exposed: Voyeurism, Surveillance and the Camera), San Francisco Museum of Modern Art (Exposed: Voyeurism, Surveillance and the Camera), the Ansel Adams Center for Photography (Beyond Boundaries), Catharine Clark Gallery...

Contemporary Jewish artist Ken Goldman, born: 1960, Memphis Tenn. Education: Pratt Institute, Masters of industrial Design, 1985 Brooklyn College, B.A Fine Arts, 1981 Made aliyah: 1985-member Kibbutz Shluchot Art in the collection of Mishkan LeOmanut Ein Harod Israel - Wolfson Museum Jerusalem Israel - Rodeph Shalom - Philadelphia Museum of Jewish Art Shows 2017 - Here Is Your Ketubbah Museum Of Art Ein Harod Israel 2016 - Ima Ilya – Hebrew University Gallery – Jerusalem Israel 2016 - It Was Evening it was Morning – Rishon Le Zion Community gallery Israel 2016 - Jerusalem Biennial select works Leichtag Foundation – San Diego 2015 - Some Body Jewish - solo show - Jewish Museum Of Philadelphia Congregation Rodeph Shalom - Philadelphia 2015 - Rooted in Time - Rishon LeZion City Gallery 2015 - Black and White - Neve Schechter Tel Aviv 2015 - Rooted - Manny Cantor Center - New York 2015 - To Forgive and Remember - Reshaping American Consciousness - Derfner Judaica Museum - New York 2015 - Magenim Jewish Cuts - En Harod Museum of Art Israel 2015 - Fields of Dreams - Living Shmita in the modern world - Yeshiva University Museum New York 2015 - The Second Jerusalem Biennial - The Fine Line- Achim Hasid Gallery - Jerusalem Israel 2015 - The Second Jerusalem Biennial - Ima Iyla'a- Hechal Shlomo Museum -Jerusalem Israel 2015 - Vashti The Untold Story -Neve Schechter Gallery Tel Aviv 2015 - Active Hands - Crafts by Soldiers - Craft in America Museum - California 2014 - Through the Others Eyes - Wolfson Museum - Jerusalem Israel 2014 - Off Label - The Laurie Tisch Gallery - New york - curated by Tobi Kahn 2013 - The first Biennial of Jewish art Jerusalem Israel 2013 - Golden Ghetto of Venice - competition- second prize 2013 - First Prize in Museum of Imajewnation Four Cups of Freedom competition 2012 - First Prize-Cover thy Head - Morris and Sally Justein Heritage Museum - Toronto, Canada 2012 - Portraits of Cain - Ben Gurion University gallery Chaim Maor curator 2010 - Zimmun - Mishkan Le Omanut Ein Harod Israel 2010 - Seduced by the Sacred - Charter Oak Foundation Hartford Ct 2007 - “Kabbalah dolls” chosen and marketed by F.A.O. Schwarz at annual toy auditions. 2006 - City of Jerusalem – competition- original succah model designs - “best in concept” 2003 - Temple Judea Museum - Judith Altman Memorial Judaica Competition - “It Holds Light”- finalist 2001 - “FromWithin” – solo exhibition Mishkan Le Omanut, Museum of Art, Ein Harod, Israel. 1999 – The Philip and Sylvia Spertus Judaica Prize – The Havdalah spice...

Contemporary Jewish artist Ken Goldman, born: 1960, Memphis Tenn. Education: Pratt Institute, Masters of industrial Design, 1985 Brooklyn College, B.A Fine Arts, 1981 Made Aliyah: 1985-member Kibbutz Shluchot Art in the collection of Mishkan LeOmanut Ein Harod Israel - Wolfson Museum Jerusalem Israel - Rodeph Shalom - Philadelphia Museum of Jewish Art Shows 2017 - Here Is Your Ketubbah Museum Of Art Ein Harod Israel 2016 - Ima Ilya – Hebrew University Gallery – Jerusalem Israel 2016 - It Was Evening it was Morning – Rishon Le Zion Community gallery Israel 2016 - Jerusalem Biennial select works Leichtag Foundation – San Diego 2015 - Some Body Jewish - solo show - Jewish Museum Of Philadelphia Congregation Rodeph Shalom - Philadelphia 2015 - Rooted in Time - Rishon LeZion City Gallery 2015 - Black and White - Neve Schechter Tel Aviv 2015 - Rooted - Manny Cantor Center - New York 2015 - To Forgive and Remember - Reshaping American Consciousness - Derfner Judaica Museum - New York 2015 - Magenim Jewish Cuts - En Harod Museum of Art Israel 2015 - Fields of Dreams - Living Shmita in the modern world - Yeshiva University Museum New York 2015 - The Second Jerusalem Biennial - The Fine Line- Achim Hasid Gallery - Jerusalem Israel 2015 - The Second Jerusalem Biennial - Ima Iyla'a- Hechal Shlomo Museum -Jerusalem Israel 2015 - Vashti The Untold Story -Neve Schechter Gallery Tel Aviv 2015 - Active Hands - Crafts by Soldiers - Craft in America Museum - California 2014 - Through the Others Eyes - Wolfson Museum - Jerusalem Israel 2014 - Off Label - The Laurie Tisch Gallery - New york - curated by Tobi Kahn 2013 - The first Biennial of Jewish art Jerusalem Israel 2013 - Golden Ghetto of Venice - competition- second prize 2013 - First Prize in Museum of Imajewnation Four Cups of Freedom competition 2012 - First Prize-Cover thy Head - Morris and Sally Justein Heritage Museum - Toronto, Canada 2012 - Portraits of Cain - Ben Gurion University gallery Chaim Maor curator 2010 - Zimmun - Mishkan Le Omanut Ein Harod Israel 2010 - Seduced by the Sacred - Charter Oak Foundation Hartford Ct 2007 - “Kabbalah dolls” chosen and marketed by F.A.O. Schwarz at annual toy auditions. 2006 - City of Jerusalem – competition- original succah model designs - “best in concept” 2003 - Temple Judea Museum - Judith Altman Memorial Judaica Competition - “It Holds Light”- finalist 2001 - “FromWithin” – solo exhibition Mishkan Le Omanut, Museum of Art, Ein Harod, Israel. 1999 – The Philip and Sylvia Spertus Judaica Prize – The Havdalah spice...

Contemporary Jewish artist Ken Goldman, born: 1960, Memphis Tenn. Education: Pratt Institute, Masters of industrial Design, 1985 Brooklyn College, B.A Fine Arts, 1981 Made Aliyah: 1985-member Kibbutz Shluchot Art in the collection of Mishkan LeOmanut Ein Harod Israel - Wolfson Museum Jerusalem Israel - Rodeph Shalom - Philadelphia Museum of Jewish Art Shows 2017 - Here Is Your Ketubbah Museum Of Art Ein Harod Israel 2016 - Ima Ilya – Hebrew University Gallery – Jerusalem Israel 2016 - It Was Evening it was Morning – Rishon Le Zion Community gallery Israel 2016 - Jerusalem Biennial select works Leichtag Foundation – San Diego 2015 - Some Body Jewish - solo show - Jewish Museum Of Philadelphia Congregation Rodeph Shalom - Philadelphia 2015 - Rooted in Time - Rishon LeZion City Gallery 2015 - Black and White - Neve Schechter Tel Aviv 2015 - Rooted - Manny Cantor Center - New York 2015 - To Forgive and Remember - Reshaping American Consciousness - Derfner Judaica Museum - New York 2015 - Magenim Jewish Cuts - En Harod Museum of Art Israel 2015 - Fields of Dreams - Living Shmita in the modern world - Yeshiva University Museum New York 2015 - The Second Jerusalem Biennial - The Fine Line- Achim Hasid Gallery - Jerusalem Israel 2015 - The Second Jerusalem Biennial - Ima Iyla'a- Hechal Shlomo Museum -Jerusalem Israel 2015 - Vashti The Untold Story -Neve Schechter Gallery Tel Aviv 2015 - Active Hands - Crafts by Soldiers - Craft in America Museum - California 2014 - Through the Others Eyes - Wolfson Museum - Jerusalem Israel 2014 - Off Label - The Laurie Tisch Gallery - New york - curated by Tobi Kahn 2013 - The first Biennial of Jewish art Jerusalem Israel 2013 - Golden Ghetto of Venice - competition- second prize 2013 - First Prize in Museum of Imajewnation Four Cups of Freedom competition 2012 - First Prize-Cover thy Head - Morris and Sally Justein Heritage Museum - Toronto, Canada 2012 - Portraits of Cain - Ben Gurion University gallery Chaim Maor curator 2010 - Zimmun - Mishkan Le Omanut Ein Harod Israel 2010 - Seduced by the Sacred - Charter Oak Foundation Hartford Ct 2007 - “Kabbalah dolls” chosen and marketed by F.A.O. Schwarz at annual toy auditions. 2006 - City of Jerusalem – competition- original succah model designs - “best in concept” 2003 - Temple Judea Museum - Judith Altman Memorial Judaica Competition - “It Holds Light”- finalist 2001 - “FromWithin” – solo exhibition Mishkan Le Omanut, Museum of Art, Ein Harod, Israel. 1999 – The Philip and Sylvia Spertus Judaica Prize – The Havdalah spice...

Contemporary Jewish artist Ken Goldman, born: 1960, Memphis Tenn. Education: Pratt Institute, Masters of industrial Design, 1985 Brooklyn College, B.A Fine Arts, 1981 Made aliyah: 1985-member Kibbutz Shluchot Art in the collection of Mishkan LeOmanut Ein Harod Israel - Wolfson Museum Jerusalem Israel - Rodeph Shalom - Philadelphia Museum of Jewish Art Shows 2017 - Here Is Your Ketubbah Museum Of Art Ein Harod Israel 2016 - Ima Ilya – Hebrew University Gallery – Jerusalem Israel 2016 - It Was Evening it was Morning – Rishon Le Zion Community gallery Israel 2016 - Jerusalem Biennial select works Leichtag Foundation – San Diego 2015 - Some Body Jewish - solo show - Jewish Museum Of Philadelphia Congregation Rodeph Shalom - Philadelphia 2015 - Rooted in Time - Rishon LeZion City Gallery 2015 - Black and White - Neve Schechter Tel Aviv 2015 - Rooted - Manny Cantor Center - New York 2015 - To Forgive and Remember - Reshaping American Consciousness - Derfner Judaica Museum - New York 2015 - Magenim Jewish Cuts - En Harod Museum of Art Israel 2015 - Fields of Dreams - Living Shmita in the modern world - Yeshiva University Museum New York 2015 - The Second Jerusalem Biennial - The Fine Line- Achim Hasid Gallery - Jerusalem Israel 2015 - The Second Jerusalem Biennial - Ima Iyla'a- Hechal Shlomo Museum -Jerusalem Israel 2015 - Vashti The Untold Story -Neve Schechter Gallery Tel Aviv 2015 - Active Hands - Crafts by Soldiers - Craft in America Museum - California 2014 - Through the Others Eyes - Wolfson Museum - Jerusalem Israel 2014 - Off Label - The Laurie Tisch Gallery - New york - curated by Tobi Kahn 2013 - The first Biennial of Jewish art Jerusalem Israel 2013 - Golden Ghetto of Venice - competition- second prize 2013 - First Prize in Museum of Imajewnation Four Cups of Freedom competition 2012 - First Prize-Cover thy Head - Morris and Sally Justein Heritage Museum - Toronto, Canada 2012 - Portraits of Cain - Ben Gurion University gallery Chaim Maor curator 2010 - Zimmun - Mishkan Le Omanut Ein Harod Israel 2010 - Seduced by the Sacred - Charter Oak Foundation Hartford Ct 2007 - “Kabbalah dolls” chosen and marketed by F.A.O. Schwarz at annual toy auditions. 2006 - City of Jerusalem – competition- original succah model designs - “best in concept” 2003 - Temple Judea Museum - Judith Altman Memorial Judaica Competition - “It Holds Light”- finalist 2001 - “FromWithin” – solo exhibition Mishkan Le Omanut, Museum of Art, Ein Harod, Israel. 1999 – The Philip and Sylvia Spertus Judaica Prize – The Havdalah spice...

Contemporary Jewish artist Ken Goldman, born: 1960, Memphis Tenn. Education: Pratt Institute, Masters of industrial Design, 1985 Brooklyn College, B.A Fine Arts, 1981 Made Aliyah: 1985-member Kibbutz Shluchot Art in the collection of Mishkan LeOmanut Ein Harod Israel - Wolfson Museum Jerusalem Israel - Rodeph Shalom - Philadelphia Museum of Jewish Art Shows 2017 - Here Is Your Ketubbah Museum Of Art Ein Harod Israel 2016 - Ima Ilya – Hebrew University Gallery – Jerusalem Israel 2016 - It Was Evening it was Morning – Rishon Le Zion Community gallery Israel 2016 - Jerusalem Biennial select works Leichtag Foundation – San Diego 2015 - Some Body Jewish - solo show - Jewish Museum Of Philadelphia Congregation Rodeph Shalom - Philadelphia 2015 - Rooted in Time - Rishon LeZion City Gallery 2015 - Black and White - Neve Schechter Tel Aviv 2015 - Rooted - Manny Cantor Center - New York 2015 - To Forgive and Remember - Reshaping American Consciousness - Derfner Judaica Museum - New York 2015 - Magenim Jewish Cuts - En Harod Museum of Art Israel 2015 - Fields of Dreams - Living Shmita in the modern world - Yeshiva University Museum New York 2015 - The Second Jerusalem Biennial - The Fine Line- Achim Hasid Gallery - Jerusalem Israel 2015 - The Second Jerusalem Biennial - Ima Iyla'a- Hechal Shlomo Museum -Jerusalem Israel 2015 - Vashti The Untold Story -Neve Schechter Gallery Tel Aviv 2015 - Active Hands - Crafts by Soldiers - Craft in America Museum - California 2014 - Through the Others Eyes - Wolfson Museum - Jerusalem Israel 2014 - Off Label - The Laurie Tisch Gallery - New york - curated by Tobi Kahn 2013 - The first Biennial of Jewish art Jerusalem Israel 2013 - Golden Ghetto of Venice - competition- second prize 2013 - First Prize in Museum of Imajewnation Four Cups of Freedom competition 2012 - First Prize-Cover thy Head - Morris and Sally Justein Heritage Museum - Toronto, Canada 2012 - Portraits of Cain - Ben Gurion University gallery Chaim Maor curator 2010 - Zimmun - Mishkan Le Omanut Ein Harod Israel 2010 - Seduced by the Sacred - Charter Oak Foundation Hartford Ct 2007 - “Kabbalah dolls” chosen and marketed by F.A.O. Schwarz at annual toy auditions. 2006 - City of Jerusalem – competition- original succah model designs - “best in concept” 2003 - Temple Judea Museum - Judith Altman Memorial Judaica Competition - “It Holds Light”- finalist 2001 - “FromWithin” – solo exhibition Mishkan Le Omanut, Museum of Art, Ein Harod, Israel. 1999 – The Philip and Sylvia Spertus Judaica Prize – The Havdalah spice...

Contemporary Jewish artist Ken Goldman, born: 1960, Memphis Tenn. Education: Pratt Institute, Masters of industrial Design, 1985 Brooklyn College, B.A Fine Arts, 1981 Made Aliyah: 1985-member Kibbutz Shluchot Art in the collection of Mishkan LeOmanut Ein Harod Israel - Wolfson Museum Jerusalem Israel - Rodeph Shalom - Philadelphia Museum of Jewish Art Shows 2017 - Here Is Your Ketubbah Museum Of Art Ein Harod Israel 2016 - Ima Ilya – Hebrew University Gallery – Jerusalem Israel 2016 - It Was Evening it was Morning – Rishon Le Zion Community gallery Israel 2016 - Jerusalem Biennial select works Leichtag Foundation – San Diego 2015 - Some Body Jewish - solo show - Jewish Museum Of Philadelphia Congregation Rodeph Shalom - Philadelphia 2015 - Rooted in Time - Rishon LeZion City Gallery 2015 - Black and White - Neve Schechter Tel Aviv 2015 - Rooted - Manny Cantor Center - New York 2015 - To Forgive and Remember - Reshaping American Consciousness - Derfner Judaica Museum - New York 2015 - Magenim Jewish Cuts - En Harod Museum of Art Israel 2015 - Fields of Dreams - Living Shmita in the modern world - Yeshiva University Museum New York 2015 - The Second Jerusalem Biennial - The Fine Line- Achim Hasid Gallery - Jerusalem Israel 2015 - The Second Jerusalem Biennial - Ima Iyla'a- Hechal Shlomo Museum -Jerusalem Israel 2015 - Vashti The Untold Story -Neve Schechter Gallery Tel Aviv 2015 - Active Hands - Crafts by Soldiers - Craft in America Museum - California 2014 - Through the Others Eyes - Wolfson Museum - Jerusalem Israel 2014 - Off Label - The Laurie Tisch Gallery - New york - curated by Tobi Kahn 2013 - The first Biennial of Jewish art Jerusalem Israel 2013 - Golden Ghetto of Venice - competition- second prize 2013 - First Prize in Museum of Imajewnation Four Cups of Freedom competition 2012 - First Prize-Cover thy Head - Morris and Sally Justein Heritage Museum - Toronto, Canada 2012 - Portraits of Cain - Ben Gurion University gallery Chaim Maor curator 2010 - Zimmun - Mishkan Le Omanut Ein Harod Israel 2010 - Seduced by the Sacred - Charter Oak Foundation Hartford Ct 2007 - “Kabbalah dolls” chosen and marketed by F.A.O. Schwarz at annual toy auditions. 2006 - City of Jerusalem – competition- original succah model designs - “best in concept” 2003 - Temple Judea Museum - Judith Altman Memorial Judaica Competition - “It Holds Light”- finalist 2001 - “FromWithin” – solo exhibition Mishkan Le Omanut, Museum of Art, Ein Harod, Israel. 1999 – The Philip and Sylvia Spertus Judaica Prize – The Havdalah spice...

Contemporary Jewish artist Ken Goldman, born: 1960, Memphis Tenn. Education: Pratt Institute, Masters of industrial Design, 1985 Brooklyn College, B.A Fine Arts, 1981 Made Aliyah: 19...