SARL PLACE DES VOSGES - Galerie Mark Hachem Paintings

Ben Abounassif was born in Caracas in 1964 to Lebanese parents. He graduated from Tennessee Tech University in 1987 with a B.A. in Business Management. Abounassif's first contact working in the art world was in 2006 when he launched Leiter Gallery in Miami, a short but successful experience as a co-owner working along with Cuban-born, Miami-based artist Sinuhe Vega Leiter, and Venezuelan-born internationalist & journalist, Jesus Rojas Torres. Abounassif's innate creativity was highly influenced by working closely with local artists and by visiting their studios and launching exhibitions at Leiter's, the only gallery in the U.S. that paid a living tribute to the late Cuban musician, Israel “Cachao" López. A year later in 2007, Abounassif exhibited his first art cube on Photo Miami '07 with Hardcore Contemporary Art in Wynwood. In 2008, Miami art dealer...

Ben Abounassif was born in Caracas in 1964 to Lebanese parents. He graduated from Tennessee Tech University in 1987 with a B.A. in Business Management. Abounassif's first contact working in the art world was in 2006 when he launched Leiter Gallery in Miami, a short but successful experience as a co-owner working along with Cuban-born, Miami-based artist Sinuhe Vega Leiter, and Venezuelan-born internationalist & journalist, Jesus Rojas Torres. Abounassif's innate creativity was highly influenced by working closely with local artists and by visiting their studios and launching exhibitions at Leiter's, the only gallery in the U.S. that paid a living tribute to the late Cuban musician, Israel “Cachao" López. A year later in 2007, Abounassif exhibited his first art cube on Photo Miami '07 with Hardcore Contemporary Art in Wynwood. In 2008, Miami art dealer...

Arnaud creates elegant and solemn oil paintings of a dark and heavy experiences. The surfaces are thickened by paint, like tweed tapestries of labor-intensive strokes. They create a ...

Arnaud creates elegant and solemn oil paintings of a dark and heavy experiences. The surfaces are thickened by paint, like tweed tapestries of labor-intensive strokes. They create a ...

B. Yaghi is a Lebanese contemporary artist born in 1984. Having lived in several countries, B. Yaghi soaked up the rich cultures of Beirut, London, Miami and Dubai, and was immersed ...

B. Yaghi is a Lebanese contemporary artist born in 1984. Having lived in several countries, B. Yaghi soaked up the rich cultures of Beirut, London, Miami and Dubai, and was immersed ...

Antonio Asis was born in 1932 in Buenos Airs, Argentina. He studied at the Escuela Nacional de Bellas Artes, from where he obtained his doctorate degree in 1950. In 1956, he travel...

Antonio Asis was born in 1932 in Buenos Airs, Argentina. He studied at the Escuela Nacional de Bellas Artes, from where he obtained his doctorate degree in 1950. In 1956, he travel...

Following a visit to the Paris studio of Yves Klein in 1957, Bernard Aubertin was inspired to follow in Klein’s footsteps and passionately work within the field of monochromy, a styl...

LEILA NSEIR (Syria, 1941-2022) Born in Lattakia, Syria in 1941, Leila Nseir graduated from the Faculty of Fine Arts in Cairo in 1963. Beginning her career during the height of Syria...

Since the 1940s, the Egyptian painter Hamed Abdalla is not only a visionary pioneer of modern art for the global south and Arab countries; he is also one of the first of his generation to envision painting as political art and activism. The current display focuses on a specific time of defeat and disillusion for a whole generation of Arab artists and intellectuals, in the aftermath of the “Six Days War” led by Israel and their allies (a war title which a lot of Arab activists consider propagandist, preferring to call it “The Defeat of 1967” or simply the “June 1967 War”). This persistent ideological wound became the symbol of failed dreams for the “Arab Nation” or Arab states alliances – including the short but emblematic Egyptian-Syrian achievement of the United Arab Republic. Another major failure, to which Abdalla will respond through the paintings on display here, is the Egyptian President Anwar Sadat program of “opening up” (Infitah) the Egyptian economy and give way to political compromise with the US and Israel – Abdalla assimilating this period to a vast state of Coma for all Arab people and territories. In a collective statement by a group of Egyptian artists exiled in Paris (including Abdalla), published in the Egyptian local journal Al-Dustur, on 5 December 1977, one can read: “This disaster is far greater than the defeat of June 1967. Rather, it approaches the scale of the disaster that took place in 1948 (…) To destroy the Arab people’s noble three decades-long struggle against imperialism and Zionism (…) Sadat is exploiting the stifling economic crisis that Egypt is currently facing (…) We must resist this betrayal of our nation or be crushed under the wheels of global imperialism for generations to come.” The works presented here reflect Abdalla’s transformation of the Hurrufiyyah aesthetics, to achieve his own way of “Arab Letterism”. It claims for a deeply experimental, non-decorative, politically committed and non-commercial use of the Arabic letter...

Since the 1940s, the Egyptian painter Hamed Abdalla is not only a visionary pioneer of modern art for the global south and Arab countries; he is also one of the first of his generation to envision painting as political art and activism. The current display focuses on a specific time of defeat and disillusion for a whole generation of Arab artists and intellectuals, in the aftermath of the “Six Days War” led by Israel and their allies (a war title which a lot of Arab activists consider propagandist, preferring to call it “The Defeat of 1967” or simply the “June 1967 War”). This persistent ideological wound became the symbol of failed dreams for the “Arab Nation” or Arab states alliances – including the short but emblematic Egyptian-Syrian achievement of the United Arab Republic. Another major failure, to which Abdalla will respond through the paintings on display here, is the Egyptian President Anwar Sadat program of “opening up” (Infitah) the Egyptian economy and give way to political compromise with the US and Israel – Abdalla assimilating this period to a vast state of Coma for all Arab people and territories. In a collective statement by a group of Egyptian artists exiled in Paris (including Abdalla), published in the Egyptian local journal Al-Dustur, on 5 December 1977, one can read: “This disaster is far greater than the defeat of June 1967. Rather, it approaches the scale of the disaster that took place in 1948 (…) To destroy the Arab people’s noble three decades-long struggle against imperialism and Zionism (…) Sadat is exploiting the stifling economic crisis that Egypt is currently facing (…) We must resist this betrayal of our nation or be crushed under the wheels of global imperialism for generations to come.” The works presented here reflect Abdalla’s transformation of the Hurrufiyyah aesthetics, to achieve his own way of “Arab Letterism”. It claims for a deeply experimental, non-decorative, politically committed and non-commercial use of the Arabic letter...

Milton Avery, in full Milton Clark Avery, (born March 7, 1893, Altmar, New York, U.S.—died January 3, 1965, New York City), painter noted in his lat...

Giselle Borrás is a Colombian born artist who has lived and worked in Colombia, Spain and the United States of America. She has had several group and solo shows, and her work can be found in private collections across the United States and Colombia. She studied painting, drawing and color theory with several artists in Colombia and then continued her development in Madrid, Spain at The Fuencarral Studio. For the past twelve years she has been committed to her artistic work drawing inspiration from her continuous admiration for the human body. The end results of her work are these subtle and weightless figures, created from maintaining the painting process spontaneous, filled with innocence and yet providing the viewer much force, energy and presence. Her colors remain consistent, always vibrant and bold, and the painting is finished when the idea has become a complete discussion. Art is a language spoken with fluency by this up and coming artist...

Henry Spencer Moore OM CH FBA (30 July 1898 – 31 August 1986) was an English artist. He is best known for his semi-abstract monumental bronze sculptures which are located around the ...

French painter, sculptor, engraver, James Coignard was born in Tours in 1925. He lived and worked in Antibes, in the Maritime Alps, and he died in March 2008. Coignard began his studies in 1948 at the School of Fine Arts in Nice; however, his journey as an artist began in the Côte d'Azur, where he settled. In fact, Coignard traveled a lot, living for a period from 1985 to 1988 in New Orleans. His artistic career was marked by collective and personal exhibitions both in France and abroad (Sweden, Switzerland, the United States...), where he enjoyed fame and recognition. Until the 1960s, his artistic development was characterized by an expressionistic style; then Coignard found himself moving towards an abstract one with random spots, regular shapes, typographical characters, and mixed media backgrounds. He was a painter but also a sculptor, who experimented with bronze and with glass. His work as an engraver was also quite well-known. James Coignard created his first glass sculpture in the 1970s at the Fucina degli Angeli. Only later, after meeting Adriano Berengo...

Unique artwork by Sara Shamma. Sara Shamma is a renowned painter whose works can be found in both public and private collections around the globe. Shamma was born in Damascus, Syria (1975) to a Syrian father and Lebanese mother. She graduated from the Painting Department of the Faculty of Fine Arts, University of Damascus in 1998. She moved to London in 2016 under the auspices of an Exceptional Talent Visa where she currently lives and works. Shamma’s practice focuses on death and humanity expressed mainly through self-portraits and children painted in a life-like visceral way. Her works can be divided into series that reflect often prolonged periods of research, sometimes extending over years. Shamma believes that death gives meaning to life, and rather than steering away from a subject that is increasingly taboo in contemporary culture, she considers the impact of grief and deep internal emotions. The Syrian conflict has a distinct impact on the way that Shamma portrays her subjects. Working mainly from life and photographs, the artist uses oils to create a hyper realistic scene, using transparency lines and motion to portray a distant and deep void.  Shamma has previously taught at the Adham Ismail Fine Arts Institute in Damascus, and alongside her practice has always had a strong dedication to sharing her knowledge with the next generation of artists. She was a member of the jury for The Annual Exhibition for Syrian Artists held by the Ministry Of Culture, in Damascus, 2006. Shamma believes in helping others and has been supporting the United Nations World Food Programme since 2010, during which time she produced Fighting Hunger., sold by Christie’s Dubai in 2012 with all proceeds going to the WFP.  Shamma has participated in a number of solo and group exhibitions including: “London”, Art Sawa Gallery (Dubai, 2017); World Civil War Portraits, The Old Truman Brewery (London, 2015); Diaspora, Art Sawa Gallery (Dubai, 2014); Q, Royal College of Art (London, 2013); Birth, Art House (Damascus, 2011); Love, 360 MALL (Kuwait, 2009); The Royal Society of Portrait Painters Annual Exhibition, The Mall Galleries (London, 2013); Nord Art 2012 organized by KiC – Kunst in der Carlshütte (Büdelsdorf, 2012); UAE Through Arabian Eyes, (Dubai, 2008); Syrian Artists, Souq Wakef Art Center (Doha, 2008); Panorama of Syrian Arts, Catzen Arts Centre at The American University (Washington D.C, 2007); (shortlisted) International Painting Prize of the Castellon County Council, (Castellon 2005), Castellon and the Municipal Arts Centre of Alcorcon, (Madrid, 2005-2006); Women and Arts, International Vision...

Unique artwork by artist Sara Shamma. Sara Shamma is a renowned painter whose works can be found in both public and private collections around the globe. Shamma was born in Damascus, Syria (1975) to a Syrian father and Lebanese mother. She graduated from the Painting Department of the Faculty of Fine Arts, University of Damascus in 1998. She moved to London in 2016 under the auspices of an Exceptional Talent Visa where she currently lives and works. Shamma’s practice focuses on death and humanity expressed mainly through self-portraits and children painted in a life-like visceral way. Her works can be divided into series that reflect often prolonged periods of research, sometimes extending over years. Shamma believes that death gives meaning to life, and rather than steering away from a subject that is increasingly taboo in contemporary culture, she considers the impact of grief and deep internal emotions. The Syrian conflict has a distinct impact on the way that Shamma portrays her subjects. Working mainly from life and photographs, the artist uses oils to create a hyper realistic scene, using transparency lines and motion to portray a distant and deep void.  Shamma has previously taught at the Adham Ismail Fine Arts Institute in Damascus, and alongside her practice has always had a strong dedication to sharing her knowledge with the next generation of artists. She was a member of the jury for The Annual Exhibition for Syrian Artists held by the Ministry Of Culture, in Damascus, 2006. Shamma believes in helping others and has been supporting the United Nations World Food Programme since 2010, during which time she produced Fighting Hunger., sold by Christie’s Dubai in 2012 with all proceeds going to the WFP.  Shamma has participated in a number of solo and group exhibitions including: “London”, Art Sawa Gallery (Dubai, 2017); World Civil War Portraits, The Old Truman Brewery (London, 2015); Diaspora, Art Sawa Gallery (Dubai, 2014); Q, Royal College of Art (London, 2013); Birth, Art House (Damascus, 2011); Love, 360 MALL (Kuwait, 2009); The Royal Society of Portrait Painters Annual Exhibition, The Mall Galleries (London, 2013); Nord Art 2012 organized by KiC – Kunst in der Carlshütte (Büdelsdorf, 2012); UAE Through Arabian Eyes, (Dubai, 2008); Syrian Artists, Souq Wakef Art Center (Doha, 2008); Panorama of Syrian Arts, Catzen Arts Centre at The American University (Washington D.C, 2007); (shortlisted) International Painting Prize of the Castellon County Council, (Castellon 2005), Castellon and the Municipal Arts Centre of Alcorcon, (Madrid, 2005-2006); Women and Arts, International Vision...

Unique artwork by Paul Guragossian Signed lower left Born to Armenian parents, who were survivors of the Armenian genocide, Paul Guiragossian experienced the consequences of exile f...

Hussein Madi, painter, sculptor and engraver, born in 1938 in Chebaa in South Lebanon, is one of the Middle East’s most famous artists. Between 1958 and 1...

Hussein Madi, painter, sculptor and engraver, born in 1938 in Chebaa in South Lebanon, is one of the Middle East’s most famous artists. Between 1958 and 1...

Baker’s style can be characterized as an exotic cocktail of lines and forms based in post-structuralism. His work is cerebral and deliberately anti-thematic, juxtaposing lighthearted...

He has participated in over sixty group Art Shows and biennales since 1968 including Rochester Memorial museum 1974, Low Art Centre, Syracuse 1975, Soursouk Museum, Beirut, 1984-2008...

He has participated in over sixty group Art Shows and biennales since 1968 including Rochester Memorial museum 1974, Low Art Centre, Syracuse 1975, Soursouk Museum, Beirut, 1984-2008...

This artwork by artist Ihab Ahmad is quite unique. The artist explores concepts relating to universal harmony, as well as the connection between nature and humanity. Ihab Ahmad's vivid abstractions often feature recurring symbols such as fish, eyes, and trees, which are interwoven with bold patterns and geometric forms. The artist used acrylic as medium when creating it. The value of this artwork is 9000$. It part of Mark Hachem...

" Flooded Cafe " 195 x 400 x 2 Indian Ink on Canvas 2023 Unique by Ammar Hammoud Syrian Contemporary Artist

" Adam & Eve " 300 x 195 x 2 Indian Ink on Canvas 2023 Unique by Ammar Hammoud Syrian Contemporary Artist

" Zoo Escape " 270 x 195 x 2 Indian Ink on Canvas 2023 Unique by Ammar Hammoud Syrian Contemporary Artist

" Zoo Escape " 270 x 195 x 2 Indian Ink on Canvas 2023 Unique by Ammar Hammoud Syrian Contemporary Artist

Ed.4/6

Mystical, chemical or sexual ecstasy... it's the same prison.

Edition of 6

(…) Faced with a reality that is becoming more and more "reality TV", a democracy on the verge of becoming a 'TVcracy', as Paul Virilio writes, Yves Hayat s...

The mirror bars of the “Reflexion” installation symbolize the prison bars, where the only horizon is the reflect of the prisoner and his own closed universe.

On each blade is reproduced a famous suicide that in its own way have touched the bottom of his inner prison: Mishima, Marilyn, Kurt Cobain , Hemingway, Freud, Amy Winehouse, Jim Mor...

On each blade is reproduced a famous suicide that in its own way have touched the bottom of his inner prison: Mishima, Marilyn, Kurt Cobain , Hemingway, Freud, Amy Winehouse, Jim Mor...

All the ambivalence and contradiction of our democracy are to be found in the concept of Security/Freedom. Security and freedom are two of the inalienable and fundamental rights of e...

The Masharabiyya: lace for a woman who hides herself or a partition for a woman who is hidden?

The Masharabiyya: lace for a woman who hides herself or a partition for a woman who is hidden?

In the middle of the eighties Perez-Flores started the creation of a large series of pictures and reliefs called "Prochromatiques", in which the vertical elements are dominating. The...

In the middle of the eighties Perez-Flores started the creation of a large series of pictures and reliefs called "Prochromatiques", in which the vertical elements are dominating. The...

In the middle of the eighties Perez-Flores started the creation of a large series of pictures and reliefs called "Prochromatiques", in which the vertical elements are dominating. The...

Mobile reliefs with moving patterns operated by motors that alter the space colour ratios, initially in black and white and later in colour. Very slowly, the parts changed, were sepa...

Mobile reliefs with moving patterns operated by motors that alter space-colour ratios, initially in black and white and later colour. Very slowly, the parts changed, were separated a...