Macklowe Gallery Jewelry Pendant Necklaces

Designed in the late 1920s-1930s by Cartier Paris, this mechanical pencil pendant necklace is composed of 18K gold, enamel and rose-cut diamonds. The reeded telescoping cylinder with...

A work of René Lalique dating from circa 1900-1902, this ivy pendant is composed of enamel, diamonds and 18K gold. It is designed as a large and convex open form of circling vines wi...

Dating from circa 1900-1910, this Edwardian pendant lorgnette is composed of platinum and diamonds. The lorgnette is formed as a reeded column with pierced diamond foliate elements s...

Likely created circa 1903-1907, this plique-à-jour enamel and natural pearl pendant brooch with chain by René Lalique is set in 18K gold. The modified triangular form, composed of chased 18K gold, centers two stalks of seaweed among pale green plique-à-jour enamel seawater, symmetrically bordered by rampant lions joined at the top at the tips of their tufted tails, the reverse counter enameled, suspending a natural saltwater pear-shape pear with rose tones. A work of subtle homage to Brittany and its wild coastline, this flowing form harmoniously combines motifs evoking the marine flora and history of this noble-spirited region of France so beloved of late 19th century artists. Product Details: Item #: N-21379 Artist: René Lalique Country: France Circa: 1903-1907 Materials: 1 natural saltwater pearl (measuring approximately 9.85 x 8.62 mm); Plique-à-jour Enamel; 18K Gold Signed: LALIQUE Documentation: Accompanied by GIA report #6237144602 dated December 13, 2023, stating that the pearl is natural and of saltwater origin. Macklowe Gallery Curator's Notes: French artists like Monet and Gaugin discovered the "emerald coast" of Brittany, Western France, in the 1880s. They captured the independent spirit of the inhabitants, dressed immaculately in their distinctive regional attire, engaged in traditional rural and seaside pursuits such as haymaking, tending animals, fishing, and journeying in groups on foot through the countryside to attend mass. Another activity that captured the artists' imagination was the more unusual activity of the seaweed harvest. Gaugin and others captured these Breton "Goemoniers'" quiet dignity as they performed this backbreaking work, raking, drying and burning the massive stacks, variously employing horsedrawn carts or the more strenuous hand barrows...

Created around 1910, this Edwardian pendant necklace is composed of diamonds, plique-à-jour enamel and platinum. The scrolling floral and foliate motif pendant is composed of old Eur...

This antique Victorian 15K gold demi-parure comprising pendant earrings and pendant brooch with chain is set with over 10.00 carats of cabochon almandine garnets. The elongated pendant earrings are designed as scrolling leaf motif tops, each with an oval cabochon garnet, flexibly suspending a reverse-tapering drop of floral and foliate form set with pear-shape and oval cabochon garnets, en suite with a conforming pendant brooch and delicate rectangular trace link chain. Still stylish today, the lightly voluminous, repoussé forms have an easy, gentle sway, while their soft bloomed gold and saturated red garnets enliven the eyes and face. Product Details: Item #: STE-20655 Artist: James W. Lyon, Edinburgh Country: Scotland Circa: 1860's Dimensions: Earpendants: 3" length; Pendant Brooch: 2.5" length; Chain: 13.5" length Materials: Cabochon almandine garnet (with approximate total weight 6.10 carats); Cabochon almandine garnet (with approximate total weight 4.05 carats); 15K Gold; fitted original box from James W. Lyon, Edinburgh. Literature: A substantially similar demi-parure in the collection of the Victoria and Albert Museum, London, is pictured in Jewellery in the Age of Queen Victoria, by Charlotte Gere and Judy Rudoe, p.17. The image of the demi-parure is accompanied by an image of a lithograph of a young Queen Victoria wearing a substantially similar demi-parure. Macklowe Gallery Curator's Notes: Queen Victoria, whom the artistic record shows owned a substantially similar demi-paure, was deeply interested in couture and jewelry. Often, she chose to wear jewelry by British makers, in many cases work that was historically inspired and/or sentimental, knowing that her choices were closely observed by the public. These jewels were often relatively modest in value, and accessible to aspiring women of the British middle class. Blood-red cabochon-cut gems have been known throughout history as "carbuncles", and their use in gold jewelry was highly popular in the sentimental, symbolism-loving Victorian period in England. In the 19th century, the new study of of archaeology had revealed that the garnet was a favorite precious stone of the Hellenistic Greeks, who centered carbuncles in wedding jewelry such as gold bracelets and garment appliqués fashioned...

Dating from the 1970s, this Pisces pendant by Van Cleef & Arpels is composed of 18K gold, diamond, and emeralds. The ribbed bail suspends a circular pendant, within ropetwist frame, ...

Dating from the late 19th century, this bloomed gold lorgnette necklace is set with demantoid garnet highlights. Enclosing folding spring loaded len...

A French Art Nouveau 18 karat gold and enamel pendant by André Rambour. The pendant is designed as a maiden within an enamel iris which is suspended by ...

An American late-19th Century 14 karat gold pendant with moonstone and rubies. The pendant has a cabochon moonstone with an approximate tot...