Lions Gallery Abstract Sculptures

Jacques Duval-Brasseur (French, 1934-2021) French (20th C) Pair of Brass and Agate Specimen Stone Candlesticks. Measures 17 inches high x 9 inches wide x 6 inches deep, each candles...

Worn like a bolo tie around the neck. This is new old stock vintage Jewelry from the legendary Acme Studio collection, which created many revolutionary jewelry items. It was handmade in the 1980s using the intricate cloisonné process, an ancient technique for decorating metal; hence any imperfections within the colors are to be expected and inherent which makes it unique and one-of-a-kind. The Memphis...

Signed, dated, and titled "MAX MARRA XXX 2002 verso. Mixed media sculpture painting including acrylic, ink, cord, and wax on shaped canvas, 20 3/4 x 24 in., unframed. Ho viaggiato ...

Marlene Hoffman, Galleria 70 Handmade in Columbia. El Clervo y el Torro Tapestry. Bears gallery label verso and signed with initials on front in weave, MH. Dimensions: Height: 82 inches X Width: 82 inches. (size is approximate label has 2.15 X 2.15 meters) Hand made, hand woven horse hair and wool spectacular textile wall hanging by pioneering woman artist and art dealer of Latin America art, Marlene Hoffmann. It consists of a horsehair design handwoven onto a wool handmade back. (this is a sort of tapestry, not the Aubusson or Gobelin type but more of a 3D sculptural wall piece.) She is considered a pioneer in the field of Colombian textile art, in company with Olga de Amaral and Stella Bernal. She owned and directed an influential gallery on Bogota Colombia for many years. She is on the Metropolitan Museum in NYC timeline of world art. In the 1960s, Pop Art inspired artists. Gloria Valencia de Castaño invented and that invited designers to show what fashion would be like in the year 2000, inspired by masters of Colombian art, such as Enrique Grau, Alejandro Obregón, Felisa Burstyn, Cecilia Porras, Omar Rayo and David Manzur...

Gerald DiGiusto (1929 - 1987) Signed and dated abstract geometric COR-ten steel sculpture, (an all weather steel appropriate for outdoor use) "Folded" Angled Geometric Forms like a ...

Vintage stylized figural sculpture by J James Akston (1898-1983 Poland/New York/Florida) Crafted of cast bronze with a rich dark brown patina. A sports figure, depicting a snow skii...

Georges Braque (French, 1882-1963) Antiboree Gold and Enamel Brooch, 1963 18k gold textured brooch designed by Georges Braque, a rare 18ct gold textured brooch from 1963, a bird flyi...

Judaica Shabbat Continental Hanging Solid Brass Oil Lamp with Central Six Pointed Jewish Star Shaped Body Dimensions Approx: with Chain 23"H x 8 11 x 8 x 8 chain is 22" long Antique...

This listing is just for the sculpture. (the picture of the ad is for reference and is not included.) Marie Zoe Greene-Mercier was an artist, writer and arts activist who worked in t...

American sculptor Joseph Martinek was born in Chicago in 1915. He was a second generation apprentice to Auguste Rodin. He studied sculpture at the State Industrial School of Art, Pra...

6.5 X 4.5 X 4.5 18" chain Antique Judaica brass hanging Sabbath or Synagogue Oil Lamp with seven wick oil reservoir. Heavy brass or bronze chain and hook for hanging. Estimated to the 19th century or earlier. there are no markings but similar pieces have been in the Bezalel Museum collection and the Israel Museum collection and the Jewish Museum collection in New York city.. Judaic Shabbat...

American sculptor Joseph Martinek was born in Chicago in 1915. He was a second generation apprentice to Auguste Rodin. He studied sculpture at the State Industrial School of Art, Pra...

George Nama Genre: Avant-Garde Subject: Abstract Medium: Solid Metal Painted White and Black This is very heavy and solid. I don't think it is bronze. it might be aluminum or steel. ...

Dina Recanati Cosmos Series (they look like outer space or abstract desert landscapes) Hand signed and dated 2002 Metallic paint, acid etched on aluminum, wood Dina Recanati (born Diane Hettena; 1928 – 2021) was an Israeli artist, sculptor and painter. Diane Hettena was born in Cairo, Egypt. In 1946, she married Raphael Recanati in Tel Aviv, Mandatory Palestine. Went to London to study History and Art 1946-1948. Moved to New York 1948. Raised two sons, Oudi and Michael. Attended Art Student League 1959-1962. Studied with Jose de Creft and John Hovannes. Beginning in 1964, she was active on the board of the America-israel Cultural Foundation. In the 1970s, she was a member of the board of the Israel Museum and in the 1980s Bezalel Academy of Art & Design, Jerusalem. At the same time as she was working as an artist, she was also collecting artwork. She lives and works in Herzliya and New York. Most of Recanati's work is in the medium of sculpture. Her works, which contain images of books or parchment, have been influenced by American abstract expressionism in their use of swaths of color. In the 1980s and 1990s, she worked widely in sculptures in the public domain. Dina Recanati was a proponent of Israeli art and supported many Israeli artists. In the 1950s and 1960s, she showcased the work of beginning artists at the 5th Avenue branch of Israel Discount Bank in New York City, while growing Discount Bank’s art collection. She has gone on to exhibit worldwide with permanent works in the Israel Museum, Tel Aviv Museum, Ben Gurion Airport, The Jewish Museum (New York) among others. She is the recipient of the AICF AVIV Award and The Council for a Beautiful Israel Yakir Award. She was represented by Flomenhaft Gallery in New York City (was included in the Feminist Art Project along with Miriam Schapiro) and Gordon Gallery in Tel Aviv. Recanati died in Herzliya Pituah at the ate of 93. Israeli Art: Painting, Sculpture, Graphic Work. Tel Aviv Museum of Art, Tel Aviv 1971 Artists: Igael Tumarkin, Bezalel Schatz, Yehiel Shemi, Buky Schwartz, Dina Recanati, Menashe Kadishman, David Palombo, Itzhak Danziger, Sorel Etrog, Yaacov Agam, Jakob Steinhardt, Louise Schatz, Anna Ticho, Ruth Schloss, Moshe Castel, Yohanan Simon, Lea Nikel, Marcel Janco, Mordecai Ardon etc. 40 From Israel: Contemporary Sculpture & Drawing Israel: Contemporary Sculpture & Drawing Brooklyn...

Dina Recanati Cosmos Series (they look like outer space or abstract desert landscapes) Hand signed and dated 2002 Metallic paint, acid etched on aluminum, wood Dina Recanati (born Diane Hettena; 1928 – 2021) was an Israeli artist, sculptor and painter. Diane Hettena was born in Cairo, Egypt. In 1946, she married Raphael Recanati in Tel Aviv, Mandatory Palestine. Went to London to study History and Art 1946-1948. Moved to New York 1948. Raised two sons, Oudi and Michael. Attended Art Student League 1959-1962. Studied with Jose de Creft and John Hovannes. Beginning in 1964, she was active on the board of the America-israel Cultural Foundation. In the 1970s, she was a member of the board of the Israel Museum and in the 1980s Bezalel Academy of Art & Design, Jerusalem. At the same time as she was working as an artist, she was also collecting artwork. She lives and works in Herzliya and New York. Most of Recanati's work is in the medium of sculpture. Her works, which contain images of books or parchment, have been influenced by American abstract expressionism in their use of swaths of color. In the 1980s and 1990s, she worked widely in sculptures in the public domain. Dina Recanati was a proponent of Israeli art and supported many Israeli artists. In the 1950s and 1960s, she showcased the work of beginning artists at the 5th Avenue branch of Israel Discount Bank in New York City, while growing Discount Bank’s art collection. She has gone on to exhibit worldwide with permanent works in the Israel Museum, Tel Aviv Museum, Ben Gurion Airport, The Jewish Museum (New York) among others. She is the recipient of the AICF AVIV Award and The Council for a Beautiful Israel Yakir Award. She was represented by Flomenhaft Gallery in New York City (was included in the Feminist Art Project along with Miriam Schapiro) and Gordon Gallery in Tel Aviv. Recanati died in Herzliya Pituah at the ate of 93. Israeli Art: Painting, Sculpture, Graphic Work. Tel Aviv Museum of Art, Tel Aviv 1971 Artists: Igael Tumarkin, Bezalel Schatz, Yehiel Shemi, Buky Schwartz, Dina Recanati, Menashe Kadishman, David Palombo, Itzhak Danziger, Sorel Etrog, Yaacov Agam, Jakob Steinhardt, Louise Schatz, Anna Ticho, Ruth Schloss, Moshe Castel, Yohanan Simon, Lea Nikel, Marcel Janco, Mordecai Ardon etc. 40 From Israel: Contemporary Sculpture & Drawing Israel: Contemporary Sculpture & Drawing Brooklyn...

Dina Recanati Cosmos Series (they look like outer space or abstract desert landscapes) 2002 Metallic paint, acid etched on aluminum, wood Hand signed and dated on side Dina Recanati (born Diane Hettena; 1928 – 2021) was an Israeli artist, sculptor and painter. Diane Hettena was born in Cairo, Egypt. In 1946, she married Raphael Recanati in Tel Aviv, Mandatory Palestine. Went to London to study History and Art 1946-1948. Moved to New York 1948. Raised two sons, Oudi and Michael. Attended Art Student League 1959-1962. Studied with Jose de Creft and John Hovannes. Beginning in 1964, she was active on the board of the America-israel Cultural Foundation. In the 1970s, she was a member of the board of the Israel Museum and in the 1980s Bezalel Academy of Art & Design, Jerusalem. At the same time as she was working as an artist, she was also collecting artwork. She lives and works in Herzliya and New York. Most of Recanati's work is in the medium of sculpture. Her works, which contain images of books or parchment, have been influenced by American abstract expressionism in their use of swaths of color. In the 1980s and 1990s, she worked widely in sculptures in the public domain. Dina Recanati was a proponent of Israeli art and supported many Israeli artists. In the 1950s and 1960s, she showcased the work of beginning artists at the 5th Avenue branch of Israel Discount Bank in New York City, while growing Discount Bank’s art collection. She has gone on to exhibit worldwide with permanent works in the Israel Museum, Tel Aviv Museum, Ben Gurion Airport, The Jewish Museum (New York) among others. She is the recipient of the AICF AVIV Award and The Council for a Beautiful Israel Yakir Award. She was represented by Flomenhaft Gallery in New York City (was included in the Feminist Art Project along with Miriam Schapiro) and Gordon Gallery in Tel Aviv. Recanati died in Herzliya Pituah at the ate of 93. Israeli Art: Painting, Sculpture, Graphic Work. Tel Aviv Museum of Art, Tel Aviv 1971 Artists: Igael Tumarkin, Bezalel Schatz, Yehiel Shemi, Buky Schwartz, Dina Recanati, Menashe Kadishman, David Palombo, Itzhak Danziger, Sorel Etrog, Yaacov Agam, Jakob Steinhardt, Louise Schatz, Anna Ticho, Ruth Schloss, Moshe Castel, Yohanan Simon, Lea Nikel, Marcel Janco, Mordecai Ardon etc. 40 From Israel: Contemporary Sculpture & Drawing Israel: Contemporary Sculpture & Drawing Brooklyn...

Dina Recanati Cosmos Series (they look like outer space or abstract desert landscapes) 2003 Metallic paint, acid etched on aluminum, wood Hand signed and dated on side Dina Recanati (born Diane Hettena; 1928 – 2021) was an Israeli artist, sculptor and painter. Diane Hettena was born in Cairo, Egypt. In 1946, she married Raphael Recanati in Tel Aviv, Mandatory Palestine. Went to London to study History and Art 1946-1948. Moved to New York 1948. Raised two sons, Oudi and Michael. Attended Art Student League 1959-1962. Studied with Jose de Creft and John Hovannes. Beginning in 1964, she was active on the board of the America-israel Cultural Foundation. In the 1970s, she was a member of the board of the Israel Museum and in the 1980s Bezalel Academy of Art & Design, Jerusalem. At the same time as she was working as an artist, she was also collecting artwork. She lives and works in Herzliya and New York. Most of Recanati's work is in the medium of sculpture. Her works, which contain images of books or parchment, have been influenced by American abstract expressionism in their use of swaths of color. In the 1980s and 1990s, she worked widely in sculptures in the public domain. Dina Recanati was a proponent of Israeli art and supported many Israeli artists. In the 1950s and 1960s, she showcased the work of beginning artists at the 5th Avenue branch of Israel Discount Bank in New York City, while growing Discount Bank’s art collection. She has gone on to exhibit worldwide with permanent works in the Israel Museum, Tel Aviv Museum, Ben Gurion Airport, The Jewish Museum (New York) among others. She is the recipient of the AICF AVIV Award and The Council for a Beautiful Israel Yakir Award. She was represented by Flomenhaft Gallery in New York City (was included in the Feminist Art Project along with Miriam Schapiro) and Gordon Gallery in Tel Aviv. Recanati died in Herzliya Pituah at the ate of 93. Israeli Art: Painting, Sculpture, Graphic Work. Tel Aviv Museum of Art, Tel Aviv 1971 Artists: Igael Tumarkin, Bezalel Schatz, Yehiel Shemi, Buky Schwartz, Dina Recanati, Menashe Kadishman, David Palombo, Itzhak Danziger, Sorel Etrog, Yaacov Agam, Jakob Steinhardt, Louise Schatz, Anna Ticho, Ruth Schloss, Moshe Castel, Yohanan Simon, Lea Nikel, Marcel Janco, Mordecai Ardon etc. 40 From Israel: Contemporary Sculpture & Drawing Israel: Contemporary Sculpture & Drawing Brooklyn...

Dina Recanati Cosmos Series (they look like outer space or abstract desert landscapes) 2003 Metallic paint, acid etched on aluminum, wood Hand signed and dated on side Dina Recanati (born Diane Hettena; 1928 – 2021) was an Israeli artist, sculptor and painter. Diane Hettena was born in Cairo, Egypt. In 1946, she married Raphael Recanati in Tel Aviv, Mandatory Palestine. Went to London to study History and Art 1946-1948. Moved to New York 1948. Raised two sons, Oudi and Michael. Attended Art Student League 1959-1962. Studied with Jose de Creft and John Hovannes. Beginning in 1964, she was active on the board of the America-israel Cultural Foundation. In the 1970s, she was a member of the board of the Israel Museum and in the 1980s Bezalel Academy of Art & Design, Jerusalem. At the same time as she was working as an artist, she was also collecting artwork. She lives and works in Herzliya and New York. Most of Recanati's work is in the medium of sculpture. Her works, which contain images of books or parchment, have been influenced by American abstract expressionism in their use of swaths of color. In the 1980s and 1990s, she worked widely in sculptures in the public domain. Dina Recanati was a proponent of Israeli art and supported many Israeli artists. In the 1950s and 1960s, she showcased the work of beginning artists at the 5th Avenue branch of Israel Discount Bank in New York City, while growing Discount Bank’s art collection. She has gone on to exhibit worldwide with permanent works in the Israel Museum, Tel Aviv Museum, Ben Gurion Airport, The Jewish Museum (New York) among others. She is the recipient of the AICF AVIV Award and The Council for a Beautiful Israel Yakir Award. She was represented by Flomenhaft Gallery in New York City (was included in the Feminist Art Project along with Miriam Schapiro) and Gordon Gallery in Tel Aviv. Recanati died in Herzliya Pituah at the ate of 93. Israeli Art: Painting, Sculpture, Graphic Work. Tel Aviv Museum of Art, Tel Aviv 1971 Artists: Igael Tumarkin, Bezalel Schatz, Yehiel Shemi, Buky Schwartz, Dina Recanati, Menashe Kadishman, David Palombo, Itzhak Danziger, Sorel Etrog, Yaacov Agam, Jakob Steinhardt, Louise Schatz, Anna Ticho, Ruth Schloss, Moshe Castel, Yohanan Simon, Lea Nikel, Marcel Janco, Mordecai Ardon etc. 40 From Israel: Contemporary Sculpture & Drawing Israel: Contemporary Sculpture & Drawing Brooklyn...

Horst Egon Kalinowski (German, 1924-2013). Mixed media assemblage collage Divan Ophidian. Hand signed in marker upper right and dated 82 Bagnols-en-Foret, Titled upper left. Additionally titled and dated on verso. Dimensions: 30" x 24 1/4" (with frame 27" x 32 3/4") inches. Born in 1924 in Dusseldorf, From 1945 to 1948, he studied at the Academy of Fine Arts in Düsseldorf. In 1949-1950, he stayed in Rome and Venice, Italy. From 1950 to 1952, in Paris, France he studied in the abstract art workshop of Jean Dewasne and Edgard Pillet...

Mario Almaguer (b. Marianao, Cuba, 1955) He moved to the U.S. in 1994 to Miami where since has been living and working. Essentially self-taught, he embraced sculpture as his mean for expression. Without any kind of formal academic education or training in the arts, perseverance and praxis made him an artist. His work has been influenced by cuban master Agustin Cardenas and british Henry Moore. In his early years until 1994 he produced a large amount of small and medium scale wooden sculptures. From 1994 to the present, Almaguer creates and produces steel sculptures. It's with his works on steel where he encounters a strong expression with a striking liberty hard to deliver in wood. His monumental sculptures were recently exhibited at Miami Dade...

Oil-based alkyd enamel on plywood panel with cuts. this is a cut plywood wall relief sculpture with paint on it. This has an architectural quality to it. Peter Wegner (born 1963) i...

Measures about 4.25 X 2.25 inches. Box frame is 17 X 13 inches. Signed by artist verso. From the literature that I have seen I believe the edition size was limited to 10, I do not kn...

Measures about 4 X 3.75 inches. Box frame is 17 X 13 inches. Signed by artist verso. From the literature that I have seen I believe the edition size was limited to 10, I do not know ...

Measures about 4 X 3.75 inches. Box frame is 17 X 13 inches. Signed by artist verso. From the literature that I have seen I believe the edition size was limited to 10, I do not know ...

Measures about 5.25 X 3.75 inches. Box is 17 X 13 inches. Signed by artist verso. From the literature that I have seen I believe the edition size was limited to 10, I do not know if ...

Measures about 3.75 X 3.5 inches. Box is 11 X 11 inches. (Piece is in excellent condition. box frame has some minor wear and piece might need to be remounted, it has been removed and...

A suite of 2 sculptures. Lovers, man and woman nestled together. sleek minimalist mod sculpture. polished finish on one side. not sure if theese are stell or aluminium. they are cast and signed in Hebrew with initials and numbered 9/9. It is 2 parts that nest together. Aharon Bezalel (born Afghanistan 1926) Born in Afghanistan in 1926 and immigrated to Israel at an early age. As a youth was engaged as a silversmith and craftsman, and was a student of the sculptor Zev Ben-Zvi from whom he absorbed the basic concepts of classic and modernist art and interpreted, according to them, ideas based on ancient Hebrew sources. Aharon Bezalel works and resides in Jerusalem, he taught art for many years. “I saw myself as part of this region. I wanted to find the contact between my art and my surroundings. Those were the first years of Jean Piro’s excavations at the Beer-Sheba mound. They found there, for example, the Canaanite figurines that I especially liked and that were an element that connected me with the past and with this place.” “…a seed and sperm or male and female. These continue life. The singular, the individual alone, cannot exist; I learned this from my father who dabbled with the Kabbalah.” (Aharon Bezalel, excerpt from an interview with David Gerstein) “The singular in Aharon Bezalel’s work is always potentially a couple if not a threesome, the one is also the many: when the individual is revealed within the group he will always seek a huddling, a clinging together. The principle of modular construction is required by this perception of unity and multiplicity, as modular construction in his work is an act of conception or defense. Two poles of unity, potentially alone, exist in Aaron Bezalel’s world: From a formal, sculptural sense these are the sphere and pillar, metaphorically these are the female in the final stages of pregnancy and the solitary male individual. Sphere-seed-woman; Pillar-strand-man. The disproportional, small heads in Aharon Bezalel’s figures leave humankind in it’s primal physical capacity. The woman as a pregnancy or hips, the man as an aggressive or defensive force, the elongated chest serves as a phallus and weapon simultaneously. (Gideon Ofrat) EIN HAROD About the Museum's Holdings: Israeli art is represented by the works of Reuven Rubin, Zaritzky, Nahum Gutman, Mordechai Ardon, Aharon Kahana, Arie Lubin, Yehiel Shemi...

Arman, French American (1928-2005) Gambit (Chess pieces) Cast Bronze Sculpture with patina Incised signature near lower edge, 48/70 with impressed "Bronze Romain & Fils" foundry ma...

Hand Forged Iron Stone Mosaic Hanukah Menorah Candelabra David Palombo was an Israeli sculptor and painter. He was born in Turkey to a traditional family and immigrated to the Land of Israel with his parents in 1923. They lived in the Nahalat Shiva neighborhood of Jerusalem. In 1940 he began his studies at Bezalel Academy of Arts and Design, and from 1942 was a student of sculptor Ze’ev Ben-Zvi. For a period of time, Palombo was an assistant at Ben-Zvi’s studio and also taught at Bezalel. During this period he was also a member of the “Histadrut HaNoar HaOved VeHaLomed” (The General Federation of Students and Young Workers in Israel). In the 1940s he took art lessons at night. In 1948 he went to Paris, where he visited the studio of the sculptor Constantin Brancusi whose work influenced him. Around 1958 he married the artist Shulamit Sirota. In 1960 he quit his job to devote himself to art. In 1964 he married for the second time to the artist Yona Palombo. The two of them went to live in an abandoned home on Mount Zion in Jerusalem. In 1966 he was killed when the motorcycle on which he was riding ran into a chain stretched across the street to prevent the desecration of Shabbat. His widow opened a museum in their home that was active until the year 2000. Work by Palombo is included in the Judaic collection of the Jewish Museum (a well known Hanukkah menora). Palombo executed the impressive metal gates of the Tent of Remembrance at the Yad Vashem, the memorial to the martyrs of the holocaust, as well as the gates to the Knesset Building the United Nations Educational Scientific and Cultural Organization (Unesco award) awarded him a scholarship for study in Japan. He worked in marble, granite, bronze, iron and steel. as well as with glass mosaic tiles. Palombo’s early works, in the 1950s, were influenced by modernist sculptors such as Brancusi. These works were composed of abstract images from nature and were carved out of stone or wood. At the end of the 1950s he began making metal sculptors, using the technique of welding. His work took on a more abstract and expressive character. Education 1940 Painting with Isidor Ascheim, New Bezalel School for Arts and Crafts, Jerusalem 1942 Sculpture with Zeev Ben Zvi, Jerusalem 1956 Mosaic, Ravenna, Italy 1958 Welding Course Awards And Prizes 1966 UNESCO Award Exhibitions: Sculpture in Israel, 1948-1958 Mishkan Museum of Art, Kibbutz Ein Harod Artists: Zvi Aldouby, Yitzhak Danziger, Arieh Merzer, Dov Feigin, Aaron Priver, David Palumbo, Menashe Kadishman, Kosso Eloul, Yehiel Shemi, Zahara Schatz. The Spring Exhibition of Jerusalem Artists, Artists' House, Jerusalem Artists: Palombo, David Bezalel Schatz, Mordechai Levanon, Fima, Ludwig Blum 12 Artists, The Bezalel National Museum, Jerusalem Avraham Ofek, Aviva Uri, Avigdor Arikha, Yosl Bergner, Lea Nikel, Palombo, Ruth Zarfati...

Hand Forged Iron Sconce Candelabra Holocaust Memorial Judaic table Sconce Sculpture David Palombo was an Israeli sculptor and painter. He was born in Turkey to a traditional family and immigrated to the Land of Israel with his parents in 1923. They lived in the Nahalat Shiva neighborhood of Jerusalem. In 1940 he began his studies at Bezalel Academy of Arts and Design, and from 1942 was a student of sculptor Ze’ev Ben-Zvi. For a period of time, Palombo was an assistant at Ben-Zvi’s studio and also taught at Bezalel. During this period he was also a member of the “Histadrut HaNoar HaOved VeHaLomed” (The General Federation of Students and Young Workers in Israel). In the 1940s he took art lessons at night. In 1948 he went to Paris, where he visited the studio of the sculptor Constantin Brancusi whose work influenced him. Around 1958 he married the artist Shulamit Sirota. In 1960 he quit his job to devote himself to art. In 1964 he married for the second time to the artist Yona Palombo. The two of them went to live in an abandoned home on Mount Zion in Jerusalem. In 1966 he was killed when the motorcycle on which he was riding ran into a chain stretched across the street to prevent the desecration of Shabbat. His widow opened a museum in their home that was active until the year 2000. Work by Palombo is included in the Judaic collection of the Jewish Museum (a well known Hanukkah menorah). Palombo executed the impressive metal gates of the Tent of Remembrance at the Yad Vashem, the memorial to the martyrs of the holocaust, as well as the gates to the Knesset Building the United Nations Educational Scientific and Cultural Organization (Unesco award) awarded him a scholarship for study in Japan. He worked in marble, granite, bronze, iron and steel. as well as with glass mosaic tiles. Palombo’s early works, in the 1950s, were influenced by modernist sculptors such as Brancusi. These works were composed of abstract images from nature and were carved out of stone or wood. At the end of the 1950s he began making metal sculptors, using the technique of welding. His work took on a more abstract and expressive character. Education 1940 Painting with Isidor Ascheim, New Bezalel School for Arts and Crafts, Jerusalem 1942 Sculpture with Zeev Ben Zvi, Jerusalem 1956 Mosaic, Ravenna, Italy 1958 Welding Course Awards And Prizes 1966 UNESCO Award Exhibitions: Sculpture in Israel, 1948-1958 Mishkan Museum of Art, Kibbutz Ein Harod Artists: Zvi Aldouby, Yitzhak Danziger, Arieh Merzer, Dov Feigin, Aaron Priver, David Palumbo, Menashe Kadishman, Kosso Eloul, Yehiel Shemi, Zahara Schatz. The Spring Exhibition of Jerusalem Artists, Artists' House, Jerusalem Artists: Palombo, David Bezalel Schatz, Mordechai Levanon, Fima, Ludwig Blum 12 Artists, The Bezalel National Museum, Jerusalem Avraham Ofek, Aviva Uri, Avigdor Arikha, Yosl Bergner, Lea Nikel, Palombo, Ruth Zarfati...

Pop Art American Flag in Handsewn Patchwork Denim. I had another with a label from OK Harris Gallery verso. This one does not have that label or the label Label from Pratt verso (Pratt MFA '75) Not positive of the year Hand signed Genre: Modern Medium: Denim Jean Textile Fabric, Mixed Media Country: United States Dimensions: 14 X 28 inches This is a textile wall hanging tapestry "painting" made from vintage jeans. JJ had a masters (MFA) from Prat and studied at Hunter college for many years. He was a master jeweler and goldsmith for 50 years, a musician and a photographer. He made a living working with photography, jewelry, bronze sculpture and antique restoration. An artwork in denim fabric by a French Post War & Contemporary artist living in New York City, Jean de la Verrière, An untrained, art brut, 'outsider' artist, now 85. He sold some of his denim patriotic flag works through OK Harris gallery in Soho in the 1980s, one went directly to Ralph Lauren, according to the artist. He is also known for sculpture. particularly his working model, fully functional guillotine sculptures. Artist says he was influenced by Pop Art particularly Robert Rauschenberg and Jasper Johns works. He was in the New York art world along with his artist friends Bernar Venet, Arman and Claude Gillie. He fabricated and cast jewelry for some of his friends. This has a Sterling Ruby feel to it but was done a generation earlier. This is assembled like a quilt and was influenced by early American folk art. Jean Jacques De La...

Johanan Vitta, painter, born 1941, Jerusalem. Lives in Italy. Education Firenze, Florence, Italy He designed the famous La Sinagoga di Firenze poster. The poster features a painterly synagogue it was done for the “Comunita Israelitica" He has also designed Judaic ritual objects including a menorah that is in a famous museum collection. Arman, Elio Carmi, Eugenio Carmi, Lucio Del Pezzo, Guy De Rougemont, Maurizio Galimberti, David Gerstein, Claude Lalanne, Marino Marinelli, Mimmo Paladino, Arnaldo Pomodoro, Tobia Rava...

Edgar Tafur (Colombian, 1929 - 2007) Chrome Over Bronze Sculpture Undated, signed on side near bottom, abstract sculpture Dimensions: Height: 12 3/4 inches, Width: 4 inches, Depth: 3 3/4 inches Mod Space Age Chrome over Bronze Abstract Architectural Totem Cast Sculpture Edgar Alonso Tafur, Latin American artist born and raised in Cali. Colombia, was first trained as an architect at the University of the Andes, but shortly thereafter switched his focus to sculpture. It is this work which brought Tafur to the United States, first to study at the University of Florida and then to Oklahoma where he was featured in a solo exhibition at the Oklahoma Art Center in 1966. Alluding his architectural roots, Tafurs sculptures possess a marked structural form, drawing on themes of positive and negative space. In addition to his work as a sculptor, Tafur was well known for his modernist concept designs, consisting of fountains and architectural murals commissioned by fellow architects. “Each of his works is an understatement of the principles of architecture, which is itself sculptural. Tafur’s sensitivity towards the play of light and shadow on the surfaces, his relationship of positive and negative spaces, and his fluid play of rhythms all lend themselves dramatically to an exciting visual statement. His simplicity and modernism evokes the opinion of the renowned architect, Mies Van der Rohe: ‘less is more.'” Patric Shannon, Director, Oklahoma Art Center While some of his work has a brutalist quality to it it is generally more abstract geometric, masculine with polished chrome surfaces, enamel and some with great, strong colors. This has an abstract flora, cactus like shape to it. He is from the generation of Colombian artists who rose to prominence in the mid 20th century which included Fernando Botero, Doris Salcedo, Oscar Murillo, Antonio Caro...

Elegant gold gilt design metal candleholders, circa 1980, France. Signed Illegibly on bottom felt. It appears to be Elizabeth and then something else but it is not clear these candle...

Copper and wood box. "Americordo #7" is composed of copper tiles inlaid to the bottom half of the box and on the top rests a patinated etched copper or bronze circle. The box when closed measures to be 17" Sq. x 3.5" H. David Barr (1939-2015) is an American sculptor and painter from Detroit, MI. Known for constructivist sculpture, architecture and surrealist, assemblage box sculpture collage works. Born in 1939, Barr is an internationally known artists and has created many installations in natural settings. Vault took over a year to complete. His sculptures represent mathematics, geography and structurist nature, and otherwise known as "geo-structures." This one is kinetic and can be moved around. Barr is a graduate of Wayne State University and recipient of the WSU Distinguished Alumni Award. Influenced by sculptor Charles Biederman. In 1995 he founded the Michigan Legacy Art Park, and has pieces at the Chrysler World Headquarters, Flint's Bishop Airport, the Detroit Zoo, the State of Michigan Historical Museum and the Meadowbrook Festival Grounds Barr earned a master’s of fine arts degree from Wayne State University and was an associate professor of sculpture at Macomb Community College in Warren for 37 years. He worked on perhaps the largest sculpture in the world, the Four Corners Project, with installations at Greenland, Africa, Irian Jaya (New Guinea) and Easter Island. His sculptures are located all over the state of Michigan, but perhaps his most recognizable is Transcending, a blend of bronze, steel and granite that acknowledges the contributions of Detroit’s laborers and skilled tradespeople. David Barr is the founder of Michigan Legacy Art Park. David’s career as an artist, instructor, author and global thinker has crossed borders around the world, bringing people and ideas together. Over fifty years as a sculptor, David created a body of work that includes hundreds of wall-hanging structurist reliefs, sculptures for public spaces (such as Transcending in Hart Plaza, Detroit done with Sergio De Giusti), works for private collections, massive global projects (such as The Four Corners Project) and Michigan Legacy Art Park. David’s studio was in Detroit for fifteen years until he realized he needed nature as a source of inspiration. In 1977 he bought 4 acres of land in rural Oakland County (now Novi) and in 1979 built his home, a contemporary structure that has become the centerpiece of his own art park. His work is included in the collection of outdoor sculptures at The Dennos Museum Center along with Clement Meadmore, Hanna Stiebel...

Pierre Casenove (French) Silver patina bronze table lamp having a column form and various stamped patterns to the body, stamped signed mark to back of bas...

Oded Halahmy (Iraqi-Israeli, b. 1938) Bronze and aluminium "Peace Shalom Salaam" Hanukkah/ Chanukah menorah, 1997 The base signed on one side with his stamped initials, "O.H. © 97." This simple pomegranate menorah by Iraqi art...

This is a large sculpture and also includes an artist custom framed silkscreen with extensive handwork titled Line of Time, pencil signed and inscribed, presented in heavy metal and wooden frame (framed piece 24.5 x 30 in., sculpture piece is about 94 X 11 inches) Francoise Schein is a visual artist, trained as an architect - urban planner; She also teaches art at the ESAM Higher School of Arts and Media in Caen in Normandy . She is the founder of the INSCRIRE Association. In 2016, she was elected member of the Royal Academy of Sciences, Arts and Fine Arts of Belgium. Group Exhibitions Spain: 2016, The "5Contemporary" Paris gallery presented a group show at the Museum of Contemporary Art of Genalguacil, Spain. The show included important artists such as Françoise Schein, Mimouni and Pedro Castrortega. Born in Brussels , Françoise Schein left Belgium after studying architecture at the higher institute of architecture of the French community - La Cambre where she wrote her thesis on fundamental rights, then studied urban design at the Columbia University in the City of New York . She lived 11 years in New York where she begins a work on cartography territories. Subway map Floating on NY Sidewalk is his first monumental urban sculpture located at 110 Greene Street in SoHo (1985). At that time her works are abstract landscapes of cities, made up of networks, lines, trajectories, territories, founding texts and stories. They are constructed of very diverse materials and light. Returning back to Europe in 1989, she continues to work on what she calls her drawings-laboratories while beginning to integrate works in cities on civic themes, the main ones: at the Concorde metro station in Paris in 1991 and then in Brussels, Saint-Gilles , in 1992, these two projects took her to Lisbon in 1993 where she lived for five years and produced two monumental works (in azulejos) for the city of Lisbon at Parque metro station ( 1994) and another for the city of Stockholm at the Universitetet station (1998). She continues to travel to cities where she builds successively projects in Haifa , on the facade of the Beth Hagefen Jewish-Arab Cultural Center with Michel Butor (1994). Then she lives in Berlin where she builds the Westhafen station (2000) which takes her to Bremen to make her first human rights park, Rhododendronpark (2002). In 2005, she made the monumental Time Zone Clock in Coventry in 2005. Since 1999, she has also settled in Rio de Janeiro and initiated participatory artistic projects with the underprivileged population of the favelas . Since then, with the help of a locally trained team, many projects have been carried out, including one in Copacabana and more than 20 in different favelas (from 1999 to 2016). These works transformed the Rio workshop into sustainable development for the people who invested it. In Sao Paulo, since 2009, Françoise Schein has produced a monumental work with the participation of 1000 young people from the favela schools at Luz subway station. Her work is monumental recalling the works of Christo, Maria Dompe, Christian Boltanski, Anish Kapoor, Ai Wei Wei...

A very heavy, massive bronze sculpture by an important Chicago sculptor. Signed and marked "Firenze" with "Fuse Marinelli". METROPOLIS. Seven abstract shapes on black marble base. 1...

Ahol Sniffs Glue David Anasagasti (Cuban American, born 1980). An original graffiti painting on found object, produced for the artist's "Geographies Of Trash" movement. The work features the artist's signature purple "sleepy eye...

Titled "In G-d We Trust" signed dated and titled verso. there is also a gallery label. Mixed Media wall hanging in a pop art style. Background of pennies and then the foreground is l...

It has a variegated texture to it. It is signed and titled. Large format drawing or painting in pastel or crayon. pastoral landscape with boulders and rocks in pasture. Dennis Leon, was a San Francisco Bay Area sculptor and art instructor Mr. Leon was chairman of the sculpture department at the California College of Arts and Crafts in Oakland from 1972 to 1988. He remained a faculty member until his retirement as professor emeritus in 1993. A vibrant work in pastel with the energy and texture seen in the work of Wolf Kahn. He was born in London, England and emigrated in 1951 to the United States, where he studied at Temple University in Philadelphia. He graduated with art degrees, including a master's degree in fine art. He served in the U.S. Army and the Army Reserve from 1957 to 1963. In 1959, Mr. Leon joined the faculty of the Philadelphia Museum College of Art. He also worked as an art critic for the Philadelphia Inquirer until 1962. After coming to the Bay Area, he held his first local one-man show of sculpture in 1973, at the James Willis...

It has a variegated texture to it. It is signed and titled. Large format drawing or painting in pastel or crayon. pastoral landscape with boulders and rocks in pasture. Dennis Leon, was a San Francisco Bay Area sculptor and art instructor Mr. Leon was chairman of the sculpture department at the California College of Arts and Crafts in Oakland from 1972 to 1988. He remained a faculty member until his retirement as professor emeritus in 1993. A vibrant work in pastel with the energy and texture seen in the work of Wolf Kahn. He was born in London, England and emigrated in 1951 to the United States, where he studied at Temple University in Philadelphia. He graduated with art degrees, including a master's degree in fine art. He served in the U.S. Army and the Army Reserve from 1957 to 1963. In 1959, Mr. Leon joined the faculty of the Philadelphia Museum College of Art. He also worked as an art critic for the Philadelphia Inquirer until 1962. After coming to the Bay Area, he held his first local one-man show of sculpture in 1973, at the James Willis...

It has a variegated texture to it. It is signed and titled. Large format drawing or painting in pastel or crayon. Dennis Leon, was a San Francisco Bay Area sculptor and art instructor Mr. Leon was chairman of the sculpture department at the California College of Arts and Crafts in Oakland from 1972 to 1988. He remained a faculty member until his retirement as professor emeritus in 1993. A vibrant work in pastel with the energy and texture seen in the work of Wolf Kahn. He was born in London, England and emigrated in 1951 to the United States, where he studied at Temple University in Philadelphia. He graduated with art degrees, including a master's degree in fine art. He served in the U.S. Army and the Army Reserve from 1957 to 1963. In 1959, Mr. Leon joined the faculty of the Philadelphia Museum College of Art. He also worked as an art critic for the Philadelphia Inquirer until 1962. After coming to the Bay Area, he held his first local one-man show of sculpture in 1973, at the James Willis...

MARIA DOMPE, (Italian, b. 1958), Gentleman Sculpture, marble and travertine, 1995, height: 20 in. One of a pair, (Gentleman and Lady) being sold separately. Maria Dompe was born in ...

MARIA DOMPE, (Italian, b. 1958), Lady Sculpture, marble and fabric, 1995, height: 14 in. One of a pair, (Lady and Gentleman) being sold separately. Maria Dompe was born in Fermo on ...

Beverly Pepper is an American sculptor known for her monumental works, site specific and land art. She remains independent from any particular art movement. She was married to the writer Curtis Bill Pepper. Pepper was born Beverly Stoll on December 20, 1922, in Brooklyn, New York. At sixteen, she entered the Pratt Institute in Brooklyn, New York to study advertising design, photography, and industrial design. She then embarked on a career as a commercial art director. She studied at Art Students' League and attended night classes at Brooklyn College, including art theory with György Kepes, who introduced her to the work of Lasló Moholy-Nagy and Man Ray. It was also at this time, in her mid twenties, that she met the environmental artist Frederick Kiesler. Drawn to post-war Europe in 1949, she studied painting in Paris at the Académie de la Grande Chaumière. There she attended classes with cubist painter André L'Hôte, and with Fernand Léger at his atelier. She also visited the studios of Ossip Zadkine and Brâncuși. Pepper began her career as a painter, but after a trip to Angkor Wat, Cambodia in 1960, she was so awed by the temple ruins surviving beneath the jungle growth that she turned to sculpture. She made her debut in 1962 with an exhibit of carved tree trunks at a gallery in Rome. After several exhibitions in New York and Rome, she was one of ten artists invited by Giovanni Carandente, along with David Smith, Alexander Calder, Arnaldo Pomodoro, Lynn Chadwick, and Pietro Consagra, to fabricate works in Italsider factories in Italy for an outdoor exhibition, "Sculture nella città", held in Spoleto during the summer of 1962. Beverly Pepper has had a long and extraordinary career. Like her contemporaries Louise Bourgeois and Louise Nevelson, Pepper forged a unique path as a mid-century feminist artist. As the 1960s progressed, Pepper turned to polished stainless steel. In some of the first works, she used a torch to carve used one-inch thick elements of stainless steel. From there, her pieces evolved into highly polished stainless with painted interiors. She was, in fact, one of the first artists, if not the first, to incorporate Cor-Ten steel into sculpture. Beginning in the 1970s, and to the present day, she has lived a bi-continental life traveling between Europe and the United States. Western Washington University outdoor sculpture collection. The collection has some pieces which qualify as "land art" including Alice Aycock's 1987 "The Islands of the Rose Apple Tree Surrounded by the Oceans of the Word, for You, Oh My Darling," and Nancy Holt's 1977-1978 "Stone Enclosure: Rock Rings." Other artists in the collection include Beverly Pepper, Robert Morris, Richard Serra, Isamu Noguchi, Bruce Nauman, Tom Otterness, and Mark di Suvero. Pepper's works have been exhibited and collected by major museums and galleries throughout the world, including: deCordova Sculpture Park and Museum, Lincoln, Massachusetts The Metropolitan Museum of Art, New York The Whitney Museum of American Art, New York Brooklyn Museum of Art, Brooklyn, New York The Albright-Knox Art Gallery, Buffalo, New York The White House Sculpture Garden, Washington, D.C. The Hirshhorn Museum and Sculpture Garden The National Museum of American Art, Smithsonian Institution, Washington, D.C. The Walker Art Center, Minneapolis, Minnesota The San Francisco Museum of Modern Art, California Denver Art Museum, Colorado Columbus Museum of Art, Ohio The Georgia Museum of Art, Athens, Georgia Centre Georges Pompidou, Paris, France Les Jardins du Palais Royal, Paris, France Palazzo degli Uffizi, Florence, Italy Galleria Nazionale d’Arte Moderna, Rome, Italy Forte Belvedere, Florence, Italy The Albertina Museum, Vienna, Austria The Museum of Modern Art, Barcelona, Spain The Wohl Rose Garden, Jerusalem, Israel The Contemporary Sculpture Center, Tokyo, Japan The Museum of Modern Art, Sapporo, Japan Europarkas Sculpture Park, Vilnius, Lithuania The Bradley Foundation, Milwaukee, Wisconsin The Gori Collection, Pistoia, Italy Nasher Sculpture Center, Dallas, Texas The City of Todi, Italy Indianapolis Museum of Art, Indianapolis Museu d'Art Contemporani de Barcelona, Barcelona, Spain Casal Solleric, Majorca, Spain Laumeier Sculpture Park, St. Louis, Missouri The Seattle Art Museum, Olympic Sculpture...

Thomas Blank was born in Berne, Switzerland, in 1973. He is a master of transformation, who has been investigating the nature of glass for 20 years now, without losing his fascinatio...

Interesting Latin American art collage/assemblage of images. bears elements of Arte Povera. it is mounted onto a wood construction. Signed verso and bears label from Stux Gallery. Well Known Brazilian political artist and collector. Showed at Stux Gallery (they showed Doug Anderson and then Mike and Doug...

"The Test," 1970 Aluminum sculpture in 5 parts. Artist's cipher and AP stamped into male figure, front, 20 5/16" x 12 1/2" x 6 5/7" (approx.) American sculptor King is most noted for his long-limbed figurative public art sculptures depicting people engaged in everyday activities such as reading or conversing. He created his busts and figures in a variety of materials, including clay, wood, metal, and textiles. William Dickey King was born in Jacksonville, Florida. As a boy, William made model airplanes and helped his father and older brother build furniture and boats. He came to New York, where he attended the Cooper Union and began selling his early sculptures even before he graduated. He later studied with the sculptor Milton Hebald and traveled to Italy on a Fulbright grant. Mr. King worked in clay, wood, bronze, vinyl, burlap and aluminum. He worked both big and small, from busts and toylike figures to large public art pieces depicting familiar human poses — a seated, cross-legged man reading; a Western couple (he in a cowboy hat, she in a long dress) holding hands; a tall man reaching down to tug along a recalcitrant little boy; a crowd of robotic-looking men walking in lock step. Mr. King’s work often reflected the times, taking on fashions and occasional politics. In the 1960s and 1970s, his work featuring African-American figures (including the activist Angela Davis, with hands cuffed behind her back) evoked his interest in civil rights. But for all its variation, what unified his work was a wry observer’s arched eyebrow, the pointed humor and witty rue of a fatalist. His figurative sculptures, often with long, spidery legs and an outlandishly skewed ratio of torso to appendages, use gestures and posture to suggest attitude and illustrate his own amusement with the unwieldiness of human physical equipment. His subjects included tennis players and gymnasts, dancers and musicians, and he managed to show appreciation of their physical gifts and comic delight at their contortions and costumery. His suit-wearing businessmen often appeared haughty or pompous; his other men could seem timid or perplexed or awkward. Oddly, or perhaps tellingly, he tended to depict women more reverentially, though in his portrayals of couples the fragility and tender comedy inherent in couplehood settled equally on both partners. His first solo exhibit took place in 1954 at the Alan Gallery in New York City. King was elected to the American Academy of Arts and Letters in 2003, and in 2007 the International Sculpture Center honored him with the Lifetime Achievement in Contemporary Sculpture Award. Mr. King’s work is in the collections of the Metropolitan Museum of Art, Guggenheim Museum, Whitney Museum and the Museum of Modern Art in New York and the Hirshorn Museum at the Smithsonian American Art Museum in Washington, among other places, and he had dozens of solo gallery shows in New York and elsewhere. Reviews of his exhibitions frequently began with the caveat that even though the work was funny, it was also serious, displaying superior technical skills, imaginative vision and the bolstering weight of a range of influences, from the ancient Etruscans to American folk art to 20th-century artists including Giacometti, Calder and Elie Nadelman. The New York Times critic Holland Cotter once described Mr. King’s sculpture as “comical-tragical-maniacal,” and “like Giacomettis conceived by John Cheever.”

Jacques Lerebourg hand made abstract metal sculpture in welded and polished metal with inclusion of a natural quartz or crystal mineral specimen. part of a distinguished group of Fre...

Israel Hadany (Israeli, 1941-). A stainless steel maquette for sculpture "Three Tubes", currently installed at the University of Pennsylvania ...

Robert Arthur Goodnough (AMERICAN, 1917-2010) Untitled patina on steel with nuts and bolts Robert Goodnough (October 23, 1917 – October 2, 2010) was an American abstract express...

Robert Kushner, born in 1949, in California, lives in New York, and is a painter and sculptor. He gained attention in the early seventies as a performance artist, using food, fabric and nudity. Kushner was associated with the Pattern and Decoration movement and used fabric collage in large-scale, bold paintings of the figure. Since 1987 he has used flowers as the subject of his paintings, more recently adding a cornucopia of fruits and vegetables to his repertoire. Kushner's use of rich color harmonies and bold, fluid drawing, mark his belief in the importance of beauty in our lives. Kushner draws from a unique range of influences, including Islamic and European textiles, Henri Matisse, Georgia O'Keeffe, Charles Demuth, Pierre Bonnard, Tawaraya Sotatsu, Ito Jakuchu...

William Pellicone (American 1915-2004) Mixed media, pyrography, oil on wood carving painting. Dated 1958 Title - Enthymeme #14. Oil painting on carved and burnt distressed wood panel. Inscribed verso Enthymeme Wm. Pellicone #14, 9-4-58. Label on reverse with a typed definition for Enthymeme. Dimensions: 27 inches high, 42.5 inches wide. Metal wrap frame. Provenance: from a Shelter Island NY home that was designed by architect Henry J. Gazon - A.I.A. built in 1959. William Pellicone (1915-2004) was an American painter known for his abstract compositions and use of vibrant colors. He was born in New York City and studied at the Art Students League and the Brooklyn Museum Art School. Pellicone's early work was influenced by the Social Realist movement of the 1930s and 1940s, with his paintings often featuring realistic depictions of urban scenes and working-class people. However, in the 1950s he shifted towards abstraction, exploring the interplay of color and form. Pellicone's mature style was characterized by his use of vibrant, saturated colors, often applied in thick layers of paint. His paintings often featured geometric shapes and organic forms, with a strong sense of movement and energy. In addition to his painting, Pellicone was also a respected teacher and arts administrator. He taught at the New York Institute of Technology and the State University of New York, and served as the director of the Islip Art Museum on Long Island. Pellicone's artwork was exhibited widely during his lifetime, and he was the recipient of numerous awards and honors, including a National Endowment for the Arts grant in 1977. Today, his paintings can be found in the collections of museums and galleries around the world, including the Smithsonian American Art Museum in Washington, D.C. and the Metropolitan Museum of Art in New York. William Pellicone (Born 1915) is active/lives in New York. William Pellicone is known for Abstract expressionist, landscape and non-objective art. An American artist, sculptor, architect. He exhibited at Pennsylvania Academy Fine Arts...

With the exception of the dark metallic one they are transparent and opaque glass. I have shot the photos on a dark background so you can better see the images. they are signed in ink, dated and numbered from the edition of 25. I am selling them individually. the box from Vincent Fremont Multiples is not included. Suzan Etkin's passionate involvement with glass began in 1993, when she was invited to design sculptural chandeliers for gallery exhibitions with Giorgio Giuman and master glass blowers in Murano, Italy. Prior to working with glass as a medium she was the production manager for Andy Warhol Factory (Production Manager, Film & Video), and quickly emerged as a conceptual artist of global recognition. Her work has been shown in the Museum of Modern Art in New York, Paul Kasmin Gallery, Holly Solomon Gallery, and other museums and galleries around the world. In 2001, Suzan founded sei studio in SoHo with her husband, Brenden FitzGerald. They have collaborated with some of the industry’s most innovative architects and interior designers to produce custom chandeliers and art features for hundreds of landmark spaces, including the W Hotel Seoul, Mandarin Oriental New York, and Intercontinental Hong Kong. School of Visual Art: Instructor Drawing, Sculpture and Interrelating the Arts RESIDENCIES AND GRANTS: Pollack-Krasner Foundation Grant Artist in Residence – Foundation Cartier pour L Art Contemporanian, Jouy-en-Josas, France SELECT EXHIBITIONS Holly Solomon Gallery, New York City Cleveland Center for Contemporary Art, Cleveland Phillipe Rizzo Gallery, Paris The Greenberg Gallery, St. Louis Anders Tornberg Gallery, Lund, Sweden Earl...

With the exception of the dark metallic one they are transparent and opaque glass. I have shot the photos on a dark background so you can better see the images. they are signed in ink, dated and numbered from the edition of 25. I am selling them individually. the box from Vincent Fremont Multiples is not included. Suzan Etkin's passionate involvement with glass began in 1993, when she was invited to design sculptural chandeliers for gallery exhibitions with Giorgio Giuman and master glass blowers in Murano, Italy. Prior to working with glass as a medium she was the production manager for Andy Warhol Factory (Production Manager, Film & Video), and quickly emerged as a conceptual artist of global recognition. Her work has been shown in the Museum of Modern Art in New York, Paul Kasmin Gallery, Holly Solomon Gallery, and other museums and galleries around the world. In 2001, Suzan founded sei studio in SoHo with her husband, Brenden FitzGerald. They have collaborated with some of the industry’s most innovative architects and interior designers to produce custom chandeliers and art features for hundreds of landmark spaces, including the W Hotel Seoul, Mandarin Oriental New York, and Intercontinental Hong Kong. School of Visual Art: Instructor Drawing, Sculpture and Interrelating the Arts RESIDENCIES AND GRANTS: Pollack-Krasner Foundation Grant Artist in Residence – Foundation Cartier pour L Art Contemporanian, Jouy-en-Josas, France SELECT EXHIBITIONS Holly Solomon Gallery, New York City Cleveland Center for Contemporary Art, Cleveland Phillipe Rizzo Gallery, Paris The Greenberg Gallery, St. Louis Anders Tornberg Gallery, Lund, Sweden Earl...

With the exception of the dark metallic one they are transparent and opaque glass. I have shot the photos on a dark background so you can better see the images. they are signed in ink, dated and numbered from the edition of 25. I am selling them individually. the box from Vincent Fremont Multiples is not included. Suzan Etkin's passionate involvement with glass began in 1993, when she was invited to design sculptural chandeliers for gallery exhibitions with Giorgio Giuman and master glass blowers in Murano, Italy. Prior to working with glass as a medium she was the production manager for Andy Warhol Factory (Production Manager, Film & Video), and quickly emerged as a conceptual artist of global recognition. Her work has been shown in the Museum of Modern Art in New York, Paul Kasmin Gallery, Holly Solomon Gallery, and other museums and galleries around the world. In 2001, Suzan founded sei studio in SoHo with her husband, Brenden FitzGerald. They have collaborated with some of the industry’s most innovative architects and interior designers to produce custom chandeliers and art features for hundreds of landmark spaces, including the W Hotel Seoul, Mandarin Oriental New York, and Intercontinental Hong Kong. School of Visual Art: Instructor Drawing, Sculpture and Interrelating the Arts RESIDENCIES AND GRANTS: Pollack-Krasner Foundation Grant Artist in Residence – Foundation Cartier pour L Art Contemporanian, Jouy-en-Josas, France SELECT EXHIBITIONS Holly Solomon Gallery, New York City Cleveland Center for Contemporary Art, Cleveland Phillipe Rizzo Gallery, Paris The Greenberg Gallery, St. Louis Anders Tornberg Gallery, Lund, Sweden Earl...

With the exception of the dark metallic one they are transparent and opaque glass. I have shot the photos on a dark background so you can better see the images. they are signed in ink, dated and numbered from the edition of 25. I am selling them individually. the box from Vincent Fremont Multiples is not included. Suzan Etkin's passionate involvement with glass began in 1993, when she was invited to design sculptural chandeliers for gallery exhibitions with Giorgio Giuman and master glass blowers in Murano, Italy. Prior to working with glass as a medium she was the production manager for Andy Warhol Factory (Production Manager, Film & Video), and quickly emerged as a conceptual artist of global recognition. Her work has been shown in the Museum of Modern Art in New York, Paul Kasmin Gallery, Holly Solomon Gallery, and other museums and galleries around the world. In 2001, Suzan founded sei studio in SoHo with her husband, Brenden FitzGerald. They have collaborated with some of the industry’s most innovative architects and interior designers to produce custom chandeliers and art features for hundreds of landmark spaces, including the W Hotel Seoul, Mandarin Oriental New York, and Intercontinental Hong Kong. School of Visual Art: Instructor Drawing, Sculpture and Interrelating the Arts RESIDENCIES AND GRANTS: Pollack-Krasner Foundation Grant Artist in Residence – Foundation Cartier pour L Art Contemporanian, Jouy-en-Josas, France SELECT EXHIBITIONS Holly Solomon Gallery, New York City Cleveland Center for Contemporary Art, Cleveland Phillipe Rizzo Gallery, Paris The Greenberg Gallery, St. Louis Anders Tornberg Gallery, Lund, Sweden Earl...

With the exception of the dark metallic one they are transparent and opaque glass. I have shot the photos on a dark background so you can better see the images. they are signed in ink, dated and numbered from the edition of 25. I am selling them individually. the box from Vincent Fremont Multiples is not included. Suzan Etkin's passionate involvement with glass began in 1993, when she was invited to design sculptural chandeliers for gallery exhibitions with Giorgio Giuman and master glass blowers in Murano, Italy. Prior to working with glass as a medium she was the production manager for Andy Warhol Factory (Production Manager, Film & Video), and quickly emerged as a conceptual artist of global recognition. Her work has been shown in the Museum of Modern Art in New York, Paul Kasmin Gallery, Holly Solomon Gallery, and other museums and galleries around the world. In 2001, Suzan founded sei studio in SoHo with her husband, Brenden FitzGerald. They have collaborated with some of the industry’s most innovative architects and interior designers to produce custom chandeliers and art features for hundreds of landmark spaces, including the W Hotel Seoul, Mandarin Oriental New York, and Intercontinental Hong Kong. School of Visual Art: Instructor Drawing, Sculpture and Interrelating the Arts RESIDENCIES AND GRANTS: Pollack-Krasner Foundation Grant Artist in Residence – Foundation Cartier pour L Art Contemporanian, Jouy-en-Josas, France SELECT EXHIBITIONS Holly Solomon Gallery, New York City Cleveland Center for Contemporary Art, Cleveland Phillipe Rizzo Gallery, Paris The Greenberg Gallery, St. Louis Anders Tornberg Gallery, Lund, Sweden Earl...