Mourlot Editions Paintings

Retro counterculture meets retro mainstream culture in this vibrant painting by Santa Cruz, California artist Russell Brutsche (American, 20th Century). The "Magic Bus" - a counterculture icon - is hooked up to jumper cables by the side of the road. Wrapped canvas sides are also painted - a continuation of the scene. Unframed. Image, 24"H x 30"W. “I’ve been painting since early childhood. I attended San Jose State University, studying under Eric Oback, Robert Freimark (student of Henri Matisse) and Sam Richardson...

Marcel Gromaire (1892-1971) - The Painter. 1943, paper, lithograph, 56x46 cm

Oil on canvas Signed and dated, l.l. This painting is offered by ClampArt, located in New York City. Price includes framing. About the artist: Artist and Composer Mark Kostabi was b...

Pocket Juicy Plum 2c is an original oil painting by Dani Humberstone as part of her Pocket painting series featuring small scale realistic oil paintings, with a nod to baroque still ...

Benny Andrews New York Cafe, 1966 Signed, titled and numbered in pencil, lower margin Lithograph on wove paper Image 10 1/2 x 14 1/4 inches Sheet 13 x 18 inches Edition 201/250 Ben...

Oil paint on cvanvas Signed lower left

Katherine S. Dreier, 'Variation 4, Vol. I' from '1 to 40 Variations', lithograph with pochoir and hand-coloring, 1934, edition 65. Stenciled signature and date, lower right. Annotate...

Robert Motherwell (1915-1991), alongside Jackson Pollock, Mark Rothko, and Willem de Kooning, made up the quartet of American abstract painters that radically defined abstraction and...

Jean Lurcat,New York, France, 1892-1966 Depicts a highly stylized, expressionist owl bird figure hidden in leaves surrounded by bright, vibrant, vivid blue, yellow, and orange colors...

"A Time To Remember" is a framed contemporary oil on canvas painting by Amy Donaldson featuring a vibrant, abstract impression of a water garden, reminiscent of Monet’s water lilies ...

Signed lower left Elizabeth Higgins (Canadian, b. 1960) Elizabeth Higgins describes herself as an abstract figurative and landscape painter. Everything around her serves as a potential subject, an inspiration to begin a painting. Fidelity to the landscape, the figure, or the still life is relative, as she isn’t interested in literal depictions; instead, it’s the abstract relationships of these shapes and colors, the abstract pictorial design that drives her work. Higgins’ paintings are rooted in the tradition stemming from Courbet, Derain, Bonnard, Matisse, Morandi, German Expressionism, and the Canadian Group of Seven (also known as the Algonquin School of landscape painters, 1920–1933). She is influenced by the work of her artist-teachers Paul Resika—himself a student of Hans Hofmann—and Robert De Niro, Sr. (1922-1993), as well as the paintings of contemporary artist Peter Doig. Her artistic evolution stretches across this continuum. It is the “in-between”, the hovering between representation and abstraction, that interests her, not the labeling effect of details; instead, she aims directly at the spirit of the painting—of making something come to life. John Goodrich wrote in her catalog essay, “Elizabeth Higgins’ direct brushwork and simplified forms suggest an energy, but crucially, reveal a painter who knows the power of color…” Elizabeth Higgins was born in Toronto, Canada, in 1960. As a Helena...

Maurice Esteve Composition 1964 Original Color Lithograph on Velin d'Arches Size: 10x7.375in Edition: 2,000 Annotated verso Unsigned as issued Publisher: Mourlot, Paris Printer: Mour...