Macklowe Gallery Decorative Arts Furniture

A French Art Nouveau mahogany side table with carved decoration in an abstract curvilinear vegetal motif by Edouard Colonna (1862-1948). Circa 1900. Along with Louis Comfort Tiffany, Edouard Colonna was one of the main designers who worked for Siegfried Bing and who, under Bing's guidance, was responsible for the creation of what is known today as the Modern Style, or Art Nouveau. Colonna is remembered for his tasteful elegance and his use of abstract forms to create a graceful linear rhythm and dynamic intertwining lines. While he occasionally started with a floral motif, Colonna abstracted nature to create the impression of a flower bud or bloom held within a carefully constructed geometric scheme. This design scheme is evident in the delicate carvings ornamenting each leg of the table and in the overall rhythm of the piece. Colonna furniture, jewelry and designs for small objects like scarf and money holders...

A French Art Nouveau covered porcelain jar designed by Georges De Feure and manufactured by Dufraisseix & Abbot, Limoges, for Art Nouveau Bing. In the...

A French Art Nouveau earthenware window box/planter by Alexander Bigot for the architect Cintrat, featuring an organic pattern that repeats itself around the base. Circa 1898. (M...

A German Art Nouveau patinated bronze figural vide poche by Bernhard Hoetger featuring a windblown nude with vines, circa 1910. Pictured in: Dynamic Beauty: Sculpture of Art Nouveau ...

A French Art Nouveau mahogany desk by l'Ecole de Nancy, featuring a hand-tooled leather top, letter rack and bronze drawer pulls with a floral motif...

A French Art Nouveau mahogany two-tiered square table by Louis Majorelle, featuring featuring a detailed border on the top tier and gilt bronze sabots on the legs. A similar ta...

A French Art Nouveau mahogany center table by Louis Majorelle, the rounded top above a slightly bowed frieze, over downswept tapering channeled legs joined by a conforming undertier,...

This painted plaster plaque, titled "Allegory of Wine," was created by French Art Nouveau artist François-Rupert Carabin, who worked across many mediums. The plaque, which is painted...

A French Art Nouveau round ceramic decorative plate by Clément Massier, depicting a Byzantine Head in iridescent enamel glazes, circa 1900s. Signed,...

A French Art Nouveau cameo glass “Snow Drop” vase by Daum, featuring carved light blue flowers on brown stems against a mottled white and blue ground, circa ...

A French Art Nouveau two-tiered square pedestal with carved and marquetry decoration by Emile Gallé. The pedestal has two marquetry shelves depicting leaves. Its four sinuous legs ar...

A triangluar French Art Nouveau table by Louis Majorelle. This two-tiered triangular table is made of mahogany. Its carved legs are finished with gilt bronze sabots, circa 1910. A s...

A French "Lyciet de Barbarie", pâte de verre vase by Gabriel Argy-Rousseau, depicting pink wolf berries suspended from brown stems, with green leaves, all against a vignette ground...

A Tiffany Studios New York glass vase. A wide-shouldered, unique translucent gold body with a band of green colored Egyptian-inspired “Tel-El-Amarna” design around the neck. A vase with similar decoration is pictured in: Tiffany at Auction...

A French Art Nouveau enameled bronze Femme Fleur by Henri Godet (1863-1937). The sculpture depicts the patinated bronze head and neck of a young woman growing out of an enameled red...

A French Art Nouveau silver and enamel vase by Eugène Feuillatre. The vase is decorated with leafed branches holding pink and gold cloisonné flowers ...

A Tiffany Studios New York Favrile glass decorated vase by Louis Comfort Tiffany. This vase, with a green background, is decorated with red and white swirling forms, circa 1901. P...

A French Art Nouveau pâte de verre vide-poche by Amalric Walter and Henri Bergé. This piece features a brown lobster resting on a blue-green shaped dish, circa 1900. A similar vid...

This Tiffany Studios New York covered box by Louis Comfort Tiffany, covered with an enamel "Olive" motif, was executed by the Enamelware Department of The Stonebridge Glass Company in New York. The stoic composition is primarily composed of richly enameled copper, with the cover and body of this rare piece sharing decoration of subtly-hued olives, with purple-brown copper branches and deep green leaves. While the rarity of the object itself makes it an incredibly collectible item, the easy beauty of the composition also makes it an instant treasure. Artist: Tiffany Studios New York Circa: 1905 Dimensions: 5.25" height, 6.5" diameter Materials: Repoussé copper, Enamel and counter enamel Signed: "Louis C. Tiffany and impressed SC 332" Provenance: Parke-Bernet Galleries Inc., New York, Private Collection, circa 1965, thence by descent to the present owners Literature: Box pictured in Behind the Scenes of Tiffany Glassmaking: The Nash Notebooks, by Martin Eidelberg and Nancy McClelland, New York, 2001, pp. 21 and 178 (for the model executed in pottery); Box also pictured in Louis C. Tiffany: The Garden Museum Collection, by Alastair Duncan, Woodbridge, Suffolk, 2004, p. 466 (for the model executed in pottery) and p. 471 (for the model executed in bronze pottery)

A French Art Nouveau gilt bronze vide poche by Max Blondat. Titled "An Embrace". The vide poche features the heads and torsos of a man and a woman, sweeping up from the sides of the dish. Each of the lovers has an arm around the other. Circa 1900. Pictured in: Dynamic Beauty: Sculpture of Art Nouveau Paris, by Macklowe Gallery, The Studley Press, 2011, p. 57. Signed, "MAX-BLONDAT" Founder mark "Siot...

A French Art Nouveau pâte de verre vase, "Eucalyptus," by Gabriel Argy-Rousseau. The vase has three isolated brown branches, each with curving purple and green leaves, and flower bud...