Macklowe Gallery Decorative Arts Sculptures

In the exquisite statuette, "Danseuse" by Marcel Bouraine and Gabriel Argy-Rousseau, a graceful dancer twists her torso while turning her head to the right. One arm arches behind her...

Rembrandt Bugatti's "Flamant en Marche" also known as "Walking Flamingo" features a flamingo standing on two legs, a classic pose that highlights its slender, S-shaped neck and delic...

In this statue "Jabiru Femelle" also known as "Female Saddle Billed stork", the stork wades carefully through the water, its long, slender legs moving with quiet determination. The s...

In "Panthère assise" also known as "Seated Panther," Bugatti seems to have been concerned primarily with musculature. The uneven surface exaggerates the contours of muscles which in turn causes a curious effect: weightiness from the amplified muscles and lightness created by the myriad reflecting planes. Bugatti’s sculpture relies on asymmetry, with nearly half of the composition occupied by the panther’s horizontally extended tail. The curve of the tail rises, flowing into the S-shaped arc of the panther’s movement, accentuating the dynamic form of the great cat. Product Details: Item #: B-21648 Artist: Rembrandt Bugatti Country: France Circa: 1912 Dimensions: 8.625" height, 4.625" width, 14.25" depth. Materials: Bronze Signed: R. Bugatti and incised 1 with foundry mark Cire Perdue AA Hébrard Documentation: According to the Répertoire monographique, ten numbered casts of this model are known to exist. Provenance: M. Maire Collection, Épinal (acquired directly from Galerie A.-A. Hébrard, Paris in 1912) Literature: P. Dejean, "Bugatti, Carlo-Rembrandt-Ettore-Jean", Paris, 1981, p. 155 (another cast illustrated). J.-C. des Cordes & V. Fromanger des Cordes, "Rembrandt Bugatti, Catalogue raisonné", Paris, 1987, p. 47 (another version illustrated). E. Horswell, "Rembrandt Bugatti, Life in Sculpture", London, 2004, p. 143 (another cast illustrated). V. Fromanger, "Rembrandt Bugatti Sculpteur, Répertoire monographique, une trajectoire foudroyante", Paris, 2009, no. 294 (another cast illustrated p. 328). A. Daemgen & P. Demandt (eds.), "Rembrandt Bugatti, The Sculptor 1884-1916", Berlin, 2014, p. 118 (another cast illustrated). V. Fromanger, "Rembrandt Bugatti Sculpteur, Répertoire monographique, a meteoric rise", Paris, 2016, no. 298, (another cast illustrated p. 363). Macklowe Gallery Curator's Notes: Bugatti’s panther...

Bugatti’s "Ours Brun Marchant, La Patte Droite en Avant" also known as “Brown Bear Walking,” depicts a bear mid step in a relaxed position, on all fours, as if calmly surveying its s...

In the "Panthère au repos" also known as "Panther in Repose", Bugatti seems to have been concerned primarily with musculature. The uneven surface exaggerates the contours of muscles which in turn causes a curious effect: weightiness from the amplified muscles and lightness created by the myriad reflecting planes. And while this cat is sculpted in movement, it has a posed appearance. Product Details: Item #: YB-21615 Artist: Rembrandt Bugatti Country: France Circa: 1904 Dimensions: 7" height, 14.75" width, 5" depth. Materials: Patinated Bronze Signed: R. Bugatti and incised 10 with foundry mark Cire Perdue AA Hébrard Literature: V. Fromanger, "Rembrandt Bugatti, sculpteur, une trajectoire foudroyante, répertoire monographique, les éditions de l'amateur", Paris, 2016, p. 179 pour le plâtre, p. 356, no. 214. Macklowe Gallery Curator's Notes: Bugatti’s panther...

Agathon Leonard's Jeu de l’echarpe recalls the poses of the legendary eighteenth-century muse, Emma Hamilton. Beloved by society artists George Romney and Elisabeth Vigee-Lebrun, pai...

Titled "La danse du tambourin, tête penchée à droite" ("Tambourine dance, head leaning to the right"), from the artist's series "Le jeu d'écharpe," this French Art Nouveau bisque cer...

Titled "La danse du tambourin, tête penchée à gauche" (or "The tambourine dance, head leaning to the left"), from the artist's series "Le jeu d'écharpe," this French Art Nouveau bisq...

By Agathon Léonard, and titled "Danseuse au cothurne," this arresting bisque ceramic sculpture is from the artist's "Le jeu de l'écharpe" series. This particularly lovely figure is o...

Carabin's captivating group of six bronze dancers showcases nude models passionately wielding castanets. Five of the dancers are depicted in 2nd, 3rd, 4th, and 5th positions, while the sixth dancer adopts a traditional flamenco stance known as the braceo, characterized by one arm raised and the other resting at the hips in an elegant S shape. The inspiration behind these castanet dancers likely stems from the renowned Spanish performer Carmencita, who gained international fame following her performance at the 1889 Exposition Universelle. Carabin's artistic vision drew from a series of 600 albumen prints capturing nude prostitutes, who frequented local brothels on streets like Rue des Moulins, de Richelieu, d’Amboise, or Joubert. Carabin's early years were marked by his family's exile from Alsace, leading him to settle in Montmartre's red-light district at nine. As an adult, he immersed himself in the vibrant atmosphere of Montmartre's renowned clubs, including the Chat Noir and the Café de la Nouvelle Athènes. In 1895, Carabin crafted 600 nude albumen prints, all of which found a home in the permanent collection of the Musée d'Orsay. Renowned artists such as Degas, Monet, Rodin, Toulouse-Lautrec, and Renoir were avid collectors of Carabin's work, making the prime example of an artists artist. Product Details: Item #: S-21514 Artist: Rupert Carabin...

This gilt bronze French Art Nouveau figural sculpture of Loïe Fuller by Henri Levasseur features the dancer performing her famous dance of veils. Fuller stands nude, one foot in fron...

Rembrandt Bugatti's striking bronze depicts a pair of elegant white storks. The male stork, positioned on the left, gently rests its head upon its soft breast while tucking one of it...

Maurice Bouval’s "Woman with Iris" is a nude gilt bronze bust of a woman. The woman’s hair clings to her face and body as if wet. The delicate sloping...

This "Babouin," or "Baboon," patinated bronze sculpture by Georges Lucien Guyot, executed by Susse Fondeur in Paris is a wonderful piece that brings the architectural wonder that eve...

A French Art Nouveau "Fairy" or "La Fée" bronze sculpture by Louis Chalon. A nude female figure stands on an open flower with complex, textured roots. On her back are four "wings" in...

A French Art Nouveau patinated bronze figural sculpture, depicting a dancer with scarves and cymbals by Victor Ségoffin (1867-1925). Born in Toulouse, educated at Ecole nationale su...

Austrian Art Nouveau patinated bronze bust of Ophelia by Josef O¨fner. Like the sculpture of Maurice Bouval, O¨fner depicts Ophelia as a sleeping woman adorned with flowers. The scul...

A French Art Nouveau "Femme à la Coloquinte," glazed ceramic inkwell by François-Rupert Carabin. The inkwell feature a nude woman embracing an unusually large gourd, circa 1900. A s...

A French Art Nouveau "Femme-Pieuvre," brown glazed ceramic inkwell by Rupert Carabin, wherein a woman ecstatically rips open the head of an octopus, spilling its ink. A beautiful pl...

This set of two Art Deco nickel-plated Jazz Band sculptures, comprised of an upright saxophone player and a seated drummer, is crafted by Austrian artist Franz Hagenauer. The archite...

This silvered bronze figural sculpture, "La danse du tambourin, tete penchée à droite," or "Tambourine dance, head leaning to the right," by Agathon Léonard, features a woman dancing...

This silvered bronze sculpture, titled "Danseuse chantant" or "Singing Dancer," by Agathon Léonard, features a woman dancing, inspired by the American ...

A German Art Nouveau patinated bronze figural vide poche by Bernhard Hoetger featuring a windblown nude with vines, circa 1910. Pictured in: Dynamic Beauty: Sculpture of Art Nouveau ...

A French Art Nouveau enameled bronze Femme Fleur by Henri Godet (1863-1937). The sculpture depicts the patinated bronze head and neck of a young woman growing out of an enameled red...

A French Art Nouveau gilt bronze vide poche by Max Blondat. Titled "An Embrace". The vide poche features the heads and torsos of a man and a woman, sweeping up from the sides of the dish. Each of the lovers has an arm around the other. Circa 1900. Pictured in: Dynamic Beauty: Sculpture of Art Nouveau Paris, by Macklowe Gallery, The Studley Press, 2011, p. 57. Signed, "MAX-BLONDAT" Founder mark "Siot...