Lynx Hollow Antiques Planters and Jardinieres

A rare, unusual, and highly decorative antique Moroccan brass, copper and bronze kettle warming stand - brazier (today it would make for fascinating cand...

A magnificent over 200 year old French Empire Period (1804-1815) parcel gilt walnut armorial hall pedestal / plant stand. Born in France in the early 19th century, most likely near the Italian border or Napoleonic territory in present day Northern Italy, most impressive palatial scale, exceptionally executed one-of-a-kind sculptural work, having carved fiolate apron with H monogram, decorative scroll work, stylized grotesque satyr mask with acanthus leaf accent, over high relief crest mural crown depicting four towers representing fortified city walls, shield escutcheon coat of arms with three fleur-de-lis above wavy lines depicting sea water in front of castle tower, supported by figural winged female caryatid, flanked by volute supports, joined by turned stretcher. circa 1810 Provenance / Acquisition: An important San Antonio estate Acquired from highly reputable auction house Austin Auction Gallery, est.1983, Austin, Texas. Texas Mansion Carved French and Italian Antiques catalog...

A magnificent antique, circa 1880, Italian Renaissance Revival style jardinière with warm, rustic beautifully aged patina! (plant stand - indoor planter - conservatory or solarium garden box - flower display) Born in Italy in the late 19th century, most likely originating in the Veneto region of Northern Italy (Venetian), exquisitely hand-crafted in medieval Italian Renaissance style / Henry II taste, having a removable metal interior liner with handles, resting in the well-made rectangular case with stepped molded edge, over paneled frieze adorned in intricate hand carved plaquette and foliate scrolled rinceaux relief ornamentation, rising on urn-form turned column supports, atop large platform shelf base with conforming stepped molded edge further raised on bun feet with primitive inset casters. Dimensions: (approx) 22" High, 40" Wide, 17.5" Deep A wonderful example of functional art. In good original antique condition, it's srong, sturdy and structurally sound with rich patina over the whole. Substantial wear consistent with age and indicative of use. Nothing that detracts from the aesthetics or functionality but only adds to the sophisticated character, European old world charm, elegant warmth and rich historical depth that can only be acquired over long periods of time. Presents well, retaining original antique character marks throughout. Distressed, worn, faded finish, with evidence of old water damages, age related splitting in the form of crack to one decorative panel, and scattered minor losses. Partial seized casters. Heavily oxidized patinated metal basin...

A large and most impressive antique Asian iron sculptural outdoor planter / jardiniere / garden ornament. Styled after an ancient Chinese...

A stylish and high-quality bronze neoclassical style sculpture in the form of a sophisticated standing winged putti (cherub-angel) holding a marble basin, dating to the early 20th century. This striking bronze features a finely detailed classic putti adorned in flowing narrow robe, standing atop an impressive and sumptuous tapering tripartite form sculptural stand, richly decorated with incised swirl accents, shell and grotesque mask medallions, rising on three shapely legs with high relief acanthus leaf decorated knees, ending in substantial sized whimsical paw and claw...

An impressive English Victorian Gothic Revival cast iron rainwater hopper, the architectural salvaged building element originating from a late 19th ce...

Paul Evans (1931-1987) American Brutalist industrial modern welded steel and copper, mixed metals patchwork and hardwood planter with rivet accents and removable metal insert. Can be used indoors or outdoors, with real plants or faux plants. Includes green styrofoam blocks for artificial plant use and natural stones for covering the top. Circa 1970 Dimensions: 26" High, 30" Wide, 11" Deep Please note, at the time of writing this, a matching coffee table is available separately. Please check our other listings or contact us to view it. Great original vintage condition. Strong, stable and structurally sound and in wonderful overall appearance; Age appropriate wear and tear, including minor scuffs, scattered scratches to wood panels and metal components. The black insert has fairly significant patinated weathered rustic oxidation consistent with age and indicative of use. The overall patina adds warmth and character to the overall aesthetic appeal and vintage authenticity. Biography: Paul Evans (American , 1927-1993) Born in Brooklyn, New York, Paul Evans is an American furniture designer and sculptor best known for his work in American Furniture design and the American craft movement. His work was influential to many furniture manufacturers in the second half of the 20th century, most notably Directional Furniture. He often used non-traditional materials and techniques like sculpted metal furniture. His work with Directional Furniture was extremely fruitful and during that time he started several series including their Argente, Sculpted Bronze, and Cityscape series. Evans started his career making copper chests and sculpted steel cabinets -- both of which are highly sought after today. Paul Evans’s work with Directional Furniture changed the relationship between creative directors and the companies they worked for. His name helped sell pieces, and he was consciously aware of that fact. As a proponent of modernism, Evans became an innovator in the furniture world. His patrons were often part of the New York elite, and he was able to enjoy sustained success, helped in large part by his ability to evolve with the times -- from craft-based in the 1950s to more flashy pieces in the 1970s and 1980s. His work was mostly recently featured at the Michener Art Museum and was the subject of a 2014 documentary. What kind of art does Paul Evans make? Paul Evans was primarily a furniture designer and sculptor. Though he started within the American Craft movement, Evans is hard to pin down stylistically. An expert metalworker and sculptor, several of Evans pieces were heavily influenced by the shipbuilding industry. As he moved through his career, his pieces became more stylistically diverse, but through it all there is a dedication to craft and function. Much of Evans work is best showcased in his work for Directional Furniture. He had several iconic lines including Patchwork Copper, Pewter and Brass, and the extremely popular CItyscape Series. In the 1980s, Evans branched off on his own with his Think Tank series. He opened his own showroom in New York City, but eventually retired in 1987. How did painter Paul Evans get started? Paul Evans was born on May 20th, 1931 in Newton, Pennsylvania. He studied sculpture and silversmithing at a number of colleges including the Philadelphia Textile Institute, the Rochester Institute of Technology, and the School for American Craftsmen. In the early 1950s, he attended the Cranbook Academy of Art in Michigan, later moving back to Pennsylvania to work with his mentor and guide, Phillip Loyd Powell. Together they began a business heavily influenced by the work of George Nakashima. Powell worked wood pieces, while Evans dedicated himself to metal. Evans burst onto the scene in the late 1960s and early 1970s as the American Craft movement exploded in popularity. From there he parlayed his popularity into a lucrative career with Directional Furniture. How much are Paul Evans pieces worth? Paul Evans furniture pieces can vary in value greatly, from a few thousand dollars on the low end to over $200,000 on the high end. In 2015 a Paul Evans wavy...